Thirty years ago, mankind gained access to virtually unlimited space. By means of a small box containing a potato, people could step "West" or "East" into an unknown number of alternate Earths where humankind had never evolved. Given open spaces, mankind did what mankind has always done, and colonized millions of other worlds. They weren't nearly enough.
Willis Linsay disappeared 30 years ago after releasing humanity into the Long Earth. No one knows where he's been, or what he's been looking for all that time, but now he's back and dragging his daughter along to Mars. For Mars, it turns out, also has an infinite number of alternate worlds, and one of them might just hold a whole new gateway to the universe. Back on the Long Earth, Captain Maggie Kauffman has been sent on an entirely new exploration, all the way out to Earth 200 million. Joshua Valiente, the Long Earth's oldest explorer, has set out to find a new kind of people who may be humanity's future.
The third book in the Terry Pratchett Long Earth series, The Long Mars' weakness is its plot, which feels like the set up for a bigger story. While there may be a functional double climax, most of the story is exploratory ramble, but that exploratory ramble remains absolutely stunning. Every world in the Long Earth and a few in the Long Mars developed in radically different ways. The alternate world premise may be fantasy, but every world of the Long Earth has real science behind it. Here, an entirely different evolutionary pathway, there a different sociological slant on civilization. It's possible to learn more about climate science in in a single passage of The Long Mars than an entire high school science course, and be entertained besides by Terry Pratchett's arch commentary.
When Mort Foxman died, he had one request: He wanted his family to sit shiva. So the Foxman family gathers to mourn Mort, bringing all four siblings to their childhood home for seven days. During that time, old grudges reemerge, new dramas arise and secrets come to light in Jonathan Tropper’s smart and darkly comic novel This Is Where I Leave You.
In addition to the loss of his father, Judd’s life is falling apart after he walked into his bedroom to find his wife having sex with his boss. His older brother Paul, who still blames Judd for the accident that ended his promising baseball career, is struggling with fertility problems with his wife Alice who is desperate to have a baby. Their sister Wendy has a distant, strained relationship with her workaholic husband Barry and still has feelings for her childhood sweetheart Horry. Youngest brother Phillip, who is known as the family screw-up, surprises everyone when he shows and introduces them to his much older life coach/fiancée. The novel is told from Judd’s perspective, and his laugh-out-loud funny, honest observations are a perfect counterpoint to the serious and sometimes heartbreaking issues that the characters in this dysfunctional family face.
This Is Where I Leave You will be in theaters on September 19. The movie’s stellar ensemble cast includes Jason Bateman, Tina Fey, Corey Stoll, Adam Driver, Jane Fonda, Connie Britton, Dax Shepard, Kathryn Hahn and Rose Byrne. The screenplay was adapted by Tropper, so fans can rest assured that the movie will reflect the spirit (and some of the great one-liners!) of the novel.
Lauren Oliver, bestselling author of popular teen novels Before I Fall and the Delirium Trilogy, makes her leap into the adult literary scene with Rooms, a haunting story narrated by two ghosts. After Richard Walker dies, his embittered ex-wife and two children arrive at his mansion to claim their inheritance. But the house also comes with two ghosts, Alice and Sandra, who are deeply rooted to the house. As their connection unfolds, so too does the Walker family’s woes in this gripping novel about secrets, lies and family. Oliver recently spoke with Between the Covers on Rooms, shopping and more.
Between the Covers: Rooms is an imaginative and gripping tale of the living and the dead, and you tell the stories from both worlds seamlessly and realistically. What was your inspiration? Do you believe in ghosts?
Lauren Oliver: Thank you! I don’t think I believe in ghosts in the traditional sense. Then again, I’m not actively a disbeliever, and several of my novels for younger readers deal with visions of the afterlife. So I’d certainly say it’s an area of deep curiosity. Mortality in general, and the meaning we make of life, really interests me, maybe because I wasn’t raised in any particular religion and had to kind of untangle that stuff for myself.
BTC: Alice and Sandra, the resident ghosts, are the narrators of this spellbinding story. What drove this creative decision? Was it challenging to create ghostly characters with such distinct voices?
LO: It was immensely challenging, not because I knew they had to have distinct voices and characteristics but because of their physical limitations. They’re really spectators. They’re almost incapable of interacting with or influencing the central action. So in that way there’s something theatrical about the novel–it’s as if Alice and Sandra are watching a play. Initially, I was inspired by the idea not of ghosts per se but of a house that absorbs and can reflect back memories–I wanted to render a literal depiction of a “memory palace,” which is a pneumonic device for storing information.
BTC: The remaining Walkers – Caroline, Minna and Trenton – are the epitome of dysfunctional. Why put these three troubled characters in the same house as the ghosts? What was it about Trenton that made him the only human who senses the ghosts?
LO: Well, truly highly functional people with no issues to explore probably don’t belong as protagonists in a novel, since novels are really about character development and character collisions and crises. To be honest, although the Walkers are certainly a troubled family, they don’t seem hugely more troubled than other families I know. So maybe I just know a lot of dysfunctional families! And in Trenton’s case, I think that his interaction with and attraction to death makes him able to perceive the ghosts where the other family members can’t.
BTC: The structure of this novel is so unique in that each section takes place in a different room of the house. What was the intent behind this? How difficult was this to craft and execute?
LO: The book was really inspired by the concept of memory palaces. I wanted to explore the idea that we are not just shaped by the things we own but that in some ways the shaping is reciprocal; our homes become mirrors of our emotional states just as we buy and keep objects that we hope will transform us, on some level, emotionally. The structure was very difficult from a practical standpoint because all of the drama of a particular section had to be extremely contained, which of course limits what you can depict in terms of action. But it was a welcomed challenge.
BTC: Do you look forward to the possibility of movie/TV adaptations of your work or dread the loss of control of your work? Imagine you’re in charge of the world – or at least Hollywood. Who would you cast in the movie version of Rooms?
LO: I think it’s a little bit of both. I would welcome and embrace the possibility to do a good film or TV adaptation with the right people on board. Rooms would definitely be a challenge for Hollywood, because of its narrative structure. But if it ever does go, I hope Meryl Streep plays Alice!
BTC: You’ve had such great success as a teen and middle grade author. What prompted you to tackle writing for an adult audience? Did your writing process change with the different readership?
LO: For me, it’s all about character and story. Certain stories demand to be told in a certain way, for a certain audience. Rooms is in some ways a deeply domestic drama–it’s contained, it’s set in one place, and it’s about families and marriages and parents and children and the way all of these can fail us. So it was patently adult, from the time I began to write it. That said, I didn’t deliberately set down to write an adult book. My ultimate goal as a writer, however, would be to build a flexible enough career that I can work in all three genres, for all three audiences.
BTC: I totally support your disapproval of bananas and practical shoes. What was the last great pair of shoes you purchased?
LO: Oh my goodness. You know what? I just realized it’s been months since I bought any great shoes. I really need to go shopping! In late spring I bought a pair of Yves Saint Laurent studded ballet flats, which are actually quite practical despite my averred preference for high heels. I need to go buy a pair of Giuseppe Zanottis, stat!
BTC: What can readers expect next?
LO: In the spring of 2015, I have a new young adult release called Vanishing Girls, and in the fall I launch the first in a new middle grade series. And right now I’m working on a new adult book. So…lots to come!
Spending childhood nested in the same neighborhood can have a profound effect on how one grows up and views the rest of the world. When stories of the past share a consistent backdrop, memories become more cohesive and captivating, as they have in Mark Chiusano's debut collection, Marine Park. Nearly all of his stories take place in the neighborhood surrounding the run-down, isolated Marine Park in New York City.
Half of Chiusano's tales follow two brothers: Jamison, who narrates the duo's adventures, and his younger brother Lorris. Jamison seems like the fictional embodiment of Chiusano in his youth; he dredges up old emotions with such elegance that it feels autobiographical. Throughout their endeavors, Lorris overcomes rooted introversion to develop a social life more vigorous than his older brother’s. All Jamison feels he’s capable of doing is watching with brotherly pride and envy.
Chiusano's other stories volley between humorous and serious motifs. The amusing "Vincent and Aurora" is the recounting of a retired mobster who agrees to help with one last job to combat the stagnation of aging. "Shatter the Trees and Blow Them Away" laments the woes of unrequited love between two scientists working in a secret military base during World War II. "For You" is the wondrous second-person account of a man's visit to an unfamiliar bar and his conversations with strangers about wait-staff gratuity and lifelong dreams.
Short story and fiction enthusiasts of all varieties will find something to enjoy in Marine Park. Lorris and Jamison are both highly relatable, and Chiusano's more imaginative offerings are entertaining and just as finely crafted.
“Between 2001 and 2012, 63,300 American factories closed their doors and five million American factory jobs went away.” Author Beth Macy quotes these figures in her best-selling new book Factory Man: How One Furniture Maker Battled Offshoring, Stayed Local and Helped Save an American Town. Macy writes about the impact of free trade and globalization as it affects rural Henry County, Virginia, and its century old furniture manufacturing industry. Think this sounds a bit dry? Meet the driven factory man of the title: John Bassett III.
J.D. Bassett built his first furniture factory in his front yard around 1902. Twenty years later, his Bassett family furniture dynasty, with multiple factories employing hundreds of workers, was thriving thanks in part to the native “assets:” cheap southern labor and Piedmont forests ripe for lumber harvest. With Bassetts building churches, banks and schools, Bassett, Virginia, became the quintessential company town and the Bassett family its royalty, marrying its sons and daughters to scions of other local manufacturers. John Bassett III, grandson of J.D., seemed destined to inherit the Bassett Furniture throne until family politics and imported Chinese-made bedroom suites intervened.
Elbowed aside in favor of a brother-in-law, John Bassett III was determined to succeed on his own merit, and eventually settled at Vaughn-Bassett Furniture in nearby Galax. In direct competition with his own family, he found the larger threat to his business to be the growing stream of wooden furniture imported from Asia, priced well below what American companies could charge for their domestic product. With Virginia factories shutting down and double digit unemployment figures skyrocketing, Bassett struck back. Taking on foreign manufacturing, United States economic policy and the Furniture Retailers of America trade group, Bassett fought to enforce fair trade regulations while reinventing his furniture company over and over to remain viable. Factory Man is not just John Bassett III’s story but an eye-opening account of small towns dependent on blue collar industry in a changing global economy.
To join in an ongoing discussion about Factory Man, which includes many local residents' comments about the book and the Bassett, Virginia, area, visit https://www.facebook.com/#!/groups/FactoryManFans/.
Daniel Kelly needs to be the fastest, the strongest and the best. The other members of his swim team call him Barracuda, also the title of Christos Tsiolkas’ new novel. Daniel’s goal is to swim freestyle in the Olympic Games. He is half-Greek and half-Australian and comes from modest roots, but his mother insists he attend an exclusive school where he can be coached by a gifted trainer. Daniel quickly realizes he does not fit in at his new posh school. The boys that come from money are quick to tease. He shields himself from the insults and uses the anger to push through the water even faster. His ever-present drive to succeed deafens him to the instructions of his coach, and Daniel soon finds that his dream of Olympic gold leads to nothing. Consumed by hatred for himself and his modest beginnings, Daniel lashes out, and this incident will have repercussions that will haunt him for the rest of his life.
Like Daniel, Christos Tsiolkas grew up in Australia, the son of Greek immigrant parents. His previous novels have won awards in the South Pacific region, including his previous novel The Slap that won the Commonwealth Writers’ Prize. He shows skill again with Barracuda, a detailed literary masterpiece that only an accomplished writer can deliver. Daniel Kelly is a deeply flawed protagonist, struggling with life and trying to find his place in the world. It is a novel of incredible loss, but also of hope and ultimately redemption. Kelly’s story will resonate with the reader long after reading the final pages. This beautifully written novel should be savored by many a reader and would make a perfect title to discuss with a book group.
Former Chicago Tribune journalist Marja Mills says she never expected to befriend Harper Lee, much less write a biography-memoir about her 18-month sojourn to Monroeville, Alabama, that included living next door to the reclusive author. But 15 years after Mills' first visit, her highly discussable new book, The Mockingbird Next Door, has ridden the literary wave for its jolt of homey, if not mundane, rituals of Lee's daily life. If a peek behind the curtain is what you are seeking, Mills does not disappoint. The comings and goings of the Lee sisters (Alice is older) are affectionately detailed, leading to the inevitable question as to why Harper Lee would allow herself to be portrayed so simply and unguarded after years of shying away from publicity.
For Mills, this assignment was intriguing for its possibilities, and an opportunity to prove she could still do her job despite a diagnosis of lupus. In 2001, she travels to Lee's hometown to speak to folks who knew the then 75-year-old Harper Lee (Nelle to friends) and to get a feel for Monroeville, the setting for Lee's fictional Maycomb in To Kill a Mockingbird, the instant classic about the 1930s South. With a reporter's eye for opportunity, Mills meets and impresses Alice, smoothing the way for a meeting with the famous Harper Lee, whose only book won the 1961 Pulitzer Prize and was the subject of an Oscar-winning film. When Harper Lee called the reporter's hotel room, Mills recalled, "It was as if I had answered the phone and heard, 'Hello. This is the Wizard of Oz.' I felt my adrenaline spike."
Mills injects a strong sense of place in her conversational writing, along with plenty of quaint colloquialisms. There are towns like Burnt Corn and Scratch Ankle, and fishing trips and coffee-sipping at McDonald's. She captures the Mayberry-like tone of Lee's voice with her frequent "bless her heart," "mercy" and "thanks a bunch, hon." Mills tenderly skims over rumored aspects of Lee's life, dealing with sexual orientation and drinking, although her exploration of Lee's intriguing relationship with childhood friend, Truman Capote, is one of the more interesting chapters.
Knowing Harper Lee's penchant for privacy, it is probably not surprising that Mills' book has come under scrutiny. The author has insisted she had Lee's blessing for the project. Harper Lee's released statement denies the 88-year-old ever gave approval; Alice recalled otherwise. Such matters won't deter readers who will relish this intimate look inside the seemingly uncomplicated life of one of the most complicated and beloved literary figures of the 20th century.
The shortlist for the Man Booker Prize was announced today, September 9. The competition was previously only open to authors from the U.K. and the British Commonwealth, but the rules have been amended to include novels written in English and published in the U.K., regardless of the author’s nationality. This is the first time in the award’s 46-year history that U.S. residents were eligible, and two Americans’ novels have made the cut. Joshua Ferris was included on the list for his darkly comic novel To Rise Again at a Decent Hour. Our blogger Tom shared this book with Between the Covers readers earlier this summer. Karen Joy Fowler was named for her novel We Are All Completely Beside Ourselves, which was also featured on this blog last year.
The list also includes The Narrow Road to the Deep North by Richard Flanagan, J by Howard Jacobson, The Lives of Others by Neel Mukherjee and How to Be Both by Ali Smith, which have not all been published in the U.S yet. This list includes the titles available in BCPL’s collection.
AC Grayling, chair of the judging panel says, “As the Man Booker Prize expands its borders, these six exceptional books take the reader on journeys around the world, between the UK, New York, Thailand, Italy, Calcutta and times past, present and future. We had a lengthy and intensive debate to whittle the list down to these six. It is a strong, thought-provoking shortlist which we believe demonstrates the wonderful depth and range of contemporary fiction in English.”
The panel of judges will now re-read all of the titles on the shortlist and select the winner who will be named at an awards ceremony on October 14.
A school trivia night for parents goes horribly awry in Liane Moriarty’s new novel Big Little Lies. It was meant to be a bit of fun: parents dressed like celebrities, cocktails and trivia. By the end of the night, someone was dead. The answer lies hidden in secrets – both big and small – that some of the women are keeping.
When single mother Jane moves to town, she finds a sunny apartment near the beach. Her son starts kindergarten in a new school, but a pleasant first day quickly turns to accusations of bullying, and Jane and her son make their first enemy.
Madeline’s daughter is also in the class, and she befriends Jane due to her strong willingness to defend others. Madeline’s own life is in turmoil. Although she has a new husband, she can’t seem to forgive her ex for abandoning her for a younger model.
Finally, there is the beautiful Celeste, who has no flaws and leads a picture-perfect life. Celeste has two overly zealous twins and more money than she knows what to do with. But Celeste is holding on to a secret more devastating than anyone can imagine.
Moriarty had great success with The Husband’s Secret, and fans of that novel will not be disappointed. The author has a great sense of character and delves into the lives of these three women with aplomb. The reader really gets to know them as well-rounded individuals, and when they begin to struggle, the reader will be invested. The mystery of the trivia night is ever present, and Moriarty builds suspense by slowly revealing information that will lead to the inevitable finale. The audio edition is skillfully narrated by Caroline Lee, who gives voice to the three women and creates an enjoyable listening experience. Big Little Lies is a great novel to prepare readers for the back-to-school season. Let’s just hope your school year goes more smoothly!
As World War I rages towards its close, nurse Bess Crawford is called to London to assist a former patient who is being decorated for gallantry by King George. Instead, she finds herself An Unwilling Accomplice to the hero’s escape plan in this historical mystery by Charles Todd.
Confident that her patient, Sgt. Jason Wilkins, is settled for the evening, Bess enjoys a rare quiet dinner in a hotel dining room with long-time friend Sgt. Major Simon Brandon. Before retiring for the evening, Bess checks her suffering patient, making him as comfortable as possible. The dawn’s light reveals an empty bed and her patient’s discarded bandages. How could a profoundly wounded man, requiring the use of a wheelchair, escape from a public building? The military police demand the answer to that question, and they think Bess is the key. Overnight, Bess’ record as a dedicated nurse known for her bravery and skill is blemished when she is implicated in his escape. Further complicating an already difficult situation, Sgt. Wilkins is a suspect in the murder of a civilian in a tiny village. Determined to clear her name, Bess and Simon must unravel the threads of the deep secrets so carefully concealed by the villagers.
Charles Todd is the pen name of the mother and son team Charles and Caroline Todd. Together, they capture the essence of the historical period, weaving an atmosphere of quiet desperation as soldiers and civilians alike bear the burden of the horrific war. Few authors have recreated the grave effect on a generation with the realism and sensitivity of this team of American writers. Fans of Anne Perry, Jacqueline Winspear and Kerry Greenwood will find a deeply satisfying read. Also recommended are the previous works in this series, which begins with A Duty to the Dead. Todd also writes a series centered on a shell-shocked soldier who resumes his position as an inspector at Scotland Yard. The Ian Rutledge series begins with A Test of Wills.