A ramshackle building in the heart of London houses the Peculiar Crimes Unit, a division of the London police force established during World War II to solve crimes that could have a detrimental impact on public morale. Author Christopher Fowler proves there is no shortage of peculiar crimes in his latest mystery Bryant & May and the Burning Man.
It takes unusual detectives to delve into the minds of unique killers, and none are more unusual than this pair. Bryant is brilliant, unconventional and possesses a biting sense humor. May is erudite, refined and equally gifted. This pair has been together since the war, cultivating a reputation for unconventional means and defying police procedure. They are just as likely to consult a clairvoyant as a forensic pathologist.
In the wake of an insider-trading scandal, thousands of rioters have turned London’s financial district into a war zone. A vengeful pyromaniac decides to cleanse the world of greedy graspers who prey on the working stiffs. Under the cover of the chaos, he stalks the victims, using their personal habits to exact revenge. Bryant insists the murders are linked to the financial scandal, but he is unable to convince the brass, who are convinced that Bryant has finally gone ‘round the bend.
Fowler brilliantly intersperses the history of the city throughout his work, providing the background for Guy Fawkes Day while simultaneously heightening the tension. The humor is smart, incisive and wry. While this is the 12th Bryant & May entry, these books are not designed to be read in order. Each book is a standalone delight. The relationship between the two detectives is poignant without being maudlin. We are left hoping that someday, like Bryant and May, we will not go gently into that good night.
In T.R. Richmond’s latest novel What She Left, speculation runs rampant when reporter Alice Salmon’s body washes up on the riverbank by a London university. Murder, suicide or an accident? Any explanation seems plausible to the multitudes of computer-chair sleuths competing for attention over Facebook, newspaper forums and Twitter. Delving into every word written about Alice is Dr. Jeremy Cooke, an anthropology professor who is making it his business to write a book about her life and death.
Told through a series of letters, texts, emails and social media posts, Cooke’s obsession with his former student Alice is detailed in his letters to his longtime friend Larry. He puts together a single hypothesis: whereas in the past, a person left behind a birth certificate, a death certificate and perhaps a few photos and letters, at no other time in human history does a person leave such a substantial and overwhelming media footprint. In the deluge of information, he seeks to put together a full picture of her short life and, in doing so, solve her death.
But Cooke’s research leads to some resistance, both from Alice’s family and friends, and from an unnamed, dangerously aggressive source who wants no part of the story to be unearthed. As the mystery of Alice Salmon’s death unfolds, both in real life and on the Internet, many suspects emerge as culpable, even Alice herself.
Part fascinating social experiment into what makes our 21st century existence exciting and part mystery, this new novel will keep readers engaged until the very last letter. Those who enjoyed Donna Tartt’s debut The Secret History or, more recently, Black Chalk by Christopher Yates, will find this twisting narrative a great read.
Memoirs are a popular form of bibliotherapy, not only for the authors who find therapy in sharing their thoughts and words, but also for the readers who are lucky enough to come across the right one at just the right time. This is the case for Reasons to Stay Alive, a kind of hybrid self-help/memoir by British novelist Matt Haig. Even if you’ve never experienced clinical depression, it’s certain that someone in your life is struggling with it right now.
Haig’s warm confessional tone and conversational prose makes this an easy book to pick up, despite its heavy subject matter. The author recalls a moment at age 24 when a thought led to a strange, tingling sensation in his head that was followed by an immediate, suffocating state of depression — anxiety and anguish so horrific that the only way he felt he could deal with it was to end his life. Haig lays out what it’s like to fight battle upon battle in your own mind, barely making it from one day to the next. He also shares the things that saved him, his own “reasons to stay alive,” which included his family and the dedicated girlfriend who eventually became his wife. Haig allows that while he has come a long way from this lowest point, he hasn’t completely gotten over depression, and never will. He shares his coping mechanisms, but is forthright in telling readers that depression is not the same for everyone, as minds are unique.
He informs readers that depression is one of the most deadly diseases on the planet, and that suicide accounts for over one in every hundred fatalities in the U.S. and the U.K. He speaks from personal experience when he says that, despite this statistic, “people still don’t think that depression really is that bad.” This accounts for various unhelpful directives he’s been given along the way, like “Chin up!” and “Mind over matter!”. These fall under a chapter entitled “Things people say to depressives that they don’t say in other life-threatening situations.”
Reasons to Stay Alive takes on its delicate subject matter with heart and humor, giving readers a sure-fire gambit for starting conversations about what it means to battle depression. Matt Haig’s honesty and candor are a welcome gift.
In The Swans of Fifth Avenue, Melanie Benjamin delivers dazzling characters based on the real women who ran New York’s high society in the 1950s and 1960s. Babe Paley, the wife of CBS President William S. Paley, is at the center of this glamorous group of elite women who include Slim Keith, C. Z. Guest, Gloria Guinness, Pamela Churchill Harriman and Marella Agnelli. Enter Truman Capote, a lover of lavish lifestyles and good gossip. As he becomes a fixture in their world, all of the women are captivated with his wit and he in turn gains unrestricted entry to this influential coterie.
On the surface, Capote seems an unlikely candidate to serve as these women’s confidante. But he is a kindred spirit who exudes trustworthiness, prompting these lonely and insecure women to break down emotional barriers. Strong bonds are formed between these ladies who lunch and the lively writer, none stronger than that between Truman and Babe, who trusts her "True Heart" enough to reveal shocking secrets. But when Capote’s literary success stalls, he is desperate to climb back to the top. This despair leads Capote to betray his beautiful swans by publishing an article which reveals their hidden secrets. This selfish act destroys friendships and the repercussions from this article reverberate for years.
Benjamin’s breezy narrative captures the tone of the time and the historical details add interest to the stories of this cast of distinctly drawn characters. The juicy scandals and extravagant lifestyles are balanced by the real struggles of these women and the constrictions upon them due to their position in society. While readers may envy (or despise) their over-the-top lifestyle, Benjamin adroitly demands sympathy for each of these compelling women whose appearance of perfection is a carefully drawn façade. Readers who enjoyed Rules of Civility or The Perfume Collector will relish the historical ambience created by Benjamin. For more on the real swans, check out Marella Agnelli: The Last Swan.
Imagine urban fantasy. Now, remove the skyscrapers and the taxicabs and the cell phones. Replace them with clapboard buildings, dirt tracks and 10-gallon hats. Add a generous pinch of scary stuff. You might come up with a terrible episode of Gunsmoke — or you might get some idea of Holly Messinger’s first novel The Curse of Jacob Tracy.
Jacob Tracy is a novel, but its chapters are grouped into sections that read like short stories that are knit together by an overall plot arc, much like the setup of a TV series. Trace, himself, is a fascinating individual and an extraordinarily engaging and original character. He is a former seminary student and former Confederate soldier. His best friend/traveling companion, Boz, is an illiterate former slave. Though an odder couple is hard to imagine, both have each other’s best interests at heart as they travel the American western frontier, working as trail guides for city folk who are trying new adventures on for size.
Why Trace and Boz refuse to settle down for long is teased out over the several episodes in this book (hint: Trace sees dead people), but their loyalty to each other is never in question…until Trace meets Miss Fairweather, a recluse, who tricks him into performing a “simple task” during the lull season in trail guiding in order to earn much-needed room and board money. Taking Boz with him, because you never leave a friend behind, Trace is forced to start facing the demons of his past when he crashes into the middle of a long-running battle between the forces of the sane and the forces of the mad. The question is: When his visions start to overwhelm him, and he begins to realize Miss Fairweather might have set him up, who can he trust?
Come for the ghosts and not-so-urban legends. Stay for the pragmatic, yin and yang, stronger-than-family friendship of Boz and Trace.
This is Messinger’s first novel, but fans of the Harry Dresden novels or fans of online zine Beneath Ceaseless Skies (wherein Messinger has published short stories) will certainly approve of this story.
The first “romance” book I have read in over 20 years, Shana Galen’s I Kissed a Rogue has brought me back into the fold. It has everything I remember from my Regency romance reading days — a damsel in distress, a love-hate relationship and a rogue.
After being kidnapped and held captive in London’s slum, Lady Lillian-Anne (Lila), daughter of the Duke of Lennox, witnesses a murder. Her father hires Sir Brook Derring to find her, the same Brook Derring who asked Lila to marry him seven years ago. Though Lady Lila has not thought of Brook for the last seven years, he has not forgotten her and the spoiled, selfish girl she was. Brook wants nothing to do with Lila, but the Duke has enlisted the help of the king and has forced Brook’s hand. He has to marry Lila to protect her until he can find out who kidnapped her. While married and hiding out in a rundown cottage, Lila quickly falls for Brook even though she knows he wants nothing to do with her. Can Brook forgive Lila for breaking his heart all those years ago? Will Brook see Lila has changed from the girl she was and find a way to love her?
I Kissed a Rogue and I liked it! This is the third in the Covent Garden Cubs series, and although I did not read the first two books in this series, Earls Just Want to Have Fun and The Rogue You Know, I did not miss a beat falling right into the storyline.
Janice Lee’s new book The Expatriates immerses readers in the lives of three women who must navigate the affluent and insular world of American expatriates living in Hong Kong. The twists and turns of their intertwined lives make this book impossible to put down. Lee’s characters are amazingly realistic and beautifully drawn. Readers cannot help but feel compassion for them even when they aren’t exactly likeable. In this sharp social satire, readers are invited into the funniest moments of their lives as well as the darkest.
Mercy is floundering with no plan after graduating from Columbia, so she decides to look for opportunities abroad. Shortly after her arrival in Hong Kong, a tragic accident causes her to collapse in on herself, unable and unwilling to try to move past this event. Hilary is desperate to have a child, hoping it might save her shaky marriage. Margaret and her family move when her husband accepts a career opportunity, and she is content with her new role as a stay-at-home mother. When the family suffers a horrific loss, she can no longer recognize herself or begin to figure out what to do next.
These women exist in a “fishbowl” where everyone seems to know everyone else and their story, but Lee illustrates how the self presented to the world can be completely different from the self rippling beneath the surface.
Hong Kong is so much a part of the story that it becomes another complex and vibrant character itself. Lee only really delves into the “American Zone” of the city, but she creates a clear sense of this strange place, and we can see how the city is as changeable as the characters inhabiting it.
Readers who enjoy this will love Lee’s first novel The Piano Teacher, as well as Paradise City by Elizabeth Day.
South Korea is claiming a seat at the world’s literary table with the February release of female novelist Han Kang’s The Vegetarian, translated by Londoner Deborah Smith. The novel was originally published in 2007 in South Korea as three separate novellas. The Vegetarian unites these related stories, which all center around Yeong-hye, a young woman described by those close to her as plain and unremarkable. That is, until she becomes tormented by recurring dreams of unspeakable horrors — dreams she associates with eating meat.
Her husband, the narrator of the first part of the novel, is alarmed when he finds her frantically throwing away the animal contents of their refrigerator. He immediately reminds her of the monetary costs, to no avail. Yeong-hye not only avoids all animal products but eats little at all and begins to rapidly lose weight. Her health declines but the dreams continue. Others scoff at her newfound vegan diet, while her blustering, domineering father decides to force-feed her during a family dinner to disastrous, far-reaching results.
The second part of the novel takes us forward in time, and this time the narrator is the husband of Yeong-hye’s sister, who is a successful and driven businesswoman and mother. The brother-in-law is an artist who has yet to find an audience for his work. He is obsessed with Yeong-hye, determined to use her as the centerpiece of an artistic, sexually graphic film conceived with her in mind. This middle portion of The Vegetarian takes the quiet yet alarmingly dark tone of the beginning and adds a brooding, hypnotic eroticism. What is it about Yeong-hye that bewitches him and causes him to risk everything? Is he driven by art, or merely lust?
The final part of The Vegetarian is told by the sister, whose life has been upended by both Yeong-hye’s actions and her stubborn convictions. Yeong-hye’s mental health is rapidly declining, or so it seems. Is there something much bigger lurking beneath her usual, seemingly placid exterior? Her rejection of the human world takes her to a startling place.
The Vegetarian is calm, cool, unflinchingly dark and unsettling. Readers looking for an intellectual and philosophical challenge will enjoy working out the rich symbolism for themselves, making this an excellent choice for book clubs with a literary bent.
For writers, musicians or artists, Jessa Crispin (founder of bookslut.com) introduces a unique method of working through problems in your creative life: Consult the tarot. You will learn everything you need to know in her new book The Creative Tarot: A Modern Guide to an Inspired Life.
Crispin begins by outlining the tarot’s murky origins as a card game and eventual transformation to a fortune-telling medium. She details her own experience with tarot readings and explains that, rather than predicting the future, the cards tell you a story about what is happening in your life. This story can differ from the story you’ve been telling yourself and help you gain a valuable perspective.
Essential for any book on the tarot is a detailed description of each of the modern deck’s 78 cards. An intimate understanding of each card is necessary to interpret your own tarot spreads. Many books merely explain how the card might be interpreted, but Crispin takes it a step further and includes a short section entitled “Recommended Materials” for each card. This short list of writings, music recordings, films, works of art (and more!) can be studied to better understand the particular nature of each card. She often compares the cards to various people or situations to make them less theoretical and more relatable — for example, The Star is “The Ziggy Stardust card,” in honor of David Bowie’s outrageous alter ego, while the Five of Coins is compared to painter Leonor Fini, who felt alienated from the Surrealists in 1930s Paris because she was a woman.
The Creative Tarot includes everything you need to get started, except the cards themselves. But Crispin talks you through choosing a deck, explain how to set up a reading and gives examples of how to interpret various spreads in reference to your own creative projects.