The excitement of the art scene in 1860s Paris is the lush setting for Maureen Gibbon’s new novel Paris Red. When we meet 17-year-old Victorine, she is wearing bright green boots to set her apart from all the other women walking down the street. It is a fashion choice that pays off, as she gains the attention of a mysterious stranger.
The stranger reveals that he is an important artist, and he strikes up a flirtation with both Victorine and her roommate, Nise. Victorine feels compelled to choose between her best friend, who she feels as close to as a sister, and this charming artist. But once she models for the artist, she knows her future is secured. She becomes not only his lover, but his most important muse.
Jealousy and financial insecurity mars their relationship, but within the confines of the artist’s cramped studio, Victorine is secure that they are creating art that will provoke and shock the outside world. So moved, she begins to paint on her own, at first timid, but then confident in her own talent.
The mysterious artist is none other than Edouard Manet, one of the most celebrated artists of the 19thcentury. His work is considered to have given birth to modern art. Victorine Meurent is the face in many of his celebrated works, most notably his controversial masterpiece Olympia.
Fans of Tracy Chevalier’s Girl with a Pearl Earring and Susan Vreeland’s Girl in Hyacinth Blue, books that tell the story behind legendary great art, will find this book a sensual treat.
When a novel depicts a brief period of time, the pacing becomes just as crucial as the plot and the characters of the story. Hannah Pittard’s new novel Reunion takes place in the mourning period between a death and subsequent viewing. During those emotional few days, readers witness genuine exchanges between siblings who revert to old tendencies as soon as they’re in the same room together.
En route to Chicago via plane, Kate Pulaski checks her phone and discovers her estranged father Stan has killed himself. Her older siblings Elliot and Nell are pausing their busy lives to fly to Georgia to be with Sasha, Stan’s fifth wife, and their daughter Mindy. Kate is baffled by how quickly her brother and sister have booked their flights, and is forced onto another flight by her husband Peter — right before he tells her he wants a divorce. Kate remembers an affair she had and isn’t surprised by her husband’s scorn, but the timing couldn’t be worse. Wondering how any of her siblings, half-siblings or mothers-in-law could possibly want to mourn Stan’s death, Kate tries in vain to bolster her head and her heart for a tumultuous next couple of days. Days spent drinking far too much wine and attempting to read into familial relationships that she barely knew existed — what else is there to do at a family reunion predicated on a suicide?
Hannah Pittard opens and nurses complex relations between her cast of lovingly crafted and completely human characters, illustrating that a sense of familiarity — with people, places or things — can cause people to take an introspective look at what they’ve become and where they’re headed. Coming-of-age fans will find lots to like in Reunion, as will teens and new adults who enjoy relationship-centric stories.
Good news for thriller fans! Two new novels will have readers on the edge of their seats with gripping suspense, shattering secrets and women in peril who will do anything to stay alive.
NPR correspondent Mary Louise Kelly shares a story about fear, family secrets and one woman's hunt for answers in The Bullet. Caroline Cashion, a professor at Georgetown University, is stunned when an MRI reveals that she has a bullet lodged in her skull. Her parents finally admit that she was adopted at the age of 3 following her biological parents’ murders. Caroline was present at the crime, and in fact was struck by the same bullet that killed her mother. Doctors could not remove the bullet without risking Caroline’s death. Thirty-four years later, Caroline returns to her hometown to learn about her parents and their horrific deaths. But Caroline is in danger. The killer was never caught and the bullet in her head is the only evidence that can identify him. This fast-paced thriller, complete with a touch of romance, is perfect for fans of Lisa Gardner or Tess Gerritsen.
Susan Crawford’s The Pocket Wife introduces readers to Dana Catrell who suffers from bipolar disorder. Married to Peter, she is shocked when their neighbor Celia is brutally murdered. Upon learning that she was the last person to see Celia alive at a booze-fueled lunch marred by an argument over incriminating pictures of Peter, Dana threatens to descend into mania. Her husband is behaving oddly, and Detective Jack Moss is a frequent and persistent visitor. This is the story of a wounded woman teetering on the edge of sanity, determined to recover her memory and find the truth. But when Dana uncovers some of Celia’s secrets, she starts receiving threatening notes which Peter believes are self-authored. Alternating chapters follow Jack and his investigation and Dana, whose reliability is questionable and whose voice evolves with her changing mental state. The engaging characters add to this electrifying combination of solid mystery and fast-paced psychological thriller.
In Mrs. Grant and Madame Jule, Jennifer Chiaverini proves once again that she is an amazing writer of historical fiction. She manages to capture the feeling of a particular era and also give her characters authentic voices. This time her subjects are Julia Dent Grant, wife of Ulysses S. Grant, and Jule Dent, lady’s maid and slave of Mrs. Grant.
Chiaverini’s story spans the years before, during and after the Civil War and is told from both Julia Grant’s and Jule’s points of view. We witness young Julia and Jule growing up together on the Dent plantation in Missouri where they seem to be best friends. However, their relationship quickly changes as the girls become young women and Julia begins to treat Jule more like a servant and less like a friend. Throughout the many years they spend together, Julia never seems aware of how much Jule would like to be her own woman, to make her own decisions and to be free. As Chiaverini portrays her, Julia believes that slaves are happy with their lot in life. When Jule expresses her desire to be a free woman, Julia is incredulous, saying to her, “You had a roof over your head and plenty to eat,” as if these are valid reasons for Jule to remain enslaved. Even after marrying Ulysses Grant, whose Ohio family are abolitionists, Julia still cannot believe that freeing slaves is a good idea.
Whether or not Julia Grant took quite so long to comprehend the evils of slavery, Chiaverini uses her as a representation of what many slaveholders of the day may have felt. After the Civil War ended and all slaves were freed, these newly emancipated people faced a very uncertain future as demonstrated by Jule. She struggles to make her own way in the world, and although it is not an easy path, she reflects that at least she now is free to choose which path to take.
Another great thing that Chiaverini does in her book is include the titles of the sources she used to research her subjects so the reader can find out more about Julia, Jule and the other historical characters that are referenced. As the 150th anniversary of the Civil War draws to a close, this book is a great way to understand how the events during that time period effected both famous and everyday people’s lives.
Jessica Knoll's new adult fiction novel Luckiest Girl Alive is set in the same area where she grew up. Her protagonist also has the same profession Knoll used to hold. It’s probably because of this that her book is so rich with description and such vivid imagery.
TifAni grew up with a mother who always wanted what was best for her, but not necessarily what would make her happy. When in college she met her best friend Nell, who showed her how to manipulate people to get what was in her best interest. It was a combination of these two figures that helped TifAni create the “perfect” life for herself.
It was during high school that TifAni experienced a severe trauma. In order to distance herself from her past, TifAni changed her name to Ani when she went to college. Ani has always tried to fill her gaping emotional gap with possessions and prestige. After college, Ani went on to have a prominent job at a well-known women's magazine, a fiancé with old money and starves herself into a coveted size zero. Despite how perfect her life may seem to someone on the outside, nothing can smother the pain left by her teenage trauma.
This character driven account of one woman's desire to get all she's ever wanted is disturbingly candid. As you follow the bread crumbs through the story, you slowly gather more details of what TifAni went through as a troubled teen – and just when you think you've figured her out, she throws you a curve.
Ten years after an assassin’s bullet takes her husband’s life, Diane Fairmount champions the cause of his fledgling political party, The Common Way, in Brian Freeman’s suspense novel Season of Fear. Attractive, popular and topping the polls, it looks like Diane is destined to become Florida’s new Governor. When an insidious voice echoes from the past, Diane turns to her best friend Tarla Bolton, whose son is former FBI agent turned private investigator Cab Bolton. Cab explores beneath the hype and unearths dirty tricks, long-buried secrets and political machinations. There are right-wing extremists, covert political operations and the murder of a young political operative. Has Cab revealed a right-wing terrorist, or is it a shrewd plot to lead him off target? Teaming with political researcher Peach Piper, Cab must race against time to stop the killer. For there is another havoc on the horizon – a hurricane is bearing down on Tampa, Florida, and it just might permanently bury the evidence.
Brian Freeman has created a cross between Jack Reacher and Richard Castle; handsome, wealthy and dynamic. It’s impossible not to root for Peach, a deeply troubled young woman determined to avenge her friend’s death. Part complex political thriller, part intense police procedural, Freeman weaves a web of intrigue that will leave you gasping for air. Move over Virgil Flowers, and make room for Cab Bolton.
Brian Freeman is the internationally best-selling author of psychological suspense novels, including The Cold Nowhere, Spilled Blood and the The Burying Place. Brian's debut thriller Immoral won the Macavity Award and was a nominee for the Edgar, Dagger, Anthony, and Barry awards for best first novel. Cab Bolton first appears in The Bone House.
“Shots have been fired at the high school. Calmly report to St. Michael’s across Route 5.” When Simon Connolly gets the text message from his children’s school that there’s been a shooting, he wastes no time getting to St. Michael’s church where he’s expecting to meet his son, Jake, and daughter, Laney. As parents are taken one by one out of the church to be reunited with their children or given the horrific news, Simon waits. His wife Rachel escorts a tearful Laney outside. When he is the last person seated, his heart cannot bear the idea that his son Jake is still missing. As rumors start to spread that Jake was one of the shooters who planned and carried out the attack, Simon is desperate to find him.
Bryan Reardon’s new novel, Finding Jake, centers on a tragedy that has become all-too-familiar in news headlines: a school shooting that leaves 13 students dead. Simon’s perspective moves back and forth between the horror unfolding of the present day and his memories of Jake’s birth, childhood and adolescence. It is through these memories that Simon clings to one objective: to mine every detail for a clue that will lead to finding his son. However, as he adds up these details, he cannot help but wonder if he missed signs that Jake could be capable of such a terrible act. As tension mounts, any mundane or trivial memory about Jake consumes Simon and his quest to discover the truth. Compounding his grief is how the media has influenced the court of public opinion into trying and convicting Jake, leaving the entire Connolly family to bear the brunt of the community’s anger and fear.
There is no shortage of novels dealing with school violence: Lionel Shriver’s excellent We Need to Talk About Kevin, Jodi Picoult’s Nineteen Minutes, and Wally Lamb’s The Hour I First Believed are a few examples. Finding Jake is a sharp page-turner that, similar to these novels, will stay with the reader long after the conclusion.
Prepare to embark on a journey through desolation in Laura van den Berg’s debut novel Find Me. Reminiscent of Cormac McCarthy’s The Road, Find Me is a deglamorized record of post-pandemic survival, one where recovery cannot begin until what’s held dear is forsaken.
Joy Jones is in the hospital, but not because she is sick; rather, she’s flotsam in the wake of a new virus that has left America 400,000 people fewer. Joy is one of around 90 survivors living in quarantine at the hospital, hoping to avoid the sickness which manifests as silver skin lesions and deteriorates the memory until the body forgets how to function. Under Dr. Bek and his armada of imposing nurses clad in hazmat suits, the 90 undergo daily stress tests to increase their chances of survival. Despite the uncomfortably close monitoring, some of the interned contract the illness and are sent to the upper floors to die. Joy knows that things at this medical sanctuary aren’t as they seem, and the sudden imposition of a localized media blackout exacerbates her fears. Armed with a photo of her estranged mother bequeathed to her by a deceased aunt, Joy plans her escape with the hopes of finding all she has squandered and relinquished.
Find Me is about loss both immediate and lifelong; it’s a mural of a populace haunted by all things unrecoverable. In a world where there is no hope or love left to fill voids, chasms consume those desperate souls who can’t bring themselves to let go. Laura van den Berg writes in a superb literary voice without betraying her young heroine, and brings ancillary characters to life through their unique memory mnemonics and coping mechanisms. Readers who enjoyed or who are anxiously awaiting their copies of Emily St. John Mandel’s Station Eleven should go to great lengths to track this one down.
The central conceit of Jim C. Hines' Magic ex Libris series is that practitioners of magic can pull tools out of books, creating arsenals of the wildest ideas that authors have ever come up with. Consider the benefit of Lucy's magic cordial from The Lion, the Witch and the Wardrobe, a potion that can heal all wounds and sickness with just a drop, or the devastating power of Robert Jordan's balefire, a fire so strong that it doesn't just destroy its target, but erases it and all its works from existence. For years, Isaac Vainio was a Porter, a magical librarian tasked with keeping the public from knowing that magic even exists. In Unbound, book three in the Magic ex Libris series, the lid gets blown off so far that there's no chance magic will ever be secret again.
The value of the secret of magic is small compared to the incoming threat. An ancient queen has re-awoken, possessed the body of the only libriomancer who has so far figured out how to tap into e-books and started a rampage that should eventually result in a collapse of mortality and a whole lot of destruction. In her path: a former mage, the most kick-butt dryad to ever grace the pages of literature, a cranky psychiatrist not sure any of her extended family has any business in the field and the rapidly collapsing network of the Porters.
The greatest brilliance of Unbound may take place between the chapters, in one or two page stories that perfectly capture the fear and excitement of a world waking up to magic in its midst. As YouTubers fight over the special effects used in videos, wizards sneak into cancer wards and family members berate people for not doing enough when they had the power. It's exhilarating, heart-breaking and hopefully a promise of a fourth book set in the completely shattered status quo.
Miranda July is an extraordinary artist capable of channeling her creativity into any medium, and her debut novel The First Bad Man surpasses the ambitiousness of her fantastic short collection No One Belongs Here More Than You. In The First Bad Man, July makes a mockery of relationship conventions and proves through her quirky, heavily flawed characters that for love to exist, it simply needs to be felt.
Manic, obsessive, middle-aged Cheryl works from home for a nonprofit women’s self-defense studio. Her bosses Carl and Suzanne are looking for a volunteer to shelter their obstinate daughter Clee who is in desperate need of a change of scenery, but they’re met with little enthusiasm around the office. So when Clee shows up on Cheryl’s doorstep with her stuff, neither she nor Cheryl is prepared for how violently their disparate worlds are about to collide. At first, the two avoid each other when they’re both home, but once they’re forced to acknowledge how weird this is, the avoidance devolves into nightly wrestling matches inspired by the self-defense exercises constituting their livelihoods. Ritual gives way to shame, which cycles back to anger between the estranged housemates, and it takes a grounding realization for Clee to feel open to reconciliation with Cheryl. Will their relationship bloom into something even more complex and beautiful, or break down like everything else in their lives has?
Cheryl and Clee waver between the roles of optimist and pessimist, offsetting the absurdity of their situation with a sense of “I guess it could happen” realism. With a supporting cast including a pair of psychiatrists with more problems than their clientele and a philanderer who needs a spiritual permission slip to do his thing, The First Bad Man is a strangely perverse, endearing and memorable warping of the tale of two people united by calamity.