Richard is going crazy. His 14-year-old cousin Malley doesn't want to go to boarding school. Now she has run off with some guy named Talbo Chock. Luckily for Richard, he crosses paths with Skink, the 72-year-old oddball protagonist in Carl Hiaasen's newest teen novel Skink: No Surrender. Skink has been around before. He is one of Hiaasen's most beloved characters first appearing in his adult novel Double Whammy over 25 years ago. Now he's back, just in time to dish out his own weed-whacking brand of integrity and justice.
Richard doesn't know what to make of Skink, the eccentric, one-eyed ex-governor of Florida. One minute Skink is burying himself in the sand waiting to catch Loggerhead turtle egg thieves, the next he's off to help Richard solve the mystery of Malley's disappearance. Richard and Skink’s swampy journey leads them into one white-knuckle situation after another, thankfully diluted with plenty of humor along the way. Road kill for dinner, anyone?
Hiaasen, a Florida native and columnist for the Miami Herald, has long been an advocate for the Everglades. This latest plot-driven adventure, told from Richard’s perspective, continues Hiaasen’s subtle brand of environmental awareness while skimming over the creepier aspect of the story: a teenage girl’s abduction by an older man. As with his previous books, nature — and man's disregard for it — pulse below the surface, as does the fact that imperfection is not, by itself, a bad thing. There's a place for even flawed superheroes, like Skink, when it comes to defending what's right. Marketed for teen readers, this latest effort, recently long-listed for the National Book Award, will appeal to the legion of Hiaasen fans who appreciate his popular brand of humor and zesty storytelling.
Wildlife is Australian author Fiona Wood’s first novel to be published in the United States. It tells the story of two high school girls on their wilderness term at an Australian high school. Sibylla and Lou’s elite school makes students spend one term at their outdoor education campus, living in cabins, going on solo hikes and learning to fend for themselves. Sib and Lou are thrown together in a cabin with a few other girls, and each have to deal with their respective relationship and friendship issues.
Sib has always been outside of the popular group, but a once-in-a-lifetime modeling gig puts her in the spotlight. Her newfound popularity catches the attention of the most attractive guy in her class, Ben. When the two start dating, Sib begins to worry about her inexperience in relationships because of pressure from her best friend Holly. The peer pressure leads her to question her relationship with Ben and eventually her existing friendships.
Lou, on the other hand, is a transfer student looking to start over after her boyfriend died in a car accident the previous school year. She keeps her distance from her fellow classmates, including Sib, until the situation between Sib and her friends escalates, and the two form a new friendship.
Ultimately a story about friendship, romance and growing up, Wildlife is a well-written novel that readers looking for a high school story with a twist will enjoy. Wood’s characters are highly relatable and fully realized — Sib, Lou and their fellow students all seem real, their issues ones many teens face.
"Distinctive" is the word I would use to describe Scott Westerfeld’s previous books, and his latest young adult novel Afterworlds is no different. With alternating chapters and the combination of two genres, Afterworlds is a unique work of fiction.
As the book opens, Darcy has graduated high school and deferred college to pursue a writing career in New York. She has sold her debut novel and signs a book deal for $300,000. As an 18-year-old girl in New York City, Darcy is exploring what it means to be an independent adult, discovering her own sexuality and learning the art of book publishing.
In the alternate chapters, we see how Darcy’s life affects her writing. Lizzie, Darcy’s protagonist, is caught in a terrorist attack. The trauma forces her into the Afterworld – the place where people go when they die. While there, she meets a captivating young man who helps her evade the terrorists and return from the Afterworld unharmed. It’s after this traumatizing event that Lizzie finds she is able to walk in two worlds and is blessed and cursed with a macabre gift that she can’t just give back.
Half of this book is realistic fiction and coming of age story about an emerging writer. The other half is a paranormal romance. At times Afterworlds is similar to The Graveyard Book by Neil Gaiman; other times it can be likened to Fangirl by Rainbow Rowell. This is a peculiar combination that mixes surprisingly well.
Katherine Howe’s first teen novel Conversion follows in the footsteps of her adult novels, as it deals with the paranormal, with witches and witchcraft. Conversion switches perspectives—from modern day St. Joan’s Academy, an elite, all-girls private school, to 17th century Salem Village—as Howe tells the story of two girls, Colleen Rowley and Ann Putnam Jr., who are linked despite growing up centuries apart.
The majority of the story is Colleen’s, a high school senior whose greatest desire in life is to be class valedictorian and attend Harvard. When Colleen returns to St. Joan’s for the last semester of her senior year, things take a drastic turn, as her classmates begin falling sick. Initially, the media blames a vaccine for the odd tics that the girls develop, but as more and more St. Joan’s girls succumb to the mystery illness, Colleen and others begin to question the diagnosis. Meanwhile, Howe weaves in chapters of Ann Putnam Jr.’s confession of her involvement in the Salem witch trials, drawing parallels between the two stories.
Longtime fans of Katherine Howe will enjoy this new teen title, while those new to Howe’s books, looking for a book with a paranormal twist, will enjoy Conversion. Loosely based on a real story of teenage girls falling sick at a New York high school and Ann Putnam Jr.’s real accounts of her involvement in the Salem witch trials, Conversion is based in reality. Howe adds her signature paranormal elements that make the reader question everything.
Stephanie Perkins, the author of Anna and the French Kiss and Lola and the Boy Next Door returns with her third and final novel in the series, Isla and the Happily Ever After. This heartwarming new romance follows Isla and Josh from their homes in New York City to their boarding school in Paris, as they look for their happily ever after.
Isla has been in love with Josh from afar for ages, and when they bump into each other in New York City during the summer vacation before their senior year of high school, she hopes this is her chance with her crush. But when they return to the School of America in Paris, fondly known as SOAP, everything is just as it always has been. Josh is distant and secretive, and Isla feels awkward every time he’s around. She doesn’t give up hope, and when she discovers that Josh returns her feelings, she must learn how to deal with her new reality of happily ever after. Ultimately, Isla and the Happily Ever After is a book about knowing yourself as much as it is a romance.
Isla and the Happily Ever After is a romance that fans who have been reading Perkins for years will devour, and new fans will enjoy just as much. Having read Perkins’ other novels adds something extra to the reading experience, but Isla and the Happily Ever After can be read alone as well. Anna and St. Clair, and Lola and Cricket each have brief, yet wonderful appearances, but this novel is truly Isla and Josh’s story. With Perkins’ wonderful descriptions of New York and Paris, readers will feel like they’ve traveled the world with Isla.
Mexico City author Adi Alsaid ties together the stories of five distinct young people in Let’s Get Lost, his much-buzzed about, captivating road trip novel. Using an unconventional but ultimately wholly satisfying structure, the author first introduces us to Hudson, a young man in Vicksburg, Mississippi, who seems to have his life planned out. But then a carefree, plainspoken 17-year-old named Leila appears in her red car (with red interior) at the repair shop his father owns. Everything in Hudson’s life changes after spending a few short hours with Leila.
And this is ultimately Leila’s story, which the reader is told in bits and pieces as she meanders toward her ultimate destination of seeing the Northern Lights in Alaska. In Kansas City, she encounters Bree, a shoplifting runaway with a dark backstory; later in the Twin Cities, Leila saves Elliot from what could have been a life-ending decision on his prom night that didn’t go as he’d planned. On the way northwest to Alaska, Sonia needs Leila’s help after circumstances set into motion an international comedy of errors involving wedding rings, Mounties and Tim Horton’s donuts. Finally, Leila reaches Alaska, and the reasons for her bittersweet need to see the Northern Lights become as brilliantly clear as the Aurora Borealis itself.
Let's Get Lost brims with young people on the cusp of discovering their potentials, which makes it a great read for teens looking for inspiration in their own lives. It will also appeal to adults with a sense of longing for open-ended days free of responsibility, when life’s options seemed limitless.
Imagine willingly telling strangers on the Internet your deepest, darkest secrets and letting them give you an assignment that you have to complete to protect your secret — that’s what Tabitha decides to do in Corey Ann Haydu’s Life by Committee. Tabby feels like her life is falling apart after her best friends abandon her and she kisses someone else’s boyfriend, a boy that she’s been flirting with online for months. When she’s given a used copy of The Secret Garden filled with someone’s thoughts on the book and a website link handwritten in the back everything changes. Intrigued by the website, “Life by Committee,” and frustrated with how things are going in her life, Tabby decides to join the group, which requires members to provide one secret a week and then perform a task to keep the secret safe.
As Tabby joins the website, she’s pushed outside her comfort zone again and again by group members as she reveals more secrets. As time goes on, she begins pushing away her only remaining friend and her parents as she becomes wrapped up in the website and the assignments they give her. Only when the assignments begin to go too far does Tabby begin to question her choices.
Haydu’s Life by Committee is a strong second book after her memorable debut novel OCD Love Story. Again Haydu has written about a character who is flawed, and all the more interesting because of it. Tabby makes some cringe-worthy choices and many mistakes throughout Life by Committee, making her a realistic, relatable character. Readers who enjoy Haydu’s books can look forward to two new titles set to be released in 2015.
Canadian cousins Jillian and Mariko Tamaki team up on This One Summer, a swirling, breathtaking graphic novel that recounts the time in a girl’s life when childhood innocence comes to a crashing end. Rose, an only child, goes to cottage country north of Toronto every summer with her parents. There, they meet up with another neighbor family, including Windy, who has been Rose’s slightly younger playmate for years. Windy, too, is an only child, and the two find themselves quickly reacquainting and sharing their days together. But Rose’s adolescent leanings, coupled with tension between her parents, mean that this summer will be different.
Jillian Tamaki’s purple-blue ink illustrations perfectly capture the churning, confusing and sometimes somber moodiness that Rose endures as the events of the summer pass. From carefree days splashing in the lake and watching slasher DVDs with Windy to dealing with her parents’ marital breakdown, Rose’s progression is clearly defined. Her first crush, on a convenience store clerk (who has troubles all his own), is well-depicted in all its unrequited awkwardness. Mariko Tamaki’s words are equally effective, as many older teens and adults will see their own lives in the thoughts and actions of the young friends. Frank language and mature topics such as depression and pregnancy are handled carefully but without patronizing to the intended age of the readership. Particularly successful is the way the Tamakis choose to tell the tale — without judgment or outspoken morality. The bittersweet conclusion is open-ended and purposely lacking forced resolution, showing that adolescence — and life itself — is a continuum that will go on long past that one summer.
Jenny Han, author of the Summer series and coauthor of the Burn for Burn series, returns with the start of a new series, To All the Boys I've Loved Before. The main character, Lara Jean, and her sisters, Margot and Kitty, have always been incredibly close, taking care of one another since their mother passed away. The Song girls, as they call themselves to honor their mother's Korean heritage, run the household while their father, a doctor, is busy at work. As the novel begins, Lara Jean's happy, but sometimes boring life, gets turned upside down.
When Margot, the oldest of the Song girls heads off to college in Scotland, she breaks up with Josh, her boyfriend and the quintessential boy next door, who Lara Jean once secretly loved. Lara Jean wrote Josh a letter when he and Margot started dating so she could move on and stop loving him, a practice she's used with every boy she's loved before. She keeps the letters in a hat box, looking at them from time to time, but never sending them. One day, she finds the box and letters missing, and the boys she once loved start approaching her in school about the letters.
Lara Jean and Peter, one of the boys she loved in middle school, decide to pretend to date, so she can avoid awkwardness with Josh, and Peter can make his ex-girlfriend jealous. Readers will enjoy Lara Jean and Peter trying to keep up their dating charade, as she's forced to confront her feelings for all the boys and their feelings for her. To All the Boys I've Loved Before is a realistic, romantic teen book perfect for readers looking for a fun summer read! Be on the lookout for the sequel, P.S. I Still Love You.
"My full name is Cadence Sinclair Eastman. I live in Burlington, Vermont, with Mummy and three dogs. I am nearly eighteen. I suffer migraines. I do not suffer fools."
So begins and ends E. Lockhart’s new book We Were Liars. Yet, by the end, the reader will have a much clearer perspective on the narrator's words. Cadence is part of the powerful and distinguished Sinclair family of New England. Every summer, the extended families vacation on their private island, each family set up in their own beautiful house. Idyllic? There’s been an unchallenged stoicism to the Sinclair family, but modernism with its myriad of issues is breaking to the surface: divorce, debt, addiction, the welcoming of outsiders — and the family hasn’t handled it well.
Then there’s Cadence herself. Every summer, she has been with her two cousins – Mirren and Johnny, later joined by Gat, the nephew of one of her aunt’s new husbands. They became known as “The Liars” for the trouble they caused as a group. But something happens on the island at the end of Cadence’s 15th summer, something of which she has no recollection, except that she almost drowned. Plagued by health issues, she doesn’t return until her 17th summer. She tried to reach out to her cousins and friend during her absence but heard nothing. No one else will talk about what happened that year, or what led up to her near death. Everyone tells her she must remember herself. Slowly, she recovers memories of her life that summer and puts pieces together to reveal a much darker family history. By the end, she will be face-to-face with grief and the full horror of events.
Told with beautiful poetic lyricism and sparse wording conveying rich description, this book shouldn’t be overlooked by adults or book clubs. Rife with character introspection, family dysfunction and mystery layered with fractured reality, in its final pages, We Were Liars packs a powerful punch.