Guardians of the Galaxy is one of the coolest movies to come out in the past year. It has awesome spaceships, explosions, a short-tempered raccoon with a penchant for heavy weaponry and an incredibly groovy soundtrack. But where did it all come from? There's a whole lot of work that goes into making a completely fantastic world — and a whole lot of people. Marvel's Guardians of the Galaxy: The Art of the Movie brings credit where credit is due.
The book starts off with an explanation. Director James Gunn was initially going to turn the movie down. And then there was an epiphany, a moment when he realized that there was a whole lot to love about a talking raccoon. Then it's on to a history lesson. All the Marvel movies are based on pre-existing comic book characters, and the Guardians are no exception, with 50 years of continuity. Most of that continuity is now just a footnote. Yondu was a hero. Groot was once a villain who tried to take over the Earth. It's safe to say that the movie was so popular that every character who appeared in it will be rewritten from here on out.
The meat of the book is the concept art, from costumes to settings to characters and a whole lot of time spent on muscle starships. There were over 10 thousand pieces of concept art created for Guardians of the Galaxy, and a large, though not complete selection, can be found here. Little nuggets of information are dribbled on most pages, from methods for making costumes cool, stylish, reflective of historic periods, and simultaneously not interfering whenever a character goes to pull a blaster from their hip.
How do you make a galaxy and its guardians? Give a lot of talented artists free reign through history.
Like members of our social circle, books occupy certain roles in our reading sphere. Goodnight Moon: the childhood friend you don’t see these days, but whom you remember oh-so-fondly. Jane Eyre: that friend of many years who is there when you need her. A Game of Thrones: your current best bud who may actually end up standing the test of time.
If How to Be Parisian, Wherever You Are: Love, Style and Bad Habits were in your social circle, she would be that vivacious friend whom you adore, but also slightly fear — that glamorous, audacious, slightly selfish girl who challenges you to embrace your inner chic. She is intriguing, she is original, and she is not quite stable. She is who you would gladly be for a day… but no longer.
Like that friend, How to Be Parisian, by Anne Berest, Audrey Diwan, Caroline De Maigret and Sophie Mas, is best enjoyed in doses.
The work of four friends, themselves bona fide Parisiennes, How to Be Parisian offers unique insights into the mind and character of the modern Parisian coquette. Engaging, mercurial and unapologetically egocentric, this quartet of Parisiennes cum authors might raise a few hackles with their blasé attitudes toward certain subjects covered, such as children as accessories or rules for keeping a lover on the side. At such times, the reader would do well to recall that, despite the title’s suggestion, How to Be Parisian is not to be understood as an instruction manual for the reader’s own life. Rather, it is a delicious opportunity to slip into the role of The Parisienne for an hour or so — with all her flaws, foibles and je ne sais quoi.
A caveat: Organization of theme is not this book’s strong point. Pithy, engaging monologues, whimsical photography and lists upon lists are where this volume shines. The key to enjoying How to Be Parisian is to remain uncommitted, to dally as it were, among its pages. Flip open the table of contents, ignore the ostensible chapter headings, and select whichever of the enticing subject headings attracts you most. It’s what a Parisienne would do.
For eight seasons on Saturday Night Live, Phil Hartman’s comedic genius delighted audiences. Known as “The Glue” among his castmates, Hartman’s many impersonations and broad characters revitalized the show after one of its darkest periods. Beyond SNL, Hartman was a beloved voice on The Simpsons as well as the bombastic Bill McNeal on the critically lauded show NewsRadio. Poised to make a superstar breakout in several summer films of 1998, life was great for the comedian.
But in the early morning hours of May 28, 1998, police released the shocking news that Phil Hartman had been killed by his wife, Brynn, in their home while their children slept. For such a funny man to meet such a tragic end seemed unbelievable as fans, friends and costars tried to make sense of the loss to the comedy world at large. In You Might Remember Me: The Life and Times of Phil Hartman, biographer Mike Thomas stresses that what a person thinks of when she or he thinks about Phil Hartman isn’t his death, but the life of a performer whose talent gave laughter to so many.
Chock-full of interviews with family and famous friends, the book delves into Hartman’s childhood — as one of eight children, he often had to “perform” to be noticed. It also highlights his early career as a successful graphic artist (he designed album covers for bands like Poco and America) to his breakthrough with The Groundlings. From helping Paul Reubens hone the character of Pee-Wee Herman to developing his own popular character Chick Hazard, Phil Hartman seemed an enigma: someone committed to performing without really wanting to stick to it for long. He was someone waiting for the next big thing, but only if the next big thing fit in with the lifestyle he wanted.
You Might Remember Me paints a picture of a man searching for an identity: one that he could never quite completely cover with wigs and prosthetic noses. It is a great read for fans of Hartman’s work and for those who enjoy biographies of complicated, delicate genius, both in the moment and ahead of its time.
An absorbing study of a timely subject, Right Color, Wrong Culture is an allegorical tale focusing on the challenges and rewards of cultivating a multiethnic organization. In his thoughtful, carefully composed new work, author Bryan Loritts analyzes the specific kind of leadership needed to make connections and build thriving multicultural organizations.
Loritts’ central theme explores the premise that in each ethnic group there exist three faces of cultural expression: C1s, those who assimilate entirely from one culture or ethnic group into another; C3s, who are culturally inflexible, resisting assimilation of any kind; and in the middle, C2s, who are culturally flexible and adaptable without losing their ethnic identity. Personifying these faces, Loritts cites Carlton Banks, Ice Cube and Denzel Washington, respectively.
Careful to note the ties between culture and ethnicity while recognizing that one is not de facto the other, Loritts proceeds to examine the specific leadership principles vital to the success of a multiethnic, culturally diverse organization. In the case presented, it is an ethnically and culturally homogenous church that the principal characters are striving to transition toward a multicultural identity. Nevertheless, Loritts’ lessons about balanced, intuitive leadership and the practical challenges present in such a transition are applicable to any organization.
One of the most compelling aspects of RCWC is the narrative format Loritts has shrewdly chosen to deliver his message. Though a work of nonfiction, RCWC reads more like a novella. His use of a cast of characters to explore the challenges and viewpoints surrounding the case presented is an effective vehicle for what could otherwise be a polarizing subject. Recommended for readers seeking to promote multiculturalism within their own organizations as well as those readers who are simply interested in engaging in a deeper understanding of multiculturalism overall.
Rolling up your sleeve for your flu shot this season, you probably did not think about the zoonoses you are keeping at bay. A zoonosis describes an infection that is transmitted from animal to human. The flu falls into this nasty category, as do other scary things like West Nile Virus, Lyme disease, rabies and, yes, Ebola. Science writer and explorer David Quammen is not trying to scare us in his slender but potent new book, Ebola: The Natural and Human History of a Deadly Virus. Rather, he provides much needed perspective on the 2014 epidemic in West Africa that dominated the news here and abroad.
Where did Ebola come from? That's the question everyone wants answered about a disease whose first recognized emergence dates to 1976. Quammen takes us back to that point and the consequences of interconnected ecosystems. He writes in layman's terms about early efforts to sequester various species for testing only to be disappointed each time. "It was Zorro, it was the Swamp Fox, it was Jack the Ripper — dangerous, invisible, gone," Quammen says. This is the problem with a disease that moves, or spills over, from animals to humans. Identifying the reservoir host animal is key to understanding how the virus wreaks havoc, then disappears again, for perhaps decades. The need for containment is great for fear that it will eventually adapt. For scientists, the hunt is on.
Quammen, who extracted and updated material from his 2012 book, Spillover: Animal Infections and the Next Human Pandemic, spent time in the jungles of Gabon, where he first encountered the "peculiar, disconcerting disease." Through interviews with laboratory sleuths and Ebola victims' families he fills in as many blanks as possible, writing in a highly readable journalistic style. Readers of Richard Preston's The Hot Zone, whom Quammen gently takes to task in his book, will find a fast-paced science mystery that urgently begs solving.
With infinite care, deep detail and vast meteorological knowledge, Adam Sobel recounts the events leading up to one of the most destructive storms in history in Storm Surge: Hurricane Sandy, Our Changing Climate, and Extreme Weather of the Past and Future. Sobel, an atmospheric scientist and Columbia University Professor, recounts the growth of the storm and the predictions leading up to the disaster which were relied upon by elected officials, civic leaders and the general public.
Studies have shown that there is an approximate four to one benefit to cost ratio of investing in preventive measures, yet we lack the imagination to foresee the potential for disasters such as Sandy. Historically, we experience a disaster and then plan for the next event. However, with global warming gradually making its effects known, we may not realize the disaster in time to take effective measures. With this scenario, Sobel argues, “buying insurance after the flood will not work.” Development of low-lying areas, a rising sea level and climbing global temperatures will produce great environmental challenges. This will require broad cooperation between local, state and federal agencies and the private sector. Through clear-headed science, Sobel argues that we cannot afford to politicize an issue of such profound international importance as climate change. Storm Surge is a highly thought-provoking, engrossing tale of nature at her most destructive. It is also a story of human nature, and how we react, or fail to react, to our environment and its demands.
Dr. Sobel received his PhD in meteorology from the Massachusetts Institute of Technology and is a tenured professor at Columbia University. He has won several major awards, including the David and Lucile Packard Fellowship, the Meisinger Award from the American Meteorological Society, the AXA Award in climate and extreme weather and the Ascent Award from the American Geophysical Union.
Written from the perspective of Downton’s own trusted butler, Carson, Rules for Household Staff is anything but the dry instructional manual its title would suggest. Carson’s careful and precise introduction brings a depth of dignity to the serving class in keeping with the series’ sensitive depiction of its members.
Referring to servants as Improvers of Lives, Carson likens those who enter the profession to “doctors and nurses” who “heal and make well lives that can be fraught with worry and responsibility.” Clearly, those who serve – at least at Downton – are called to do so, and by the correct and efficient discharge of their duties, they may aspire to master their chosen career. To this end, the remainder of the volume is dedicated.
Replete with useful notes and instruction on a staggering variety of practical duties and behavioral obligations, Rules for Household Staff is a surprisingly concise and markedly engaging read. Readers who follow the series will develop a deeper understanding of the downstairs characters in Downton, as well as a keener appreciation of the responsibilities each member of the household bears in the running of the abbey. Along the way, readers may also pick up some unexpectedly useful skills, such as napkin folds, the proper procedure for decanting wine and a nontoxic method for ridding the kitchen of flies.
Recommended for history enthusiasts and in particular for fans of the Downton Abbey series. Those who have already enjoyed Rules for Household Staff may also appreciate The Chronicles of Downton Abbey.
Mallory Ortberg’s Texts from Jane Eyre: And Other Conversations with Your Favorite Literary Characters is a funny, irreverent take on what it would be like if famous authors and classic literary characters texted. Ortberg takes books and authors that we read in high school or college and retells their stories in text form. From Hamlet to Elizabeth Bennett to the Lorax, from Edgar Allan Poe to William Wordsworth to Emily Dickinson, no character or author is out of reach for Ortberg.
Ortberg uses classic characters like Jo March and Jane Eyre, juxtaposed with more modern ones like the twins from Sweet Valley High and the members of the Baby Sitters Club. She brings these characters to life through text speak and emoticons, making the reader crack up at the thought of Plato texting the cave allegory to a close friend, or Hamlet text-yelling at his mother to keep out of his room. The texts referenced in the title of the book are particularly amusing—Mr. Rochester’s in all caps and Jane Eyre’s cool and distant, as he tries to lure her back to him.
Ortberg, one of the co-editors and founders of The Toast website and a prolific Twitter user, has translated her hilarious online writing career into print with Texts from Jane Eyre. Readers will be laughing along as they relive some of their favorite (or least favorite) literary characters in text message form. This is one that former English majors will devour!
Beloved Irish novelist Maeve Binchy once said, “I am obsessively interested in what some may consider the trivia of other people’s lives.” Her people watching paid off in her novels but also in her work as a journalist for The Irish Times, where she serendipitously launched her writing career. Maeve’s Times: In Her Own Words is a selected collection of her work spanning five decades at the newspaper as a women’s editor, columnist, feature writer and reporter. When her novels became bestsellers, she resigned her full-time position but continued contributing until her death in 2012.
This volume chronologically organizes some favorite pieces from her long tenure and groups them into decades from the 1960s through the 2000s. Her eye for detail, so prevalent in her novels, serves her well in chronicling various topics ranging from the lighthearted to the controversial. Her humor and drollness are evident in each article, whether it be musings about dull airline companions or honest thoughts about more provocative subjects such as the plight of the Irish working in England. And she was also an almost giddy reporter on the shenanigans of the royals and in attendance at many of the weddings, including Charles and Diana’s in 1981.
Readers will acquire a better understanding of Binchy’s treasured homeland as the anthology also serves as a sociological study and cultural commentary on a changing Ireland. This entertaining collection will delight her legion of devotees who will get to know her a little better while enjoying the cherished characteristics of her writing – wit, wisdom and compassion.
In 1992, 24-year-old Chris McCandless gave away his savings and most of his worldly possessions and embarked on his dream trip, a quest in the Alaskan wilderness. His adventure ended in his tragic death in an abandoned bus just off the Stampede Trail near Denali National Park. Chris’ story was the subject of Jon Krakauer’s bestselling nonfiction book Into the Wild in 1996, and it was later made into a film directed by Sean Penn. Krakauer’s book focused mainly on Chris’ journey and the end of his life, but it left many questions about his past and his motivations unanswered, leading to many widely held misconceptions about Chris.
Because of the popularity of Into the Wild, people think that they know Chris’ story, but there’s much more than meets the eye. While Krakauer was researching his book, Chris’ sister Carine McCandless shared more about her family and Chris’ childhood with him, even allowing Krakauer to read some of her brother’s letters relating his feelings about unpleasant details of life in the McCandless home. To protect her parents and half siblings, Carine asked Krakauer not to include the letters in his book. Now, Carine McCandless is revealing those details in The Wild Truth, a book she hopes will allow readers to view her brother’s life and actions through a more accurate lens.
Above all things, Chris McCandless valued truth, and Carine’s raw and honest account of their family life builds a much clearer picture of what drove Chris to take his journey. This unforgettable story is my favorite new nonfiction book this fall. The Wild Truth is not just for fans of Into the Wild. It’s also a must-read for readers who are drawn to family memoirs.
We are delighted that Carine McCandless will speak about her book and her brother’s legacy at the Arbutus Branch on Saturday, December 6 at 2 p.m. Readers can hear directly from Carine and have the opportunity to ask her questions about The Wild Truth. Find out more information about this event.