This year marks the 50th anniversary of the publication of Peggy Parish’s Amelia Bedelia, the first book in Parish’s series about the literal-minded housekeeper whose misadventures have entertained young readers since 1963. As she starts her 50th year, Amelia Bedelia has some big news! She is going to star in her own line of chapter books for new readers. The first two books of Herman Parish’s (Peggy's nephew) new chapter book series about young Amelia Bedelia will soon be available. In Amelia Bedelia Means Business, Amelia wants a bike like her new classmate Suzanne’s, but it’s very expensive. Amelia decides to earn the money for the bike herself with hilarious results. Amelia Bedelia’s parents say that she can get a new puppy in Amelia Bedelia Unleashed, so she sets out to find the puppy of her dreams. These new chapter books are a great step up for new readers who are ready for something a little more challenging than the original Amelia Bedelia series.
You can join in the celebration of Amelia Bedelia Day on January 29th by reading your favorite Amelia Bedelia book, or trying one of the crafts and activities on Amelia Bedelia’s birthday website.
Ever wondered what your cat is thinking? Why do they do what they do? It’s All About Me-Ow, written and illustrated by Hudson Talbott, deciphers all those mysteries and more in a hilarious romp through the life of felines. Spot on and laugh-out-loud funny, Buddy, the family’s older, experienced orange tabby takes on the schooling of three new kittens with "A Young Cat’s Guide to the Good Life". From comical explanatory charts, lists of "fabulous feline features", to instructions for making the most appealing face for every situation, Buddy schools the wide-eyed kittens in the rigors of "cat-itude", as well as the proper training of humans. Endlessly amusing, the cat’s antics, interspersed with actual information and a bit of history, will keep readers in stitches. Slyly humorous, the cartoon illustrations in watercolor, colored pencil and ink, charm and disarm as does the worldly Buddy and earnestly ingenuous kittens. This is a purrfectly fun book for all ages.
What to Expect When You’re Expecting Hatchlings: A Guide for Crocodilian Parents (and Curious Kids) is another cleverly humorous picture book, notable as children’s nonfiction. Author Bridget Heos (whose favorite book as a child was Lyle, Lyle Crocodile) blends witty reptilian wisdom with real facts in an easy to read Q & A format and playful conversational tone. Turns out reptile parents have the same concerns as human parents – "where should I lay my eggs?"; "what happens after they hatch?" Hatchlings have questions too, like "when do I eat my first water buffalo?" The colorful anthropomorphic cartoon-style artwork, by Canadian illustrator Stephane Jorisch, adds to the whimsy. Included are a glossary and a list of books for further reading and websites. Readers will also want to check out two similarly amusing titles from the author: What to Expect When You’re Expecting Joeys: A Guide for Marsupial Parents and What to Expect When You’re Expecting Larvae: A Guide for Insect Parents.
The most prestigious awards for children's literature, and literature for teens, will be announced by the American Library Association at the Midwinter meeting in Seattle next Monday. A longstanding tradition of fans of literature for young people is guessing which titles will receive these prizes, which guarantee a sort of immortality for the books. "Honor" books, or runners-up, will also be announced for each category. One of these is the Michael L. Printz Award, given for literary excellence in the field of books published for teens aged 12-18. Some of the top contenders for the Printz Award include Elizabeth Wein's tour de force, Code Name Verity, a historical novel set in the World War II era; Ask the Passengers, by A.S. King, which infuses elements of magical realism into a story of a teen girl coming to terms with her sexuality; Steve Sheinkin's Bomb, an engrossing history of the development of the atomic bomb; and The Fault in Our Stars, John Green's popular novel about two teens with cancer forging a friendship and romance against difficult odds.
Another is the Coretta Scott King awards, given to African-American authors and illustrators for excellence in the field. Front runners for the author award include Newbery Award winner Christopher Paul Curtis' The Mighty Miss Malone, the Depression-era story of a 12-year-old girl's family facing tough times; Pinned, about the first girl on the school's wrestling team, by Sharon Flake; No Crystal Stair, by Vaunda Micheaux Nelson, an autobiographical novel about a famous Harlem bookseller, and Brian F. Walker's look into the pros and cons of scholarship and diversity in Black Boy White School. Kadir Nelson, a previous Coretta Scott King award winner, is again a leading contender in the illustrator category for I Have a Dream, a rendition of Martin Luther King Jr.'s speech at the Lincoln Memorial; E.B. Lewis' haunting illustrations of passive bullying in Each Kindness; Shane W. Evans for We March, also about the March on Washington in 1963; and Fifty Cents and a Dream: Young Booker T. Washington, covering his journey to learn to read and eventually become a scientist, illustrated by Bryan Collier.
Welcome, fellow members of the VFD and other esteemed colleagues of Lemony Snicket. You are apologetically invited to endure the somber account of a celebrated member’s decidedly inauspicious apprenticeship: Who Could That Be at This Hour? All other readers are invited to stop reading right now.
Oh, all right, tag along if you absolutely must.
By his own account, Lemony Snicket’s education was an unusual one. Just how unusual? Well, that would certainly be the wrong question, but since you’re new at this, we’ll indulge your overdeveloped sense of curiosity – a phrase which here is the polite substitution for "nosiness". Suffice to say that Snicket’s education supplied him with the skills necessary to escape drugging by tea; send secret messages through library loans; free-fall, and other similarly uncomfortable exploits encountered in this book.
What strange sort of book is this? Call it a prequel to unfortunate events, call it a nod to the noir; whatever the classification, Snicket’s latest is most certainly a restorative. Who Could That Be at This Hour? is the first in the intended four-volume series, All the Wrong Questions. Chronicling the latter days of his uncommonly strange childhood and early career, the authorized autobiography of the dear and drear Snicket is at turns gloomy and startling, but always entertaining. Readers who have enjoyed A Series of Unfortunate Events will not be disappointed. Staples of Snicket’s style – clever wordplay and melancholic narration – are abundant in this new venture, accompanied by superb woodcut illustrations.
Singer/songwriter Natalie Merchant wanted to share child-friendly works of the oral tradition with her young daughter, delighting in the gift of words and speech that was featured in poems and stories. The result was a twenty-six song, two-CD set of poems that Merchant set to music. Released in 2010, it also included biographical sketches and a photograph of each poet. Now, paired with well-regarded illustrator Barbara McClintock, many of the poems from that endeavor come to life in the picture book Leave Your Sleep: A Collection of Classic Children’s Poetry.
Transforming a musical package to a picture book isn’t altogether unknown, but a book of poems is less common. Covering many famous poets, such as Robert Louis Stevenson, e.e. cummings, and Ogden Nash, the collection varies in tone and level. From Jack Prelutsky’s breezy and fun “Bleezer’s Ice Cream” to Laurence Alma-Tadema’s poignant “If No One Ever Marries Me”, the works focus on language and the way a few choice words coming together can create a memorable portrait. Take “Equestrienne”, by Rachel Field; McClintock’s exquisite illustrations of a rider and her milk-white horse perfectly capture the tone of the poem. Listen to Merchant’s interpretation on the accompanying CD, and the whole package comes together beautifully. The music styles range from Klezmer to jazz to string arrangements.
McClintock’s illustrations of “I Saw A Ship A-Sailing” epitomize her style, with a duck captain and mice sailors simultaneously working an old vessel but also juggling, playing with puppets, and riding a hobby horse. The whole package will bring a smile to both children and adults reading and listening along.
Real life doesn’t always have a happily ever after. Kids may want to try these two well–written books for stories of real life with real endings. After a violent episode of abuse by her mother and stepfather, twelve-year-old Carley Connors is sent to her first foster home where she is welcomed by Mrs. Murphy, herself a first-timer. In One for the Murphys, by Lynda Mullaly Hunt, Carley tries to survive in a strange new environment while being haunted by broken pieces of memory from that horrible night. New clothes, home-cooked meals and a return to school is a lot of adjustment for this tough, neglected girl from Las Vegas. A less-than-warm welcome from her foster brother and foster father adds to her anxiety. Hunt displays a deft touch with serious issues, showing Carley’s discomfort and distrust of the kindness shown to her without hitting the reader over the head with her angst. Her characters feel genuine with real emotions and concerns. Carley learns a lot about herself and about love while staying with the Murphys.
First published in 1978, The Great Gilly Hopkins by Katherine Paterson is another foster child story with similar themes of finding family and finding yourself. Gilly Hopkins is an eleven year old girl bouncing from foster home to foster home until her beautiful mother, Courtney, can come claim her. The book tells the tale of her stay with Maime Trotter, her foster son William Ernest and family friend, blind Mr. Randolph. Gilly is independent, strong-willed and blunt with her opinions, particularly about the “freaks” she has been stuck with. Gilly’s crude language and bad behavior makes her particularly unlikable at first. The reader begins to cheer for this unhappy creature as the details of her life emerge and as she grows to care for her foster family. The winner of numerous awards, including the National Book Award and a Newbery Honor, The Great Gilly Hopkins still resonates with children today.
Two of last year’s most critically acclaimed picture books happen to be titles featuring headwear. Naoko Stoop’s Red Knit Cap Girl is a gentle, imaginative tale of a young girl who wants to get close enough to the moon to have a conversation. Following the sage advice of Mr. Owl, she enlists the help of her woodland animal friends to send a signal. Bunny, bear, squirrel and hedgehog assist in the hanging of Red Knit Cap Girl’s paper lanterns, made for a special full moon celebration. They sing together, but Moon is absent from the party. Then Red Knit Cap Girl has an epiphany—a quiet, dark forest is most inviting. Stoop’s charmingly old-fashioned illustrations are rendered in pencil, ink and acrylic on plywood. The wood grain adds an appropriately naturalistic element, each page’s background carefully selected to enhance the overall effect. Stoop is also a master at conveying darkness and light, and the subtle shades between.
The minnow protagonist of Jon Klassen’s This is Not My Hat introduces himself to the reader by boldly announcing that his newly acquired chapeau is stolen property. In fact, he himself is the one who snatched it. Rich digital illustrations enhanced by Chinese ink portray a deep black ocean, rife with various hues of brown sea plants. The pictures here tell a story that contradicts the text, leaving observant readers to delight in the thought of what might come next when the hat’s owner, an enormous, no-nonsense fish, discovers it missing. Much like Klassen’s enormously popular I Want my Hat Back, this picture book is driven by wry humor and the power of inference.
Newbery Medal winner Rebecca Stead is back with another gem for the middle grade crowd in Liar & Spy. Georges has a lot going on, not the least of which is his name. Yes, his parents named him Georges (silent s) after their favorite painter, pointillist Georges Seurat. Needless to say, this only gives the bullies at school more ammunition in their relentless torment. His former best friend is now ensconced in the cool crowd. Georges has had to move from the only home he knew following his father’s job loss. And his mother is working double shifts as a nurse at the hospital to get some much needed extra cash.
The only bright light is the Spy Club at his new apartment building led by the homeschooled Safer. He is convinced another tenant, the mysterious Mr. X, is up to nefarious dealings. Safer and Georges begin an intensive spying campaign, and Georges grows closer with Safer’s quirky family, including his appropriately named younger sister, Candy, whose appetite for sweets is insatiable. As the spy game becomes more extreme and Safer becomes more demanding, Georges is forced to question Safer’s honesty and motives all while dealing with a missing mother, who only communicates with Georges via messages on a Scrabble board. Georges avoids visiting his mother at work, and readers soon learn there is more to that situation than meets the eye.
As with Seurat’s paintings, Georges learns to look at the big picture, rather than focus on the small stuff. This is a fascinating coming of age story filled with twists and an appealing and relatable young man. Long after readers finish this book, they will be thinking about the questions posed regarding family, friendship, loyalty, perception, reality and truth.
Blood is something we all know exists from infancy on, but few of us really examine that which carries oxygen to our various body parts and keeps us alive. Whether it is our inability to fully understand the intricacies of the substance flowing through our veins and arteries, or our collective squeamishness at the sight of it, blood remains largely a mystery to the masses. In The Book of Blood: from Legends to Leeches to Vampires and Veins, author HP Newquist examines this mystical fluid, our literal lifeblood.
Many hematological topics are covered and well-explained, such as the various blood cells, the makeup of plasma, and diseases involving blood, such as leukemia and hemophilia. Illustrated using digital imagery, photography and reproductions of blood-related ephemera, The Book of Blood could go for the jugular in terms of gore and unpleasantness, but instead uses appropriate restraint in portraying the substance. The various bloods of animals are discussed, too, whether it be the differences between warm- and cold-blooded beings, or those animals that have blood in colors other than red, such as blue blood of many mollusks.
Titles such as this, covering one commonly known subject, give readers the ability to focus on a topic and better understand the ways blood works and how it is an unspoken part of everyone’s life. The cultural meanings of blood are also touched upon, with references to mosquitoes, leeches, and bats, and of course, vampires. The book closes with a chapter that reminds us of the long way we still have to go in medicine. Blood donations remain critical because, despite so many other medical advances, we have not yet been able to create blood in a laboratory.
One Times Square: A Century of Change at the Crossroads of the World, written and impressively illustrated by Joe McKendry, is the history of one building and the surrounding neighborhood situated at one of the planet’s most well-known intersections. The “bow tie” confluence of Broadway and Seventh Avenue in New York City has attracted millions to gaze at its lights, and one night a year, the dropping of an illuminated ball that marks the end of one year and the beginning of another.
Given the varied phases that Times Square has gone through in just the past fifty or so years, it can be hard to imagine that in the 19th century the area was a rural pasture. Later in the 1800s it became a manufacturing center, particularly for carriage builders. Only in the end of that century did the first theatres move into the area. The name “Times Square” first came into being in 1904 when the New York Times constructed the building whose address would become One Times Square. Although the newspaper quickly outgrew the tall, thin, ornate structure, and moved to a nearby street off the square, the name for the area stuck.
McKendry does an amazing job with vivid watercolors that match the hustle and bustle of Times Square. Pages are filled with signs, lights, and advertisements that place the reader into the pages’ chronology. Line drawings and illustrations in sepia hues mark earlier eras. Even the cover imagery is chosen smartly, with a depiction of the intersection closely resembling the stage lights of Broadway theatres. Fascinating details about the history and engineering of the lights, marquées, and the “zipper” news bulletin that wraps around buildings is included. For those who are preparing for their first visit to the heart of Manhattan, or for those who have walked through the area on countless occasions, One Times Square is a visual and historical treat.