O.J. Brigance knows what it’s like to be a winner on and off the field. He had a remarkable career as an NFL linebacker, including as a member of the 2000 Baltimore Ravens’ Super Bowl winning team. Following that victory, Brigance joined the front office to help create more championship teams for the purple and black. But in 2007, he was diagnosed with ALS, Lou Gehrig’s disease, and his life was forever altered. Peter Schrager, FoxSports.com senior writer, and Brigance share his inspirational story of perseverance and hope in Strength of a Champion: Finding Faith and Fortitude Through Adversity.
Upon diagnosis, doctors told Brigance he would have three to five years to live, years which would be marked by the loss of speech and mobility. But Brigance, familiar with hits on the field, refused to give up. Rather than follow a path of self-pity, Brigance viewed his diagnosis as an opportunity. With faith, determination and the love of his wife Chanda, O.J. fought back and raised awareness for this debilitating disease. No longer able to walk or speak, Brigance remained a vibrant presence in Baltimore’s front office and touched everyone in the organization as the team claimed another Super Bowl victory in 2013.
Brigance received motivation and energy from the team as well, and shared special bonds with players and coaches. Upon hearing of Ray Lewis’ retirement, Brigance told him to go out a champion. And when illness threatened his appearance at the Super Bowl, he recovered and delivered a moving pre-game message to the team. At the conclusion of Brigance’s powerful speech, Coach John Harbaugh had no doubt that the Super Bowl would be Baltimore’s. Brigance shares wonderful behind-the-scenes stories and humorous anecdotes which will appeal to ardent football fans, but this story of one courageous man living a life of inspiration and faith transcends the football field. Learn more about The Brigance Brigade, O.J.’s foundation dedicated to equipping, encouraging, and empowering people living with ALS.
Americans adore our pets, and these eye-catching new photography books will bring smiles to the faces of animal lovers. When Carli Davidson bought a camera with a high-speed shutter, she began taking photos of animals and posting some online. Those photographs went viral. Her new book Shake features photographs of over 60 dogs along with Davidson’s answers to questions about her photography style. These pictures of exuberant dogs caught mid-shake are both comical and endearing. The New York Times aptly calls Davidson’s work a "hilarious portrayal of flying fur, flopping jowls and bulging eyes." Shake is a lively and vibrant companion to Seth Casteel’s Underwater Dogs books.
David Tabatsky brings us another look at man’s best friend with Beautiful Old Dogs: A Loving Tribute to Our Senior Best Friends. The book combines stunning photographs by the late Garry Gross and essays from Anna Quindlen, Victoria Stilwell, Doris Day, Dean Koontz, Marlo Thomas and many others. Gross, who was a noted fashion photographer for many years, was passionate about caring for senior dogs, and that is reflected in his photographs. Beautiful Old Dogs is an emotional and loving tribute that will touch dog lovers. As Gross said, they are “[d]ogs with soul in their eyes.”
If you’re more of a cat person, Sarah Beth Ernhart’s Kittenhood: Life-size Portraits of Kittens in Their First 12 Weeks may be more your speed. This oversized book features life-size photographs of kittens during the first weeks of their lives. These irresistible and adorable kittens will charm cat lovers. Ernhart captures the infectious playfulness and cuddliness of kittens in this collection of stunning photographs.
Under One Roof: Lessons I Learned from a Tough Old Woman in a Little Old House by Barry Martin is a truly one-of-a-kind story. When Martin, head of a construction project, first hears of the octogenarian Edith Wilson Macefield, all he knows is that she’s feisty, fiery and will not give up her modest home to the developers constructing the shopping mall around her…not even for a million dollars. As he does with every one of his sites, he makes rounds in the neighborhood to apologize for the noise and to tell the residents to contact him with any concerns.
He could not have anticipated the call he soon receives from Edith asking him to drive her to a hair appointment. After a while, he finds himself walking over to visit her while she’s putting out seeds for the birds, watching Lawrence of Arabia and reciting poetry. Soon, he’s drawn into the fascinating details of her life, which contains multitudes of tales that could fill five lifetimes. From being a 14-year-old spy for the British in Nazi Germany to memories of receiving a clarinet from her cousin, the American swing musician Benny Goodman, Martin is pulled into the hidden yet wondrous existence of the resolute elderly woman.
Martin’s firsthand account of his tender companionship with this small but mighty force of a woman undoubtedly makes this a touching read. All at once, he is concerned, bewildered and very much intrigued by Edith, who stands her ground. When social services start calling, she reveals her wish to pass away on her couch, the very same place her own mother passed. Without denying Edith her independence, Martin begins to assist her as her physical strength declines so that she can die the way she’s always lived—on Edith’s terms.
This biography verges on indescribable in the way humor, compassion and sadness are simultaneously intertwined to recount the infallibility of the human spirit and pricelessness of human kindness.
Art historian Paul Koudounaris has developed a grotesque but incredibly interesting research niche as he uncovers Heavenly Bodies: Cult Treasures & Spectacular Saints from the Catacombs. In this, the follow-up to his 2011 Coup de Coeur award-winning Empire of Death: A Cultural History of Ossuaries and Charnel Houses, Koudounaris continues to delve deep into the centuries-old mystery of the veneration and bejeweling of full skeletons and individual bones of Christian “saints” in Europe. In the past, the relics have made their appearances only once a year at festivals, but the author was granted unprecedented access to examine and photograph these unique marvels.
Beginning in the early middle ages, the remains of various Christian martyrs were buried in the Roman catacombs. Long forgotten, the skeletons filled the underground passages until the era of the Protestant Reformation. In the late 1500s through the following century, many Catholic churches were looking for relics that would help to invigorate their parishioners to remain devoted. These churches, mostly in Germany, Austria and Switzerland, were sent authenticated bones from The Vatican with official documentation identifying them as having belonged to early Christian martyrs. In the intervening years, many of these unofficial saints have been “decanonized” by Roman Catholic officials.
Individual examples and stories of the relics and the stunning manner that they are displayed make up the bulk of this fascinating look at the crossroads of religion, art and history. Sumptuous photographs of the artifacts in all their dazzling glory, including a breathtaking double-page spread of the “Chapel of Bones” at the Basilica of St. Ursula in Cologne, complete this unique volume.
Jo Baker’s engaging new novel Longbourn focuses on the life of housemaid Sarah and her fellow servants for a behind-the-scenes retelling of Jane Austen’s Pride and Prejudice. Fans of Austen’s novel will be intrigued by the lives of the underclass in Regency England, no less intriguing and dramatic than those of the gentry they serve.
Sarah, orphaned and raised almost as a daughter to housekeeper Mrs. Hill, fills her days from early morning to late night with the strenuous labor it takes to run a country household. Baker fills her novel with detailed accounts of the housemaid’s chores, from emptying the chamber pots to heading to town in the rain and cold to purchase ornamental roses to decorate the Bennet girls’ shoes. Readers will learn fascinating period housekeeping hints, like the fact that cold tea leaves sprinkled on floors will bind with dust, hair and insects, making sweeping easier.
Even as she supports the sisters in their complicated courtships, she dreams of a life of her own. She becomes flustered in her dealings with Mr. Bingley’s handsome, flirtatious footman Ptolemy, the man charged with delivering letters. His goal is to open a tobacco shop one day. Mysterious James Smith, the newly arrived servant with hazel eyes and a secret cache of seashells, intrigues her as he lightens her daily work burdens and takes an interest in her. Sarah wonders “Could she one day have what she wanted, rather than rely on the glow of other people’s happiness to keep her warm?” Longbourn is a book to savor almost as much as its inspiration.
Fannie Flagg’s new novel The All-Girl Filling Station’s Last Reunion will remind readers of why they originally fell in love with her writing. The story’s wit, wisdom and colorful cast of characters are utterly captivating.
Having just survived her three daughters’ four weddings in less than two years, Sookie Poole is ready to enjoy some peace at last. She is looking forward to spending her days tending her birdfeeders, relaxing, traveling with her long-suffering husband Earle and caring for her eccentric mother Lenore Simmons Krackenberry. Her biggest concern these days is that one day she will go crazy like all the Simmonses do. There’s a fine line between eccentric and crazy, and in the Simmons family they all end up in the Pleasant Hill Sanitarium eventually. Then, Sookie receives a certified letter and learns a shocking family secret. She begins to search for answers and learns much more about Lenore’s past. Layers of the story unfold and Flagg takes readers back to 1943, Fritzi Jurdabralinski and the women who ran the Phillips 66 gas station in Pulaski, Wisconsin.
This story is a perfect fit for readers who enjoy novels by Adriana Trigiani, Rebecca Wells and Ann B. Ross. The All-Girl Filling Station’s Last Reunion is an absolute delight. Like Flagg’s bestselling Fried Green Tomatoes at the Whistlestop Café, this story moves between past and present, telling a family’s story with effervescent humor and irresistible Southern charm.
Few writers can jump from one form of media to another and still produce award-winning work, but with his 2013 Hugo Award winning series Saga, Brian K. Vaughan has proven he is one of those rare writing talents. Vaughan is no stranger to accolades; his previous comic book series, Y: the Last Man and Ex Machina, not only won awards but were both optioned for films. His heart-wrenching graphic novel, Pride of Baghdad, looks at the non-human consequences of war.
Vaughan, who has been writing for TV shows like Lost and Under the Dome, and artist Fiona Staples have created a family drama that is half Romeo and Juliet and half Firefly. Saga, Vol. 1 is the tale of two worlds and two species at war. In the midst of the conflict, a man and a woman from opposing sides meet and fall -- slowly and painfully -- in love. They escape their families and their worlds and have a child together. That’s when things get interesting for them. Neither side in the conflict likes what their love and their child represent and make the elimination of the trio a priority.
Saga, Vol. 1 is full of interesting worlds and species, like a slew of bounty hunters out for blood and cash. If the story sounds vaguely familiar, it is given fresh life by Vaughan’s writing and Staples’ art. Vaughan is known for his snappy and often funny dialogue that wouldn’t be out of place in a Joss Whedon film. A great deal of the charm of the series is the characters and their interactions, which always come off fresh and, well, human. The first volume follows the initial pursuit and escape.
Vaughan has again found a way to take an unusual concept and tell an incredible story.
Saga is for mature audiences only, due to violence, language and adult situations.
Witnesses. Accomplices. Killers. One thing is clear from Wendy Lower’s chilling new book Hitler’s Furies: German Women in the Nazi Killing Fields. Regardless of the prism through which German women viewed the Third Reich’s maddening quest for racial purity few escape Lower’s dogged search for the answer to “why?” Why did this “darkest side of female activism” rear its head and consume a generation of women that found themselves thrust into a war they did not want but nonetheless embraced for their own selfishness and ambition.
For the thousands of women coming of age in Hitler’s Nazi Germany, the dividing line between home front and battlefront was practically nonexistent. While most women found ways to distance themselves from the violence of the war, a third of the female population was actively engaged in a Nazi Party organization. Many volunteered to be sent to the Eastern Front where some of the worst atrocities against Jews were documented. Clerical, teaching and nursing jobs became the sinister underpinnings of the Nazi machine, where new career tracks beckoned young women seeking a steady paycheck. How these women, some barely out of their teens, others young mothers, evolved into indifferent bystanders or cold-blooded killers, is the thrust of Lower's dramatic account.
Lower sorts her 13 "main characters" into three categories: witnesses, accomplices and killers. It is the latter perpetrators of genocide that evoke the most study. Women like Johanna Altvater, a secretary who lures Jewish children with candy only to shoot them, or Liesel Willhaus, wife of an SS commander who shoots Jewish slave workers from her balcony with her child in tow, are impossible to fathom. Lower, who is a Holocaust historian, explores shocking behaviors like these in this 68-year-old story of one of the most disturbing puzzles of women's behavior. Hitler's Furies has recently been named a finalist for the National Book Award.
Dogs have become ubiquitous in American society. Their physical abilities and emotional connections with humans have been studied and marveled about for generations, no more so than today. Rebecca Ascher-Walsh has now compiled a collection of short vignettes celebrating the human-canine connection in Devoted: 38 Extraordinary Tales of Love, Loyalty and Life with Dogs. Handsomely illustrated with candid photographs of the dogs and the humans with whom they share their lives, this is a perfect book to dip in and out of as time permits.
While some of the two- to four-page stories are, perhaps, more “extraordinary” than others, it is likely that readers will find themselves smiling, tearing up or both as the connection between dog and man is recounted. Some of the amazing stories include dogs that have bravely served the military both in the theatre of war and with veterans back on the home front. Other pieces involve therapy dogs, including those that serve as lifesaving alarms for people who suffer from blood sugar fluctuations and those dogs who provide comfort to humans dealing with mental or emotional trauma. Still more feature canines that have come to the rescue in crisis situations, sometimes almost unbelievably, saving their human companions through intelligence and will.
Short blurbs about the breed of dog showcased and other information related to the story round out each article. A list of resources to learn more about organizations that support these incredible feats and encourage better dog welfare is also included. Its handy, easy-to-hold trim size and heartwarming accounts will make Devoted a sure favorite with animal lovers young and old.
Marta has stopped taking her pills. After years of following a routine the way her husband and mother-in-law expect her to, she wants to do something differently and see what happens. She desperately misses her adult son who recently announced his engagement and fears losing him forever. Emma Chapman’s debut novel, How to Be a Good Wife, sends readers down a path of uncertainty where every move Marta makes leads to more questions and even less answers. When her husband dispenses her medication to her, she hides them underneath her tongue, then sneaks them into a grate in the floor. Her days become strange as she frequently finds herself in rooms she doesn’t remember entering, feeling as if she has lost pockets of time and seeing a young, dirty, blonde girl named Elise who seems very, very real. When it appears as if Marta has attempted to abduct a little girl in broad daylight, her family has her committed to a psychiatric facility.
Chapman’s story is unnerving and readers are just as in the dark as Marta. As tiny sprinkles of light begin to open up the secrets of her hazy past, the possible truth of how she came to be Mrs. Marta Bjornstad is shockingly incomprehensible.