Amy Poehler wants you to know that writing a book is very, very hard to do. She handles the pressure well in her memoir, Yes Please.
Delving into her deep-rooted love for all things comedy, Poehler shares hilarious stories from her performing past. She shares how, as a 10-year-old playing the role of Dorothy in a school production of The Wizard Of Oz, she was able to get her first audience to laugh and how she has been chasing that feeling ever since. From her college years through her work with improv troupe (and later Comedy Central show) The Upright Citizens Brigade, Poehler stresses the value of hard work as the source of her success. Fans of her work on Saturday Night Live and Parks and Recreation will not be disappointed either — several chapters share inside jokes, back stories and funny mishaps on the sets of both beloved shows.
Her vast work experience isn’t the only engaging part of this memoir: Poehler also gets personal. Her reflections on motherhood and raising her two boys, Archie and Abel, demonstrate her creativity in parenting. She doesn’t directly address her divorce with comedian Will Arnett, but does offer a hilarious chapter on some divorce books she would like to someday write, such as “I Want a Divorce! See You Tomorrow!” and “The Holidays Are Ruined!” There are lots of stories about her friendships with recognizable names, like Tina Fey and Louis C.K. Best friend Seth Meyers also contributes a short chapter.
Inter-chapters feature some interesting “advice,” and the book shows off some great keepsakes: a letter from Hillary Clinton welcoming Archie into the world, a signed photo of The Wire’s Michael K. Williams and many photographs and relics from her childhood, including poems she wrote when she was little.
This memoir is perfect for any fan of Amy Poehler, her work or comedy in general. Her wealth of experience in a variety of venues and acts will inspire and educate those looking to “break into the biz,” and her ideas about everything from performing sketch comedy nine-months pregnant to how our cell phones will eventually kill us will amuse and entertain any reader. After reading, pick up some of her best work, like Parks and Recreation or Saturday Night Live: The Best of Amy Poehler on DVD.
If you know the name Inigo Montoya, the secret to a nice MLT and never to go against a Sicilian when death is on the line, this book is for you. Cary Elwes takes readers behind the scenes of the cult classic movie The Princess Bride in As You Wish: Inconceivable Tales from the Making of the Princess Bride. Elwes, who played the film’s hero Westley, was a fan of William Goldman’s novel long before he auditioned for the film. When he was approached about the role, he was thrilled. After meeting with Goldman and director Rob Reiner, Elwes was offered the part, and he became part of the 1987 movie which also featured Robin Wright, Mandy Patinkin, Peter Falk, Billy Crystal, Fred Savage, Wallace Shawn and Andre the Giant.
Moderately successful in theaters, The Princess Bride wasn’t the blockbuster that the studio hoped it would be. However, when the movie was released on video it truly found its audience. As home video collections became popular, VHS copies of The Princess Bride started selling better than anyone could have expected, and the movie’s popularity took on a life of its own.
In As You Wish, Elwes brings fans behind-the-scenes photos and stories told by the film’s cast. Elwes depicts the joy of making this film that has endured and captured the imagination of so many fans. Elwes recently called the book “the quintessential making-of memoir.” As You Wish is a must-read for fans of The Princess Bride, and it will definitely lead to re-watching this beloved movie.
Award-winning photographer Traer Scott brings nocturnal wildlife to vivid life in Nocturne: Creatures of the Night, her fascinating book of animal portraiture. A detailed introduction explains the processes that Scott went through to compose and best feature the animals, including how her husband constructed black foam core boxes to provide fully black backgrounds for the smaller creatures. She also describes in detail the experiences of corralling a little brown bat on to its “stage”; the short, vivid life of a luna moth and how she felt obligated to photograph and release it humanely; and the first defense porcupines use when feeling threatened – a pungent odor she found herself covered in when going for the perfect shot leaving her barely able to breathe.
The bulk of the lovely book, of course, is the stunning photographs themselves. Each portrait of the featured beings comes with a short explanation of some of the animal’s more captivating nocturnal behaviors. The author also conveys that the habitats of too many of the animals presented are being destroyed as humans encroach on their environment. From the well-known, such as species of owls, bats and raccoons, to the various felines, snakes and amphibians that stalk the darkness, Scott’s photographic subjects glow with life. The fur, scales and feathers of the studies catch the light against the black, becoming brilliant and almost tangible. An easy-to-hold size makes Nocturne a beautiful package to pore over with amazement at the photographs and the animals contained within.
Today, the world lost Maya Angelou. Yet we will never lose the irreplaceable voice she used to shape our world to make it a more compassionate and stronger place.
She is most widely known for her first memoir I Know Why the Caged Bird Sings, in which she reveals the hardships she endured being both an African-American and a girl in the Jim Crow South. In her memoirs, she expresses such complicated themes as race, identity and womanhood in an honest style that illuminates the human condition. In her last book, Mom & Me & Mom, Angelou investigated the loving yet complex relationship she had with her robust mother, an exceptional person in her own right.
Along with telling her own story, Angelou used her unique voice in other transformative ways. She was a poet. Her stimulating poetry is gathered in The Complete Collected Poems of Maya Angelou. She was a singer, a dancer, an educator and her voice continues to reach far beyond the literary realm. Angelou was a vigorous civil rights advocate, working alongside Martin Luther King Jr. and Malcolm X. Multiple presidents honored her linguistic power by having her speak as the heart of the nation. In her words and throughout her life, Angelou proved "one isn't necessarily born with courage, but one is born with potential. Without courage, we cannot practice any other virtue with consistency. We can't be kind, true, merciful, generous or honest." She embodied these virtues and instilled them in others, to the benefit of us all.
America’s longest-running syndicated television show, Soul Train, receives deserved attention in two new titles focusing on the lasting legacy of this landmark production. The show debuted in 1971 and continued airing through 2006. Those 35 years were marked by groundbreaking moments, future stars, celebrity performances and thousands of Soul Train Lines.
In Soul Train: The Music, Dance and Style of a Generation, Questlove (drummer and frontman for The Roots, the in-house band for The Tonight Show Starring Jimmy Fallon) celebrates the show he loved and offers a behind-the-scenes glimpse from conception to conclusion with features on the many artists whose careers skyrocketed following an appearance. Think Tina Turner, Stevie Wonder, LL Cool J and Lenny Kravitz! He also highlights the changes the show made during its long run, including the departure of creator and host Don Cornelius in 1993. A forward from Gladys Knight, a preface from Nick Cannon and Questlove’s exclusive access to the show’s archives all combine to create a volume rich in history, music and culture.
Music critic and novelist Nelson George offers a history of the revolutionary show in The Hippest Trip in America: Soul Train and the Evolution of Culture & Style. The show debuted in October of 1971, seven years after the Civil Rights Act, and was unlike any previous variety show. Don Cornelius, a former radio reporter, was inspired by the civil rights movement to create a venue to highlight the cultural preferences of young African-Americans. It turned out that the music from a wide range of genres, the innovative dance moves and the fantastic fashions had wide crossover appeal and staying power. Many of the performers, including dancers Jody Watley and Rosie Perez and singers Aretha Franklin and Barry White, share memories and add insight into this fabulous show that revolutionized entertainment and promised “a groove that will make you move real smooth.”
On February 9, 1964, the Beatles performed on The Ed Sullivan Show and more than 70 million television viewers tuned in. This landmark appearance transcended television and these photos offer a glimpse at history in the making. On February 9, CBS will air The Night that Changed America featuring performances from a wide range of musicians in a spectacular salute. Over the last 50 years, the Beatles have been the subject of much study, but two new titles offer fresh perspectives on the phenomenon, the era and the men behind the Fab Four.
The Beatles are Here! by Penelope Rowlands features essays and interviews with other musicians, fans and writers. Cyndi Lauper, Billy Joel, Fran Lebowitz and Joe Queenan are among those who share their personal recollections. Rowlands does an excellent job of not only depicting the hysteria but also recognizing the cultural and economic impact the Lads from Liverpool had on individuals and the American music industry. Rowlands herself was an ardent Beatlemaniac and this collection arose from her own experiences. She is one of five screaming girls captured in an iconic photograph that has been published around the world and serves as the book’s cover.
Historian John McMillian explores the Beatles in light of their relationship with that other band from Britain in Beatles vs. Stones. In the 1960s the two biggest bands in the world were the Beatles and the Rolling Stones. The two were often depicted as rivals, but this was more media myth than actuality. In an effort to increase profit, managers fueled the flames of this fake feud through clever marketing. Thus, the Beatles were cute and likeable, despite their hardscrabble Liverpool backgrounds, while the Stones, mostly from the London suburbs, were cast as the edgy bad boys. McMillan’s primary source research adds to the engaging narrative, which transports readers across continents as he explores these two legendary groups, their relationships and their enduring impact.
Never hesitant to state his strong opinion and create controversy, Morrissey has been a lightning rod since he burst onto the scene as The Smiths’ frontman in the 1980s. Now, with Autobiography, he sets his record straight on the many phases of his life and recording career. Whether or not you find him a hopelessly depressing poseur or are a longtime fan and follower (there really is little middle ground!), this stream-of-consciousness memoir will be of interest to most anyone who listened to the music of the era.
Starting with his Manchester childhood and school days, the singer outlines his life through memories that are by turns gauzy and pointed. He shows a surprisingly tight relationship with his family, and includes the tragic deaths of relatives and friends, many of which have seemingly affected his songwriting and have haunted him to this day. Much of the book, naturally, focuses on the many people who Morrissey feels have wronged him. The much-heralded rift between him and his Smiths writing partner Johnny Marr is fairly minor compared to the vitriol Morrissey retains for Mike Joyce, former Smiths drummer, and the British judge that ruled in Joyce’s favor when it came to recording royalties. The usual suspects such as the English music press, the monarchy, Margaret Thatcher, radio DJs, etc. are also the recipients of his bitterness.
While there are no chapters or other breaks in his memoir, it reads quickly. Regarding his personal life, he doesn’t directly address his ambiguous sexuality, and the encounters he has with various celebrities are more interesting than mere name-dropping. He places a focus on the constant touring and the fans more than on his songwriting and records produced. By turns heartbreaking, intriguing, frustrating and peppered with Morrissey’s well-known wit, there is no doubt that Autobiography is a product solely his own – no ghostwriters here.
Mary Poppins, Julie Andrews and Walt Disney: for most of us, the three are linked together with supercalifragilisticexpialidocious, tea parties on the ceiling and Jane and Michael Banks of 17 Cherry Tree Lane. The name P.L. Travers, however, is recognizable by only the most diehard of Poppins fans, as she is the author of the Mary Poppins children’s book series, as well as the subject of the biography Mary Poppins, She Wrote by Valerie Lawson.
P.L. Travers was born in Australia and christened Helen Lyndon Goff; she later adopted Pamela Lyndon Travers as a pseudonym. Travers valued her privacy, and felt protective of the Mary Poppins characters and stories. Lawson explains that each contained elements of Travers’ own rather peripatetic and often difficult life. Initially, Walt Disney encountered resistance from Travers when he approached her about adapting her Poppins books to a film version. The “real” nanny is sharp-tongued, mysterious, controlling and a bit vain. Travers felt Disney would “replace truth with false sentimentality” and called Disney’s movie-making “vulgar.” In the end, Disney’s coffers trumped Travers’ misgivings, and the Julie Andrews version of Mary triumphed on the silver screen.
Expect to hear more about P.L. Travers after the December release of the new movie Saving Mr. Banks which follows Disney as he woos Travers for the film rights to the now-classic movie Mary Poppins.
During an interview following Kurt Cobain’s suicide in 1994, his mother remarked, "Now he's gone and joined that stupid club. I told him not to join that stupid club." Journalists began referring to “the curse of the 27 Club” when writing about the surprisingly large group of musicians whose lives were all cut tragically short when they were 27 years old. Howard Sounes explores this sad coincidence in 27: A History of the 27 Club Through the Lives of Brian Jones, Jimi Hendrix, Janis Joplin, Jim Morrison, Kurt Cobain and Amy Winehouse.
While Sounes lists 50 musicians who died at age 27, he examines the facts surrounding the lives and deaths of the six most iconic in his book. He calls the idea of the 27 Club a media construct and maintains that their deaths at the same age are merely a coincidence. In reality, the common factors in their lives were difficult childhoods, addiction, personality disorders, self-destructive behavior and a fast rise to fame during their early 20s. Given these circumstances, Sounes argues that the fact that each died at such a young age was not surprising. This book is an antidote to the media hype and Internet mythology surrounding the 27 Club. The author brings a measured examination of these stars’ lives and tragic deaths.
Sounes recently recounted the events of the final hours of some of these musicians’ lives in this Rolling Stone feature.
Art historian Paul Koudounaris has developed a grotesque but incredibly interesting research niche as he uncovers Heavenly Bodies: Cult Treasures & Spectacular Saints from the Catacombs. In this, the follow-up to his 2011 Coup de Coeur award-winning Empire of Death: A Cultural History of Ossuaries and Charnel Houses, Koudounaris continues to delve deep into the centuries-old mystery of the veneration and bejeweling of full skeletons and individual bones of Christian “saints” in Europe. In the past, the relics have made their appearances only once a year at festivals, but the author was granted unprecedented access to examine and photograph these unique marvels.
Beginning in the early middle ages, the remains of various Christian martyrs were buried in the Roman catacombs. Long forgotten, the skeletons filled the underground passages until the era of the Protestant Reformation. In the late 1500s through the following century, many Catholic churches were looking for relics that would help to invigorate their parishioners to remain devoted. These churches, mostly in Germany, Austria and Switzerland, were sent authenticated bones from The Vatican with official documentation identifying them as having belonged to early Christian martyrs. In the intervening years, many of these unofficial saints have been “decanonized” by Roman Catholic officials.
Individual examples and stories of the relics and the stunning manner that they are displayed make up the bulk of this fascinating look at the crossroads of religion, art and history. Sumptuous photographs of the artifacts in all their dazzling glory, including a breathtaking double-page spread of the “Chapel of Bones” at the Basilica of St. Ursula in Cologne, complete this unique volume.