Nora de Jong is a successful brain surgeon and single mother of a beautiful 6-month-old girl. She lives a quiet and happy life in Texas where she shares a home with her widowed mother. Upon returning from work one afternoon she is horrified to discover that her mother has been murdered and her daughter stolen. Frantic to discover a clue to explain this tragedy and locate her baby, she unearths a small box which has been hidden in the attic. The contents are unfathomable, indicating that her mother was a member of the Nazi party in Holland during World War II and that her father had been wanted for murder. Nora is convinced that the answers to who took her daughter are tied to her parents’ past. The Tulip Eaters by Antoinette van Heugten is an intense, fast-paced novel combined with an intriguing work of historical fiction. Through journal entries and recounted memories, the reader is transported to Nazi-occupied Holland. The insidious isolation of the Jews and the heroic actions taken by the members of the Dutch resistance come to life through the author’s insightful writing.
Ms. Van Heugten’s fascination with this time period started close to home. Both of her parents grew up in Holland during the occupation and were members of the resistance. Typical of that generation, they were hesitant to describe their experiences; however, their activities inspired the author to learn more. She spent time in Amsterdam researching at the Dutch War Institute where she was immersed in the daily life and hardships of the war, as told through letters and diaries. The end result is The Tulip Eaters, a thoroughly investigated, action-packed adventure.
In 1600’s England, politics and religion are inextricably intertwined. Times are dark and violent, and morality is judged by all. Those who defy the church or the government are branded as witches and killed. Many flee into the darkness to await better times, but one woman dares to remain in the light. Her story drives The Daylight Gate, the new novella by award-winning author Jeanette Winterson.
Alice Nutter is a youthful, strong and well-respected woman. She believes her wealth allows her freedom to live as she pleases, making friends and allies without political or moral consequences. Her choices are not beyond the notice of local officials, however, and they quietly start rumors about her competence. These rumors eventually force her to reveal her secrets and unleash her powers on those who would destroy her. Winterson is an intelligent storyteller, and her spare prose moves the story along at lightning speed. Graphic and violent, The Daylight Gate is a quick dip into a nightmare that just might keep you awake at night.
On March 11, 1948, a fire raged through the main building of North Carolina’s Highland Hospital, killing nine female patients trapped in a locked ward on the fourth floor. Victims included Zelda Fitzgerald, a dancer, artist and writer like her husband F. Scott Fitzgerald. Highland was a residential treatment facility for the mentally ill and considered quite progressive in its treatment methods. Author Lee Smith takes inspiration from the hospital, the tragic fire and Zelda Fitzgerald’s own life in her newest book Guests on Earth.
Smith’s narrator is 13-year-old New Orleans native Evalina Toussaint. Evalina refuses to eat after the death of her mother and is packed off to Highland for a cure. Now an orphan, the resort-like hospital becomes Evalina’s home, and its caregivers and patients her family. Fresh air and exercise, music and art: Evalina thrives under the care of the enlightened psychiatrist Dr. Carroll and develops into a talented pianist. Swimming and songs aren’t the only therapies employed at Highland, though, and as Smith reveals the darker secrets in the lives of Evalina, Zelda and other patients, she also explores the more invasive and seemingly barbaric treatments employed upon the mentally ill.
Smith, winner of the Southern Book Critics Circle Award, imbues her writing with the atmosphere of rural Appalachia. She draws upon both the folklore of the mountains as well as the culture of southern high society in creating compelling characters and an absorbing story. F. Scott Fitzgerald wrote “the insane are always mere guests on earth, eternal strangers carrying around broken decalogues that they cannot read.” Guests on Earth allows a few of the guests to share their memorable tale.
Dukes frequently appear as heroes in historical romances. These two new novels share that common plot element, but with their strong writing and fresh stories, they are far from clichéd. In Victoria Morgan’s The Heart of a Duke, Lady Julia Chandler decides to take matters in her own hands to bring her long-time fiancé, the Duke of Bedford, to the altar. She is tired of being a laughingstock, so she finds him and kisses him, ready to push for a wedding and soon. There’s just one problem: she mistakenly kisses his twin brother Daniel, who has just returned from 10 years in America. Daniel came home to find out who set the fire that nearly killed him after receiving a mysterious note from his late father’s solicitor that read, “It is time. Come home and claim your destiny.” Daniel doesn’t want Julia to marry his brother, but his attention may put her in his enemy’s crosshairs. Morgan is a talented new voice in historical romance.
No Good Duke Goes Unpunished, the third novel in RITA-winner Sarah MacLean’s Rules of Scoundrels quartet, brings us the story of Temple, a duke marked by scandal. He’s known as the Killer Duke because 12 years ago, he woke up covered in blood in the bed of his father’s beautiful, young fiancée. Everyone presumed that he murdered her, though her body was never found. Now, a notorious fighter and co-owner of the infamous Fallen Angel gaming hell, Temple is stunned when Miss Mara Lowe, the woman he is believed to have murdered, shows up on his doorstep ready to bargain with him. If he forgives her brother’s gambling debts, she will show herself in society, proving that he isn’t a murderer. MacLean writes sexy historical romance with wit, warmth and a modern sensibility. The book ends with the revelation of a shocking secret about the identity of Chase, the fourth partner in the Fallen Angel. That secret will leave readers desperate to read the final novel in the series!
Sadness frequently visited Kamala, but seldom was there time to succumb to its undertow. Like the monsoon that wiped out her Bengali village and claimed her family, Kamala's turbulent life was an unpredictable force leading her to reinvent herself over and over. In Sujata Massey's eloquent new historical novel The Sleeping Dictionary, India's struggles to free itself from British imperial rule coalesce with one woman's efforts to become independent even as racial and class barriers stand in the way.
Kamala was not always her name. As a child she was called Pom, born into the lowest caste in India. After a wave destroys her village, the 10-year-old orphan is rescued, embarking on what seems like a lifetime of difficult transitions. Christened Sarah, she is now content as a servant at an all-girls boarding school, where she has her dear friend, Bidushi, and her love of language and books. When she is accused of a theft she did not commit she flees, only to disembark in the wrong city, where a degrading experience awaits. By the time she arrives in Calcutta in search of a reputable position and new identity, she is hiding many secrets from her employer, a kindly British Indian civil service officer who only knows her as Kamala, well-born and well-read.
Massey, whose father was born in Calcutta, calls upon lovely descriptive language and a strong sense of place to evoke the troubled peasant life and colonial society of the 1930s and 1940s Raj India that is the center of Kamala's bumpy journey. With astute social commentary of women's roles and layers of Indian history, culture and language, she creates an authentic voice in Kamala that is as complex as the identities she has assumed. Betrayal, love, espionage and tragedy all find their way into Massey's story. The former Baltimore Sun reporter, best known for her award-winning Rei Shimura mysteries, has more in store for readers with her new Daughters of Bengal series. Here's looking forward to the next one.
On a peaceful summer evening in the town of West Table, Missouri, the quiet of the night was shattered by a thunderous explosion. In 1929, the Arbor Dance Hall blew apart with a force that flattened the two story buildings adjacent to it, with a blast that was felt in the next town some 20 miles away. Forty-two people lost their lives and countless others suffered terrible injuries from either the fire or having been blown from the building. The devastation wrought by the dance hall explosion had an impact on every resident of the town. Daniel Woodrell’s new novel The Maid’s Version recounts many of their stories.
The mystery of what caused the explosion and who was responsible was never discovered. Could it have been mob related? Was it the evil deed of a band of Gypsies? Was it just a tragic accident or possibly something more ominous the town leaders wanted covered up? This literary novel is comprised of numerous small chapters, frequently describing the circumstances of individuals who ended up at the dance that fateful Saturday night. Interspersed throughout the minor character vignettes is the story of Alma DeGeer Dunahew, a woman who believes she knows the truth.
This remarkable tale is a fictionalized account of an event that occurred on April 13, 1928 in the Ozark Mountains of Missouri. Woodrell believably captures the historical and cultural characteristics of the inhabitants of the Ozarks. It is the author’s skillful narration that will mesmerize the reader and bind them to this powerful yet tragic tale.
In the spring of 1885, New York socialite Beret Osmundsen is devastated to learn of the death of her estranged younger sister, Lillie. In Fallen Women by Sandra Dallas, Beret’s investigation into her sister’s death takes her from New York to Denver, from dazzling penthouses to seamy brothels.
Beret’s aunt and uncle share the news of Lillie’s death, but not the tragic details of her last days. Upon arriving in Denver, Beret learns that Lillie was working as a prostitute in a high-end brothel – the site of her murder. Beret is focused on tracking down Lillie’s murderer and avenging her sister’s death. She quickly encounters Detective Mick McCauley who is assigned to the case and looks to work with him in solving this tragedy. Mick, however, doesn’t need any assistance and initially tries to quell her involvement. But never underestimate the power of a sister’s love or the thirst for justice.
As Beret and Mick are forced together, they develop a mutual respect. Their growing bond will intrigue readers as the duo find themselves transported from the seedy tenderloin district to a high society peopled with the wealthiest and most influential. As she forges ahead in her determination to see the truth uncovered, Beret must deal with uncooperative and suspicious relatives, cope with the incivility of high society and come to terms with the fact that she never really knew her sister. Complicating things further are another murder and a growing number of potential suspects. Dallas does an excellent job of recreating nineteenth century Denver, crafting a well-paced mystery and creating a promising chemistry between Mick and Beret, which will have readers looking forward to their next rendezvous.
Charles Palliser, in Rustication, unravels a late 19th century mystery through the uneasy journal entries penned by Richard Shenstone, a 17-year-old opium addict who struggles daily with carnal appetites. Richard, after an abrupt suspension from college, seeks out residency in the drearily neglected English mansion where his mother and older sister reside after the death of their debt-ridden father. However, to much surprise, his early homecoming is unpleasantly received. Not only does he feel unwelcomed, he is refused any information regarding the sudden death in the family or their lack of funds.
Coinciding with his arrival, livestock vivisection begins and vulgar letters are sent to several neighbors which accuse, damn and threaten their recipients. Richard soon crosses paths with peculiar characters that become cagier with every encounter, from vicious socialites to a brutish dogfighter. At the center of much gossip is an earl’s nephew who is both an eligible bachelor and next in line to receive his uncle’s fortune.
Alone in his attempts to make sense of the town’s secrets, Richard feverishly recounts his daily thoughts and conversations. However, his fickle opiate love affair interrupts his stream of recollections. As the crimes increase and worsen, he finds himself as the prime suspect and is determined to discover the identity of the true murderer.
Readers will recognize this marshy bleak town from Palliser’s other Victorian novel, The Quincunx, but will find themselves intrigued as the jarring plot peels away like sour onionskin.
Aminatta Forna sets her newest novel, The Hired Man, in a rural Croatian village in the summer of 2007. As she did in her Commonwealth Writer’s Prize-winning book The Memory of Love, Forna again examines people living in the aftermath of conflict and the insidious influence of violence which lingers long after the war has ended.
Duro Kolak is a middle-age man; small, quiet Gost is his hometown. He lives alone since the rest of his family, like many of the villagers, has moved away. Duro picks up odd jobs, hunts with his dogs, Kos and Zeka, and occasionally visits the pub. Change comes to Gost in the form of an English family who buy a shabby vacant house as a summer retreat and a real estate investment. Duro knows the house well, as it belonged to childhood friends, and he offers to help Laura and her teenage children repair the house. Duro also becomes the family’s guide to insular Croatian culture.
Forna, through Duro, alternates the contemporary story of Duro, Laura’s family, and the house restoration with the tangled back story of Duro and the Pavić family who were the previous owners of Laura’s vacation home. Duro’s reminiscing begins with his friends Krešimir and Anka Pavić with whom he swims and shoots pigeons. Idyllic memories these are not, and as the roof is repaired and an exterior mural uncovered on the Pavićs’ old home, the reader is gradually led into the dark dynamics of altered friendships, a Gost before and during the disintegration of a country and the horror of ethnic cleansing.
Forna paces this elegiac work deliberately, allowing the two storylines to slowly coalesce into a narrative of love and war and a search for the truth. The Hired Man is a beautiful and brutal tale, built on the rotten foundation of war crimes barely plastered over by the new peacetime.
Literary fans of something old and something new now have an opportunity to see, in person, the art masterpieces at the heart of two respected writers' novels. Tracy Chevalier's hugely successful Girl with a Pearl Earring and Donna Tartt's eagerly anticipated new novel, The Goldfinch, feature paintings by Dutch masters now on temporary display in the United States. Johannes Vermeer's beloved "Girl with a Pearl Earring" and Carel Fabritius's exquisite "Goldfinch" are currently part of a 15-painting exhibition on loan to the Frick Collection in New York until January 19.
Girl with the Pearl Earring, Chevalier's second novel, is about Vermeer's 16-year-old housemaid who becomes the subject of his painting. It was greeted with popular and critical success following its publication in 1999. In addition to some 4 million copies sold, the book was turned into a movie.
The Goldfinch, Donna Tartt's sweeping new novel, is part suspense thriller, part coming-of-age novel. It centers on a young man named Theo, whose life is changed forever following a bomb attack at a New York museum that leaves his mother dead and him in possession of a rare Fabritius painting.
Now at the final American venue of a global tour, the paintings are traveling for only the second time in 30 years as the Royal Picture Gallery Mauritshuis in The Hague undergoes an extensive two-year renovation. Here is your opportunity to get up close and personal with the paintings behind the stories. Visit the Frick Collection for more information.