Finding Zero: A Mathematician’s Odyssey to Uncover the Origins of Numbers by Amir Aczel is about a man’s love of numbers. Actually, it is much more than that, but numbers are at the heart of this story. Aczel is not just your average mathematics scholar. He's an adventurer, part Indiana Jones and part Isaac Newton, who is relentless in his pursuit of the origins of numbers. While most of us probably have not considered just how our numeric system — particularly zero — came to be, Aczel has been obsessed with numbers since he was a young boy.
Aczel’s odyssey began when his teacher asked his first grade class what they would like to learn in school. His response was “Where numbers come from,” which set him on a course that would take him around the world. For the most part, Aczel’s narrative is aimed at the average person, and he limits the use of mathematical jargon to terms that most anyone can understand. While Western society uses what are commonly called Arabic numbers, Aczel points out that this name is misleading. True Arabic numbers do not resemble our digits ranging from 0 to 9. (You can view an illustration of Arabic numbers.)
So, how did our modern Anglo-European numbers evolve and where did they originate? While Aczel attempts to answer these questions, he encounters some interesting obstacles along the way. His odyssey is an intriguing one and, at times, seems to involve more questions than answers. Still, for anyone who enjoys a book that gives the reader ideas to ponder, Finding Zero offers plenty of mental exercise.
Two lives, seemingly unrelated, converge in unforeseen circumstances in Lou Berney’s The Long and Faraway Gone. Two events haunt their victims: the brutal murder of six movie theater employees, and the disappearance of a beautiful young woman. The ghosts from the past simply will not let go of the living.
Wyatt, the only survivor of the movie theater massacre, escapes Oklahoma City through his work, moving from one state to the next. Infamous for that single event, Wyatt changes his name and becomes a private investigator. A favor for a friend will start him on a path to the past to confront the one question that was never answered: Why was he spared?
Julianna worshipped her older sister, Genevieve, who took her to the fair and then disappeared forever. Genevieve left Julianna with $10 to buy food and told her she would be back in 15 minutes. In many ways, the now-37-year-old Julianna is still sitting on the bench at the fair waiting for her sister to return. Julianna is willing to sacrifice her career, her security and even her life to discover what happened to her sister that day.
As Wyatt works to discover the identity of a vandal determined to destroy his client’s business, he also uncovers the layers of denial that have dominated his life. As Julianna risks her sanity to uncover her sister’s fate, she must explore the demons that drove Genevieve to leave her that night.
Told in alternating voices, Berney twists his tale of obsession and corruption, of power and greed. Thoughtful, complex and absorbing, this character-driven novel is sure to please fans of intrigue. Berney’s unique plotting intertwines the characters’ stories deftly, proving that we can touch one another’s lives in wholly unexpected ways.
Stephen Kurkjian is a man on a mission. The Pulitzer Prize-winning investigative journalist from The Boston Globe revisits what remains the largest property crime in U.S. history in his new book, Master Thieves: The Boston Gangsters Who Pulled Off the World’s Greatest Art Heist. It's a detailed accounting of the events, suspects and stalled investigation that has mired Boston's Isabella Stewart Gardner Museum in a 25-year-old mystery. Perhaps not surprisingly, Kurkjian has his own theories on who-done-it and why, after all these years, the crime remains unsolved.
The FBI’s website calls art theft “stealing history.” Indeed, the 13 stolen works taken in the wee hours on March 18, 1990 by two men wearing fake mustaches and disguised as police officers represent a distinct and priceless collection by a few of the world's true masters, including Rembrandt, Vermeer, Manet and Degas.
Kurkjian, with his fast-paced narrative and plethora of research, aims to crack this case. There are brief descriptions of all the players at the beginning of the book. Readers will need the list, as Kurkjian lays out a web of who’s who in the Boston underworld, from low level crooks to mob bosses. And just when you think the author is getting repetitive, Kurkjian offers up intriguing bits of the sometimes strange efforts to recover the paintings. He also expresses pointed frustration over the FBI's mishandling of the investigation from the get-go. He notes that there hasn't been a single confirmed sighting of the works. He calls it a "disgrace."
For those who enjoy the logistics of the chase, Master Thieves has plenty to offer to both nonfiction and fiction readers. Written in an accessible journalistic style that includes several interviews with key figures, Kurkjian brings his 20-year obsession to his readers, who will ultimately form their own opinions on why this crime remains unsolved today.
There are few tragedies capable of eliciting tears from a man in his early 30s. The death of a beloved pet, the dissolution of a marriage, maybe; or more realistically, the death of a beloved Xbox, the dissolution of a favorite band. In Adam Rapp’s Know Your Beholder, narrator and central character Francis Falbo bears his soul while marinating in his overlord’s bathrobe and cultivating his newly sprouted beard.
In snowy Pollard, Illinois, Francis Falbo’s rising indie rock band, The Third Policeman, feels the heat of rapid ascension and cinders into nothingness almost exactly as his wife Sheila Ann abandons him for another man. With nothing going for him other than a few new bristles encroaching on his face, he moves into the attic of his childhood home, which his father bequeathed to him before uprooting and fleeing to Florida after the death of his wife. Clad in a bathrobe and two pairs of thermal pajamas which eventually graft to his skin, Francis decides to become an amateur landlord and converts the spacious dwelling into a couple of apartments. He assembles a colorful cast of tenants, including a family of former circus performers looking to settle down, an ice-fishing enthusiast with an incredibly rotund stomach and his ex wife’s burnout brother.
Francis chronicles his woes day by day on an old typewriter and gradually realizes he has become agoraphobic, but he disguises his fear as a personality quirk as he accomplishes various landlording tasks like collecting rent and unclogging sinks. As winter passes, the Falbo house embraces the thaw and collectively hopes the spring will bring reprieve to their lives bereft of happiness.
Know Your Beholder is about overcoming heartbreak and is perfectly balanced, with the weight of tragedy elevating wry and witty humor laced with culturally relevant references to the indie music, art and literary scenes.
Can’t get enough of the beach? Bring the sand and surf home with three new books dedicated to embracing this casual lifestyle.
Coastal Living Beach House Happy: The Joy of Living by the Water by Antonia Van der Meer offers a glimpse into how to incorporate the ease of beach living into readers’ own homes. The Coastal Living editor revisits 21 homes previously featured in the magazine which she felt were imbued with a happy energy. With almost 200 color photographs and interiors ranging from country to modern, there is something which will appeal to every connoisseur of the seaside way of life. Renowned designer Jonathan Adler wrote the forward and exclaimed, "This beautiful book is my new happy place. Dive in!"
The Nautical Home: Coastline-Inspired Ideas to Decorate with Seaside Spirit by interior designer Anna Ornberg is bursting with ideas for bringing the quiet beauty of beach living to your home. Follow her advice and any space can be turned into a beautiful nautical nest. Projects include wooden lampshades, placemats, beanbags and pillowcases. This title has something for everyone and will inspire those at home reinventing single rooms or tackling bigger projects to create their very own oasis of calm.
Nautical Chic by Amber Butchart shares the impact seafaring style continues to have in the world of high fashion. This historical survey of nautical panache is a beautifully photographed testament to the iconic looks and perpetual popularity. Each chapter traces a current nautical trend and include, “The Officer” which focuses on the epaulettes, brass buttons and braiding which became Balmain and Givency staples and “The Fisherman” with its look at the classic blue-and-white Breton stripes which were favorites of Chanel and Audrey Hepburn. This lavishly photographed and comprehensive book concludes with “The Pirate” and its homage to Captain Hook, Vivienne Westwood and Alexander McQueen.
The excitement of the art scene in 1860s Paris is the lush setting for Maureen Gibbon’s new novel Paris Red. When we meet 17-year-old Victorine, she is wearing bright green boots to set her apart from all the other women walking down the street. It is a fashion choice that pays off, as she gains the attention of a mysterious stranger.
The stranger reveals that he is an important artist, and he strikes up a flirtation with both Victorine and her roommate, Nise. Victorine feels compelled to choose between her best friend, who she feels as close to as a sister, and this charming artist. But once she models for the artist, she knows her future is secured. She becomes not only his lover, but his most important muse.
Jealousy and financial insecurity mars their relationship, but within the confines of the artist’s cramped studio, Victorine is secure that they are creating art that will provoke and shock the outside world. So moved, she begins to paint on her own, at first timid, but then confident in her own talent.
The mysterious artist is none other than Edouard Manet, one of the most celebrated artists of the 19thcentury. His work is considered to have given birth to modern art. Victorine Meurent is the face in many of his celebrated works, most notably his controversial masterpiece Olympia.
Fans of Tracy Chevalier’s Girl with a Pearl Earring and Susan Vreeland’s Girl in Hyacinth Blue, books that tell the story behind legendary great art, will find this book a sensual treat.
When a novel depicts a brief period of time, the pacing becomes just as crucial as the plot and the characters of the story. Hannah Pittard’s new novel Reunion takes place in the mourning period between a death and subsequent viewing. During those emotional few days, readers witness genuine exchanges between siblings who revert to old tendencies as soon as they’re in the same room together.
En route to Chicago via plane, Kate Pulaski checks her phone and discovers her estranged father Stan has killed himself. Her older siblings Elliot and Nell are pausing their busy lives to fly to Georgia to be with Sasha, Stan’s fifth wife, and their daughter Mindy. Kate is baffled by how quickly her brother and sister have booked their flights, and is forced onto another flight by her husband Peter — right before he tells her he wants a divorce. Kate remembers an affair she had and isn’t surprised by her husband’s scorn, but the timing couldn’t be worse. Wondering how any of her siblings, half-siblings or mothers-in-law could possibly want to mourn Stan’s death, Kate tries in vain to bolster her head and her heart for a tumultuous next couple of days. Days spent drinking far too much wine and attempting to read into familial relationships that she barely knew existed — what else is there to do at a family reunion predicated on a suicide?
Hannah Pittard opens and nurses complex relations between her cast of lovingly crafted and completely human characters, illustrating that a sense of familiarity — with people, places or things — can cause people to take an introspective look at what they’ve become and where they’re headed. Coming-of-age fans will find lots to like in Reunion, as will teens and new adults who enjoy relationship-centric stories.
Good news for thriller fans! Two new novels will have readers on the edge of their seats with gripping suspense, shattering secrets and women in peril who will do anything to stay alive.
NPR correspondent Mary Louise Kelly shares a story about fear, family secrets and one woman's hunt for answers in The Bullet. Caroline Cashion, a professor at Georgetown University, is stunned when an MRI reveals that she has a bullet lodged in her skull. Her parents finally admit that she was adopted at the age of 3 following her biological parents’ murders. Caroline was present at the crime, and in fact was struck by the same bullet that killed her mother. Doctors could not remove the bullet without risking Caroline’s death. Thirty-four years later, Caroline returns to her hometown to learn about her parents and their horrific deaths. But Caroline is in danger. The killer was never caught and the bullet in her head is the only evidence that can identify him. This fast-paced thriller, complete with a touch of romance, is perfect for fans of Lisa Gardner or Tess Gerritsen.
Susan Crawford’s The Pocket Wife introduces readers to Dana Catrell who suffers from bipolar disorder. Married to Peter, she is shocked when their neighbor Celia is brutally murdered. Upon learning that she was the last person to see Celia alive at a booze-fueled lunch marred by an argument over incriminating pictures of Peter, Dana threatens to descend into mania. Her husband is behaving oddly, and Detective Jack Moss is a frequent and persistent visitor. This is the story of a wounded woman teetering on the edge of sanity, determined to recover her memory and find the truth. But when Dana uncovers some of Celia’s secrets, she starts receiving threatening notes which Peter believes are self-authored. Alternating chapters follow Jack and his investigation and Dana, whose reliability is questionable and whose voice evolves with her changing mental state. The engaging characters add to this electrifying combination of solid mystery and fast-paced psychological thriller.
It's one thing to be able to describe a debilitating chronic illness; it's another to do so in language so contemplative that the words seem to hover over the page for their raw honesty. Anna Lyndsey (pseudonym) has written her illness-inspired memoir Girl in the Dark about living with a rare light sensitivity so severe it plunges her into a self-imposed darkness. "How do you write about having to live entirely in the dark?" she asks. Lyndsey does it by sectioning her narrative thoughtfully, giving readers a brief cast into her physical and emotional daily, personal life that is as candid as it is hopeful and full of love.
To say Lyndsey's illness has isolated her would be an understatement. The former British civil servant was fine until one day about 10 years ago she realized she could no longer tolerate light. It starts with the computer screen, which makes her face burn like “someone is holding a flamethrower to my head.” Eventually, her whole body is affected until she is left with no choice but to make her footprint smaller, something easier said than done. She refers to her bedroom as her lair. “I slipped between the walls of my dark room with nothing but relief,” she says. Life is a constant adjustment. Doctors can’t help, nor can her supportive mother and brother. Her rock is her companion-turned-husband Pete who never wavers, bringing her talking books and melding into the new normal.
Lyndsey’s story is not so much about the unusualness of her illness as it is about living as humanely as possible with it. Eschewing strict chronological order, Lyndsey instead delivers up short, poetic essays on various subjects. For readers drawn to the fragility of the human condition, Lyndsey’s remarkable storytelling becomes a fertile ground for resiliency when the impossible becomes possible.
In Mrs. Grant and Madame Jule, Jennifer Chiaverini proves once again that she is an amazing writer of historical fiction. She manages to capture the feeling of a particular era and also give her characters authentic voices. This time her subjects are Julia Dent Grant, wife of Ulysses S. Grant, and Jule Dent, lady’s maid and slave of Mrs. Grant.
Chiaverini’s story spans the years before, during and after the Civil War and is told from both Julia Grant’s and Jule’s points of view. We witness young Julia and Jule growing up together on the Dent plantation in Missouri where they seem to be best friends. However, their relationship quickly changes as the girls become young women and Julia begins to treat Jule more like a servant and less like a friend. Throughout the many years they spend together, Julia never seems aware of how much Jule would like to be her own woman, to make her own decisions and to be free. As Chiaverini portrays her, Julia believes that slaves are happy with their lot in life. When Jule expresses her desire to be a free woman, Julia is incredulous, saying to her, “You had a roof over your head and plenty to eat,” as if these are valid reasons for Jule to remain enslaved. Even after marrying Ulysses Grant, whose Ohio family are abolitionists, Julia still cannot believe that freeing slaves is a good idea.
Whether or not Julia Grant took quite so long to comprehend the evils of slavery, Chiaverini uses her as a representation of what many slaveholders of the day may have felt. After the Civil War ended and all slaves were freed, these newly emancipated people faced a very uncertain future as demonstrated by Jule. She struggles to make her own way in the world, and although it is not an easy path, she reflects that at least she now is free to choose which path to take.
Another great thing that Chiaverini does in her book is include the titles of the sources she used to research her subjects so the reader can find out more about Julia, Jule and the other historical characters that are referenced. As the 150th anniversary of the Civil War draws to a close, this book is a great way to understand how the events during that time period effected both famous and everyday people’s lives.