The rugged terrain of Derbyshire provides a melancholy backdrop for Already Dead by Barry Award winner Stephen Booth. The summer rains bring mud, floods and a corpse laying in a shallow ditch. Detective Diane Fry, substituting as team leader for the absent Ben Cooper, gloomily ponders a crime scene as it is inexorably swept downstream. There is more bad news: the victim is an unassuming insurance agent who lives at home with his mother and doesn’t have enough of a personality to like or dislike. Who would want to kill such a person? Struggling to inspire loyalty from another detective’s team, Diane remembers the qualities that make Ben Cooper such a good detective and wonders where in the world he is.
Tragically, Ben Cooper lost his fiancée while they were both investigating a crime scene. Trapped in a fire, Ben desperately attempted to reach her, only to be overcome by smoke and flames. Recovering from his injuries, he is trapped in a nightmare of memories of that deadly night and his single-minded resolve to gain justice for his murdered fiancée. For murder it was – it was arson. Deliberate, callous, reckless disregard for human life to make a profit. But the law doesn’t always provide redress, and the guilty sometimes go free. Devastated, Ben spends his days roaming the Dales, biding his opportune moment for revenge.
This taut police procedural featuring Detective Sergeants Diane Fry and Ben Cooper is the 13th entry in the series. While the other offerings in this series are all equally satisfying, this work could read as a standalone, as the author provides a vivid portrayal of the preceding events. Booth consistently provides deep insight into the inner workings of the British constabulary, particularly the plight of the more rural districts. Well-drawn characters, compelling moral situations and good old-fashioned police work can always be found in Booth’s work. Fans of Peter Robinson, Elizabeth George and Ruth Rendell will find a new friend in this author.
Acclaimed Australian author Colleen McCullough died at age 77 following a long illness. McCullough wrote over 20 novels during the span of her long career, which began with the publication of her first book in 1974. Her most recent novel, Bittersweet, shared the story of four sisters navigating love, life and loss in 1920s Australia.
It's the mega blockbuster, The Thorn Birds, for which McCullough will be most remembered. A sweeping romantic saga spanning three generations of an Australian family, it was the most talked about book of its day and sold 30 million copies worldwide. The paperback rights alone sold for $1.9 million, and the miniseries featuring Richard Chamberlain, Rachel Ward and Barbara Stanwyck was the second highest rated miniseries of all time.
McCullough always stretched herself as a writer, trying her hand at different genres. Her mystery series featuring Carmine Delmonico, a police captain in a small Connecticut college town was critically well-received, and her Masters of Rome series, a seven-book, impeccably researched historical series, had fans in the political realm, including Henry Kissinger and Newt Gingrich. Explore her legacy...
Like members of our social circle, books occupy certain roles in our reading sphere. Goodnight Moon: the childhood friend you don’t see these days, but whom you remember oh-so-fondly. Jane Eyre: that friend of many years who is there when you need her. A Game of Thrones: your current best bud who may actually end up standing the test of time.
If How to Be Parisian, Wherever You Are: Love, Style and Bad Habits were in your social circle, she would be that vivacious friend whom you adore, but also slightly fear — that glamorous, audacious, slightly selfish girl who challenges you to embrace your inner chic. She is intriguing, she is original, and she is not quite stable. She is who you would gladly be for a day… but no longer.
Like that friend, How to Be Parisian, by Anne Berest, Audrey Diwan, Caroline De Maigret and Sophie Mas, is best enjoyed in doses.
The work of four friends, themselves bona fide Parisiennes, How to Be Parisian offers unique insights into the mind and character of the modern Parisian coquette. Engaging, mercurial and unapologetically egocentric, this quartet of Parisiennes cum authors might raise a few hackles with their blasé attitudes toward certain subjects covered, such as children as accessories or rules for keeping a lover on the side. At such times, the reader would do well to recall that, despite the title’s suggestion, How to Be Parisian is not to be understood as an instruction manual for the reader’s own life. Rather, it is a delicious opportunity to slip into the role of The Parisienne for an hour or so — with all her flaws, foibles and je ne sais quoi.
A caveat: Organization of theme is not this book’s strong point. Pithy, engaging monologues, whimsical photography and lists upon lists are where this volume shines. The key to enjoying How to Be Parisian is to remain uncommitted, to dally as it were, among its pages. Flip open the table of contents, ignore the ostensible chapter headings, and select whichever of the enticing subject headings attracts you most. It’s what a Parisienne would do.
Jonathan Sweetwater is a high-powered executive with two beautiful children and a gorgeous wife, Claire, in Mike Greenberg’s My Father’s Wives. Life is perfect until he comes home early one day and thinks he hears Claire in bed with another man in their guest room. Not bothering to open the door, he flees their home to grapple with this shattering event.
Rather than confront Claire head-on, Jonathan hires a private investigator to track her every move and embarks on a road trip to process this information and figure out his future. He decides to track down his father’s ex-wives in order to learn more about the man who deserted him at age 9 who is now deceased. Percival Sweetwater was a respected and powerful five-time U.S. senator who was beloved by constituents, but had a little difficulty in remaining married. After Jonathan’s mother, Percival married five more times, leading Jonathan to dub him a serial monogamist all while vowing never to adopt his cavalier approach to marriage. In connecting with each of the wives in his father’s life, Jonathon seeks to learn more about this charismatic man, find out why he had so many wives and how he could have deserted his only child.
Greenberg, familiar to ESPN viewers as one-half of Mike & Mike in the Morning, tells this story with clean dialogue, interesting characters and detailed colorful settings from Aspen to Nevis to London. The engaging writing will keep readers intrigued until the very end as they, like Jonathan, are longing to know the truth of Claire’s fidelity and discover the answers Jonathan found from all of his father’s wives.
Diane Cook’s stories in her debut collection Man v. Nature are similar to Robert Kirkman’s The Walking Dead comic book series in that they depict an end of the world in which conflict is more survivor-centric than cataclysm-centric. Cook accomplishes this feat repeatedly throughout her stories, with multiple instances of apocalypse serving as mere backdrops while her characters continue their lives unabated by cordiality. While Kirkman’s tales ooze with gore, Cook’s exude wonderment and danger in dazzling prose.
Premiere in Man v. Nature is “Moving On,” the grim telling of a widow internment center that functions like an adult orphanage. The mood around the grounds is bleak enough that reality becomes overpowered and contorts to make room for places like this to exist as if they’ve been institutionalized. “Meteorologist Dave Santana” pits a woman against her own sexual desires as she tries everything to seduce her neighbor, a homely and less than upstanding weatherman. “The Mast Year” portrays a woman who is chosen by fate to share her good fortune with those in need, no matter the personal cost. She grapples with notions of sacrifice, unable to separate charity from obligation until she no longer recognizes her own life. Lastly, the titular “Man v. Nature” is the account of a man and his two friends who are stranded in a tiny lifeboat adrift on a vast lake. As exposure besets and their bodies atrophy, they reminisce and eventually curse one another for past transgressions until their misdirected anger threatens to become their undoing.
Man v. Nature’s stories are all so convincing in their heavy fictitiousness that the reader never questions the altered existences. Emotions are so poignant that doubt never surfaces; rather, fingers are crossed, eyes are squeezed shut and knees are taken in supplication to will the characters to safety. But in Cook’s worlds, safety may no longer exist, and instead readers are given deliciously unsettling new normalcies.
Debut author Rebecca Scherm has embedded her new psychological suspense thriller Unbecoming with the ambiguous moral cracks of a femme fatale-like character, complicated and difficult to package. Grace keeps her life simple for a reason. The part-time antiques restorer can't return to her Garland, Tennessee, home because too many people know her story. Or do they? There is an art heist gone wrong, but this story is also about the interior journey of a 23-year-old woman whose past and conscience shape her into what she needs to be.
Grace is no longer Grace. Now she's Julie from California, working in the gritty outskirts of Paris. At Zunuso et Filles, she fixes broken old things and is not above switching out gems given to her by an unscrupulous boss. Her only friend is Hanna, a 34-year-old Polish woman, who sits across from her. She, too, has escaped her past. It's been three years since Grace's hometown artist husband Riley and his friend (and Grace's one-time lover) Alls broke into and looted the historic Wynne House Estate at Grace's suggestion. Now both men have been released from prison. Julie can't help but look over her shoulder. Will they come looking for her? What about the missing Dutch painting?
Things are never as they seem and so it is with this story. Scherm, who grew up in the South, was inspired by the Hitchcock movies she watched in her youth. She decidedly mines her protagonist's psyche to see where it falls in a plot that unfolds steadily and mainly in flashback. Rather than focus exclusively on the suspense of the crime, Scherm chooses the continuum of Grace's choices. With plenty of lying and double-crossing and lively, detailed descriptions of objets d'art, readers will find an entertaining read in the distant shades of Gillian Flynn and Patricia Highsmith.
Mobile Library is David Whitehouse’s second novel and a beautifully written and deeply expressive work of fiction. Whitehouse has a way of using unique and well thought out metaphors that seem to catch you off guard with their exquisite accuracy.
The novel follows Bobby as he struggles through life as a socially awkward 12-year-old boy. His father doesn’t seem to care for him, his mother is out of the picture and his peers bully him. Sunny is not only the one person he can call a friend, but is also his bodyguard of sorts. It’s when Sunny moves away that Bobby becomes completely lost and disheartened until the day that he meets Rosa.
Rosa is a girl to whom Bobby feels almost instantly connected to, and when he meets her mother Val he realizes that families aren’t just people who share your blood. Val happens to get paid to clean a mobile library and this is where Bobby, Val and Rosa spend many hours each week learning about life through the books they read.
Bobby’s abuse and neglect, combined with the termination of mobile library services, creates a sense of foreboding in Val that leads her to take drastic measures. She can see no option for keeping the family together other than spiriting them away using the mobile library as their transportation. Though Val’s intentions were honorable, her methods were less than discreet. Will Val be able to keep her eclectic family together?
Pick up a copy of this title to see what happens to these well-developed characters engulfed in vivid imagery. Whitehouse is an award-winning author who created a profound and delightful read in Mobile Library.
For eight seasons on Saturday Night Live, Phil Hartman’s comedic genius delighted audiences. Known as “The Glue” among his castmates, Hartman’s many impersonations and broad characters revitalized the show after one of its darkest periods. Beyond SNL, Hartman was a beloved voice on The Simpsons as well as the bombastic Bill McNeal on the critically lauded show NewsRadio. Poised to make a superstar breakout in several summer films of 1998, life was great for the comedian.
But in the early morning hours of May 28, 1998, police released the shocking news that Phil Hartman had been killed by his wife, Brynn, in their home while their children slept. For such a funny man to meet such a tragic end seemed unbelievable as fans, friends and costars tried to make sense of the loss to the comedy world at large. In You Might Remember Me: The Life and Times of Phil Hartman, biographer Mike Thomas stresses that what a person thinks of when she or he thinks about Phil Hartman isn’t his death, but the life of a performer whose talent gave laughter to so many.
Chock-full of interviews with family and famous friends, the book delves into Hartman’s childhood — as one of eight children, he often had to “perform” to be noticed. It also highlights his early career as a successful graphic artist (he designed album covers for bands like Poco and America) to his breakthrough with The Groundlings. From helping Paul Reubens hone the character of Pee-Wee Herman to developing his own popular character Chick Hazard, Phil Hartman seemed an enigma: someone committed to performing without really wanting to stick to it for long. He was someone waiting for the next big thing, but only if the next big thing fit in with the lifestyle he wanted.
You Might Remember Me paints a picture of a man searching for an identity: one that he could never quite completely cover with wigs and prosthetic noses. It is a great read for fans of Hartman’s work and for those who enjoy biographies of complicated, delicate genius, both in the moment and ahead of its time.
An absorbing study of a timely subject, Right Color, Wrong Culture is an allegorical tale focusing on the challenges and rewards of cultivating a multiethnic organization. In his thoughtful, carefully composed new work, author Bryan Loritts analyzes the specific kind of leadership needed to make connections and build thriving multicultural organizations.
Loritts’ central theme explores the premise that in each ethnic group there exist three faces of cultural expression: C1s, those who assimilate entirely from one culture or ethnic group into another; C3s, who are culturally inflexible, resisting assimilation of any kind; and in the middle, C2s, who are culturally flexible and adaptable without losing their ethnic identity. Personifying these faces, Loritts cites Carlton Banks, Ice Cube and Denzel Washington, respectively.
Careful to note the ties between culture and ethnicity while recognizing that one is not de facto the other, Loritts proceeds to examine the specific leadership principles vital to the success of a multiethnic, culturally diverse organization. In the case presented, it is an ethnically and culturally homogenous church that the principal characters are striving to transition toward a multicultural identity. Nevertheless, Loritts’ lessons about balanced, intuitive leadership and the practical challenges present in such a transition are applicable to any organization.
One of the most compelling aspects of RCWC is the narrative format Loritts has shrewdly chosen to deliver his message. Though a work of nonfiction, RCWC reads more like a novella. His use of a cast of characters to explore the challenges and viewpoints surrounding the case presented is an effective vehicle for what could otherwise be a polarizing subject. Recommended for readers seeking to promote multiculturalism within their own organizations as well as those readers who are simply interested in engaging in a deeper understanding of multiculturalism overall.
Poet, playwright and novelist Greer Macallister inspires intrigue with The Magician’s Lie. While Macallister’s plays have been performed at the American University and she has been published in periodicals such as the North American Review, this is her debut novel.
The Amazing Arden is one of the few female magicians in the early 1900s, which is controversial enough without her being wanted in question for her husband’s murder. Virgil, a down on his luck police officer, stumbles upon Arden and, though he is able to restrain her, he is unsure of her. As the capture would substantially boost his status, Virgil is conflicted about how to proceed.
After bringing the magician to his office and restraining her with several pairs of handcuffs, he allows her to recount her story before deciding how to move forward. Arden’s story is so captivating that Virgil can’t help but be taken in by her resilience and attention to detail. It’s in the midst of the narrative when Virgil learns that Arden may just have something to offer Virgil that he can’t get elsewhere, leaving him with a tough decision to make.
Macallister is able to use Arden’s story to pull the reader into history and what life was like for a young woman with few options in the late 1800s and early 1900s. With Arden’s success she is able to challenge the traditional gender roles for woman of the time, transforming her character into an inspiration. If after reading this you are looking for another historical fiction novel with a strong female protagonist, look to Vanessa and Her Sister by Priya Parmar.