Charles Palliser, in Rustication, unravels a late 19th century mystery through the uneasy journal entries penned by Richard Shenstone, a 17-year-old opium addict who struggles daily with carnal appetites. Richard, after an abrupt suspension from college, seeks out residency in the drearily neglected English mansion where his mother and older sister reside after the death of their debt-ridden father. However, to much surprise, his early homecoming is unpleasantly received. Not only does he feel unwelcomed, he is refused any information regarding the sudden death in the family or their lack of funds.
Coinciding with his arrival, livestock vivisection begins and vulgar letters are sent to several neighbors which accuse, damn and threaten their recipients. Richard soon crosses paths with peculiar characters that become cagier with every encounter, from vicious socialites to a brutish dogfighter. At the center of much gossip is an earl’s nephew who is both an eligible bachelor and next in line to receive his uncle’s fortune.
Alone in his attempts to make sense of the town’s secrets, Richard feverishly recounts his daily thoughts and conversations. However, his fickle opiate love affair interrupts his stream of recollections. As the crimes increase and worsen, he finds himself as the prime suspect and is determined to discover the identity of the true murderer.
Readers will recognize this marshy bleak town from Palliser’s other Victorian novel, The Quincunx, but will find themselves intrigued as the jarring plot peels away like sour onionskin.
Aminatta Forna sets her newest novel, The Hired Man, in a rural Croatian village in the summer of 2007. As she did in her Commonwealth Writer’s Prize-winning book The Memory of Love, Forna again examines people living in the aftermath of conflict and the insidious influence of violence which lingers long after the war has ended.
Duro Kolak is a middle-age man; small, quiet Gost is his hometown. He lives alone since the rest of his family, like many of the villagers, has moved away. Duro picks up odd jobs, hunts with his dogs, Kos and Zeka, and occasionally visits the pub. Change comes to Gost in the form of an English family who buy a shabby vacant house as a summer retreat and a real estate investment. Duro knows the house well, as it belonged to childhood friends, and he offers to help Laura and her teenage children repair the house. Duro also becomes the family’s guide to insular Croatian culture.
Forna, through Duro, alternates the contemporary story of Duro, Laura’s family, and the house restoration with the tangled back story of Duro and the Pavić family who were the previous owners of Laura’s vacation home. Duro’s reminiscing begins with his friends Krešimir and Anka Pavić with whom he swims and shoots pigeons. Idyllic memories these are not, and as the roof is repaired and an exterior mural uncovered on the Pavićs’ old home, the reader is gradually led into the dark dynamics of altered friendships, a Gost before and during the disintegration of a country and the horror of ethnic cleansing.
Forna paces this elegiac work deliberately, allowing the two storylines to slowly coalesce into a narrative of love and war and a search for the truth. The Hired Man is a beautiful and brutal tale, built on the rotten foundation of war crimes barely plastered over by the new peacetime.
Literary fans of something old and something new now have an opportunity to see, in person, the art masterpieces at the heart of two respected writers' novels. Tracy Chevalier's hugely successful Girl with a Pearl Earring and Donna Tartt's eagerly anticipated new novel, The Goldfinch, feature paintings by Dutch masters now on temporary display in the United States. Johannes Vermeer's beloved "Girl with a Pearl Earring" and Carel Fabritius's exquisite "Goldfinch" are currently part of a 15-painting exhibition on loan to the Frick Collection in New York until January 19.
Girl with the Pearl Earring, Chevalier's second novel, is about Vermeer's 16-year-old housemaid who becomes the subject of his painting. It was greeted with popular and critical success following its publication in 1999. In addition to some 4 million copies sold, the book was turned into a movie.
The Goldfinch, Donna Tartt's sweeping new novel, is part suspense thriller, part coming-of-age novel. It centers on a young man named Theo, whose life is changed forever following a bomb attack at a New York museum that leaves his mother dead and him in possession of a rare Fabritius painting.
Now at the final American venue of a global tour, the paintings are traveling for only the second time in 30 years as the Royal Picture Gallery Mauritshuis in The Hague undergoes an extensive two-year renovation. Here is your opportunity to get up close and personal with the paintings behind the stories. Visit the Frick Collection for more information.
Maryland author Charles Belfoure’s debut novel The Paris Architect is gaining the attention of readers across the country. In 1942, Parisian architect Lucien Bernard is largely indifferent to what is happening to Jews in Occupied France. When he is asked to create a hiding place for the Jewish friend of a wealthy businessman, he can’t resist either the challenge or the compensation, so he agrees. Despite the danger, he begins designing places for others to hide from the Gestapo. His ingenious designs embed hidden cubbyholes into the architectural features of buildings. When one of his hiding places fails, he can no longer ignore the reality of the situation. Over the course of the novel, the horror of what is happening to Jews in his city becomes very real and personal to Lucien.
NPR’s Alan Cheuse compares this story to novels by Alan Furst. The historical and architectural details bring the story to life. This fast-paced World War II thriller leaves readers wondering how we would have reacted in the same situation, which makes it a good choice for book clubs. Discussion questions and additional information about Belfoure’s inspiration are also included in the book. The Paris Architect will appeal to readers who enjoyed Sarah’s Key by Tatiana de Rosnay and City of Women by David R. Gillham.
Belfoure, who lives in Westminster, wrote a fascinating series of posts about this novel for The Jewish Book Council blog.
John Brown: abolitionist, Harper’s Ferry raider, failure. Dry high school American history text material, forgotten right after the test…or not, especially if presented by author James McBride in his bawdy and raucous new novel, The Good Lord Bird.
Henry is 10 years old. He helps out in the rural Kansas barbershop in which his father works. Both Henry and his father are slaves, owned by Dutch. Henry’s father is barbering the scripture-quoting Old Man when Dutch walks in; an exchange with the Old Man gets heated and after guns blaze, Dutch is wounded, Henry’s father is dead and the Old Man is unmasked as the despised John Brown. Brown rescues Henry, though he mistakes him for a girl and calls him “Henrietta.” “She” is incorporated into his motley band of family and stragglers embarked on a mission to free the slaves.
McBride presents this story as 103-year-old Henry’s recollections, recorded by a fellow church member. Written in the coarse lexicon of the times, the rich and illustrative language can result in a comedy of errors. Henry is biracial and becomes adept as passing for a girl, and sometimes as white, to ensure his safety. As he travels through the states, alone or with Brown, he offers an out-of-the-mouth-of-babes razor-edged skewering of blacks and whites, slaves and owners, and country and city folk. The Good Lord Bird is historical fiction and McBride freely molds icons like Frederick Douglas and Brown into his own flawed characters. This book is not a choice for the easily offended.
Only in the hands of a talented writer like McBride could subjects like slavery and emancipation manage to entertain and amuse while also inform and illuminate. Despite the irreverent approach, ultimately the reader is left with Henry’s observation on slavery and its poisonous legacy when he says “the web of slavery is a sticky business. And at the end of the day, ain’t nobody clear of it.”
The Ludwig Conspiracy by Oliver Pötzsch is a fascinating voyage through time to the historic death of King Ludwig II. King Ludwig II, also known as the Fairy Tale King, the Swan King or Mad King Ludwig, was the King of Bavaria starting in 1864. His fairy tale castles have inspired many, and one is even the inspiration for the Walt Disney World logo. Ludwig’s death was under extremely suspicious circumstances and, to this day, sparks debates among theorists.
Pötzsch mixes fact with fiction in this novel that, though set in modern day Munich, depicts the final months of the king and unravels a story about what may have happened that led to his downfall and death. Steven Lukas is an antique book seller who stumbles upon a treasure chest containing photos, a lock of hair and, most importantly, the diary of Theodore Marot. Marot is the assistant to the king’s personal physician and friend to the king himself. Marot’s account of Ludwig’s final months is highly sought after, and Lukas finds himself rushing to uncover the diary’s secrets before he meets a fate similar to the king.
This novel is a race against time to discover the truth and rewrite history. The tale will motivate you to do your own research to find out where the fiction ends and the truth begins. If you liked Dan Brown’s Robert Langdon series you will not want to miss this stand-alone book by Pötzsch.
As sumptuous and richly textured as the Renaissance age she resurrects, Blood and Beauty’s descriptive language beguiles the reader from the start, sweeping away the veils of a half a millennium to reveal the all too human nature of some of the papacy’s most notorious players: Rodrigo, Cesare and Lucrezia Borgia. From her first foray into the conclave of cardinals at the book’s opening, author Sarah Dunant hooks the reader, sparing none of the earthy details of Rodrigo’s physical surroundings and fostering no sense of reverence for the chasm of time separating the modern reader from historical figures. Instead, Blood and Beauty reads as though we are joining the author on the scene of a current event, as breathless with anticipation as the citizens waiting outside on that sweltering summer’s day.
Thoroughly researched, Dunant’s narration often lends the flavor of the objective journalist, parsing through the rumors and mystique of the Borgia legacy to hint at another layer of truth behind the real people and events as they bloomed to life. The scope of Durant’s task is ambitious. Contemporary and historical accounts of the Borgias suggest so intricate a web of deceit, power lust and manipulation that a sensationalist approach might all too easily have suggested itself to a writer.
Instead, Dunant refrains from judgment in her analysis, casting a more sympathetic portrayal of Lucrezia, and skillfully demonstrating the transformation of a teenage Cesare from a youth to the hardened, brutal character who would later inspire Machiavelli. The resulting multi-layered personalities prompt an altogether more subtle, nuanced interpretation of the infamous Borgia clan, rendering their story that much more compelling.
Recommended for those readers who favor a certain historicity in their narratives. Fans of Hilary Mantel’s Wolf Hall and any number of Sharon Kay Penman’s works will be drawn to Blood and Beauty.
John Milliken Thompson, author of The Reservoir, now brings us Love and Lament, a Southern historical drama told from the point of view of idealistic Mary Bet, the youngest of the troubled Hartsoe family’s nine children. Due the woeful succession of deaths on the Hartsoe homestead, Mary Bet grows up believing her lineage is cursed. Her innocent mind makes sense of the losses by assuming that it is God’s punishment for her own sins, despite that they are slight offenses to everyone’s eyes but her own.
Against the landscape of pastoral North Carolina undergoing industrialization from the late 1800s through World War I, Mary Bet struggles to make a life for herself. She is a fresh and likable soul through whose eyes we see a pastiche of townsfolk. There are her dueling grandfathers whose ancient property feud comes to a scuffle over a poker game. And there is the illegal distillery worker who has to ruin his own batch of mash during a late-night booze raid on which she has tagged along as honorary second deputy.
Although grief, atonement and the misfortunes of love are deeply intertwined in the episodic trials and tribulations of its brave heroine, joy, wit and laughter are skillfully sewn into this Southern saga. The tumult of Reconstruction is evident at the ballots, in the work place and throughout the social order of the land. Thompson’s research and talent of narrative make this a perfect pick for fans of accurate historical fiction.
This murder mystery is a true whodunit with murder served up as the main course, while romance and comedy are definitely delectable side dishes in this new series, Rules of Murder, by Julianna Deering. Deering takes a foray into the past with Rules of Murder, which takes place in 1932 and is set in a quaint countryside town in Hampshire, U.K.
The novel opens to Drew Farthering returning to his extravagant manor house after a long vacation with his friend Nick. Drew returns home to find that his mother and stepfather are entertaining guests for this weekend including his stepfather’s beautiful niece, Madeline. It’s during the festivities that they find two people dead on the property.
Drew, being a fan of murder mystery books, is eager to see if he can uncover the plot behind the murders using Ronald Knox’s “Ten Commandments for Mystery Writers.” He soon discovers that he isn’t the only one interested in deciphering the mystery as Madeline inserts herself into the investigation. The two “detectives” make a connection at the party that blossoms as they work together to uncover the murderer.
This book felt like a combination of The Great Gatsby and a Sherlock Holmes mystery. The mystery will keep you guessing until the end though; the reader is given enough information to take a stab at uncovering the murderer, if they read carefully. There are touches of fact mixed in with the fiction that add to the realism of the book. If you enjoy Agatha Christie, this book may be for you.
Philipp Meyer’s new novel spanning nearly 200 years of the American West, The Son, opens with the transcription of a 1934 New Deal WPA recording of 100-year-old Eli McCullough’s reminiscences. Eli, also known as the Colonel, discusses his imminent death: in one breath, comparing himself to Alexander the Great and, in the next, dismissing women and marriage. From vests fashioned of scalps, Aztecs as “mincing choirboys,” and vaqueros to Texas rangers, ranchers and oil wells, the Colonel has seen it all and is not shy about sharing his opinions.
Meyer alternates narrators and timeframes by chapter, giving voice to Eli as well as to his son Peter and Peter’s granddaughter, Jeanne. Born in 1834, the same year in which Texas gained its independence from Mexico, Eli’s story is the backbone of the book. As a boy, he witnesses the brutal slaughter of his mother, brother and sister by a band of Comanche who take Eli captive and eventually incorporate him as a member of their tribe. Eli’s later choices reflect his determination to survive despite the torturous customs of his captors. His conduct also mirrors the rapacious actions of a government and its people relentlessly expanding westward into territory already occupied. The Colonel has a contentious relationship with his son Peter, whose chapters play the role of a conscience, ruminating on injustice and cruelty. As the only descendent of the Colonel interested in taking over the family legacies of ranching and oil, great-granddaughter Jeanne reflects on her struggles as a woman managing a vast business in a Texas-style man’s world.
Jeanne muses, “the blood that ran through history would fill every river and ocean…” The Son dispassionately recounts the barbarous atrocities committed by settlers and natives alike. Like the western novels of Larry McMurtry or Cormac McCarthy, Meyer’s writing is notable for its lack of romanticism about its subject. Meyer, who grew up in Baltimore’s Hampden neighborhood, has written a family saga packed with adventure and drama in which the sins of all the fathers have consequences reverberating down through generations.