The Golden Age of Hollywood introduced us to luminary icons of the 20th century whose influence radiates to this day; perhaps none more than Audrey Hepburn. Edward Epstein’s new biography Audrey and Bill focuses on Hepburn’s brief affair with the “Golden Boy” of Hollywood, William “Bill” Holden.
Unlike today when we are inundated with facts about celebrities every time we turn on our TV’s, computers or phones, the publicists of the 1950s worked overtime to insure the personal lives of the studio’s stars did not invade the public consciousness. And while Audrey and Bill’s whirlwind romance that blossomed when they met on the set of the Billy Wilder classic Sabrina was well-known in Hollywood circles, it was kept largely out of the public eye.
Epstein sheds light on the fact that their affair, though brief, shaped many of both Audrey and Bill’s relationships and marriages moving forward in their lives. Both actors, however, never really turned out to be very happy in love despite their tremendous professional successes.
There’s plenty more gossip about some of the biggest names of the 20th century in this book that will not disappoint the curious: Humphrey Bogart hated both of his costars! Nancy Reagan tattled to Bill’s wife about his numerous affairs! Bill dated Grace Kelly! Audrey sang to JFK on his last birthday to take away from the intense scrutiny from the Marilyn Monroe version the year before!
At times, the book reads like two separate biographies, following each actor through their career missteps and triumphs, through other relationships, children and illnesses. Holden’s death in 1980 due to liver disease and Hepburn’s death in 1993 due to cancer are also chronicled.
Perfect beach reading for those who are fans of either star, or just interested in the Hollywood glamour of a bygone era, will find this story of Audrey and Bill a compelling look into the romantic lives of two of Hollywood’s greatest stars.
For eight seasons on Saturday Night Live, Phil Hartman’s comedic genius delighted audiences. Known as “The Glue” among his castmates, Hartman’s many impersonations and broad characters revitalized the show after one of its darkest periods. Beyond SNL, Hartman was a beloved voice on The Simpsons as well as the bombastic Bill McNeal on the critically lauded show NewsRadio. Poised to make a superstar breakout in several summer films of 1998, life was great for the comedian.
But in the early morning hours of May 28, 1998, police released the shocking news that Phil Hartman had been killed by his wife, Brynn, in their home while their children slept. For such a funny man to meet such a tragic end seemed unbelievable as fans, friends and costars tried to make sense of the loss to the comedy world at large. In You Might Remember Me: The Life and Times of Phil Hartman, biographer Mike Thomas stresses that what a person thinks of when she or he thinks about Phil Hartman isn’t his death, but the life of a performer whose talent gave laughter to so many.
Chock-full of interviews with family and famous friends, the book delves into Hartman’s childhood — as one of eight children, he often had to “perform” to be noticed. It also highlights his early career as a successful graphic artist (he designed album covers for bands like Poco and America) to his breakthrough with The Groundlings. From helping Paul Reubens hone the character of Pee-Wee Herman to developing his own popular character Chick Hazard, Phil Hartman seemed an enigma: someone committed to performing without really wanting to stick to it for long. He was someone waiting for the next big thing, but only if the next big thing fit in with the lifestyle he wanted.
You Might Remember Me paints a picture of a man searching for an identity: one that he could never quite completely cover with wigs and prosthetic noses. It is a great read for fans of Hartman’s work and for those who enjoy biographies of complicated, delicate genius, both in the moment and ahead of its time.
Amy Poehler wants you to know that writing a book is very, very hard to do. She handles the pressure well in her memoir, Yes Please.
Delving into her deep-rooted love for all things comedy, Poehler shares hilarious stories from her performing past. She shares how, as a 10-year-old playing the role of Dorothy in a school production of The Wizard Of Oz, she was able to get her first audience to laugh and how she has been chasing that feeling ever since. From her college years through her work with improv troupe (and later Comedy Central show) The Upright Citizens Brigade, Poehler stresses the value of hard work as the source of her success. Fans of her work on Saturday Night Live and Parks and Recreation will not be disappointed either — several chapters share inside jokes, back stories and funny mishaps on the sets of both beloved shows.
Her vast work experience isn’t the only engaging part of this memoir: Poehler also gets personal. Her reflections on motherhood and raising her two boys, Archie and Abel, demonstrate her creativity in parenting. She doesn’t directly address her divorce with comedian Will Arnett, but does offer a hilarious chapter on some divorce books she would like to someday write, such as “I Want a Divorce! See You Tomorrow!” and “The Holidays Are Ruined!” There are lots of stories about her friendships with recognizable names, like Tina Fey and Louis C.K. Best friend Seth Meyers also contributes a short chapter.
Inter-chapters feature some interesting “advice,” and the book shows off some great keepsakes: a letter from Hillary Clinton welcoming Archie into the world, a signed photo of The Wire’s Michael K. Williams and many photographs and relics from her childhood, including poems she wrote when she was little.
This memoir is perfect for any fan of Amy Poehler, her work or comedy in general. Her wealth of experience in a variety of venues and acts will inspire and educate those looking to “break into the biz,” and her ideas about everything from performing sketch comedy nine-months pregnant to how our cell phones will eventually kill us will amuse and entertain any reader. After reading, pick up some of her best work, like Parks and Recreation or Saturday Night Live: The Best of Amy Poehler on DVD.
If you know the name Inigo Montoya, the secret to a nice MLT and never to go against a Sicilian when death is on the line, this book is for you. Cary Elwes takes readers behind the scenes of the cult classic movie The Princess Bride in As You Wish: Inconceivable Tales from the Making of the Princess Bride. Elwes, who played the film’s hero Westley, was a fan of William Goldman’s novel long before he auditioned for the film. When he was approached about the role, he was thrilled. After meeting with Goldman and director Rob Reiner, Elwes was offered the part, and he became part of the 1987 movie which also featured Robin Wright, Mandy Patinkin, Peter Falk, Billy Crystal, Fred Savage, Wallace Shawn and Andre the Giant.
Moderately successful in theaters, The Princess Bride wasn’t the blockbuster that the studio hoped it would be. However, when the movie was released on video it truly found its audience. As home video collections became popular, VHS copies of The Princess Bride started selling better than anyone could have expected, and the movie’s popularity took on a life of its own.
In As You Wish, Elwes brings fans behind-the-scenes photos and stories told by the film’s cast. Elwes depicts the joy of making this film that has endured and captured the imagination of so many fans. Elwes recently called the book “the quintessential making-of memoir.” As You Wish is a must-read for fans of The Princess Bride, and it will definitely lead to re-watching this beloved movie.
Award-winning photographer Traer Scott brings nocturnal wildlife to vivid life in Nocturne: Creatures of the Night, her fascinating book of animal portraiture. A detailed introduction explains the processes that Scott went through to compose and best feature the animals, including how her husband constructed black foam core boxes to provide fully black backgrounds for the smaller creatures. She also describes in detail the experiences of corralling a little brown bat on to its “stage”; the short, vivid life of a luna moth and how she felt obligated to photograph and release it humanely; and the first defense porcupines use when feeling threatened – a pungent odor she found herself covered in when going for the perfect shot leaving her barely able to breathe.
The bulk of the lovely book, of course, is the stunning photographs themselves. Each portrait of the featured beings comes with a short explanation of some of the animal’s more captivating nocturnal behaviors. The author also conveys that the habitats of too many of the animals presented are being destroyed as humans encroach on their environment. From the well-known, such as species of owls, bats and raccoons, to the various felines, snakes and amphibians that stalk the darkness, Scott’s photographic subjects glow with life. The fur, scales and feathers of the studies catch the light against the black, becoming brilliant and almost tangible. An easy-to-hold size makes Nocturne a beautiful package to pore over with amazement at the photographs and the animals contained within.
Today, the world lost Maya Angelou. Yet we will never lose the irreplaceable voice she used to shape our world to make it a more compassionate and stronger place.
She is most widely known for her first memoir I Know Why the Caged Bird Sings, in which she reveals the hardships she endured being both an African-American and a girl in the Jim Crow South. In her memoirs, she expresses such complicated themes as race, identity and womanhood in an honest style that illuminates the human condition. In her last book, Mom & Me & Mom, Angelou investigated the loving yet complex relationship she had with her robust mother, an exceptional person in her own right.
Along with telling her own story, Angelou used her unique voice in other transformative ways. She was a poet. Her stimulating poetry is gathered in The Complete Collected Poems of Maya Angelou. She was a singer, a dancer, an educator and her voice continues to reach far beyond the literary realm. Angelou was a vigorous civil rights advocate, working alongside Martin Luther King Jr. and Malcolm X. Multiple presidents honored her linguistic power by having her speak as the heart of the nation. In her words and throughout her life, Angelou proved "one isn't necessarily born with courage, but one is born with potential. Without courage, we cannot practice any other virtue with consistency. We can't be kind, true, merciful, generous or honest." She embodied these virtues and instilled them in others, to the benefit of us all.
America’s longest-running syndicated television show, Soul Train, receives deserved attention in two new titles focusing on the lasting legacy of this landmark production. The show debuted in 1971 and continued airing through 2006. Those 35 years were marked by groundbreaking moments, future stars, celebrity performances and thousands of Soul Train Lines.
In Soul Train: The Music, Dance and Style of a Generation, Questlove (drummer and frontman for The Roots, the in-house band for The Tonight Show Starring Jimmy Fallon) celebrates the show he loved and offers a behind-the-scenes glimpse from conception to conclusion with features on the many artists whose careers skyrocketed following an appearance. Think Tina Turner, Stevie Wonder, LL Cool J and Lenny Kravitz! He also highlights the changes the show made during its long run, including the departure of creator and host Don Cornelius in 1993. A forward from Gladys Knight, a preface from Nick Cannon and Questlove’s exclusive access to the show’s archives all combine to create a volume rich in history, music and culture.
Music critic and novelist Nelson George offers a history of the revolutionary show in The Hippest Trip in America: Soul Train and the Evolution of Culture & Style. The show debuted in October of 1971, seven years after the Civil Rights Act, and was unlike any previous variety show. Don Cornelius, a former radio reporter, was inspired by the civil rights movement to create a venue to highlight the cultural preferences of young African-Americans. It turned out that the music from a wide range of genres, the innovative dance moves and the fantastic fashions had wide crossover appeal and staying power. Many of the performers, including dancers Jody Watley and Rosie Perez and singers Aretha Franklin and Barry White, share memories and add insight into this fabulous show that revolutionized entertainment and promised “a groove that will make you move real smooth.”
On February 9, 1964, the Beatles performed on The Ed Sullivan Show and more than 70 million television viewers tuned in. This landmark appearance transcended television and these photos offer a glimpse at history in the making. On February 9, CBS will air The Night that Changed America featuring performances from a wide range of musicians in a spectacular salute. Over the last 50 years, the Beatles have been the subject of much study, but two new titles offer fresh perspectives on the phenomenon, the era and the men behind the Fab Four.
The Beatles are Here! by Penelope Rowlands features essays and interviews with other musicians, fans and writers. Cyndi Lauper, Billy Joel, Fran Lebowitz and Joe Queenan are among those who share their personal recollections. Rowlands does an excellent job of not only depicting the hysteria but also recognizing the cultural and economic impact the Lads from Liverpool had on individuals and the American music industry. Rowlands herself was an ardent Beatlemaniac and this collection arose from her own experiences. She is one of five screaming girls captured in an iconic photograph that has been published around the world and serves as the book’s cover.
Historian John McMillian explores the Beatles in light of their relationship with that other band from Britain in Beatles vs. Stones. In the 1960s the two biggest bands in the world were the Beatles and the Rolling Stones. The two were often depicted as rivals, but this was more media myth than actuality. In an effort to increase profit, managers fueled the flames of this fake feud through clever marketing. Thus, the Beatles were cute and likeable, despite their hardscrabble Liverpool backgrounds, while the Stones, mostly from the London suburbs, were cast as the edgy bad boys. McMillan’s primary source research adds to the engaging narrative, which transports readers across continents as he explores these two legendary groups, their relationships and their enduring impact.
Never hesitant to state his strong opinion and create controversy, Morrissey has been a lightning rod since he burst onto the scene as The Smiths’ frontman in the 1980s. Now, with Autobiography, he sets his record straight on the many phases of his life and recording career. Whether or not you find him a hopelessly depressing poseur or are a longtime fan and follower (there really is little middle ground!), this stream-of-consciousness memoir will be of interest to most anyone who listened to the music of the era.
Starting with his Manchester childhood and school days, the singer outlines his life through memories that are by turns gauzy and pointed. He shows a surprisingly tight relationship with his family, and includes the tragic deaths of relatives and friends, many of which have seemingly affected his songwriting and have haunted him to this day. Much of the book, naturally, focuses on the many people who Morrissey feels have wronged him. The much-heralded rift between him and his Smiths writing partner Johnny Marr is fairly minor compared to the vitriol Morrissey retains for Mike Joyce, former Smiths drummer, and the British judge that ruled in Joyce’s favor when it came to recording royalties. The usual suspects such as the English music press, the monarchy, Margaret Thatcher, radio DJs, etc. are also the recipients of his bitterness.
While there are no chapters or other breaks in his memoir, it reads quickly. Regarding his personal life, he doesn’t directly address his ambiguous sexuality, and the encounters he has with various celebrities are more interesting than mere name-dropping. He places a focus on the constant touring and the fans more than on his songwriting and records produced. By turns heartbreaking, intriguing, frustrating and peppered with Morrissey’s well-known wit, there is no doubt that Autobiography is a product solely his own – no ghostwriters here.
Mary Poppins, Julie Andrews and Walt Disney: for most of us, the three are linked together with supercalifragilisticexpialidocious, tea parties on the ceiling and Jane and Michael Banks of 17 Cherry Tree Lane. The name P.L. Travers, however, is recognizable by only the most diehard of Poppins fans, as she is the author of the Mary Poppins children’s book series, as well as the subject of the biography Mary Poppins, She Wrote by Valerie Lawson.
P.L. Travers was born in Australia and christened Helen Lyndon Goff; she later adopted Pamela Lyndon Travers as a pseudonym. Travers valued her privacy, and felt protective of the Mary Poppins characters and stories. Lawson explains that each contained elements of Travers’ own rather peripatetic and often difficult life. Initially, Walt Disney encountered resistance from Travers when he approached her about adapting her Poppins books to a film version. The “real” nanny is sharp-tongued, mysterious, controlling and a bit vain. Travers felt Disney would “replace truth with false sentimentality” and called Disney’s movie-making “vulgar.” In the end, Disney’s coffers trumped Travers’ misgivings, and the Julie Andrews version of Mary triumphed on the silver screen.
Expect to hear more about P.L. Travers after the December release of the new movie Saving Mr. Banks which follows Disney as he woos Travers for the film rights to the now-classic movie Mary Poppins.