Beloved Irish novelist Maeve Binchy once said, “I am obsessively interested in what some may consider the trivia of other people’s lives.” Her people watching paid off in her novels but also in her work as a journalist for The Irish Times, where she serendipitously launched her writing career. Maeve’s Times: In Her Own Words is a selected collection of her work spanning five decades at the newspaper as a women’s editor, columnist, feature writer and reporter. When her novels became bestsellers, she resigned her full-time position but continued contributing until her death in 2012.
This volume chronologically organizes some favorite pieces from her long tenure and groups them into decades from the 1960s through the 2000s. Her eye for detail, so prevalent in her novels, serves her well in chronicling various topics ranging from the lighthearted to the controversial. Her humor and drollness are evident in each article, whether it be musings about dull airline companions or honest thoughts about more provocative subjects such as the plight of the Irish working in England. And she was also an almost giddy reporter on the shenanigans of the royals and in attendance at many of the weddings, including Charles and Diana’s in 1981.
Readers will acquire a better understanding of Binchy’s treasured homeland as the anthology also serves as a sociological study and cultural commentary on a changing Ireland. This entertaining collection will delight her legion of devotees who will get to know her a little better while enjoying the cherished characteristics of her writing – wit, wisdom and compassion.
Life has always been in the details for Addie Baum, the 85-year-old protagonist in Anita Diamant's new historical novel, The Boston Girl. When her youngest granddaughter asks her to tell her life story, Addie starts at the beginning. Born at the turn of the century, this daughter of Jewish Russian immigrants endures disappointments and obstacles along the way to living a full life defined by plucky resolve and passion. In Diamant's capable hands, Addie's first person narrative is a gentle and lovely rewinding back to the soul of another time and place.
Coming of age as a Jewish woman in the 20th century, Addie endures the endless harping of her suspicious mother who sees America as the wrecker of young women. Home is in a tenement in the north end of Boston, where there is just enough money for food and rent. Staying in school becomes Addie's dream despite her mother's low expectations. It's her love of reading that opens doors to the world she will eventually inhabit. When she lands an invite to join the Saturday Club girls at their camp at Rockport Lodge, she forms friendships along with opinions and new experiences. For Addie, it is time of Parker House rolls and keeping boys from getting "fresh." When she tries on long pants for the first time she can't believe how liberating it feels.
Diamant, whose previous works include the highly regarded The Red Tent, wades through a significant period in American history, including sweat shops, the flu epidemic, World War I, the Depression and feminism, just as Addie matures and exploits her own personal potential. While this latest novel may be a lighter read than Diamant's previous works, readers will enjoy the plot-moving short chapters that capture the intrinsic nature of the early 20th century immigrant experience in America. The Boston Girl should make an excellent book club selection for those examining the breadth of connections that sustain us.
By definition, a wallflower is someone who yearns to stay out of focus and is content with experiencing the world from a vantage point far removed from social commotion. Wallflowers are typically observant people who possess the uncanny ability to find beauty in unique places. Eliza Robertson's debut collection Wallflowers places a series of introverted characters in situations with the potential to reveal more than their individual livelihoods.
Unified by central themes of longing and loss, Robertson's characters all wish for a way to forget the past or escape the present. In "Here Be Dragons," a geographic surveyor sees shades of his late fiancée in every corner of the remote locations he visits. She haunts him not in the convenient visages of doppelgängers, but in the complicated forms of reverie associated with people, places, things and experiences amidst savage and newly loveless lands. "Slimebank Taxonomy" thrusts readers into the empty life of a young mother living with her brother and his family. Her sister-in-law does not shoulder the added burden gracefully as she diverts attention from her own child to care for the new baby. The young mother realizes this, yet remains powerless to rear her newborn; instead, she finds solace in dredging drowned animals from a nearby swamp and cleaning their bodies. "Roadnotes" tells the story of a woman who leaves her job to drive through the Northeast on an autumnal leaf-viewing tour. Conveyed in the form of a series of letters addressed to her brother, readers see glimpses into her true motivations for her journey as she laments the loss of her mother, despite her rough childhood.
Robertson's debut collection shimmers with beauty enhanced by flecks of melancholy, with hints of hope where it seems toughest to find. With stories less about the wallflowers that populate them and more about the collective souls of humanity, Wallflowers is not to be missed by literary fiction enthusiasts. Fans of the rustic Canadian backdrop and the accompanying aloneness might also enjoy D. W. Wilson's collection Once You Break a Knuckle.
In 1992, 24-year-old Chris McCandless gave away his savings and most of his worldly possessions and embarked on his dream trip, a quest in the Alaskan wilderness. His adventure ended in his tragic death in an abandoned bus just off the Stampede Trail near Denali National Park. Chris’ story was the subject of Jon Krakauer’s bestselling nonfiction book Into the Wild in 1996, and it was later made into a film directed by Sean Penn. Krakauer’s book focused mainly on Chris’ journey and the end of his life, but it left many questions about his past and his motivations unanswered, leading to many widely held misconceptions about Chris.
Because of the popularity of Into the Wild, people think that they know Chris’ story, but there’s much more than meets the eye. While Krakauer was researching his book, Chris’ sister Carine McCandless shared more about her family and Chris’ childhood with him, even allowing Krakauer to read some of her brother’s letters relating his feelings about unpleasant details of life in the McCandless home. To protect her parents and half siblings, Carine asked Krakauer not to include the letters in his book. Now, Carine McCandless is revealing those details in The Wild Truth, a book she hopes will allow readers to view her brother’s life and actions through a more accurate lens.
Above all things, Chris McCandless valued truth, and Carine’s raw and honest account of their family life builds a much clearer picture of what drove Chris to take his journey. This unforgettable story is my favorite new nonfiction book this fall. The Wild Truth is not just for fans of Into the Wild. It’s also a must-read for readers who are drawn to family memoirs.
We are delighted that Carine McCandless will speak about her book and her brother’s legacy at the Arbutus Branch on Saturday, December 6 at 2 p.m. Readers can hear directly from Carine and have the opportunity to ask her questions about The Wild Truth. Find out more information about this event.
Imogen Robertson invites readers on a journey to Paris, 1909, the height of La Belle Epoque, where the alluring excess of the era comes to vivid life in The Paris Winter. Robertson introduces readers to three fiercely independent young women whose friendship is built on a common love of art, but who are quickly ensnared in a sinister plot.
For Maud, a destitute art student at the Académie Lafond, life is anything but decadent. Her inheritance only covers rent and tuition, leaving her no choice but to go hungry. School friends Yvette and Tanya quickly notice their proud friend’s state and secretly intervene to get her a job as a companion to wealthy Christian Morel’s sickly sister Sylvie. Maud can hardly believe her fortune as the position includes a warm, clean room and plenty of hot meals. The security of her employment also allows her to focus her energy on her art. But all is not well in the House of Morel as the private lives of the siblings are vastly different from their public personae. Sylvie is hiding an opium addiction and Christian’s aura of intrigue feels threatening.
Maud embraces their secrets as her own, but before long finds herself embroiled in sinister plots which take her and her friends from the gritty underbelly of Paris to the haunts of the upper class. The three young women grow as they work together to uncover the truth amidst so much deception. Robertson’s characters are memorable and her colorful, detailed descriptions serve to create a strong sense of place and time. Art lovers, history buffs and armchair sleuths won’t be able to put this thriller down.
In Jane Smiley's Some Luck, on a farm in Denby, Iowa, Rosanna and Walter Langdon begin their married lives in 1920 in the time-honored tradition of past generations. Walter ponders fertile fields and chooses good bottom land for his farm. Rosanna becomes the consummate farmer’s wife and produces five children, all with vastly different personalities: Frank, brilliant but fiercely independent; Joe, whose gentle spirit and love of the land make him the heir apparent to the farm; Lillian, the beautiful but innocent angel; Mary Elizabeth, destined to fate; Clare, her father’s favorite; and Henry, always thirsting for knowledge.
Spanning three generations, covering the coming of age of America, Some Luck is the latest offering from Pulitzer Prize-winning author Smiley. Smiley deftly weaves historical events throughout her narrative, painting a portrait of one family as it endures the Great Depression, drought, social unrest and burgeoning communism, through World War II and its aftermath. With a sure hand, Smiley portrays each of these events as they affect farmers and laborers, town and city, America and the world. Whether on the farm or in a war, everyone must endure the hardship and the vagaries of life and fate. As Grandma observes, “But what would we do without some luck?” Smiley also subtly reminds us of the importance of family and friends, as they support each other through trying times and happy moments. As Walter and Rosanna survey their family at a Thanksgiving feast, they realize all they have achieved and conquered and that, by forming this family, they have created 23 unique stories that will resonate through succeeding generations.
Some Luck is the first installment in a trilogy. Once you have laughed and cried and shared all their stories, you will be anxiously awaiting the next installment.
Ask parents to share their deepest fear and, inevitably, it involves something tragic happening to their child. In Diogo Mainardi’s The Fall: A Father’s Memoir in 424 Steps, Mainardi writes about the intersection of grandeur and error which led to his son’s disabling cerebral palsy. On Immunity: An Inoculation by Eula Biss examines modern medicine’s sometimes controversial practice of vaccination.
424. That’s the number of footsteps taken by Tito Mainardi as he and his father walk to Venice Hospital where he was born, and where physician error resulted in his brain injury. It’s also the number of brief passages that make up this small memoir in which Mainardi finds connections between art, architecture, music and history, and relates them back to Tito and his illness. Profoundly moving and structured by concentric links, The Fall demonstrates that tragedy and beauty may not be such a dichotomy after all.
Red-faced and screaming or silently stoic: either way, it can be tough as a parent to put a child through the often painful series of recommended inoculations. Even more difficult would be wondering if your child’s autism was triggered by a vaccine or passing on those shots only to see a child hospitalized with whooping cough. Biss looks at the varied reasons behind a parent’s decision to decline immunizations, which include African and Middle Eastern Muslim fears of a western plot to harm their children via the polio vaccine to American concerns about greedy pharmaceutical companies or political agendas pushing unnecessary and invasive medicine — all of which compromise the “herd immunity” protecting communities from disease outbreak. On Immunity provides a thoughtful view on the impact of vaccines on contemporary public health.
War hero and Olympian Louis Zamperini died last July at the age of 97, but was able to finish Don’t Give Up, Don’t Give In: Lessons from an Extraordinary Life with co-author David Rensin. This inspirational volume is filled with Zamperini’s wisdom and insight garnered from a long life of remarkable experiences.
Zamperini was an American World War II prisoner of war survivor, an Olympic distance runner and, in his later years, a popular, inspirational speaker. His remarkable life has absorbed readers in both his autobiography, Devil at My Heels and Laura Hillenbrand’s bestselling Unbroken. Don’t Give Up, Don’t Give In is not a rehash of prior books. Instead readers learn more about the man, his personality and his will to endure from previously untold stories. Faced with one horrific event after another, including a plane crash and a brutal Japanese prisoner of war camp, Zamperini refused to give up and chose to view hardships as challenges. After the war, the adventures continued and even included a showdown with Frank Sinatra! Zamperini is honest in answering the questions he received repeatedly from fans and in revealing his secrets to living an honorable but exciting faith-based life.
Zamperini’s incredible life story will be brought to the big screen next month with Angelina Jolie’s adaptation of Unbroken. Watch the trailer of this film, already generating award buzz, written by the Coen brothers and featuring Jack O’Donnell.
Amy Poehler wants you to know that writing a book is very, very hard to do. She handles the pressure well in her memoir, Yes Please.
Delving into her deep-rooted love for all things comedy, Poehler shares hilarious stories from her performing past. She shares how, as a 10-year-old playing the role of Dorothy in a school production of The Wizard Of Oz, she was able to get her first audience to laugh and how she has been chasing that feeling ever since. From her college years through her work with improv troupe (and later Comedy Central show) The Upright Citizens Brigade, Poehler stresses the value of hard work as the source of her success. Fans of her work on Saturday Night Live and Parks and Recreation will not be disappointed either — several chapters share inside jokes, back stories and funny mishaps on the sets of both beloved shows.
Her vast work experience isn’t the only engaging part of this memoir: Poehler also gets personal. Her reflections on motherhood and raising her two boys, Archie and Abel, demonstrate her creativity in parenting. She doesn’t directly address her divorce with comedian Will Arnett, but does offer a hilarious chapter on some divorce books she would like to someday write, such as “I Want a Divorce! See You Tomorrow!” and “The Holidays Are Ruined!” There are lots of stories about her friendships with recognizable names, like Tina Fey and Louis C.K. Best friend Seth Meyers also contributes a short chapter.
Inter-chapters feature some interesting “advice,” and the book shows off some great keepsakes: a letter from Hillary Clinton welcoming Archie into the world, a signed photo of The Wire’s Michael K. Williams and many photographs and relics from her childhood, including poems she wrote when she was little.
This memoir is perfect for any fan of Amy Poehler, her work or comedy in general. Her wealth of experience in a variety of venues and acts will inspire and educate those looking to “break into the biz,” and her ideas about everything from performing sketch comedy nine-months pregnant to how our cell phones will eventually kill us will amuse and entertain any reader. After reading, pick up some of her best work, like Parks and Recreation or Saturday Night Live: The Best of Amy Poehler on DVD.
Blake Butler’s 300,000,000 is a jungle; readers require courage and a literary machete to traverse this five-part psychological horror story. Told through the mediums of a manifesto left in the wake of a heinous murder spree, a first-hand account of the police investigation into the atrocities, and a disjointed recollection stitching the pieces together with plenty of room for the viscera to seep out, 300,000,000 is filled with rare glimpses of toxic and transcendent ravings.
Gretch Gravey is 300,000,000’s patient zero of homeland terror, supplicating and drugging teenage metal heads in his city to transform them into thralls of murder. He releases his ever-expanding army of brainwashed husks into the suburbs to kidnap people and bring them back to his house to be killed and buried in a sub-basement crypt. Gravey’s ultimate goal is the utter decimation of America by its own pudgy hands, and his successes are unhindered despite his eventual incarceration. Investigating police officer E.N. Flood feels himself being consumed by Gravey’s residual evil and attempts to chronicle his descent into madness in his notes, which are actively redacted by other members of the force who have succumbed to Gravey’s will.
As if Chuck Palahniuk's Fight Club and Damned were chewed up and spat out in a bilious, meaty mass, 300,000,000 is disgusting and schizophrenic, yet somehow delicious in its depravity. Readers who enjoy wandering through their pitch-black houses when it’s so late that it’s actually early will be tickled by the way Blake Butler makes them question their sanity.