Ask parents to share their deepest fear and, inevitably, it involves something tragic happening to their child. In Diogo Mainardi’s The Fall: A Father’s Memoir in 424 Steps, Mainardi writes about the intersection of grandeur and error which led to his son’s disabling cerebral palsy. On Immunity: An Inoculation by Eula Biss examines modern medicine’s sometimes controversial practice of vaccination.
424. That’s the number of footsteps taken by Tito Mainardi as he and his father walk to Venice Hospital where he was born, and where physician error resulted in his brain injury. It’s also the number of brief passages that make up this small memoir in which Mainardi finds connections between art, architecture, music and history, and relates them back to Tito and his illness. Profoundly moving and structured by concentric links, The Fall demonstrates that tragedy and beauty may not be such a dichotomy after all.
Red-faced and screaming or silently stoic: either way, it can be tough as a parent to put a child through the often painful series of recommended inoculations. Even more difficult would be wondering if your child’s autism was triggered by a vaccine or passing on those shots only to see a child hospitalized with whooping cough. Biss looks at the varied reasons behind a parent’s decision to decline immunizations, which include African and Middle Eastern Muslim fears of a western plot to harm their children via the polio vaccine to American concerns about greedy pharmaceutical companies or political agendas pushing unnecessary and invasive medicine — all of which compromise the “herd immunity” protecting communities from disease outbreak. On Immunity provides a thoughtful view on the impact of vaccines on contemporary public health.
Amy Poehler wants you to know that writing a book is very, very hard to do. She handles the pressure well in her memoir, Yes Please.
Delving into her deep-rooted love for all things comedy, Poehler shares hilarious stories from her performing past. She shares how, as a 10-year-old playing the role of Dorothy in a school production of The Wizard Of Oz, she was able to get her first audience to laugh and how she has been chasing that feeling ever since. From her college years through her work with improv troupe (and later Comedy Central show) The Upright Citizens Brigade, Poehler stresses the value of hard work as the source of her success. Fans of her work on Saturday Night Live and Parks and Recreation will not be disappointed either — several chapters share inside jokes, back stories and funny mishaps on the sets of both beloved shows.
Her vast work experience isn’t the only engaging part of this memoir: Poehler also gets personal. Her reflections on motherhood and raising her two boys, Archie and Abel, demonstrate her creativity in parenting. She doesn’t directly address her divorce with comedian Will Arnett, but does offer a hilarious chapter on some divorce books she would like to someday write, such as “I Want a Divorce! See You Tomorrow!” and “The Holidays Are Ruined!” There are lots of stories about her friendships with recognizable names, like Tina Fey and Louis C.K. Best friend Seth Meyers also contributes a short chapter.
Inter-chapters feature some interesting “advice,” and the book shows off some great keepsakes: a letter from Hillary Clinton welcoming Archie into the world, a signed photo of The Wire’s Michael K. Williams and many photographs and relics from her childhood, including poems she wrote when she was little.
This memoir is perfect for any fan of Amy Poehler, her work or comedy in general. Her wealth of experience in a variety of venues and acts will inspire and educate those looking to “break into the biz,” and her ideas about everything from performing sketch comedy nine-months pregnant to how our cell phones will eventually kill us will amuse and entertain any reader. After reading, pick up some of her best work, like Parks and Recreation or Saturday Night Live: The Best of Amy Poehler on DVD.
Two little boys growing up in America; one an urban Jersey boy, the other raised in the small towns of the deep South. Both are African-American, poor, with strong, determined mothers and absentee fathers, each a young witness to violence. Both are identified as highly intelligent and both went to college and graduated. One became a reporter and appears on network television news shows; the other is dead, murdered. Journalist Charles Blow tells his own story in Fire Shut Up in My Bones: A Memoir while Jeff Hobbs memorializes the life of his Yale roommate in the bestselling The Short and Tragic Life of Robert Peace: A Brilliant Young Man Who Left Newark for the Ivy League.
Charles Blow looks to be sitting in the catbird seat. Op-ed columnist for The New York Times and a commentator on CNN, he is a man who projects confidence and success. His memoir, however, reveals a rural Louisiana childhood of poverty where he saw conflict settled with weapons and one of the greatest insults a boy could endure was to be a called a “punk,” meaning homosexual. Blow was twice the victim of sexual abuse by older male relatives, leaving him wondering what it was about himself that attracted predators. Fire Shut Up In My Bones is Blow’s sensitive and introspective reflection on how his past created his present.
Young Robert Peace idolized his father, a man who seemed to know everyone in Newark’s rough suburbs. Convicted of killing two women, Peace’s father was incarcerated when Peace was in first grade. Rob’s mother Jackie worked in institutional kitchens to afford a private education for her son, determined that Rob would escape the ghetto. Indeed he did, landing a fully funded spot at Yale thanks to his prodigious intellect, focused hard work and leadership qualities. The quick and sad version of Peace’s story is after college, he gradually drifted back to his old neighborhood and slid into the criminal activity leading to his murder. Hobbs chooses to honor his friend fairly by writing The Short and Tragic Life which presents Peace as a complex man who struggled under the weight of opposing expectations and experiences.
Caitlin Doughty grew up in Hawai’i, and early on became “functionally morbid” with death. As a girl, she witnessed a shocking accident at a shopping mall, which cemented her desire to better understand the afterlife, which she parlayed into her college study of medieval death rituals. In her book debut Smoke Gets in Your Eyes: And Other Lessons from the Crematory, Doughty brings this difficult but universal subject to light. Despite the dark and sometimes gory content, she conversationally illuminates her year at Westwind Cremation and Burial in Oakland, California, and what she has accomplished since. If you never before knew the methods (and secrets) of “dignified” body disposal, you will after reading this exceptional book.
Doughty sprinkles her text with plenty of food for thought, whether it be historical and cultural tidbits about death, body disposal and mourning in cultures throughout time and worldwide, or when she gives her strong opinions about what we in America are doing right and wrong when it comes to handling our mortality. She daydreamed that one day she would open a funeral practice called “La Belle Mort,” which would take the unnatural aspects out of the process, but instead make for an open discussion about death and the hereafter. A chapter focusing on women’s roles in mortality culture includes a passage reminding the reader that “every time a woman gives birth, she is creating not only a life, but also a death.”
The author discusses corpses of all shapes and sizes, ranging from the stillborn to the elderly, the suicides and the drug overdoses, those who died surrounded by loved ones and those who died alone. Host of her own YouTube series, Ask a Mortician, Doughty also discusses how unfortunate it is that so few people know the law with regard to their loved ones’ corpses, nor do they have a plan of action. A timeless memoir, Smoke Gets in Your Eyes is both eye-opening and could start important topical discussions that too few of us are having.
Former Chicago Tribune journalist Marja Mills says she never expected to befriend Harper Lee, much less write a biography-memoir about her 18-month sojourn to Monroeville, Alabama, that included living next door to the reclusive author. But 15 years after Mills' first visit, her highly discussable new book, The Mockingbird Next Door, has ridden the literary wave for its jolt of homey, if not mundane, rituals of Lee's daily life. If a peek behind the curtain is what you are seeking, Mills does not disappoint. The comings and goings of the Lee sisters (Alice is older) are affectionately detailed, leading to the inevitable question as to why Harper Lee would allow herself to be portrayed so simply and unguarded after years of shying away from publicity.
For Mills, this assignment was intriguing for its possibilities, and an opportunity to prove she could still do her job despite a diagnosis of lupus. In 2001, she travels to Lee's hometown to speak to folks who knew the then 75-year-old Harper Lee (Nelle to friends) and to get a feel for Monroeville, the setting for Lee's fictional Maycomb in To Kill a Mockingbird, the instant classic about the 1930s South. With a reporter's eye for opportunity, Mills meets and impresses Alice, smoothing the way for a meeting with the famous Harper Lee, whose only book won the 1961 Pulitzer Prize and was the subject of an Oscar-winning film. When Harper Lee called the reporter's hotel room, Mills recalled, "It was as if I had answered the phone and heard, 'Hello. This is the Wizard of Oz.' I felt my adrenaline spike."
Mills injects a strong sense of place in her conversational writing, along with plenty of quaint colloquialisms. There are towns like Burnt Corn and Scratch Ankle, and fishing trips and coffee-sipping at McDonald's. She captures the Mayberry-like tone of Lee's voice with her frequent "bless her heart," "mercy" and "thanks a bunch, hon." Mills tenderly skims over rumored aspects of Lee's life, dealing with sexual orientation and drinking, although her exploration of Lee's intriguing relationship with childhood friend, Truman Capote, is one of the more interesting chapters.
Knowing Harper Lee's penchant for privacy, it is probably not surprising that Mills' book has come under scrutiny. The author has insisted she had Lee's blessing for the project. Harper Lee's released statement denies the 88-year-old ever gave approval; Alice recalled otherwise. Such matters won't deter readers who will relish this intimate look inside the seemingly uncomplicated life of one of the most complicated and beloved literary figures of the 20th century.
Get ready to laugh out loud as two young actresses share glimpses into their personal and professional lives. Danielle Fishel — remember Topanga Lawrence from the 90s sitcom Boy Meets World? — and Lena Dunham, creator and star of HBO’s Girls bare it all in poignant memoirs.
Fishel’s Normally, This Would Be Cause for Concern is more than just a tell-all, although fans will enjoy learning of her celebrity dating roster which included Lance Bass and Ben Savage. She also shares her undying love for Jared Leto, who rescued her from the L.A. freeway following an accident. Fishel, who is reprising her role of Topanga in the new Disney show Girl Meets World, is as entertaining and appealing on the page as on the small screen. Storytelling comes naturally, and she has plenty of juicy gems for readers involving awful auditions, red carpet faux pas and dating disasters. But behind the stories, she shares her neuroses and faults making this a refreshing Hollywood memoir.
In Dunham’s Not That Kind of Girl, the actress reveals personal struggles which aren’t far removed from the character she plays on TV. Both deal with OCD, therapists and awkward dating experiences. Dunham excels at documenting her coming of age and her professional experiences in a male dominated industry. She tackles big issues with hilarity and honesty in this series of essays, sure to appeal to fans of David Sedaris and Nora Ephron. Dunham has said of this book, “I’m already predicting my future shame at thinking I had anything to offer you with this book, but also my future glory in having stopped you from trying an expensive juice cleanse or having the kind of sexual encounter where you keep your sneakers on. But I am a girl with a keen interest in having it all, and what follows are hopeful dispatches from the frontlines of that struggle.”
In some circumstances, 10 percent may seem insignificant. A $50 item listed at 10 percent off, in reality, only saves you $5. Yet Dan Harris, in his book 10% Happier: How I Tamed the Voice in My Head, Reduced Stress Without Losing My Edge, and Found Self-Help That Actually Works – A True Story, demonstrates that his 10 percent increase in the happiness department really has made a significant difference. Harris is the co-anchor of ABC’s Nightline. His years of covering international combat, followed by hard recreational drug use, culminated in an on-air panic attack about 10 years ago. Realizing that his greatest battle was with the “voice in his head,” Harris researched non-traditional remedies which led to Buddhist meditation and mindfulness development as a way to improve health and his outlook on life.
Described as a book written for, and by, “someone who would otherwise never read a spiritual book,” 10% Happier provides plenty of practical, authoritative information about meditation and its benefits, as well as Harris’ own journey to master his internal struggles. His time at a meditation retreat is especially telling of his progression and introspection. Along the way, readers learn about his career, his encounters with famous figures like the now-notorious Ted Haggard and James Arthur Ray, and his time with news legends like Peter Jennings. Some of the laugh-out-loud moments include his research into famous gurus like Eckhart Tolle, as well as his memories of yoga class as a child.
I recently read The Last Best Cure, and much of Harris’s research and experiences affirm the lessons in that book: There are scientifically founded ways to “green” your mind and repair your brain’s damaged pathways. Hilarious and well-written, this book steers clear of being a hokey, clichéd self-help guide. I especially recommend the audio version, which Harris narrates.
In Clouds of Glory: The Life and Legend of Robert E. Lee by Michael Korda, the reader learns a lot about Lee’s life and the events that would lead to him becoming the leader of the Confederate Army during the Civil War. Born into Virginia aristocracy that included direct links to George Washington, Lee was destined for a distinguished life from birth. Still, Lee had some major obstacles on his path to military fame, including a less than idyllic family life. His father, ‘Light Horse Harry’ Lee, fought alongside Washington in the American Revolution, but sank into a life of dissipation fueled by alcohol. Eventually, he abandoned the family. Thanks to his mother’s guiding determination, young Robert was able to succeed both scholastically and socially, and achieved prominent positions in both the United States and Confederate States armies.
Lee attended West Point and graduated second in his class without ever receiving a single demerit – not an easy feat in those days when moral rectitude and scholastic discipline were equally valued. As Korda notes, Lee held himself to a very strict code of moral conduct, perhaps due in part to his father’s poor example. Yet, Lee did not exactly impose his strictness to either his family or the soldiers he led. Although he could be a disciplinarian, he preferred to lead by example. He felt that his subordinates should know instinctively the correct choices. According to Korda, Lee’s inability to effectively communicate his wishes to his troops was a major factor in determining the outcome of the Civil War.
Whether you view Lee as a hero, villain or somewhere in between, Korda does offer some interesting perspectives on a very complicated man. While Clouds of Glory may not change your mind about Robert E. Lee, it does illustrate what a complex and sometimes contradictory character he was.
Coming soon to the ABC network is a memoir turned television series, Fresh Off the Boat by Eddie Huang. In his memoir, Huang describes how his immigrant family moves from D.C. to Florida so that his father can open his own restaurant. Huang goes on to describe what life was like growing up as a Taiwanese-Chinese-American, not just in the United States, but also in a community with little diversity.
The audiobook for this memoir is narrated by Eddie Huang, which gives the reader a greater understanding of his perspective. His direct manner of detailing his eclectic array of experiences is uncensored and sincere. Culture is a prevalent theme throughout the book and food is frequently a platform for Huang to discuss the topic.
After listening to the audiobook, I will be interested to see how Huang’s book translates into an ABC series that appears to be quite comical. While the book isn’t without humor, it seems to focus more on challenging what are considered to be cultural norms and showing the impact that assimilation can have on a boy and his family as a whole. If you find yourself a fan of Huang’s style, checkout his video series on vice.com.
Mimi Pond is an artist and illustrator, whose work has appeared in the Los Angeles Times and Seventeen and on the animated series, The Simpsons. In her new graphic novel biography, Over Easy, Pond revisits a unique time and place: the late 1970s in Northern California. During this time of transition, the beat and hippie cultures were fighting a rear-guard action to stay culturally relevant; punk was new on the scene and grabbing everyone by the throat, lyrically and sometimes literally; and disco was just starting to die a slow overly choreographed and elaborately coiffed death. Pond abruptly finds herself tossed out of art school in her final year when her financial aid runs dry. Sitting in the Imperial Café, a popular local diner and one of her favorite places to sketch, she takes a chance and asks the diner’s manager and comical free-spirit, Lazlo, for a job. He hands her an application and tells her to only write one thing: the funniest joke she can think of. Pond lands the gig and finds herself in the exalted position of dishwasher. The work is hard, long, and brutal, but it clearly gives Pond the perfect vantage point to observe the hothouse environment of the diner. From the sexual roulette and rabid drug use that seems to be her co-workers' chief occupations to the dreams and ambitions that each holds dear, Pond sees all. Seizing an unexpected opportunity, Pond graduates to waitress and takes the chance to reinvent herself personally, and finally finds acceptance as a member of the diner’s family.
Pond’s illustrations are cool and clear, the slight cartoonish-ness of them playing well against the serious themes. The monochromatic colors speak to the nature of the transitions happening in this period with the promise of color reserved for a world not yet born. The illustrations resemble a series of sketches done mid-shift on the back of napkins and menus, stolen moments of observation while clearing a four top. The unconventional tale moves at a staccato pace like a free-styling beat poet at open mic night. It is a story that stops but doesn’t really end; perhaps a hint of more to come? You will find yourself wondering what will become of this child of hippies on the cusp of the Reagan-era love of materialism and excess. Will she stay true to herself while navigating the changing times? Perhaps it isn’t too much to ask that Pond grace us with further unique volumes of her work and share her incredible talent as a storyteller.
For a Mature Audience due to themes of sex and drug use.