The renowned author of African literature, Chinua Achebe, has died in Boston at the age of 82. He is best-known for his seminal 1958 novel Things Fall Apart, read by millions worldwide, and featured in the curriculum and reading lists of countless high schools and universities. This novel follows the life of Okonkwo, a proud Igbo man living in turn of the 19th century Nigeria, and the cultural changes that he must face and accept as British colonialism takes hold of the area and the only life he knows. Achebe also wrote a number of follow-up novels to this groundbreaking story. Confined to a wheelchair for the past twenty years following a car accident, he lived in the United States for the last two decades of his life, and was a professor of African Studies at Brown University in Providence.
Achebe also was a strong proponent of the rights of the people living in the once-breakaway Nigerian state of Biafra. His book There Was A Country: A Personal History of Biafra was published last year. Explaining the Nigerian civil war that took place in the late 1960s, this mélange of memoir and history reminded the world of an oft-forgotten war. Achebe also wrote an allegorical folktale which was republished last year with Mary GrandPré's illustrations. How the Leopard Got His Claws tells the story of a short-lived coup and the resulting return of the original power players, in terms that are understandable for all ages.
In his first novel, Ghostman, Roger Hobbs creates an exciting world of double dealing, casino heists, crime bosses and an intriguing main character caught in the middle. The Ghostman goes by many aliases and stays separate from the rest of the world. He is careful not to live in one location for very long, has no close associates, and doesn’t maintain a phone line or a personal email. He refuses to use his real name, but when a message comes to him for the persona Jack Delton, he knows that someone is contacting him to collect a debt. Years ago, the Ghostman made a fatal error during a heist in Kuala Lumpur, and Marcus, the mastermind of the heist, was sent to prison. Now Marcus has discovered a way to contact the Ghostman and he demands to be repaid with a very dangerous proposition involving stolen money from an Atlantic City casino. The money was newly printed by the Federal Reserve and contained a dye pack that will explode within the next two days. Marcus needs to find the thief and the cash, and contacts Ghostman with the general schematics of the plan. But plans with criminals can easily go awry, and soon our hapless anti-hero attracts the attention of a crime boss known at the Wolf as well as a rather tenacious FBI agent. It will take a great deal of nerve and every trick at his disposal in order to come out alive.
The story is fast-paced and exciting. It unfolds in present day Atlantic City with the current plan of action, but interspersed are chapters told in flashback and the reader learns the history behind Ghostman’s debt to Marcus. Ghostman is a fantastic thriller that looks into the heart of the criminal world and examines what it takes to survive in such a hostile environment. Roger Hobbs is a new writer to watch, and is sure to please fans of nail-biting suspense.
Dan Champion was an undercover cop with the NYPD, on fire with ambition and with no regard for overtime caps or departmental boundaries. While combing through old case files, he discovers references to the “Fat Woman,” a mysterious, legendary monster, responsible for countless human trafficking purchases and subsequent murders. His obsession with finding her and the consequences of this personal mission are the driving force of A Killer in the Wind by Andrew Klavan.
A sting operation Champion has arranged to bring down the Fat Woman falls apart, resulting in the loss of his job and exile to a sheriff’s office in rural New York State. During his pursuit of the Fat Woman he took a street drug as a sleep aid, and he has since been haunted by ghosts and hallucinations. These visions raise many disturbing questions for Champion. How does he know the ghost boy’s name is Alexander? Why is the woman in his vision so familiar that he believes he could be in love with her? His life is turned upside down when a woman’s body pulled from the river turns out to be the very woman from his visions. The only words she utters before falling unconscious are “They are coming for us.”
Klavan is an international best-selling author, gifted in writing all things action and adventure. A Killer in the Wind is fast-moving and adrenaline-charged as the author utilizes bursts of short sentences and strategically placed repetition to create an effect that propels the story forward by matching pace with the action. This adult thriller is just a step darker than his teen series The Homelanders, the first of which has been optioned as a feature film. In both cases, he proves to be masterful at sweeping readers up in a mysterious suspense-filled novel and taking them on a wild ride to the stunning conclusion.
Lawyer Lina Sparrow instantly knew she was staring at a drawing that transcended time. The young African American man at its center stood in a Virginia field with his hands at his side, waiting. More than 150 years may have passed, but Lina knew that the charcoal put to paper that day said as much about the subject as it did about the artist who created it. In Tara Conklin's shifting, stirring debut, The House Girl, two worlds coalesce, as the winds of past sins expose the fight for freedom and family identity that reach from present day deep into America's past.
In the plush law offices of Manhattan’s prestigious Clifton & Harp, first year litigation associate, Lina Sparrow, has just been handed the class action case of a lifetime involving historic reparations for slavery. In locating a slave's descendant to act as lead plaintiff, she stumbles upon the story of artist Lu Anne Bell and her house girl, Josephine, who sometimes painted alongside her mistress. Josephine was seventeen in 1852 when she escaped from the failing Bell tobacco plantation. Now Mrs. Bell’s paintings are highly regarded for their sensitive portrayal of her husband's slaves, but recent speculation has questioned their authenticity. Lina, herself the daughter of artists, delves deeper into the searing plight of Josephine. In doing so, she begins to question her personal life and her own sense of place.
Conklin, a lawyer by training, exploits the double narrative as the means to weave together a historic time period with the legal perspective of twenty-first century restitution. As the prose expands, uncovered correspondences lay bare the horror of slavery. Readers of The Help by Kathryn Stockett and Mrs. Lincoln's Dressmaker by Jennifer Chiaverini will enjoy this moving connection to the troubled past.
If you had the chance to change an event in your life, would you? What if that change meant uncertainty, loneliness, and possibly death? The time traveler in Sean Ferrell’s new novel, Man in the Empty Suit, becomes intimately acquainted with the chaotic, frightening, and liberating repercussions of seizing your destiny and altering your fate.
Ever since he discovered his ability, the time traveler has been jaunting along in time with no discernible mission other than exploring the ages for his own amusement. The only true continuity in his life comes from the party he attends each year on his birthday, where he mingles with all his other selves from other years. There is the Inventor, who first travels through time and initially sets up the party, the other Youngsters, who are younger than his current self, and the Elders, who are older and more knowing. He is surrounded by himself, and each year the party progresses in exactly the same way with each version playing the same role and saying the same lines as before to avoid breaking continuity with each other and altering the proscribed timeline. But the year he turns 39, events do not proceed as usual. Due to a single missed action, versions start ending up dead, memories the Elders have are disconnected from the current reality, and a mysterious woman named Lily appears at the party for the first time. It is the time traveler’s job to set things right, but will he choose to return events to their original path or to forge a new destiny for himself?
This gripping, surreal story is full of emotional tension and psychological drama. Fans of time travel fiction, science fiction, and Stephen King’s 11/22/63 will find this unusual and offbeat novel a compelling and thought-provoking read.
Ann Leary introduces us to a delightful, if not slightly tragic, character in her novel The Good House. Hildy Good lives in a historic community on Boston’s North Shore, where she works as a rather successful independent real estate broker. She is the descendant of famed Massachusetts witch Sarah Good, and is often reputed to having psychic abilities. Hildy vehemently denies this, however. The abilities she possesses lie only in her ability to read body language and facial cues, and she can often get her friends and relatives to reveal secrets best kept hidden.
But Hildy harbors her own secret. Recently, her daughters staged an intervention and forced her to confront her drinking. Hildy agrees to spend a month in Hazelden, if only to appease her children. But Hildy believes that drinking is hard liquor, and not the occasional bottle of wine. Hildy soon becomes adept at abstaining at social occasions, opting to secretly sip from the nectar while at home. All the while, Hildy is still working hard to sell properties and attract new clients. She becomes involved in the lives of some of the quirky residents of the town and soon secrets are revealed to her about their complicated lives. But it could be very worrisome to reveal your secrets to the town alcoholic. The Good House is an incredible novel told from Hildy’s point of view. She narrates her tale, and is a somewhat unreliable narrator because her perspective is often skewed by drink. The audio version of the book is read by the talented actress Mary Beth Hurt, and she provides a striking voice for Hildy that makes the audio a joy to listen to. The Good House is a wonderful character study and will be enjoyed by individual readers and book groups alike.
Artist Grant Wood’s work evokes the essence of the Midwestern United States, especially as depicted in his iconic painting American Gothic. Wood’s equivalent in the literary world must surely be Kent Haruf, who conjures up the same quiet and steadfast spirit in his novels of small town living. In his newest book, Benediction, Haruf once again uses the fictional setting of rural Holt, Colorado.
Old “Dad” Lewis is dying. A fixture in Holt, he has owned the downtown hardware store since he was a young man, and has been married to Mary for just as long. Mary and Dad notify their middle-aged daughter Lorraine of her father’s terminal illness, and Lorraine returns to her childhood home to help and support her mother as they care for Dad in his final weeks. As Dad deteriorates, Lorraine and Mary must figure out a new footing for their own relationship as well as determine how Dad’s death will figure on their future. The descriptions of the matter-of-fact yet tender care Mary provides for Dad as he becomes increasingly incapacitated are a beautiful testament to the deep love between the couple.
Haruf has two themes running through Benediction. Not surprisingly, one involves Dad’s reflections on his past, with an emphasis on choices made by Dad in pivotal circumstances. Dad ruminates on wayward son Frank who broke contact with his parents years ago; the widow of a former hardware store employee discovered by Dad to be embezzling funds; and Dad’s own hardscrabble parents who never met their grandchildren. At the same time, Haruf highlights different kinds of love found in daily life, including platonic love between friends, erotic love stemming from passion, and unconditional love between man and God. As a disgraced preacher in the story explains, it is the ordinary life of good people which is most precious and Haruf illustrates this tenet perfectly with his spare prose.
Across the border it is a different world. Cruelty is not harnessed. A man’s limit is not tested. The line between life and death is not drawn in black and white. For medical student Isaac Muthethe, the brutality of apartheid is never so evident as when he escapes from its grasp in Eleanor Morse’s observant and beautifully crafted new novel, White Dog Fell from the Sky.
Forced to leave his family, Isaac is smuggled into Botswana after witnessing the brutal murder of a friend in South Africa. His only chance of survival was to flee the secret police. In the Naledi shantytown where he finds himself, Isaac encounters a mysterious white dog. The dog’s refusal to abandon him comes to symbolize hope amidst grief and suffering. While walking house to house in search of a job Isaac meets Alice Mendelssohn. The well-educated American woman, whose husband works for the government, does not care that Isaac is black and she is white. Isaac becomes her gardener. As their lives entangle, each travels a path toward their own heartbreak. For Alice, it is her crumbling marriage and regret at not fulfilling her own dreams. For Isaac, it is the knowledge that with each step he is shedding his old life and the family he left behind. When Isaac meets and briefly stays with an old classmate who works for a violent anti-apartheid group, it is an association that will nearly destroy him and changes the lives of Alice and Isaac forever.
Morse, who lived in Botswana for several years in the 1970s, juxtaposes the political and racial turmoil of the period with an African landscape that is as alluring as it is austere. Teeming with evocative observations about the country’s conservation practices, people and culture, Morse's multi-themed narrative leaves readers to ponder the price of betrayal and the capacity for friendship. Readers of Abraham Verghese, Edwidge Danticat, and Khaled Hosseini may find much to like here.
British writer Jojo Moyes’s latest novel, Me Before You, is a beautifully crafted story about a 26 year-old woman who leads a monotonous life in a small town in England. After losing the job she’s had for six years, Louisa Clark, better known as Lou, begins the difficult task of looking for employment. Not knowing what she wants to do with the rest of her life and frustrated with her job prospects, Lou eventually applies for a position as a caregiver. Despite her lack of experience, she is offered the job because of her upbeat and quirky personality.
Enter Will Traynor, a former high-powered executive, who became a quadriplegic following a severe accident. Will has been forced to give up his adventurous lifestyle, and to rely completely on others, which has sent him into a deep depression. His mother hires Lou in hopes that she can make him reverse the decision that his life is no longer worth living. Their relationship begins shakily; however, as they grow to know each other better, Lou finds ways to reach out to Will and to help him find some things to enjoy in his world as it is. Meanwhile, Will teaches Lou to live her life more fully, and to try new things.
Moyes draws readers in with the novel’s sense of intimacy, as most of the book is told from Lou’s unique perspective as Will’s caregiver. However, scenes with the extended cast of characters, Lou’s family for example, offer levity. Me Before You raises many philosophical issues, while also being a funny, heartbreaking, and unconventional love story.
Grab your afghan, a cup of tea, and A Week in Winter by Maeve Binchy for a delightfully cozy transport to the west coast of the Emerald Isle. Binchy, the grand storyteller of Éire, returns with another fabulous cast of characters. Hailing from far and wide, their paths cross at the Stone House, a hotel in a remote town on the coast of Ireland. Chicky Starr was raised in Stoneybridge, but left for America to follow the man of her dreams. Her family was disappointed and predicted disaster, so even though the romance quickly fizzled, Chicky pretended the two had married and were living the good life. When her niece wants to visit New York, Chicky has to think fast and sadly tells her family that her “husband” was killed in an accident and she is returning to her home town. Chicky decides to take a decaying cliffside mansion, Stone House, and turn it into a holiday hotel offering weekly vacations. Although the residents think she’s crazy, she finds help for this project in her childhood friend’s troubled son, Rigger and her niece Orla. Their hard work pays off as the building is returned its former grandeur and the first week’s guests arrive, including an aging American movie star, a psychic librarian, and a Swedish accountant who yearns to be a musician.
Chicky, her staff, and all of the guests are dealing with varying degrees of disappointment, doubt, and unhappiness. After a week of bracing sea walks and newfound relationships however, nearly all have found peace and rejuvenation. In her final novel, the beloved Binchy again provides a beautiful tale of rediscovery, friendship, and love peppered with characters from past novels in a sparkling setting.