Alyce is trying to figure out how to attend the dance try-outs that could secure her future when she's supposed to be working on her father's fishing boat. Dora is trying to build a life for herself away from her abusive parents. Ruth is just trying to get by and avoid the attention of her domineering grandmother. Hank is running away with his brothers. Bonnie-Sue Hitchcock's novel The Smell of Other People's Houses interweaves the stories of four teens as they confront their personal challenges and begin to gain control in determining how their life choices are made.
Set in Alaska during the Reagan administration, Hitchcock makes the Last Frontier seem like home with her descriptions of daily life — hanging out with friends, shopping at Goodwill, eating blueberries — interspersed with that which is wholly new to “Outsiders” (anyone from the mainland United States). By writing this story, she brings to light many challenges of Alaskan society — limited resources, Native rights and government representation—as well as many challenges that are not unique to Alaska — alcoholism, divorce, and abuse. Fans of Rebecca Stead will find a compatible voice in the naturalistic way Hitchcock includes the historical aspects of the ’60s, juxtaposing her characters’ development with Alaska’s acceptance of statehood into the U.S., in this emotionally-driven tale.
It takes a certain kind of writing magic to transport readers so completely into the past, but that is exactly what Libba Bray does in Lair of Dreams, her latest installment of The Diviners series. With careful attention to detail she brings to life New York City during the Roaring 20s with all its slang, speakeasies and the social issues bubbling just beneath the glossy surface. From this setting Bray weaves a spine-tingling ghost story that will keep readers up late into the night.
The Diviners introduced us to Evie O'Neill, a young girl heading to New York City in search of parties and good times. Beneath her flapper façade she hides a special ability, and she soon finds herself drawn into a much stranger circle of friends chasing down a paranormal serial killer tormenting the city.
In this sequel, a strange “sleeping sickness” is striking citizens in Chinatown, killing more victims each night and reaching out into the city. This group of gifted teens must face the terrifying and unknown world of dreams to stop a new ghostly killer. This time, they are joined by Ling Chan, a dream walker who can communicate with the dead. Meanwhile, Sam, a fellow Diviner, and Evie have uncovered some strange clues about why they have these powers, and how much danger they may be in because of them.
This engrossing book has a little of everything including horror, humor and history in perfect measure.
Katherine Howe’s first teen novel Conversion follows in the footsteps of her adult novels, as it deals with the paranormal, with witches and witchcraft. Conversion switches perspectives—from modern day St. Joan’s Academy, an elite, all-girls private school, to 17th century Salem Village—as Howe tells the story of two girls, Colleen Rowley and Ann Putnam Jr., who are linked despite growing up centuries apart.
The majority of the story is Colleen’s, a high school senior whose greatest desire in life is to be class valedictorian and attend Harvard. When Colleen returns to St. Joan’s for the last semester of her senior year, things take a drastic turn, as her classmates begin falling sick. Initially, the media blames a vaccine for the odd tics that the girls develop, but as more and more St. Joan’s girls succumb to the mystery illness, Colleen and others begin to question the diagnosis. Meanwhile, Howe weaves in chapters of Ann Putnam Jr.’s confession of her involvement in the Salem witch trials, drawing parallels between the two stories.
Longtime fans of Katherine Howe will enjoy this new teen title, while those new to Howe’s books, looking for a book with a paranormal twist, will enjoy Conversion. Loosely based on a real story of teenage girls falling sick at a New York high school and Ann Putnam Jr.’s real accounts of her involvement in the Salem witch trials, Conversion is based in reality. Howe adds her signature paranormal elements that make the reader question everything.
As a boy, Jacob Portman was always spellbound by the stories his grandfather told him about children with strange powers who lived in an isolated house on a Welsh island. After his grandfather’s violent death, he receives a mysterious letter from a Miss Peregrine, travels to the island and discovers that his grandfather’s stories — and the children — are very much real. So what happens next to the Peculiar Children? Ransom Riggs’ much-anticipated new book, Hollow City, is the second book and sequel to his bestselling novel, Miss Peregrine’s Home for Peculiar Children. In Hollow City, Jacob and the peculiar friends he meets in the first book have escaped Miss Peregrine’s island and are now traveling to 1940s war-era London. Their purpose for the journey is to try to help Miss Peregrine who, thanks to a spell, is now in bird-form. Along the way, they make new friends, become acquainted with some truly unique people and animals, and continue to battle the monsters who threaten the Peculiars’ existence.
Similar to J.K. Rowling’s Harry Potter series, the characters in Hollow City have matured, and the issues and relationships they face have also become more serious. There is a balance of fast-paced suspense and horror melded with lighter and touching moments of friendships and loyalties, making this book and its predecessor good picks for both those who like fantasy or realistic fiction. Riggs continues the practice of using old, strange and, in some cases, disturbing vintage photographs to tell a story that combines real history with the fantastical. As many reviewers have pondered, in a “chicken or egg” fashion, did the photographs inspire the story or did the story create a search for unique photographs which would enhance the plot?
The film adaptation of Miss Peregrine’s Home for Peculiar Children, directed by Tim Burton, is in development, and is due out in 2015.
Sarah Zettel’s Palace of Spies tells the story of Peggy Fitzroy who was orphaned as a child and has lived with her Uncle and Aunt Pierpont and her beloved cousin Olivia ever since. At 16, her Uncle Pierpont announces that she is to marry Sebastian, the second son of Lord Sandford, and a much desired husband by her peers. Peggy is dismayed at the news but reluctantly agrees, despite never having met Sebastian. When they do meet at the social event of the season, he tries to assault her, and she is saved by a man named Mr. Tinderflint. Tinderflint tells her that he once knew her mother and implores her to take a post at the court that he has arranged for her. She refuses and runs back to the party. When Sebastian demands an apology the next day, she refuses and calls off the engagement, leading her uncle to kick her out of his house.
Left with no other options, Peggy remembers Mr. Tinderflint’s offer and decides to pay him a visit. When she reaches his address, she finds out that his offer is more complicated than it initially seemed. Her job is to assume the identity of the deceased Lady Francesca Wallingham, to whom she bears a striking resemblance. Francesca, one of Princess Caroline’s maids of honor, and a spy for Tinderflint and his associates Mr. Peele and Mrs. Abbott, passed away while visiting her home, leaving them without their spy at court. After enough training to portray Francesca, Peggy sets off for Hampton Court where she begins to question whether the real Lady Francesca Wallingham died of natural causes, as she was told, or if the lady was murdered. As she investigates Francesca’s demise and the loyalties of the court, readers are treated to a captivating mystery filled with intrigue, suspense and romance.
Oh, the romanticism of falling in love abroad, even when the city is Soviet-era Leningrad in the 1980s. In Natalie Standiford’s new novel, The Boy on the Bridge, Laura is an eager college student who's had a love affair with Russia since childhood. Studying abroad in Leningrad, despite the hardships of the time, is just another way to immerse herself in the culture and language. During a chance encounter, Laura meets Alyosha, a mysterious young man who defies the profile of the typical Soviet youth. He questions his government, is scornful of the blind devotion Russians have towards their leaders and is fascinated by all things American, including Laura. Unfortunately, all of these qualities make him a target for the KGB, and Laura becomes increasingly afraid for Alyosha’s safety, especially as she falls in love with him. But in a time of strained American-Soviet relations, when many Russians dream of escaping to the West by any means possible, can she really trust Alyosha’s affections?
Beautifully written and peppered with details about Soviet food, culture, manners, housing and customs, The Boy on the Bridge transports readers to frozen Leningrad in all its authenticity. Standiford presents a unique and nuanced love story with realistic characters and an honest look at Soviet Russia with its many complexities and contradictions. Like her main character, she spent a college semester abroad in Leningrad, and photos and information on her website provide context and visuals for what is in the story.
Set in the late 1800s just as the Eiffel Tower is being built, Elizabeth Ross’ Belle Epoque tells the story of Maude Pichon, a 16-year-old girl who ran away from her small French village to Paris. Maude’s fresh start in the City of Lights doesn’t go exactly as she’d planned, as she has trouble finding work, and quickly runs out of money. However, things seem to be turning around for Maude when an ad for a job with the Durandeau Agency catches her eye, and she is hired on the spot. The details of the job are sketchy; Maude only knows that the work is supposed to be undemanding and well-paying.
On her first day at the agency, Maude learns that the young women are hired by wealthy Parisians as repoussoirs. The owner of the agency, Durandeau, had the idea that rich Parisian women need a repoussoir, an ugly woman, to make them seem more beautiful in comparison. Maude is dismayed at the thought that she is ugly enough for the job, but given her dire financial situation, she feels she has no choice but to accept the work.
She is quickly hired by Countess Dubern to be the repoussoir for her daughter Isabelle, with the caveat that Isabelle can never know that Maude has been hired to spend time with her. Instead, the countess tells Maude to pretend that she is a distant relative of a friend, who has just arrived in Paris for the season. Maude quickly gets swept into Parisian high society, attending operas and balls, dressed in the latest fashions, all the while becoming friends with Isabelle, whom she is supposed to be deceiving. Belle Epoque is a fascinating novel—a coming of age story, mixed with a bit of romance, and a lot of history—perfect for fans of historical fiction.
Michaela MacColl’s Nobody’s Secret, based on Emily Dickinson’s poem, “I’m nobody! Who are you?” creates a fictional story as background for the poem. In doing so, MacColl tells an intriguing story that is part historical fiction, part mystery, and filled with allusions to Dickinson’s poetry.
In 1846 when Nobody’s Secret begins, Emily is laying in a field trying to get a bee to land on her nose when she is approached by a man she’s never seen. The two have a brief conversation discussing the best ways to get a bee to land on Emily’s nose, after which he departs. They never exchange names, only referring to themselves as Mr. and Miss Nobody. The two run into each other the next day, and Emily’s fascination with the enigmatic stranger grows. They discuss their families without revealing too many details. She even confesses her deepest secret—that she writes poetry. The real mystery begins when Mr. Nobody turns up dead in the Dickinson’s pond the following day, just two days after he and Emily first met. Having never exchanged names, Emily is determined to find out his identity so he can have a proper funeral. During her investigation, she realizes that his death was no accident, and then she sets out to find the killer.
MacColl’s fictionalized Emily Dickinson is a fascinating character, whose determination is admirable. Readers are quickly charmed by Mr. Nobody’s relationship with Emily, leaving them rooting for her to figure out who he was, and why he was murdered. Nobody’s Secret is a great pick for teens interested in historical fiction and mysteries, while those who enjoy poetry will enjoy the bits of Emily Dickinson’s poems interspersed throughout the novel.
Rainbow Rowell’s teen debut, Eleanor & Park is a story about first love, not fitting in during high school, punk rock, and comic books. Eleanor is a self-described chubby, curly-haired, redhead, who is teased mercilessly by her schoolmates. She has an even worse home life. Park, a half-Korean teenage punk rock fan, feels like he doesn’t fit into their town. They meet on the first day of school in 1986 when Park takes pity on Eleanor and lets her sit next to him on the bus.
For weeks, the two don’t speak a single word to each other as they ride to and from school, until Park realizes that Eleanor is reading his comic books over his shoulder. He begins paying attention to which ones she seems to like, and brings more for her to borrow. They read in silence on the bus, and she devours the borrowed comic books at home. Weeks later, Park breaks the silence, asking about the song lyrics she has written all over her notebooks. Eleanor confesses that she’s never heard any of these bands, and the lyrics are from songs she’d like to hear. So he makes her mix tapes and lends her his Walkman since she can’t afford one, let alone the batteries to keep it running. Once the silence is broken, they never stop talking; talking progresses to hand-holding, and that turns into love that readers see grow throughout the novel.
Park becomes Eleanor’s escape from her home life, and she becomes his from small-town America. Rainbow Rowell’s story about two misfits falling in love amidst the music and comic books of the late 1980s is a romantic, yet realistic novel. Older teens, new adults, and those whose adolescence took place in that era are all sure to enjoy it.
Sixteen-year-old Lady Ada Averly is returning to England in the spring of 1910, following a ten year stay in India, as Cinders & Sapphires by Lelia Rasheed opens. During this ocean voyage, Ada encounters Ravi, an Indian Oxford student, and the two share an unforgettable but forbidden kiss. Ada returns to the family estate, Somerton Court, with her younger sister Georgiana, and their father, Lord Westlake. This is not a pleasant voyage, however, as they are facing financial ruin and rumors of a scandal that removed Lord Westlake from his post in India.
Once back at Somerton, the servants are woven into the story, including sixteen-year-old Rose, who bears an uncanny resemblance to Westlake and is the daughter of the housekeeper. Other servants include a footman with a secret past, and a conniving lady’s maid to Westlake’s soon-to-be stepdaughter. Somerton is abuzz with planning for the nuptials which will unite Westlake and the wealthy Fiona, who has three children of her own. However, Ada is interested in more than parties and shopping. This time before World War I is an awakening of new technologies and political ideas. Women’s rights and the fight for Indian independence are gaining momentum, and Ada is excited by all of it. She yearns for a university education. But her father’s tenuous social and financial standing prompt Westlake to discourage educational pursuits and instead focus on her debut season which will hopefully result in a proper engagement.
This is a quick-paced story told from multiple points of view that will appeal to both romance and historical fiction readers. This first in the At Somerton series does an excellent job of mixing affairs of the heart, scandal, and glittery social occasions while still highlighting the developing social consciousness of the era, and those fighting to combat accepted class, race, and gender discrimination.