War hero and Olympian Louis Zamperini died last July at the age of 97, but was able to finish Don’t Give Up, Don’t Give In: Lessons from an Extraordinary Life with co-author David Rensin. This inspirational volume is filled with Zamperini’s wisdom and insight garnered from a long life of remarkable experiences.
Zamperini was an American World War II prisoner of war survivor, an Olympic distance runner and, in his later years, a popular, inspirational speaker. His remarkable life has absorbed readers in both his autobiography, Devil at My Heels and Laura Hillenbrand’s bestselling Unbroken. Don’t Give Up, Don’t Give In is not a rehash of prior books. Instead readers learn more about the man, his personality and his will to endure from previously untold stories. Faced with one horrific event after another, including a plane crash and a brutal Japanese prisoner of war camp, Zamperini refused to give up and chose to view hardships as challenges. After the war, the adventures continued and even included a showdown with Frank Sinatra! Zamperini is honest in answering the questions he received repeatedly from fans and in revealing his secrets to living an honorable but exciting faith-based life.
Zamperini’s incredible life story will be brought to the big screen next month with Angelina Jolie’s adaptation of Unbroken. Watch the trailer of this film, already generating award buzz, written by the Coen brothers and featuring Jack O’Donnell.
Amy Poehler wants you to know that writing a book is very, very hard to do. She handles the pressure well in her memoir, Yes Please.
Delving into her deep-rooted love for all things comedy, Poehler shares hilarious stories from her performing past. She shares how, as a 10-year-old playing the role of Dorothy in a school production of The Wizard Of Oz, she was able to get her first audience to laugh and how she has been chasing that feeling ever since. From her college years through her work with improv troupe (and later Comedy Central show) The Upright Citizens Brigade, Poehler stresses the value of hard work as the source of her success. Fans of her work on Saturday Night Live and Parks and Recreation will not be disappointed either — several chapters share inside jokes, back stories and funny mishaps on the sets of both beloved shows.
Her vast work experience isn’t the only engaging part of this memoir: Poehler also gets personal. Her reflections on motherhood and raising her two boys, Archie and Abel, demonstrate her creativity in parenting. She doesn’t directly address her divorce with comedian Will Arnett, but does offer a hilarious chapter on some divorce books she would like to someday write, such as “I Want a Divorce! See You Tomorrow!” and “The Holidays Are Ruined!” There are lots of stories about her friendships with recognizable names, like Tina Fey and Louis C.K. Best friend Seth Meyers also contributes a short chapter.
Inter-chapters feature some interesting “advice,” and the book shows off some great keepsakes: a letter from Hillary Clinton welcoming Archie into the world, a signed photo of The Wire’s Michael K. Williams and many photographs and relics from her childhood, including poems she wrote when she was little.
This memoir is perfect for any fan of Amy Poehler, her work or comedy in general. Her wealth of experience in a variety of venues and acts will inspire and educate those looking to “break into the biz,” and her ideas about everything from performing sketch comedy nine-months pregnant to how our cell phones will eventually kill us will amuse and entertain any reader. After reading, pick up some of her best work, like Parks and Recreation or Saturday Night Live: The Best of Amy Poehler on DVD.
Blake Butler’s 300,000,000 is a jungle; readers require courage and a literary machete to traverse this five-part psychological horror story. Told through the mediums of a manifesto left in the wake of a heinous murder spree, a first-hand account of the police investigation into the atrocities, and a disjointed recollection stitching the pieces together with plenty of room for the viscera to seep out, 300,000,000 is filled with rare glimpses of toxic and transcendent ravings.
Gretch Gravey is 300,000,000’s patient zero of homeland terror, supplicating and drugging teenage metal heads in his city to transform them into thralls of murder. He releases his ever-expanding army of brainwashed husks into the suburbs to kidnap people and bring them back to his house to be killed and buried in a sub-basement crypt. Gravey’s ultimate goal is the utter decimation of America by its own pudgy hands, and his successes are unhindered despite his eventual incarceration. Investigating police officer E.N. Flood feels himself being consumed by Gravey’s residual evil and attempts to chronicle his descent into madness in his notes, which are actively redacted by other members of the force who have succumbed to Gravey’s will.
As if Chuck Palahniuk's Fight Club and Damned were chewed up and spat out in a bilious, meaty mass, 300,000,000 is disgusting and schizophrenic, yet somehow delicious in its depravity. Readers who enjoy wandering through their pitch-black houses when it’s so late that it’s actually early will be tickled by the way Blake Butler makes them question their sanity.
Award-winning author Molly Gloss’ newest novel has a transitional setting that begins on a ranch in Oregon in 1938, but the narrator looks at the past and whispers of present day. Falling from Horses is a layered work of fiction that strategically weaves together a man’s whole life by looking at the events that helped define it.
The protagonist, Bud Frazer, is the son of humble tenant ranchers. His upbringing instilled in him a way of life that Bud decides to use for a career, though not in the way his parents anticipated. Upon leaving home as a new adult, he tries his hand in the rodeo circuit before deciding to move to Hollywood and become a stunt rider for Western films. Eager to rub elbows with all the big names of the day, Bud packs his bags and hops a bus south. En route to Hollywood, Bud meets Lily, an aspiring screenwriter, and in their short time together on that bus trip they fall into a platonic relationship that spans a lifetime.
Those that have enjoyed Cormac McCarthy’s All the Pretty Horses should pick this one up and give it a go. Like McCarthy, Gloss’ work is a character-driven narrative of a young man trying to find his path in the twisting and turning maze of life.
Was there ever a superhero created to save the day quite like Wonder Woman? Superman and Batman may have been made for pure entertainment, but Wonder Woman was always supposed to help usher in a new age of feminism where women reigned supreme over men and everyone got tied up a lot. This is The Secret History of Wonder Woman by Jill Lepore, and it's going to be a wild ride.
Wonder Woman had three main creators. Psychologist William Moulton Marston was the grandstanding inventor of the lie detector (though not the polygraph). His wife, Elizabeth Holloway Marston, was a professional editor and the main breadwinner in a family of three adults and four children. Olive Byrne was the third member of their triad, the niece of Margaret Sanger, and likely the comic's ghost writer. Obviously, this concept wouldn’t have gone over so well in 1940s America.
The Margaret Sanger link is important. The Marstons had very close–but hidden–ties with the women’s rights movement. William Marston conducted psychology experiments at Harvard. He put himself through college writing movie scripts. His attempts to get people to recognize the value of his lie detector got an innocent man a life sentence, got lie detectors permanently thrown out of court and put him on the FBI's watchlist. Wonder Woman comics contain the history of several eras, as reimagined by a self-important huckster.
The Secret History of Wonder Woman brings all the different pieces of history together – of early psychology, education reform, suffrage and feminism from several decades. Everything is illustrated with panels from the Wonder Woman comics. From the Harvard psychology professor who became Wonder Woman's first villain to Wonder Woman's real world run for president after her creator's death. History shaped Wonder Woman, and then Wonder Woman rewrote history.
In Dear Daughter, Janie Jenkins has the kind of life teenage girls like to read about in fan magazines. She’s famous for the parties she’s attended, the high-profile celebrities she’s gotten high with and the fabulous clothes she wears. Paris Hilton wishes she were Janie Jenkins. Until 16-year-old Janie sneaks into her mother’s closet, climbs into her mother’s best fashion boots and overhears a passionate argument. The next thing Janie remembers, she is covered with her mother’s blood and trying to explain this to the police.
Janie is known among her set as the girl most likely to steal your boyfriend. She may be popular in the press, but not among her peers. She is devious and her number one priority is herself. This may not be evidence of murder, but it sure gets you biased witnesses and an unsympathetic jury. Convicted of her mother’s murder, Janie spends 10 years in prison for a crime she didn’t commit. Or, did she?
Released on a technicality, Janie follows clues she’s uncovered in the prison library databases. Pursued by the vulture press and obsessed bloggers who want her to pay for her evil act, Janie assumes the identity of a nerdy historian. In her new guise, she probes the past of the tiny gold-rush town her mother grew up in, proving that even the tiniest towns can hold deadly secrets.
Elizabeth Little’s debut thriller Dear Daughter brings a completely fresh perspective to the mystery scene. Her character exhibits the raw emotion of a traumatized teenager. Instead of compassion and therapy, she receives condemnation and punishment. Isolated and alone, Janie must battle her own demons in order to unearth the truth, no matter how horrific. Fans of Gillian Flynn’s Gone Girl and William Landay’s Defending Jacob will appreciate the fast pace and moral conundrums. Climb into your favorite easy chair, you are about to pull an all-nighter.
Mikita Brottman may be a professor at the Maryland Institute College of Art, but she clearly has a greater passion in her life. In The Great Grisby: Two Thousand Years of Literary, Royal, Philosophical and Artistic Dog Lovers and Their Exceptional Animals, Brottman shares not only her love for her French bulldog but how dogs have been a major sources of inspiration to people throughout history. Grisby, the titular dog, was the influence for Brottman’s book which explores many human-canine relationships, both fictional and real.
While each chapter is ostensibly about such pairings as Prince Albert and his dog Eos or Charles Dickens’ character Dora and her beloved dog Jip, Grisby does turn up throughout the narrative in asides and anecdotes. The stories run the gamut from heartwarming to heartbreaking as Brottman relates tales about the very peculiar bond that exists between people and their furry friends. Just be warned that some of the dogs did meet untimely and even grisly ends which are told in graphic detail.
When it comes to comic books and graphic novels, Jeff Lemire is a 21st century Renaissance man. Hailing from Canada, he has been recognized numerous times for his prowess in both storytelling and artistry. Lemire has written and drawn most of his works completely on his own, but he also fares incredibly well when teaming up with other writers and inkers at DC Comics.
Lemire’s sci-fi brain bender Trillium is an eight-issue comic series published over the span of August 2013 to April 2014. In Trillium, adventurers Nika and William are torn from their worlds by occult magic and thrust together in an alien jungle on a foreign planet. Through this supernatural machination, the couple becomes intertwined, although they don’t realize it at first since they’re unable to communicate due to language disparities. Nika and William fight to understand each other while combing the flora and fauna in search of the rare trillium flower, which is thought to be the only possible cure to a sentient, space-travelling supervirus that has decimated humanity.
Trillium is confounding and strangely beautiful. Navigating dimensions with William and Nika is a thrilling experience with a rewarding narrative that endears readers to persevere. Throughout the series, Lemire toys with conventional comic layout standards and actually has readers flipping the book upside down and reading from back to front, conveying the disorientation the characters are feeling. Lemire’s signature mixed medium art style leaves each page messy and scrawled, evoking hysteria and tension. His ability to convey emotions through his characters’ faces is incredible; oftentimes it isn’t what’s said, but what’s left unsaid that resonates in Lemire’s works. The same is true of his 2008-2009 Essex County Trilogy, which has been praised as one of the best Canadian graphic novels of its decade.
Sonali Dev’s debut novel A Bollywood Affair is getting a lot of attention from romance readers and authors alike. Mili was married to a boy named Virat when she was only 4 years old, and she never saw him again. Twenty years later, Virat sends his brother Samir to find Mili and to obtain a divorce for him. Samir hides his identity, and as their friendship deepens, a romance develops. But Samir knows that his secret could destroy their blossoming relationship. A Bollywood Affair contains familiar romantic comedy elements that will make it appeal to a wide audience, but it feels like something new and special. Elements of Indian culture permeate the novel, forming a rich backdrop for this sweet love story.
Read on to learn more about Dev’s favorite Bollywood films and her experience as a debut novelist.
Between the Covers: This is your debut novel, which brings with it a lot of firsts. What has been the most exciting thing about the publishing process? Has anything surprised you?
Sonali Dev: The short answer is everything. Everything about this process has been exciting and it has absolutely taken me by surprise. A Bollywood Affair is the book of my heart and, at my most optimistic best, I had hoped to get a traditional publishing deal. Then I had pictured myself working slowly and steadily toward drawing in readers to build an audience. But the reaction I have received has completely blown me away. First, all these huge names in the romance genre got behind my book, including Susan Elizabeth Phillips, Nalini Singh and Kristan Higgins. Then the reviewers embraced it with a passion. Booklist, Library Journal, Smart Bitches Trashy Books, Dear Author, RT Book Reviews and a myriad bloggers and reviewers raved about it. It even made Library Journal’s list of Best Books of 2014. Even though I had experienced firsthand how incredibly generous writers and readers in the romance genre are, as a newbie unpublished writer, I had never expected to see this level of love and acceptance for a book that was so different from the norm.
BTC: A Bollywood Affair, then titled The Bollywood Bad Boy, was a finalist for the Romance Writers of America’s Golden Heart award for best unpublished manuscript in 2013. What did that honor mean to you and your career?
SD: Again, it meant everything and it set everything in motion. To have five anonymous strangers pick this book when they had to have nothing in common (at least on the surface) with my characters or my world gave me an immense amount of confidence in the power of the story. Thanks to that confidence, I was able to send it to authors I admire for endorsements. And to have authors whose word is respected in the industry not only endorse the book but like it enough to advocate for it set it on the path to a dream debut for me in terms of buzz.
BTC: Indian culture and Bollywood elements are infused throughout the novel, building a rich backdrop for the story, but at its heart, this is a novel built around the characters’ relationships. As a writer, how do you develop those deep connections between your characters?
SD: Thank you so much for saying that.
This is a really hard question. Because I don’t really set out to develop those connections per say. I just set out to develop characters who are struggling with something. Something big and binding that is seemingly impossible to heal from yet familiar enough that we’ve all struggled with some shade of it, like fear of abandonment or feelings of unworthiness. And then I work on making these struggles tangible and rooted in trauma and childhood events, so they are almost cemented in the fabric of the character’s being. I think the deep connections come when these seemingly insurmountable flaws draw one character to another because their flaws and their strengths somehow interlock to create those deep connections.
BTC: Do you have any recommendations for readers who are interested in trying Bollywood films after reading your book?
SD: There are several Indian films made in English for international audiences like Monsoon Wedding, Bend It Like Beckham and Bride and Prejudice. These are wonderful, authentic films that I recommend for anyone whether or not you’re familiar with Indian culture.
If you’re interested in ‘full-on’ Bollywood films in Hindi (with subtitles), Dil Chahta Hai, Zindagi Na Milegi Dobara, Dilwale Dulhania le Jayenge, Kal Ho Naa Ho, and Life in A Metro are some of my favorite films and they’re a great place to start.
[Several of these films are in BCPL’s collection. A list is available here.]
BTC: What are you working on next?
SD: I’m working on the next few books in the Bollywood series. Which isn’t technically a series but more a set of stories in which one of the protagonists works in Bollywood.
BTC: What’s the best book you’ve read recently?
SD: I love Nalini Singh’s Psy/Changeling series, and Shield of Winter, which came out earlier this year, I think is the most romantic and magical book in the series yet (which, by the way, is saying something because that series is full of great books).
With the arrival of the winter holiday season comes a much mocked tradition: the dreaded holiday newsletter. Hello from the Gillespies by Monica McInerney is a novel that explores the consequences when a truthful account of a family’s past year unintentionally hits the presses.
Angela Gillespie is weary. She lives on an expansive sheep ranch in Australia’s isolated outback with husband Nick and young son Ig. In order to bring in extra money, she takes in bed and breakfast guests. When the time comes to write her annual cheery Christmas email which depicts her family as a cross between “the Waltons and the Von Trapps,” the words just won’t come. Her marriage is strained, the family farm is failing, Ig’s imaginary friend is becoming all too real and her three grown daughters are returning home with their lives in shambles. But wait, there’s more — Nick’s tart-tongued Aunt Celia is coming for an extended stay and Angela’s beset with debilitating headaches. Sitting at the computer, she dashes off a stream of consciousness letter intended to let off steam. Instead of deleting the rough draft, which details the failings of each Gillespie, she gets distracted…and Nick and Ig think they are being helpful when they click “send.”
While her husband and children are reeling from the realization that Angela doesn’t think their lives are peachy keen, she is in an auto accident which leaves her with an unusual form of amnesia known as confabulation. She no longer recognizes her own family, but thinks her “real” life consists of a long-ago boyfriend as her husband and one perfect daughter. Can Angela’s family band together behind a woman who now thinks she’s a guest in her own home? Like fellow Aussie writers Liane Moriarty (Big Little Lies) and Graeme Simsion (The Rosie Project), McInerney is an engaging and droll storyteller in Hello from the Gillespies.