A heavily and densely woven debut novel by author Laura McHugh, The Weight of Blood oozes mystery, secrets and pain like a long-festering wound. Told primarily from the perspective of Lila, a young mother burdened by her past, the story is paralleled by Lila’s now 17-year-old daughter Lucy’s story. Lila disappeared when Lucy was just a baby, and she always wondered what really happened the day her mother was last seen holding a gun and heading toward a cave deep in the Ozark Mountains. When Lucy’s childhood friend, Sheri, disappears and is found dismembered a year later, old secrets and suspicions begin to surface as Lucy works to uncover the truth.
Lucy lives with her father who is often away for days at a time working out of town. Even when he returns home he is still only half there, the other half still consumed by the pain of losing his young wife so many years ago. Lucy has an intimate support network of pseudo-family members, her mother’s once-best-friend and her daughter, a grandmotherly figure who lives nearby in the woods and her father’s brother Crete who is fiercely protective of Lucy, treating her like his own daughter.
In a small town, where heritage is held to the highest of standards and outsiders are always kept at arm’s length, there are no limits to what someone will do for the sake of family. The events that unravel through Lila’s and later into Lucy’s stories attest to the lengths one will go for family.
America’s longest-running syndicated television show, Soul Train, receives deserved attention in two new titles focusing on the lasting legacy of this landmark production. The show debuted in 1971 and continued airing through 2006. Those 35 years were marked by groundbreaking moments, future stars, celebrity performances and thousands of Soul Train Lines.
In Soul Train: The Music, Dance and Style of a Generation, Questlove (drummer and frontman for The Roots, the in-house band for The Tonight Show Starring Jimmy Fallon) celebrates the show he loved and offers a behind-the-scenes glimpse from conception to conclusion with features on the many artists whose careers skyrocketed following an appearance. Think Tina Turner, Stevie Wonder, LL Cool J and Lenny Kravitz! He also highlights the changes the show made during its long run, including the departure of creator and host Don Cornelius in 1993. A forward from Gladys Knight, a preface from Nick Cannon and Questlove’s exclusive access to the show’s archives all combine to create a volume rich in history, music and culture.
Music critic and novelist Nelson George offers a history of the revolutionary show in The Hippest Trip in America: Soul Train and the Evolution of Culture & Style. The show debuted in October of 1971, seven years after the Civil Rights Act, and was unlike any previous variety show. Don Cornelius, a former radio reporter, was inspired by the civil rights movement to create a venue to highlight the cultural preferences of young African-Americans. It turned out that the music from a wide range of genres, the innovative dance moves and the fantastic fashions had wide crossover appeal and staying power. Many of the performers, including dancers Jody Watley and Rosie Perez and singers Aretha Franklin and Barry White, share memories and add insight into this fabulous show that revolutionized entertainment and promised “a groove that will make you move real smooth.”
Actor B. J. Novak’s first collection of short stories, One More Thing: Stories and Other Stories, shows that he is more than just another Hollywood star writing a book. Best known for his acting and writing roles on The Office, Novak brings the same sort of absurd humor to his collection of over 60 short stories. The stories range in length and subject — some only a few lines, others pages long — and while some stories are entirely new, others are retellings of stories readers know well.
One More Thing begins with “The Rematch,” a continuation of the fable, “The Tortoise and the Hare,” told from the Hare’s perspective in the years after the race that ruined his reputation. From retold fables to dating stories like “All You Have to Do” and “Missed Connection: Grocery Spill at 21st and 6th 2:30 p.m. on Wednesday,” the collection is varied, and sure to keep the reader laughing. In “All You Have to Do,” a man informs readers that in order to find love, all you have to do is wear a red T-shirt each day, then go to the Missed Connections website and find out who liked you that day. In the second “Missed Connection,” a woman is searching for a man in a red T-shirt after they met outside of Trader Joe’s and spent the night together.
As an actor, Novak uses his connections to get his famous friends to voice characters on the audiobook version. From his Office co-stars Jenna Fischer, Mindy Kaling and Rainn Wilson to Oscar-winner Emma Thompson to pop star Katy Perry, the wonderfully performed audiobook version adds to the hilarity of Novak’s off the wall stories. Fans of humor books filled with pop culture references and unique stories won’t want to miss Novak’s One More Thing: Stories and Other Stories.
The science fiction genre has been on the decline for quite some time, but with the rise of innovative, mind-bending authors like Ann Leckie that might be about to change. Leckie has set imaginations afire, garnered a constellation of outstanding reviews and received a recent nomination for a 2013 Nebula Award for her debut novel, Ancillary Justice.
Ancillary Justice is set in a far future in an interplanetary empire known as the Radch. The Radchii utilize humans, massive ships and space stations connected by a vast network of artificial intelligence and the Ancillaries. Ancillaries are formerly living humans that have been transformed into part of the collective mind of their ships or stations. No longer human but also not fully machine, they are the Borg with more humanity and better fashion sense. Breq, the book’s protagonist, used to be an Ancillary of the starship Justice of Toren. Something happened to the ship, and she is the last surviving piece with all of the ship’s memories and no individual identity of her own. Breq is on a quest for vengeance for the death of her favorite human officer. The story is told in both Breq’s present and flashbacks that tell of the events leading up to the loss of the Justice of Toren. These flashbacks allow the brilliance of the work to shine through.
With a narrator that is a ship consisting of hundreds of parts, you often seem to get point of views from dozens of perspectives, but they are all from the same character. It is no accident that the Radchii have no sense of gender. Throughout the book, Breq refers to everyone as "she," and it is only through the conversations of others that we get any sense of gender identity. As Breq’s story unfolds and you see a multifaceted Artificial Intelligence developing a split personality and hiding secrets from itself, you develop a true appreciation for what Leckie has accomplished.
A world on the verge of unimagined changes in identity, technology and biological change, Ancillary Justice delivers a window into our future and how the definition of being human might be more malleable than we think.
Whether you are an avid fan of Downton Abbey or just someone who enjoys a bit of humor involving cats, you are sure to enjoy Chris Kelly’s Downton Tabby: A Parody. In this book, you will be introduced to the aristocratic upstairs cats, whose day consists of grooming, sleeping, being fed and, of course, loafing around on expensive furniture in an adorable manner. There are also the downstairs cats — mostly named Emma — whose lots in life are to work in servitude to the upstairs cats. After all, this is England in the early 1900s. Their choices in life are really rather limited: serve, be served or be murdered by Jack the Ripper. Given those options, if one were not fortunate enough to be a proper kitty of breeding, a life of service is better than no life at all.
Following the general story line of the Downton Abbey television show, you will enjoy the trials and tribulations, the prides and the prejudices as well as the sense and the sensibilities of the felines of Downton Tabby. Learn how to keep a secret, the secret language of the tail, codes of conduct for both upstairs and downstairs cats and the art of arguing with someone who has deeply held beliefs.
Heavily illustrated, one of the gems of this book for cat lovers is the photos of cats dressed as characters from Downton Abbey reenacting scenes from the television show. A cheeky romp, this short book is an entertaining quick read. Who knows, you may even learn a bit about history, too!
Some may remember him from The Carol Burnett Show where he played such absurdly silly characters as Mr. Tudball, while others will recall him as the bumbling Ensign Parker in the TV show McHale’s Navy. Then there are those who have seen his Dorf series of videos. However you remember Tim Conway, his book What’s So Funny? My Hilarious Life will introduce you to aspects of the comic you may have never known.
Conway (born Thomas Conway in a suburb of Cleveland, Ohio) loves to tell a funny story, and his book is full of them. Some of the stories involve his eccentric yet lovable family but most are about his life in show business. Being an only child, Conway had a kind of built in audience with his family. He used these early experiences at home, in the classroom, during his brief time in the Army and throughout his extended time at Bowling Green State University to hone his craft and become the comic legend that we know today.
Over the years, Conway has worked with many of the greats in comedy and is quick to give praise to those who helped him achieve success. Some of the celebrities he worked for or with include Ernie Anderson, Steve Allen, Ernest Borgnine and, of course, Carol Burnett. There are sides to Conway that are surprising (for example, being an avid horse racing fan) and some that you might expect (he and Harvey Korman really were great friends), but they all add up to an intriguing and funny memoir. Hopefully, Conway will be around to make us laugh for a long time to come.
Holocaust survivor and author Leo Bretholz passed away Saturday at his home in Pikesville at the age of 93. Bretholz was imprisoned numerous times as he sought to escape Nazi-occupied Europe for seven years. Bretholz escaped seven times during his harrowing ordeal, including a 1942 jump from a train headed for Auschwitz.
Bretholz immigrated to the United States in 1947, eventually settling in Baltimore. Upon receipt of the death notifications of his mother and sisters in 1962, Bretholz began publicly sharing his story. In 1998, his gripping memoir of his experiences during this time, Leap into Darkness, was published and remains a riveting documentary of survival. Until his death, Bretholz remained dedicated to ensuring that new generations of school children were aware of his story and the history of the Holocaust and was tireless in his work as an advocate.
After France’s stunning defeat in the Franco-Prussian War and its near defeat in WWI, no event garnered more attention or more divided the nation than the Dreyfus Affair. Robert Harris’s new book, An Officer and a Spy, is an incredibly compelling fictional account of the long-simmering scandal, especially the rabid paranoia and anti-Semitism that fueled it.
Harris, as seen in previous works like Fatherland and Pompeii, is a master of historical fiction. In An Officer and a Spy, Harris presents us with a cast of actual historical figures in an account that reads like a spy novel. Georges Picquart is a French Army officer who is convinced of the alleged treason of Capt. Alfred Dreyfus, a Jewish officer accused of selling secrets to the hated Germans. As an award for his service in the Dreyfus Affair, Picquart is given command of the intelligence section responsible for catching spies in France. Although clearly anti-Semitic himself, Picquart slowly realizes two things: Dreyfus was not guilty, and the real spy is still on the loose. Picquart petitions his superior officers to reopen the Dreyfus case and give him leave to continue the investigation. The French High Command, unwilling to admit its own mistakes and face the political consequences, decides instead to exile Picquart to Tunisia. What follows is a smear campaign and eventually Picquart is defending himself against charges of treason. Meanwhile, over the decade that this story plays out, a solitary figure – Alfred Dreyfus – is kept prisoner on the remote Devil’s Island.
This 100-year-old scandal fits in perfectly with our modern era’s headlines of domestic spying, rendition and puppet trials. It is a novel that is unafraid of showing its hero, George Picquart, as a flawed human being. With its espionage and dramatic courtroom scenes, this novel will have you yelling “J’accuse!” at the power-mongers who would convict innocent men in order to advance their own ambitions.
Historian Jill Lepore eloquently pieces together the sparse writings of a little-known 18th-century American woman who also happens to be the favorite sister of Benjamin Franklin. In her meticulously researched work Book of Ages: The Life and Opinions of Jane Franklin, the Harvard University professor reveals a humble woman whose station does not dampen her upbeat and quick-witted spirit. The siblings emerge as two restless spirits, connected through their love of writing yet separated by their assumed roles of the time.
Born in 1712 in a two-story wooden house on Union Street in Boston, the youngest child of Josiah and Abiah Franklin was expected to learn to read but not necessarily how to write. Her mother taught her, as did Benjamin, who was six years older. Married at 15, Jane Franklin Mecom's endless days of cleaning, washing and mothering were in contrast to her glamorous brother's life. She cherished letters from her brother. Their lifelong correspondence reveals a keen, opinionated woman who is a shrewd political observer and a lover of books. With 12 children, she came up with her own way of chronicling births and deaths by creating her own slim book called the "Book of Ages." The book became a remembrance and her story. It survives, while most of her letters to her brother do not.
Lepore, a National Book Award finalist and staff writer for The New Yorker, is passionate about her subject even when evidence is scarce. She explores the political, social and commercial sides of the times in compelling character-driven prose. And while she freely draws the parallel life of the siblings, it is the juxtaposition of men’s and women's roles in Colonial America that reminds readers of the extraordinary fortitude of women like Jane. With 148 pages of notes, source material, reproduced documents and time period detail and spellings, the narrative unfolds slowly. Readers of early American or women's history are rewarded with a fresh look at one of this country's most influential, iconic leaders and the sister in his reflection.
In addition to her busy career as a reporter for NBC’s Boston affiliate, Hank Phillippi Ryan has made a name for herself as a bestselling author of suspense fiction. In Ryan’s most recent novel, The Wrong Girl, reporter Jane Ryland is contacted by a former co-worker who asks for Jane’s help because she believes that she was reunited with the wrong birth mother. At the same time, Detective Jake Brogan is investigating the brutal murder of a woman who was found in her house with two young children and an empty crib. He believes that it’s more than the simple domestic violence case that it seems to be. Soon, it becomes obvious that the cases are linked. Ryan’s writing is pitch-perfect as she builds suspense and continues to develop Jane and Jake’s will-they-or-won’t-they relationship.
Ryan generously agreed to answer a few questions for Between the Covers readers. She tells us about her lifelong love of mysteries, her inspiration and why she writes page-turners but not “stomach-turners.”
When you wrote your first novel, you already had a very successful career as a television reporter. What made you take that leap? Did you always want to write fiction?
I grew up in very rural Indiana ... so rural you could not see another house from our house. My sister and I used to ride our ponies to the library – we’d get books and put them in the saddle bags and then read them up in the hayloft of our barn. (Yes, I know I look like a city girl now! But that’s how it all started.)
I fell in love with Nancy Drew, then, soon after, Sherlock Holmes. Then soon after that, all the wonderful Golden Age mystery authors – Ngaio Marsh and Josephine Tey and Dorothy Sayers ... and of course Agatha Christie. And I think that’s where my love of mystery storytelling was born.
But I went on to be a journalist – starting in radio in 1971! Then in TV in 1975. (So far, I’ve won 30 Emmys for investigative reporting, and I am still on the air at Boston’s NBC affiliate.) And when you think of it, journalism is also storytelling, right? It’s just stories that are true. I never gave up my love of mystery and thriller reading, but – okay, I’ll admit it. I just never had a good idea for my own fiction.
Then in – 2005, maybe, I had a great idea. I knew it instantly, and from that moment on I was obsessed with writing what turned out to be the Agatha Award-winning first novel, Prime Time. (It’s a great story – maybe invite me to visit the library, and I’ll tell you the whole thing.)
After that, I was completely hooked. Now I have the joy of juggling two fabulous careers – stressful, and high-stakes and unpredictable, yes – but I am very lucky.
How does your work as a reporter influence your writing?
Well, it’s all about telling a story, right? Whether you’re making it up or not. I am well aware as a TV reporter that if a viewer isn’t interested, entertained, informed and riveted, they can simply zap me away with the click of a remote. So I have learned over all these years to tell a good story.
Happily, I get to use the same skills in crime fiction. I know if you don’t love the characters and the plot, if you’re not riveted to turning the pages, you’re going to close the cover and find another book. I do my best not to let that happen! And that’s all about the story.
I’ve also wired myself with hidden cameras, confronted corrupt politicians, gone undercover and in disguise, been tear-gassed and at hostage situations, at fires and crime scenes, had people confess to murder, seen how people behave when they’re lying or terrified. So there’s an authenticity from my day job that I bring to my crime fiction. The things that happen to Jane could happen to me! And some of them certainly have!
So having this career which brings me into places the public can’t always go and into situations that can be exciting and high-stakes gives me a never-ending (I hope) source of inspiration. I don’t take my TV stories and fictionalize them, but I do use the real-life experience to make it genuine.
While crime plays a major part in your novels, the violence takes place “off the page.” Was that a conscious decision or just something that evolved as part of your writing style?
Oh, interesting. When I read a particularly ghoulish and violent book – confession here – I sometimes skip the graphic parts. (Yes, I know, it’s funny, since my real life shows me a very dark part of the world.) Did I decide – oh, I’m not going to go graphic? No. But they always say to write the kind of book you love to read – and for me that’s Lisa Scottoline, Linda Fairstein, Sue Grafton, Laura Lippman, Meg Gardiner, John Lescroart, Harlan Coben, Steve Hamilton. Very, very suspenseful, yes, very high stakes, yes. But gory/bloody/violent? No. So I write my books to be page-turners – as Library Journal called The Wrong Girl “stellar” and a “superb thriller” – but they are not, um, stomach-turners!
Can you tell us a little bit about what inspired you to write The Wrong Girl?
It’s a great story. I got a call at my TV station – and this is the perfect example of what you were asking – from a woman who said, “Hank! You’ve got to do a story about my cousin. She was given up at birth to an adoption agency 25 years ago and got a call from them asking if she wanted to be reunited with her birth mother. She said yes – but you know, when they met? Turned out they weren’t related! The agency had sent that woman the wrong girl!”
I’m laughing now, even as I type this. I remember thinking, “Thank you, universe! The Wrong Girl! There’s my book!” A book about mothers and daughters, the struggle of adoption from all sides, the need for a family. What if someone made up a family history for you – would you believe it? What if you didn’t know the truth about your own family? How would you recognize your own daughter? Fascinating and relevant questions. And I was off and writing!
What’s turned out to be just as timely and fascinating – there’s a huge problem, making headlines right now, about the chaos in the Massachusetts foster-care system. A completely fictional version of that is key to The Wrong Girl. Amazing, huh? That book as written way before those headlines.
And did you see it’s now nominated for the Agatha Award for Best Novel?
What are you working on next? Will we get to see more of Jake and Jane?
Yes, absolutely! (And thank you.) Truth Be Told will be out on September 30. It’s about a mortgage banker who decides to keep her economically challenged customers out of foreclosure by manipulating their records so it looks like they’ve paid – good hearted, of course, but illegal. It’s about a man who confesses to a cold case murder the police have stopped investigating – why would he do that? And about a reporter who makes stuff up.
Will Jake and Jane find a way to be together? We shall see.
What have you read lately that you loved? Are there any authors who are on your personal must-read list?
Personal must read - Lisa Scottoline. John Lescroart. Ian Rankin. Julia Spencer-Fleming. Sue Grafton, the master! I love Nelson DeMille’s John Corey books and William Landay’s Defending Jacob. Dennis Lehane, of course. Gone Girl, I’m a fan.
New books? Look for M. P. Cooley’s Ice Shear, Rachel Howzell Hall’s Land of Shadows. Jenny Milchman’s Ruin Falls and Chris Pavone’s (he wrote the Edgar Award-winning The Expats) new The Accident. (Unique! But great.)
As for me, I’m in the midst of writing What You See – In solving a murder, Jake wonders why cameras don’t lie – but photographs do. And Jane’s own family puts her in deadly danger. That’s what you get when you plan a wedding, right?