The most prestigious awards for teen and children's literature were announced by the American Library Association in Boston earlier this morning. Awards were given in a wide range of categories that covered all formats and age levels. A complete list of awards, winners and honorees can be found here.
The Caldecott Medal is awarded annually to the artist of the most distinguished American picture book for children. This year’s winner is Finding Winnie: The True Story of the World's Most Famous Bear written by Lindsay Mattick and illustrated by Sophie Blackall. Blackall's warm gouache-and-ink illustrations complement this story of the real bear who inspired the creation of the beloved Winnie-the-Pooh. Caldecott Honor winners include Trombone Shorty written by Troy Andrews and illustrated by Bryan Collier, Waiting written and illustrated by Kevin Henkes, Voice of Freedom: Fannie Lou Hamer: Spirit of the Civil Rights Movement illustrated by Ekua Holmes and written by Carole Boston Weatherford and Last Stop on Market Street written by Matt de la Pena and illustrated by Christine Robinson.
The oldest of the medals awarded, the John Newbery Medal, is awarded to the author of the most distinguished contribution to American literature for children. This year’s medal recipient is Matt de la Pena for Last Stop on Market Street, a picture book illustrated by Christine Robinson sharing the simple story of a young boy riding the bus with his grandmother and learning to find the beauty in everyday things. Three books were selected as Honor winners: The War that Saved My Life by Kimberly Brubaker Bradley, Roller Girl by Victoria Jamieson and Echo by Pam Munoz Ryan.
The Michael L. Printz Award annually honors the best book written for teens, based entirely on its literary merit. This year’s winner is Bone Gap by Laura Ruby. Ruby blends mystery, romance and magical realism and draws the reader into this place and the story of Finn, an eighteen-year-old outsider who is the only witness to an abduction. Printz Honor awards went to Out of Darkness by Ashley Hope Perez and Ghosts of Heaven by Marcus Sedgwick.
The Coretta Scott King Awards are given to outstanding African American authors and illustrators of books for children and young adults that demonstrate an appreciation of African American culture and universal human values. Bryan Collier received the Coretta Scott King Illustrator Award for his vibrant mixed media collages which bring to life the story of author Troy Andrews who shares his childhood dream of becoming a musician. Rita Williams-Garcia, one of the authors selected for this year’s inaugural BCReads, was awarded the Coretta Scott King Author Award for Gone Crazy in Alabama, the final installment in the heartwarming Gaither family series that began with One Crazy Summer. Congratulations also to local author, Ronald L. Smith, author of Hoodoo, for winning the Coretta Scott King/John Steptoe New Talent Author Award. Be sure to read more about our hometown winner in our interview with Smith earlier this year.
As the weather gets colder and the snow days start piling up, you may find yourself wondering what to do with your children now that they are stuck indoors more than usual. No need to sit them down in front of the television or computer — here are some great activity books for kids that are sure to alleviate their boredom and inspire their creativity.
The Curious Kid’s Science Book by Asia Citro encourages children to develop a scientific curiosity about the world around them. Citro points out that children are naturally inclined to ask questions about the way things work, making them “born scientists.” A science teacher herself, Citro reassures parents that the experiments in the book aren’t complicated and don’t need to be executed perfectly in order to have value — the main purpose of the experiments is to show kids how to use the scientific method and develop scientific skills. The book is divided into simple topics such as “plants and seeds,” “water and ice” and other concepts that introduce children to the basics of biology, chemistry, physics and even engineering. This book is great for parents of 4-7 year olds who want their children to start developing science, technology, engineering and math (STEM) skills early in their education.
Do you have a budding chef or a young Martha Stewart on your hands? In Good Taste by Mari Bolte is filled with fun recipes that kids can put together and package with style to give as great holiday gifts. Bolte encourages kids to be creative with their presentation and packaging as that is often what makes a gift go from being ordinary to extraordinary. Some of the gifts include pickles in decorated mason jars, homemade marshmallows wrapped in colorful cellophane and ribbon and bouquets of fruit cut into decorative shapes. She also includes a section at the end where multiple gifts from the book can be combined into themed gift baskets. This book is best for slightly older children in middle grades with an aptitude for cooking and an eye for aesthetic appeal.
For parents whose children are more interested in arts and crafts, Paper Mania by Amanda Formaro has a variety of projects for kids of all ages and skill levels. The projects include everything paper: from simple paper airplanes to magazine collages and mosaics, from toilet paper tube marble racetracks to papier-mâché masks and decoupage. Children will develop their skills with cutting, weaving, pasting, measuring, folding, coloring and more. Formaro is a mother and blogger who has been crafting with children for years. Her blog, CraftsbyAmanda.com, includes projects for both adults and kids — so parents can join in on the crafting fun too!
Yo-Kai Watch is poised to become the next Pokemon! The Nintendo 3DS game about tracking and befriending cute little Japanese folklore-inspired ghosts has landed stateside and brought with it an anime show and a manga series. Kids everywhere can get their Yo-Kai fill no matter their preferred medium.
In the first volume of the manga, Yo-Kai Watch hero Nate Adams — an ordinary elementary school student — is on his way home one afternoon when he happens across a capsule machine made of stone. To Nate’s surprise, the machine still works and grants him a stone capsule. At first he feels slightly underwhelmed by the rock, but then it goes nuts and poofs out a floaty, unibrowed, blue Yo-Kai called Whisper.
Whisper is super grateful for being freed and pledges to serve Nate as his personal butler. He even gifts Nate a swanky watch...a Yo-Kai watch! The watch emits a special light that reveals the otherwise invisible Yo-Kai to its wearer, which Nate quickly realizes makes him his look like a crazy kid as he converses with his invisible familiar in front of his friends and family.
It’s for the greater good, though. Each chapter pits Nate and Whisper against a mischievous Yo-Kai hounding people around town. First is Jibanyan, a fiery two-tailed cat who vows to get revenge on the car that ran him over. Then there’s Happierre and Dismarelda, two bulbous spirits who alter the moods of everyone and everything around them but balance one another quite perfectly. Next comes Mochismo, an animated rice cake who haunts a child who never finishes his rice cakes whenever he’s treated to them. That’s not even all of the Yo-Kai Nate meets in volume one — they’re everywhere!
Children who know and love every last Pokemon or teens who grew up with the critters should definitely check out Yo-Kai Watch.
A fascinating read that focuses on both local and internationally important histories, Breakthrough! Is the record of the surgeon Alfred Blalock, his assistant Vivien Thomas and Dr. Helen Taussig, who teamed up to invent an operation to save some of their tiniest patients. Previous to the innovation of Blalock, Thomas and Taussig in 1944 there was an affliction known as “blue baby” syndrome, in which the patient’s color would change and their breathing would gradually decrease This syndrome was almost always fatal, and affected mostly patients between birth and 5 years of age. Dr. Taussig often worked with and attempted to treat many of these Blue Babies and was the leading expert on the disease but she needed the help of an experienced surgeon to develop and perform what she thought could be the cure. She, Vivien Thomas and Dr. Blalock were all working at Johns Hopkins at the time and although Blalock was reluctant to take on the task at first, he eventually agreed. Essential to the story is the fact that Thomas, who because of his African American heritage had been kept at the level of assistant instead of given schooling and credentials that would have promoted him to surgeon, was the main developer of the operation, which involved re-routing veins in the heart in order to increase oxygen flow in afflicted patients. The incredible delicacy and skill Thomas possessed could not be put into practice in the operating room directly, but he did assist and direct Blalock every step of the way on the revolutionary day that all three of their efforts paid off and their first young patient was permanently cured.
Breakthrough! is a fascinating piece of local history that discusses how much medicine has advanced in this century, the racial and gender barriers we have overcome and those still left to tackle on the horizon. It’s excellent reading for personal interest or for research on the topic of the blue babies disease or any of the individual doctors the account centers around.
There’s a new kid at school, and the title of Patrick Jennings’s new book Odd, Weird and Little describes him perfectly. Toulouse is certainly odd — he dresses in a full suit and tie; he writes everything with a quill and ink, which is definitely weird; and he’s undeniably little: “kindergartner short,” according to our protagonist, Woodrow. Woodrow takes a liking to him anyway, and the two slowly become friends. Woodrow, often the subject of ridicule for many bullies himself, stands up for Toulouse despite his weirdness. However, even Woodrow can’t deny that Toulouse is not quite normal, perhaps even not quite human. For instance, he refuses to take off his gloves or hat. He rarely speaks, though when he does he has a musical, “flutey”-sounding voice. And he can climb higher on trees and ladders than any other 10-year-old kid should be able to. But Toulouse doesn’t say a word about being different, and Woodrow is too polite to ask.
Although Woodrow recognizes that Toulouse is a little odd, he empathizes with Toulouse rather than ostracizing him, understanding that he, too, can sometimes be a little odd. This book is a humorous, light read for children in grades 4 to 6, with traditional-yet-always-relevant messages about bullying: that it’s okay to make friends with the kid everyone is teasing, it’s okay to stand up for him and it’s okay to be a little different yourself.
If you’ve read every rendition of The Night Before Christmas and you know every line of How the Grinch Stole Christmas and The Polar Express, you might be looking for something different this holiday season. Here are just a few new picture books featuring some familiar characters.
In his third adventure, The Gingerbread Man Loose at Christmas written by Laura Murray and illustrated by Mike Lowery, the Gingerbread Man and his classmates prepare songs, cards and treats to show their appreciation for their neighbors and community helpers. Drama ensues during the delivery of gifts when the weather suddenly turns windy and snowy and the class returns to school…without the Gingerbread Man! With his icing dripping and his legs doughy, will he still be able to deliver his Christmas gift to a very special person?
In The Not Very Merry Pout-Pout Fish written by Deborah Diesen and illustrated by Dan Hanna, the pout-pout fish is gloomy because he has procrastinated his holiday shopping, and still needs to find gifts for all his friends. The gifts must be perfect in every way— big, bright and meaningful, with a little bit of bling. First, he is overwhelmed by choices, and then all the stores close, leaving Mr. Fish wondering how he will find all his just-right gifts before the Christmas party. This holiday-under-the-sea is a beautifully illustrated variation of the typical White Christmas setting.
When Santa Claus arrives at the castle with presents on Christmas Eve, three knights mistake him for an intruder and are determined to keep him out in The Knights Before Christmas written by Joan Holub and illustrated by Scott Magoon. Santa Claus is just as determined to reward the knights for their chivalrous deeds, and launches their goodies over the castle wall using a Christmas tree as a catapult. This book is a fresh and enjoyable take on the original poem, and the detailed illustrations filled with speech bubbles and puns will require several re-reads to appreciate all the humor.
Publishers seem to be making a real effort to create informative books for kids that are beautifully crafted and truly spark imagination. Wide Eyed Editions are among the best, and they have recently released two atlases that are great for aspiring explorers.
Rachel Williams’ Atlas of Adventures takes readers around the world to experience different places, cultures and events. Giant illustrations done by Lucy Letherland invite readers to dive into exotic locales while interesting captions give facts and short descriptions of each unique experience. Every full-page spread offers a tantalizing peek into another culture. Choose from pages such as “Go to sleep under the Northern Lights”, “Learn to steer a gondola in Venice,” “River raft down the Grand Canyon” or “Set the world aglow at Hong Kong’s Lantern Festival.” The editors have captured some of the most fascinating events around the globe and made them wonderfully accessible. The adventures are organized by continent, and each section begins with a map of the continent showing important places as well as each adventurous destination. Readers can leisurely explore one continent at a time or jump from Paris to the Great Pyramids with a flip of the page. At the end, there is a collection of things and people to go back and search for in the illustrations.
The 50 States by Gabrielle Balkan is another wonderful atlas for children from the same publisher. This book shows children “the story” of each state and is fascinating even for readers who aren’t usually drawn to history or geography. It is a perfect balance of fun and fundamental kinds of facts accompanied by eye-catching illustrations. Maps include geographic information like borders and bodies of water, but they also include inspiring people, landmarks, “regional spotlights” for things you just don’t find anywhere else and historical moments that made each state what it is today. The book inspires an interest in the natural world by highlighting state parks, battlefields, reservations and national forests. It is easily accessible but still manages to give readers an idea of the personality of each state.
Readers who enjoy these will like other Wide Eyed Editions, such as Maps by Aleksandra Mizielinska or This Is the World: A Global Treasury by Mirosalv Sasek.
A Year in the Life of a Complete and Total Genius by Stacey Matson is the story of aspiring writer Arthur Bean. If you had to pick just one word to describe our young hero, that word would NOT be “humble.” Told largely through school writing assignments, journal entries, and emails, many of the laughs come from Arthur’s pompous and defiant attitude.
Arthur has no doubt that he will handily win this year’s short story competition — in addition to writing for the school newspaper, starring in the school play, and just generally being a seventh grader. His attention is further diverted by his crush on his writing partner Kennedy, and being forced to tutor his nemesis Robbie. On top of all that, his mother died recently, his father isn’t handling it well, and Arthur feels isolated from their extended family. It’s certainly not an easy time to be Arthur Bean. And it’s not surprising that he develops a crippling case of writer’s block.
Arthur’s confidence doesn’t waver despite never writing a single word of his short story. When he makes a choice that is even more duplicitous than usual, readers will wonder how he will justify his actions and get himself out of this tricky situation.
Fans of Gordon Korman’s Swindle and Jeff Kinney’s Diary of a Wimpy Kid series will enjoy Arthur’s antics. A sequel has already been published in the author’s native Canada.
I sat down with British illustrator and comic artist Luke Pearson while he was in town for the Small Press Expo to discuss his recent work and his ongoing graphic novel series, Hilda.
Between the Covers: How has Soft Spot [the animation you’ve been collaborating on with fellow comic artist Phillippa Rice] been going?
Luke Pearson: Phillippa is the driving force behind Soft Spot. All the stop motion stuff is entirely her. I’ve been doing smaller bits within those episodes. We haven’t collaborated that much before, so it’s nice to have something that’s actually both of us. We’re both just kind of experimenting and playing around.
BTC: You’ve also joined the pantheon of people working for Adventure Time doing some storyboarding.
LP: I’ve boarded four episodes overall and I’m hoping I can do more at some point. They’re very time consuming because I’ve always done it freelance with quite big gaps in between. It’s quite hard to get back in that mindset.
BTC: You’ve spoken before about how you’re inspired by Scandinavian myth in the creation of your own series, Hilda, but I see a lot of original world building and myth making.
LP: The Scandinavian folklore is like a jumping off point really. So much fantasy in general comes from those same stories and people just twist them and reinvent them in their own way. What I was trying to do with that was portray them in a way that is closer to how they are in the oral tales, rather than sticking a grand mythology onto them. There’s tons of stuff in Hilda which is just made up as well. I think as it goes on, it’s evolving into its own thing and the place she lives in has less of a point of reference with a real world place.
BTC: Hilda exploring the world seems like a central theme. Are you also figuring out what the rules for that reality are as you go along, or is it building on something you already know?
LP: It’s not really building towards something I already know. There are certain things that I have had locked down in my head from the start, I’m not totally winging it. But I don’t have a big bible that I wrote beforehand with all the stuff in there. I think that would feel counterproductive. As time goes on my tastes and interests change, when I draw each book I want to feel like I can change my mind about things. I’d rather do that than be a slave to this thing I made up five, six years ago that maybe I don’t agree with anymore.
BTC: Do you consider your audience as you’re working? Do you censor yourself because you know you need to appeal to kids?
LP: I don’t censor myself because I know they’re not for really little kids. It wouldn’t cross my mind to do a super dark Hilda story. What’s the point? I would just do a different comic. I want it to be a little bit scary and weird. I think kids can handle more than some people can give them credit for. If there’s a scary thing in the story, I want them to actually be scared of it. I don’t want to just put some big, goofy monster in that everyone is acting afraid of but isn’t actually scary. I always aim to resolve things in a way that is comforting.
BTC: Your next book, Hilda and the Stone Forest, is going to be coming out next year. Is there anything you can share about that project?
LP: It’s a bit different to previous ones in that it’s the first one where I feel like you probably do need to have read at least one of the other ones to get it. I’ve always been reluctant to do that in previous books, I wanted each one to be a standalone thing, but as I get deeper into the series it makes less and less sense. I feel like people enjoy the way the world is growing and it feels like a shame to gloss over all the other things. The start of the book will be the kind of things Hilda’s been getting up to. Hilda has so many magical-ish friends and tricky ways that her mom is getting slightly irate. She’s off on adventures all the time, possibly covering up how dangerous they may or may not be. It will be the first story where Hilda and her mum actually go on an adventure together.
BTC: I really like the way you’ve been portraying their dynamic. They’re obviously parent and child but they get along and it’s not stereotypical, you convey a more complex relationship.
LP: I’ve just naturally become more interested in exploring the mom character. She was just there in the first couple of books to explain how Hilda exists in the world, because she can’t live on her own. That character’s just been evolving to the point where, in this one, they’re co-leads. It’s tricky to do but I want the child reader to slowly pick up on the fact that she’s not just a mom, she is a person. It seems like in a lot of children’s fiction the parent is just a source of comfort or a source of antagonism and that’s it. They’re like a caricature. I like the idea of a kid empathizing and relating to the mom in a personal way rather than relating their idea of their mom. It’s hard to see your own parents like that until you get older.
BTC: Are you finding any of your own childhood emerging when you’re writing?
LP: I had a pretty comfortable, pleasant childhood but stuff does kind of come through. The last book all the stuff where she joins the Sparrow Scouts, that was kind of based on my experience as a scout.
BTC: Did you enjoy scouts?
LP: Yes and no, which I think I was trying to get across for Hilda. I like the idea of it and I did have fun at times, but I also didn’t enjoy it that much for not quite the same reasons as Hilda. I was just always very shy. I liked messing around but I always felt like I wasn’t very good at actual, legitimate scout stuff. As a kid I basically only enjoyed sitting and drawing and making stuff up.
BTC: What are you reading right now?
LP: I’m actually reading the Earthsea series for the first time. It’s really good. I’ve only read the first book so far but it’s incredible. I’ve had this boxed set since I was a kid, I think they were my mom’s. I’ve been carrying them around forever.
The next Hilda book, Hilda and the Stone Forest, is due to be released in Spring of 2016.
Just in time for Native American Heritage Month are two narratives of famous Indians by famous Indians for children. In response to the misrepresentation in Henry Wadsworth Longfellow's poem “The Song of Hiawatha,” Hiawatha and the Peacemaker sets the record straight on the legend of two Indians who united the warring tribes of the Eastern Great Lakes region to form the Haudenosaunee — what would become of the Six Nations Iroquois Confederacy and the oldest participatory democracy in the world (formed well before the American Revolution). This epic tale is written by Robbie Robertson of The Band fame (who was immortalized in a biography of his own last year), with page-popping illustrations by Caldecott winner David Shannon. Sitting Bull is the latest biography in a series of Lakota histories written and illustrated by S. D. Nelson, who uses the famous chief's life story to contextualize the conflicts making up the American Indian Wars. The book begins with a first-person account of the major events in Sitting Bull's life, dotted throughout with direct quotations and photographs from the time period, followed up by a detailed timeline and concluding with an author's note discussing Nelson's thoughts as a member of the Sioux.
Despite the fact that they represent different tribes and different time periods of Native American history, both stories tell of how Indians have borne the brunt of adaptation in the face of great adversity and conflict. What is most interesting about this pair of stories is how they have incorporated mediums characteristic of the Indian arts. Hiawatha and the Peacemaker includes a CD, not of an exact reading of the text but of Robertson's musical performance of the legend that parents and kids will both enjoy listening to. Nelson has formatted his work in the form of Ledger Book Art: palimpsests that evolved as interred Indians repurposed the accounting cast offs from the U.S. government, examples of which can be seen at the National Museum of the American Indian.