Yo-Kai Watch is poised to become the next Pokemon! The Nintendo 3DS game about tracking and befriending cute little Japanese folklore-inspired ghosts has landed stateside and brought with it an anime show and a manga series. Kids everywhere can get their Yo-Kai fill no matter their preferred medium.
In the first volume of the manga, Yo-Kai Watch hero Nate Adams — an ordinary elementary school student — is on his way home one afternoon when he happens across a capsule machine made of stone. To Nate’s surprise, the machine still works and grants him a stone capsule. At first he feels slightly underwhelmed by the rock, but then it goes nuts and poofs out a floaty, unibrowed, blue Yo-Kai called Whisper.
Whisper is super grateful for being freed and pledges to serve Nate as his personal butler. He even gifts Nate a swanky watch...a Yo-Kai watch! The watch emits a special light that reveals the otherwise invisible Yo-Kai to its wearer, which Nate quickly realizes makes him his look like a crazy kid as he converses with his invisible familiar in front of his friends and family.
It’s for the greater good, though. Each chapter pits Nate and Whisper against a mischievous Yo-Kai hounding people around town. First is Jibanyan, a fiery two-tailed cat who vows to get revenge on the car that ran him over. Then there’s Happierre and Dismarelda, two bulbous spirits who alter the moods of everyone and everything around them but balance one another quite perfectly. Next comes Mochismo, an animated rice cake who haunts a child who never finishes his rice cakes whenever he’s treated to them. That’s not even all of the Yo-Kai Nate meets in volume one — they’re everywhere!
Children who know and love every last Pokemon or teens who grew up with the critters should definitely check out Yo-Kai Watch.
There’s a new kid at school, and the title of Patrick Jennings’s new book Odd, Weird and Little describes him perfectly. Toulouse is certainly odd — he dresses in a full suit and tie; he writes everything with a quill and ink, which is definitely weird; and he’s undeniably little: “kindergartner short,” according to our protagonist, Woodrow. Woodrow takes a liking to him anyway, and the two slowly become friends. Woodrow, often the subject of ridicule for many bullies himself, stands up for Toulouse despite his weirdness. However, even Woodrow can’t deny that Toulouse is not quite normal, perhaps even not quite human. For instance, he refuses to take off his gloves or hat. He rarely speaks, though when he does he has a musical, “flutey”-sounding voice. And he can climb higher on trees and ladders than any other 10-year-old kid should be able to. But Toulouse doesn’t say a word about being different, and Woodrow is too polite to ask.
Although Woodrow recognizes that Toulouse is a little odd, he empathizes with Toulouse rather than ostracizing him, understanding that he, too, can sometimes be a little odd. This book is a humorous, light read for children in grades 4 to 6, with traditional-yet-always-relevant messages about bullying: that it’s okay to make friends with the kid everyone is teasing, it’s okay to stand up for him and it’s okay to be a little different yourself.
If you’ve read every rendition of The Night Before Christmas and you know every line of How the Grinch Stole Christmas and The Polar Express, you might be looking for something different this holiday season. Here are just a few new picture books featuring some familiar characters.
In his third adventure, The Gingerbread Man Loose at Christmas written by Laura Murray and illustrated by Mike Lowery, the Gingerbread Man and his classmates prepare songs, cards and treats to show their appreciation for their neighbors and community helpers. Drama ensues during the delivery of gifts when the weather suddenly turns windy and snowy and the class returns to school…without the Gingerbread Man! With his icing dripping and his legs doughy, will he still be able to deliver his Christmas gift to a very special person?
In The Not Very Merry Pout-Pout Fish written by Deborah Diesen and illustrated by Dan Hanna, the pout-pout fish is gloomy because he has procrastinated his holiday shopping, and still needs to find gifts for all his friends. The gifts must be perfect in every way— big, bright and meaningful, with a little bit of bling. First, he is overwhelmed by choices, and then all the stores close, leaving Mr. Fish wondering how he will find all his just-right gifts before the Christmas party. This holiday-under-the-sea is a beautifully illustrated variation of the typical White Christmas setting.
When Santa Claus arrives at the castle with presents on Christmas Eve, three knights mistake him for an intruder and are determined to keep him out in The Knights Before Christmas written by Joan Holub and illustrated by Scott Magoon. Santa Claus is just as determined to reward the knights for their chivalrous deeds, and launches their goodies over the castle wall using a Christmas tree as a catapult. This book is a fresh and enjoyable take on the original poem, and the detailed illustrations filled with speech bubbles and puns will require several re-reads to appreciate all the humor.
A Year in the Life of a Complete and Total Genius by Stacey Matson is the story of aspiring writer Arthur Bean. If you had to pick just one word to describe our young hero, that word would NOT be “humble.” Told largely through school writing assignments, journal entries, and emails, many of the laughs come from Arthur’s pompous and defiant attitude.
Arthur has no doubt that he will handily win this year’s short story competition — in addition to writing for the school newspaper, starring in the school play, and just generally being a seventh grader. His attention is further diverted by his crush on his writing partner Kennedy, and being forced to tutor his nemesis Robbie. On top of all that, his mother died recently, his father isn’t handling it well, and Arthur feels isolated from their extended family. It’s certainly not an easy time to be Arthur Bean. And it’s not surprising that he develops a crippling case of writer’s block.
Arthur’s confidence doesn’t waver despite never writing a single word of his short story. When he makes a choice that is even more duplicitous than usual, readers will wonder how he will justify his actions and get himself out of this tricky situation.
Fans of Gordon Korman’s Swindle and Jeff Kinney’s Diary of a Wimpy Kid series will enjoy Arthur’s antics. A sequel has already been published in the author’s native Canada.
I sat down with British illustrator and comic artist Luke Pearson while he was in town for the Small Press Expo to discuss his recent work and his ongoing graphic novel series, Hilda.
Between the Covers: How has Soft Spot [the animation you’ve been collaborating on with fellow comic artist Phillippa Rice] been going?
Luke Pearson: Phillippa is the driving force behind Soft Spot. All the stop motion stuff is entirely her. I’ve been doing smaller bits within those episodes. We haven’t collaborated that much before, so it’s nice to have something that’s actually both of us. We’re both just kind of experimenting and playing around.
BTC: You’ve also joined the pantheon of people working for Adventure Time doing some storyboarding.
LP: I’ve boarded four episodes overall and I’m hoping I can do more at some point. They’re very time consuming because I’ve always done it freelance with quite big gaps in between. It’s quite hard to get back in that mindset.
BTC: You’ve spoken before about how you’re inspired by Scandinavian myth in the creation of your own series, Hilda, but I see a lot of original world building and myth making.
LP: The Scandinavian folklore is like a jumping off point really. So much fantasy in general comes from those same stories and people just twist them and reinvent them in their own way. What I was trying to do with that was portray them in a way that is closer to how they are in the oral tales, rather than sticking a grand mythology onto them. There’s tons of stuff in Hilda which is just made up as well. I think as it goes on, it’s evolving into its own thing and the place she lives in has less of a point of reference with a real world place.
BTC: Hilda exploring the world seems like a central theme. Are you also figuring out what the rules for that reality are as you go along, or is it building on something you already know?
LP: It’s not really building towards something I already know. There are certain things that I have had locked down in my head from the start, I’m not totally winging it. But I don’t have a big bible that I wrote beforehand with all the stuff in there. I think that would feel counterproductive. As time goes on my tastes and interests change, when I draw each book I want to feel like I can change my mind about things. I’d rather do that than be a slave to this thing I made up five, six years ago that maybe I don’t agree with anymore.
BTC: Do you consider your audience as you’re working? Do you censor yourself because you know you need to appeal to kids?
LP: I don’t censor myself because I know they’re not for really little kids. It wouldn’t cross my mind to do a super dark Hilda story. What’s the point? I would just do a different comic. I want it to be a little bit scary and weird. I think kids can handle more than some people can give them credit for. If there’s a scary thing in the story, I want them to actually be scared of it. I don’t want to just put some big, goofy monster in that everyone is acting afraid of but isn’t actually scary. I always aim to resolve things in a way that is comforting.
BTC: Your next book, Hilda and the Stone Forest, is going to be coming out next year. Is there anything you can share about that project?
LP: It’s a bit different to previous ones in that it’s the first one where I feel like you probably do need to have read at least one of the other ones to get it. I’ve always been reluctant to do that in previous books, I wanted each one to be a standalone thing, but as I get deeper into the series it makes less and less sense. I feel like people enjoy the way the world is growing and it feels like a shame to gloss over all the other things. The start of the book will be the kind of things Hilda’s been getting up to. Hilda has so many magical-ish friends and tricky ways that her mom is getting slightly irate. She’s off on adventures all the time, possibly covering up how dangerous they may or may not be. It will be the first story where Hilda and her mum actually go on an adventure together.
BTC: I really like the way you’ve been portraying their dynamic. They’re obviously parent and child but they get along and it’s not stereotypical, you convey a more complex relationship.
LP: I’ve just naturally become more interested in exploring the mom character. She was just there in the first couple of books to explain how Hilda exists in the world, because she can’t live on her own. That character’s just been evolving to the point where, in this one, they’re co-leads. It’s tricky to do but I want the child reader to slowly pick up on the fact that she’s not just a mom, she is a person. It seems like in a lot of children’s fiction the parent is just a source of comfort or a source of antagonism and that’s it. They’re like a caricature. I like the idea of a kid empathizing and relating to the mom in a personal way rather than relating their idea of their mom. It’s hard to see your own parents like that until you get older.
BTC: Are you finding any of your own childhood emerging when you’re writing?
LP: I had a pretty comfortable, pleasant childhood but stuff does kind of come through. The last book all the stuff where she joins the Sparrow Scouts, that was kind of based on my experience as a scout.
BTC: Did you enjoy scouts?
LP: Yes and no, which I think I was trying to get across for Hilda. I like the idea of it and I did have fun at times, but I also didn’t enjoy it that much for not quite the same reasons as Hilda. I was just always very shy. I liked messing around but I always felt like I wasn’t very good at actual, legitimate scout stuff. As a kid I basically only enjoyed sitting and drawing and making stuff up.
BTC: What are you reading right now?
LP: I’m actually reading the Earthsea series for the first time. It’s really good. I’ve only read the first book so far but it’s incredible. I’ve had this boxed set since I was a kid, I think they were my mom’s. I’ve been carrying them around forever.
The next Hilda book, Hilda and the Stone Forest, is due to be released in Spring of 2016.
During that lull between the Macy’s Thanksgiving Day Parade and football games, before your home fills up with family and you fill your bellies with food, here are a few new Thanksgiving-themed picture books to share with the kids.
Sharing the Bread: An Old-Fashioned Thanksgiving Story by Pat Zietlow Miller and Jill McElmurry depicts a 19th century family preparing their Thanksgiving feast. Everyone has their own special job — Daddy tends the fire, Grandma bakes her pumpkin pie, the baby sleeps as quietly as a mouse. Short, simple rhymes make for an enjoyable read aloud about the love, hard work and synergy that go into a holiday meal.
In Little Critter: Just a Special Thanksgiving by Mercer Mayer, Little Critter enjoys the Thanksgiving holiday with his family in typical Little Critter fashion — from forgetting his lines during the school play and singing an impromptu song instead, to hitching a ride on a parade float when he’s tired of walking. The illustrations are what make the book so special, adding an additional layer to the narrative by filling in the details that he neglects to mention or showing how his version of events diverges slightly from reality.
If you’re just looking for a quick refresher on the holiday’s roots and customers, Sally Lee delivers A Short History of Thanksgiving. The simple text, illustrated with both drawings and photographs, is perfect for beginning readers and includes details on the tradition of fall festivals, the meaning of thankfulness and also touches on modern ways of celebrating the holiday.
As societal awareness of the transgender identity grows, the conversation on what it means to grow up transgender is also gaining new voices. First-time author Alex Gino’s book George puts readers inside the mind of a transgender child struggling to understand her gender identity and to convey that identity to those important to her.
George is a fourth-grader with a mother and older brother, a best friend and a secret – she’s a girl who wants to be called Melissa, not the boy named George that everyone thinks she is. It’s distressing for her to have to use the boy’s bathroom, to keep her hair cut short and to be called “young man.” George’s greatest fear is that her family won’t understand or accept her if she tells them the truth. She decides, instead, to hide her identity, causing her to continue to feel isolated and frustrated.
This changes the day her teacher holds auditions for the class play of Charlotte’s Web. George desperately wants to play Charlotte. Not only does she admire Charlotte’s strength, but also believes that if she can land this key role she can show everyone, especially her mom, the girl she is. However, her dream is dashed when her teacher won’t let her audition for the part; after all, Charlotte is a girl role and to her teacher George is a boy. When her best friend Kelly comes up with a plan for George to be able to perform as Charlotte, George has to gather her courage to show everyone who she is.
While the book is recommended for middle school readers, George is the story of a child discovering and accepting herself that everyone, child and adult, transgender and cisgender alike, can relate to. George’s quest to be accepted for who she is gives readers insight into her world in a way that is equally heartbreaking and heartwarming. Readers interested in children’s books with a transgender protagonist should also read Ami Polonsky’s Gracefully Grayson.
If you already love the Crystal Gems from Cartoon Network’s hit show, Steven Universe, Volume One is a collection of short stories to enhance and enrich your interaction with the characters and their world. Writer Jeremy Sorese and artist Coleman Engle bring to life Steven and his space-warrior guardians Garnet, Amethyst and Pearl as they go on magic-laden adventures in the name of protecting the Earth and developing Steven’s budding magic powers. Including life-skills lessons and graphic shorts just for fun, the book includes wisdom about friendship, family and even a recipe or two!
The comics are light, lusciously colored and beautifully drawn. The mood ranges from laugh-aloud funny to softly melancholy and meaningful, taking advantage of the full artistic range of both the artists and the writers. Although familiarity with the animated cartoon will enrich the reader’s appreciation of these graphic shorts in context of their larger world, the book is a delightful introduction to Steven’s home of Beach City and a great read for kids and adult-sized kids alike.
Make sure to pair your Steven Universe experience with Gem Glow, or similar reads such as Adventure Time, Bee and Puppycat and Bravest Warriors.
Rebecca Stead’s latest novel Goodbye Stranger is a shining example of how amazing children’s realistic fiction can be. Stead dares to believe children can grapple with big questions that secretly plague us about our place in the cosmos and that they will understand and relate to complex characters that can’t explain why they do things, like wear cat ears every day. What she creates is a beautiful story that will be loved by readers young and old.
The story is told from three different points of view and different perspectives in time. Much of the narrative focuses on Bridge and her best friends. They’re trying their best to hold fast to one another during the tumultuous times of seventh grade as they navigate their first forays in love and finding their place in the bigger world around them.
Bridge also becomes close with Sherm, the second narrator of the story, who speaks to us through unsent letters to the grandfather he isn’t speaking to. The final narrator is an unnamed high school student speaking from Valentine’s Day. Her story seems unrelated to the other characters except that it touches on the same themes of friendship and finding out who the person you are becoming really is. In the end, the stories fall perfectly together into an intricately crafted plot. This book is sure to appeal to fans of Stead’s other works as well as fans of Wonder by R.J. Palacio.
It’s a fact that librarians are partial to cats, but so are picture book authors. There is no shortage of felines on the pages of children’s literature, including this trio of recently published titles. In How to Catch a Mouse, author-illustrator Philippa Leathers introduces an adorable green-eyed marmalade tabby named Clemmie. Although readers find out about Clemmie’s superb mousing skills on the first page, we quickly realize that she may be bragging a bit too much. Has she ever seen a mouse? What about the little gray master of disguise who has been walking around the house, almost in plain sight? This gentle story, humorously illustrated in pencil and watercolor, is perfect for young preschoolers.
Owners of timid felines come in droves to the newly established Miss Hazeltine’s Home for Shy and Fearful Cats, also the title of this charming picture book by Alicia Potter. Their cats are failing at all things cats are known for, including pouncing, purring and chasing birds. Patient Miss Hazeltine runs her nervous charges through a daily roster of classes such as Climbing Up, Meeting New Friends and How Not to Fear the Broom. She lavishes special attention on the most bashful little kitty, Crumb. But what happens when Miss Hazeltine goes out to fetch some water and needs rescuing herself? Birgitta Sif’s pencil illustrations and muted palette perfectly capture the essence of such a fanciful boarding school in the woods, run by a sweet, calm and lithe young woman who loves her work. Sif is a master at depicting the many aspects of feline nature, with distinctly different kitties of all shapes and sizes napping, licking, hiding, lapping, perching and hanging on every page.
Poor Cat. He’s lost a tooth, but he was asleep when the Tooth Fairy came and he really wanted to meet her. But when he tries to trick her by leaving the tooth of a comb, she turns the tables and insists he must help her out by picking up the teeth of various animals who have lost them. Although he’s excited to be the Tooth Fairy’s apprentice, Cat is none too thrilled to wear a tutu and wings, let alone to share duties with Mouse! Deborah Underwood’s Here Comes the Tooth Fairy Cat is a funny take on this childhood legend, complete with a few surprises along the way. Underwood, who previously featured Cat in two holiday offerings, Here Comes the Easter Cat and Here Comes Santa Cat, uses the technique of an off-page narrator who speaks directly to Cat, questioning him and offering advice. Cat himself communicates only through broad facial expressions and signs he holds. Claudia Rueda’s comical yet warm color pencil and ink drawings are integral to the story, which like its predecessors, would make an excellent classroom read aloud for the kindergarten set.