Fabio Viviani, chef, restaurateur and charismatic entertainer is a familiar face from Top Chef where he was voted Fan Favorite. He is also becoming a major player in the world of American restaurants, owning spots in California, Chicago and, soon, Miami. In his newest cookbook Fabio’s American Home Kitchen, Fabio offers over 100 recipes for American classic dishes, from Chicago-style deep dish pizza to spaghetti carbonara all with his own Italian flair. The recipes include basic ingredients that can be found in any well-stocked supermarket and are accompanied by stunning photographs and a taste of Fabio’s charm. Between the Covers was lucky enough to ask Fabio a few questions in the midst of his hectic schedule which includes opening a new restaurant and embarking on a book tour. Buon Appetito!
Between the Covers: Readers will relish your newest cookbook, Fabio’s American Home Kitchen, which is a feast for the eyes. What prompted you to put your Italian spin on American recipes?
Fabio Viviani: I’ve been in America for many years now, and I love it and wanted to put my Italian spin on American food. In my new cookbook, I try to keep my Italian heritage by keeping dishes lighter but also incorporating the deliciousness of American food with approachable recipes.
BTC: Your suggested menus are so helpful, as are your ideas for entertaining and make-ahead dishes. What are the five ingredients you think a home pantry should never be without? What is your best tip for saving time in the kitchen?
FV: Five ingredients a home pantry should never be without: olive oil, cold cuts, fresh pasta, eggs, herbs/spices. You can make anything with these ingredients in your pantry! My motto for saving time in the kitchen is always, ‘Keep it simple stupid, keep it stupid simple.’ If a recipe feels very complicated then it’s a problem! Simple recipes will always come out the best.
BTC: Thank you so much for making your recipes incredibly accessible to the home cook and your style so easy and encouraging. Who gave you your love for food and cooking? When did you realize you wanted to be a chef? Did you have any tough teachers or bad experiences that made you want to throw in the apron?
FV: For me it always comes back to my family. When I was eleven, my mom developed a problem with her hands and had to quit her job, so I decided to find a job since there was no money. I ended up working a night job unloading 50-pound bags of flour and baking pies from one in the morning until seven and did that job for two and a half years, which was how I was introduced to the kitchen for the first time. From a very young age I was surrounded by cooking with my family so I knew I loved it, but it wasn’t until I had my first kitchen job that I realized I wanted to be a chef. My grandma was my toughest teacher, probably because I wasn’t always the best student!
BTC: You grew up in Italy - was there much culture shock when you moved to the United States? What do you miss most about living in Italy? Do you get a chance to go return often?
FV: I go back to Italy about twice a year. What I miss most about Italy is the smell. Italy smells different; it smells of fresh cut grass. There are no traffic noises or people screaming, and very little trash around. If you ever find the smell of paradise, you will know you’re in Italy.
BTC: We know all about your hatred of cilantro and your love of Nutella. Any other food favorites or dislikes? What is your number one comfort food? What is your go-to dish for a romantic dinner?
FV: My number one comfort food is pasta, and, of course, a jar of Nutella if it’s available. My go-to dish for a romantic dinner is wine. If you have lots of good wine, the rest will take care of itself.
BTC: As a former contestant on Top Chef and Top Chef All Stars, what’s your take on reality television? Would you do it again?
FV: Reality TV is great exposure and it’s good for your business. However, there are many situations where reality TV does not make you look good and that can be bad for your business. Reality TV should be taken with caution, but I would definitely do it again if the opportunity came up.
BTC: Sienna Tavern Miami is about to open. As you build your restaurant empire, can those of us living in Baltimore hope to see a Fabio restaurant close by in the near future?
FV: Baltimore is a beautiful city and I would love to have a restaurant there one day!
Brilliant, eccentric, odd, flamboyant and influential are all words that have been used to describe Thomas Dent Mütter, a trailblazing plastic surgeon from Philadelphia. In Dr. Mütter’s Marvels: A True Tale of Intrigue and Innovation at the Dawn of Modern Medicine, Cristin O’Keefe Aptowicz details the fascinating story of this unique man who made so many critical contributions to modern medicine and whose legacy lives on today.
Dr. Mütter began his career as a surgeon and teacher at Jefferson College of Medicine in the middle of the 19th century at a time when anesthesia was not used during surgery and sterilization was haphazard at best. Mütter was determined to remedy those situations while focusing on using his talents to aid the physically deformed. As an innovator of plastic surgery techniques, he was also an expert on burns and cleft palates. Detailed accounts of actual surgeries performed by Mütter are peppered throughout the book and add to the compelling narrative. A character outside the operating room, Mütter wore colorful silk suits and cavalierly added an umlaut to his name. He was bitterly disliked by rivals who eschewed his ideas, but beloved by students who welcomed his interactive approach to lectures.
Sadly, the charismatic and talented Mütter died at 48, but through his speeches and lectures Aptowicz is able to reveal the complexity of Mütter’s character, his compassion and the lasting impact he had on the medical profession. In his lifetime, Mütter amassed a personal collection of almost 2,000 unique medical items, including models, illustrations and preserved anomalies. Among the objects he collected were skulls from around the world. Mütter donated his entire collection of medical curiosities to the College of Physicians of Philadelphia and The Mütter Museum opened in 1863. The Museum now boasts a collection of more than 25,000 items which includes sections of Albert Einstein’s brain and the tumor from Grover Cleveland’s jaw.
Erin Kelly’s Broadchurch invites readers to travel to the quiet British seaside town of the same name where we meet Detective Ellie Miller, fresh off a rejuvenating vacation and excited to return to work where a promotion awaits. She’s not back long before learning that her coveted position went to outsider Alec Hardy, an interloper with a checkered professional past. Simultaneously, readers are introduced to Beth Latimer, a typical mom and friend of Ellie’s, who is slowly reaching the gut-wrenching conclusion that her son is missing.
When a boy’s body is discovered on the beach, word spreads quickly through the small town. Ellie and Hardy arrive and immediately realize the death was no accident. Anguished mom Beth races to the scene only to learn that the dead boy is indeed her 11-year-old son Danny. As Ellie and Hardy work together to solve this devastating crime, they must also deal with two distraught families and a shattered community. The investigation intensifies, and it becomes clear that the killer is someone close to home. No one is immune from being cast a suspect, including Beth Latimer and her husband. This is a gripping, dramatic story set in a seemingly sleepy town that is bubbling with secrets and lies.
Kelly’s novel is an adaptation of the first season of the hit British drama Broadchurch, available on DVD. In October, FOX will begin airing Gracepoint, a 10-part reworking of the British drama set in California but interestingly featuring the same lead actor, David Tennant.
Acclaimed novelist and short story writer J. California Cooper has died at the age of 82. The award-winning writer’s well-known works include the novels Family and Some People, Some Other Place and the short story collection Homemade Love.
Cooper led a storied life herself which included a variety of jobs such as manicurist and Alaskan pipeline teamster before realizing her dream of being a professional writer. Throughout her varied employment, she was constantly writing and achieved success initially as a playwright. But it wasn’t until Pulitzer Prize winning author Alice Walker attended one of her plays and encouraged Cooper to try her hand at novels and short stories that Cooper’s writing path changed course.
Walker was a catalyst in Cooper’s career but her unpretentious and informal storytelling style helped her develop legions of devoted fans including new readers who continue to find her work relevant and enjoyable. One such aficionado is National Book Award-winning poet Nikki Giovanni, who has called Cooper "my favorite storyteller." Cooper was also critically praised and awards bestowed upon her include the James Baldwin Writing Award and the Literary Lion Award from the American Library Association.
Books, music, food and drink – what’s not to love? Be sure to visit the 19th annual Baltimore Book Festival taking place September 26-28 featuring an array of appealing authors, walking tours, children’s activities and so much more. The festival is relocating to the Inner Harbor and the exciting lineup boasts more than 200 authors participating in readings and panel discussions. There will also be fun for kids, including storytellers and crafts. Live music will be playing as adults enjoy sampling beer and wine selections and the wide assortment of food choices.
With the event spread across a variety of tents, stages and pavilions, there is truly something for every reader of every age. Highlights include the Charm City Comic Book Pavilion which offers the opportunity to not only browse books and collectibles but also to talk with professional comic book creators and game designers. The Literary Salon showcases popular authors with readings, book signings and presentations which allow for audience interaction. One Maryland One Book author Reyna Grande will speak about this year’s selection, The Distance Between Us. Other featured authors include Alice McDermott, Andre DuBus, Marissa Meyer, Tavis Smiley and Chuck Klosterman — and the list goes on!
But it’s the Food for Thought Stage that has my mouth watering! Featured chef/cookbook authors include Jessica Merchant, Chloe Coscarelli and faces familiar to reality television – the Beekman Boys and Kathy Wakile of Real Housewives of New Jersey. This scintillating tent will serve up a weekend of celebrity chefs and authors, delicious food demos, recipes and cooking tips. Be sure to check out the Baltimore Book Festival online, which offers a comprehensive listing of events to make the most of your festival experience.
Lauren Oliver, bestselling author of popular teen novels Before I Fall and the Delirium Trilogy, makes her leap into the adult literary scene with Rooms, a haunting story narrated by two ghosts. After Richard Walker dies, his embittered ex-wife and two children arrive at his mansion to claim their inheritance. But the house also comes with two ghosts, Alice and Sandra, who are deeply rooted to the house. As their connection unfolds, so too does the Walker family’s woes in this gripping novel about secrets, lies and family. Oliver recently spoke with Between the Covers on Rooms, shopping and more.
Between the Covers: Rooms is an imaginative and gripping tale of the living and the dead, and you tell the stories from both worlds seamlessly and realistically. What was your inspiration? Do you believe in ghosts?
Lauren Oliver: Thank you! I don’t think I believe in ghosts in the traditional sense. Then again, I’m not actively a disbeliever, and several of my novels for younger readers deal with visions of the afterlife. So I’d certainly say it’s an area of deep curiosity. Mortality in general, and the meaning we make of life, really interests me, maybe because I wasn’t raised in any particular religion and had to kind of untangle that stuff for myself.
BTC: Alice and Sandra, the resident ghosts, are the narrators of this spellbinding story. What drove this creative decision? Was it challenging to create ghostly characters with such distinct voices?
LO: It was immensely challenging, not because I knew they had to have distinct voices and characteristics but because of their physical limitations. They’re really spectators. They’re almost incapable of interacting with or influencing the central action. So in that way there’s something theatrical about the novel–it’s as if Alice and Sandra are watching a play. Initially, I was inspired by the idea not of ghosts per se but of a house that absorbs and can reflect back memories–I wanted to render a literal depiction of a “memory palace,” which is a pneumonic device for storing information.
BTC: The remaining Walkers – Caroline, Minna and Trenton – are the epitome of dysfunctional. Why put these three troubled characters in the same house as the ghosts? What was it about Trenton that made him the only human who senses the ghosts?
LO: Well, truly highly functional people with no issues to explore probably don’t belong as protagonists in a novel, since novels are really about character development and character collisions and crises. To be honest, although the Walkers are certainly a troubled family, they don’t seem hugely more troubled than other families I know. So maybe I just know a lot of dysfunctional families! And in Trenton’s case, I think that his interaction with and attraction to death makes him able to perceive the ghosts where the other family members can’t.
BTC: The structure of this novel is so unique in that each section takes place in a different room of the house. What was the intent behind this? How difficult was this to craft and execute?
LO: The book was really inspired by the concept of memory palaces. I wanted to explore the idea that we are not just shaped by the things we own but that in some ways the shaping is reciprocal; our homes become mirrors of our emotional states just as we buy and keep objects that we hope will transform us, on some level, emotionally. The structure was very difficult from a practical standpoint because all of the drama of a particular section had to be extremely contained, which of course limits what you can depict in terms of action. But it was a welcomed challenge.
BTC: Do you look forward to the possibility of movie/TV adaptations of your work or dread the loss of control of your work? Imagine you’re in charge of the world – or at least Hollywood. Who would you cast in the movie version of Rooms?
LO: I think it’s a little bit of both. I would welcome and embrace the possibility to do a good film or TV adaptation with the right people on board. Rooms would definitely be a challenge for Hollywood, because of its narrative structure. But if it ever does go, I hope Meryl Streep plays Alice!
BTC: You’ve had such great success as a teen and middle grade author. What prompted you to tackle writing for an adult audience? Did your writing process change with the different readership?
LO: For me, it’s all about character and story. Certain stories demand to be told in a certain way, for a certain audience. Rooms is in some ways a deeply domestic drama–it’s contained, it’s set in one place, and it’s about families and marriages and parents and children and the way all of these can fail us. So it was patently adult, from the time I began to write it. That said, I didn’t deliberately set down to write an adult book. My ultimate goal as a writer, however, would be to build a flexible enough career that I can work in all three genres, for all three audiences.
BTC: I totally support your disapproval of bananas and practical shoes. What was the last great pair of shoes you purchased?
LO: Oh my goodness. You know what? I just realized it’s been months since I bought any great shoes. I really need to go shopping! In late spring I bought a pair of Yves Saint Laurent studded ballet flats, which are actually quite practical despite my averred preference for high heels. I need to go buy a pair of Giuseppe Zanottis, stat!
BTC: What can readers expect next?
LO: In the spring of 2015, I have a new young adult release called Vanishing Girls, and in the fall I launch the first in a new middle grade series. And right now I’m working on a new adult book. So…lots to come!
Get ready to laugh out loud as two young actresses share glimpses into their personal and professional lives. Danielle Fishel — remember Topanga Lawrence from the 90s sitcom Boy Meets World? — and Lena Dunham, creator and star of HBO’s Girls bare it all in poignant memoirs.
Fishel’s Normally, This Would Be Cause for Concern is more than just a tell-all, although fans will enjoy learning of her celebrity dating roster which included Lance Bass and Ben Savage. She also shares her undying love for Jared Leto, who rescued her from the L.A. freeway following an accident. Fishel, who is reprising her role of Topanga in the new Disney show Girl Meets World, is as entertaining and appealing on the page as on the small screen. Storytelling comes naturally, and she has plenty of juicy gems for readers involving awful auditions, red carpet faux pas and dating disasters. But behind the stories, she shares her neuroses and faults making this a refreshing Hollywood memoir.
In Dunham’s Not That Kind of Girl, the actress reveals personal struggles which aren’t far removed from the character she plays on TV. Both deal with OCD, therapists and awkward dating experiences. Dunham excels at documenting her coming of age and her professional experiences in a male dominated industry. She tackles big issues with hilarity and honesty in this series of essays, sure to appeal to fans of David Sedaris and Nora Ephron. Dunham has said of this book, “I’m already predicting my future shame at thinking I had anything to offer you with this book, but also my future glory in having stopped you from trying an expensive juice cleanse or having the kind of sexual encounter where you keep your sneakers on. But I am a girl with a keen interest in having it all, and what follows are hopeful dispatches from the frontlines of that struggle.”
Five Days Left is the emotional journey of two people facing life-changing situations and making ultimate sacrifices in the name of love. Debut author Julie Lawson Timmer took time to answer questions about this powerful novel — sure to become a book club favorite — which Jodi Picoult calls “unique, gripping and viscerally moving.”
Between the Covers: Mara and Scott are two ordinary people, living in different cities, pursuing dynamic careers and dealing with marriage and family. Over the course of five days, these two ordinary lives are extraordinarily changed. What was the genesis and inspiration for this story of a woman battling Huntington’s disease and a man battling the foster care system and even his own wife?
Julie Lawson Timmer: A few years ago, a friend of mine died after a long struggle with cancer. She was in hospice for the last several months of her life and she was spectacularly brave in facing what she knew would be her last months, weeks and days. During that time, and after she died, I was consumed with thoughts about what that must have been like for her — to know she wouldn’t be there for her kids’ graduations, their weddings, etc. I decided that writing about someone dealing with a fatal, incurable disease would be a way to explore the feelings my friend might have had. I also felt that exploring and writing about those feelings would be a way for me to honor her, even if the book was never read by anyone else. I chose Huntington’s because I didn’t want, or believe I had any right, to write my friend’s story. Five Days Left is not biographical in any sense.
I wanted to give Mara a break from her difficult situation, and adding the online group allowed me to do that. When I was casting around in my imagination for an online friend who Mara could become close to, Scott materialized, as did his job as a middle school teacher and coach. Technically, Scott and his wife are limited guardians of Curtis, not foster parents. Foster parenting involves months of background checks and classes and applications, etc., while being a limited guardian is a relatively immediate process, at least in Michigan. Given the urgency in Curtis’s situation, the foster system wasn’t appropriate. However, the concept of fostering and being a limited guardian are similar in that ultimately, you are caring for, making sacrifices for and, often, loving deeply a child who isn’t your own, and whose future is not in your control. In this regard, foster parents and limited guardians are in a similar position as step-parents, a role I hold. As a step-parent, I also care for, make sacrifices for and deeply love children whose future isn’t in my control, and I wanted to explore that.
BTC: In telling the stories of Mara and Scott, you explore sensitive issues such as foster care, suicide, infertility, adoption and marital durability. What led you to tackle such powerful topics? Describe the research process involved in ensuring accuracy of the details so integral to these characters’ stories.
JLT: [The research] was the biggest surprise for me about the process. When I first came up with the idea for the book, I actually wasn’t intending to do much research. I thought I’d spend a little time online learning a bit about Huntington’s – which I knew nothing about – and then rely on “artistic license” to fill in the details of the disease in a way that advanced the plot. But “a little time online” is all it took for me to realize how horrible Huntington’s is, and to realize there was no way I could write about it unless I did it as accurately as possible. I thought (and still think) I owed it to the Huntington’s community to get the disease right.
So, I did months of research on my own, and then I talked to some Huntington’s experts to confirm that my understanding of the research was correct, and that I’d represented it accurately in the novel. In many cases, I’d gotten the facts wrong, and I ended up making significant changes to Mara’s sections in order to correct the inaccuracies. I’m certain – and upset – that I didn’t likely get the disease completely accurate, but any mistakes were my fault, not that of the experts.
BTC: Mara’s voice is engagingly honest from the first sentence of the book. The reader is painfully aware of her anger, fear and even joy. How were you able to capture all these emotions and create an authentic portrait of one woman’s struggle against mortality?
JLT: I was highly motivated to get those feelings as right as I could. For my friend, who lived it. And for me, too, as I have certainly spent my share of time, as I imagine most mothers have, thinking about how I would feel if I knew my children would have to grow up without me.
It was a struggle, in early drafts, to keep Mara from feeling overly sorry for herself. But I spent a long time thinking about her, and who she was, and I knew that she was not a complainer. She was a strong, stoic woman who wanted to be treated that way. So, I dialed her down quite a bit and ended up with someone whose thoughts and fears were truer to what I believe Mara’s would be.
BTC: Almost even more surprising is the clarity of Scott’s voice. His love for his wife and foster son are evident as is the anguish he feels when he may lose one or both of them. How difficult was it to write from a man’s point of view?
JLT: My husband is a “guy’s guy,” which is how I’d describe Scott, and I have some close friends who are the same. I suppose I channeled them to a large extent. I did run a number of things about Scott past my husband – character motivation, turns of phrase, that sort of thing – to make sure I wasn’t attributing thoughts or phrases to him that weren’t ones a man would actually have. And there were times when my husband would say, “Uh, no way would he say that,” and I’d have to revise the dialogue. My husband’s help, from character motivation to dialogue to plot issues to making dinner and cleaning up so I could write is something I could talk about for a long time.
BTC: As heartbreaking as the story is at times, you tell it beautifully and manage to keep within the five-day timeline. Share with us your writing process for plotting this carefully constructed dual story. As a debut novelist, working attorney and mother to kids and dogs, how on earth did you find time to sit down and write?
JLT: Thank you for that lovely compliment! As for my plotting process, I am a major plotter/outliner. I carefully plotted how each story would go before I began writing. For an early draft, I wrote Scott’s entire story, and then Mara’s, and then did something close to cutting and pasting to get the chapters to alternate. In later drafts, I realized the story came out better if I wrote each chapter as it appeared in the book, rather than writing all of one character’s chapters at once.
As for the work/family/writing balance, that one was, and remains, tough. I discovered the only time people aren’t looking for me is between the hours of 4 a.m. – 6 a.m. Even then, because my company is global and I’m in the habit of checking email often, I could sometimes end up on calls or reviewing contracts before dawn instead of writing. But most days, those dark, quiet hours were mine, and I found that I could get two solid scenes written in that time. My wonderful husband set coffee every night and often left encouraging sticky notes on the coffee maker for me – something that made a huge difference, especially on cold, dark winter mornings.
BTC: How excited were you to receive such glowing recommendations for your novel from the likes of Jodi Picoult, Jacquelyn Mitchard and Sarah Pekannen? As a debut novelist, what was it like navigating the book world with publishing icon Amy Einhorn, and more importantly, can you clarify the rules of the literary drinking game that you and she created during the course of finalizing this novel?
JLT: I’m so grateful to those authors for taking the time to read a new writer’s book and then give a blurb for it. They’re wonderful. I was beyond excited to see those blurbs and honestly, I’m not sure it’s sunken in still. It’s surreal to think that these authors whose work I’ve admired for years have actually read my book, and that they liked it. I have a writer friend who emails me from time to time and her entire message will be, “JODI PICOULT!” or “CHRISTINA BAKER KLINE!” or any of the other names. When I read those emails, I think, “Oh, that’s right! It did happen!”
I loved working with Amy Einhorn (my same writer friend used to write those emails, too: “AMY EINHORN!”). In Amy’s first editor letter, which listed the various changes she thought I should make, she said the book should be “a five-hanky read” and that although it had made her sniffle a little, it hadn’t made her cry. When I set out to do my revisions, I put sticky notes all over the wall of our home office, to make it easier to organize the plot, and to my daughter’s horror, I added a few sticky notes at various intervals around the room with the notation, “MAKE AMY CRY!” After that, any time Amy emailed to say a certain revised scene had made her cry, I’d announce to my family, “Amy cried!” and we’d all cheer. A few times, I made the announcement at dinner, and we all raised our glasses to the fact that I’d made Amy cry. When I confessed this sordid family practice to Amy, she and I started joking that we’d invented a (terrible) new drinking game.
BTC: I’m sure our readers would love to hear what you’re working on next. Can you share any details?
JLT: Sure. Briefly, my next book is about estranged families, step parenting and the dreadful practice of “rehoming,” where people who no longer want their adopted children advertise them online and then hand them over to people who have merely responded to an Internet ad rather than going through the rigorous process of being qualified to adopt. It is completely different from Five Days Left, but as I expect every book I write will do, it explores different forms of “family” and how families survive, or don’t survive, challenging situations.