The winners of the 2014 Pulitzer Prize were announced this afternoon. In addition to the awards for journalism, prizes are also given in the area of Letters, Drama, and Music. Donna Tartt’s The Goldfinch took this year’s prize for Fiction. The judges said that The Goldfinch is "a beautifully written coming-of-age novel with exquisitely drawn characters that follows a grieving boy’s entanglement with a small famous painting that has eluded destruction, a book that stimulates the mind and touches the heart." A favorite in the category, The Goldfinch was featured on many lists of the best books of 2013 and has been very popular with BCPL readers.
Other winners include Margaret Fuller: A New American Life by Megan Marshall for Biography, 3 Sections by Vijay Seshadri for Poetry, Toms River: A Story of Science and Salvation by Dan Fagin for General Nonfiction, The Internal Enemy: Slavery and War in Virginia, 1772-1832 by Alan Taylor for History and The Flick by Annie Baker for Drama.
For a list of all the winners, click here.
Writer and reality TV star Carole Radziwill’s debut novel, The Widow’s Guide to Sex and Dating, is a smart, funny story about a woman dealing with grief and finding herself. When her husband, Charlie, is killed by a falling statue, 34-year-old Claire Byrne’s world stops. She is devastated. Claire, who gave up her career when she married her much older husband, finds herself starting over in every facet of her life. Over the next year, she embarks on a journey to find herself, seeking help from therapists, a psychic, a “botanomanist” and a griot. She even begins dating again and tries to find love. Claire eventually understands that losing Charlie has also given her a chance to change her life and pursue her passions. This quick, fun read will appeal to readers who enjoy novels by Madeleine Wickham, Gigi Levangie Grazer and Helen Fielding.
The Widow’s Guide to Sex and Dating isn’t the only thing that Radziwill is getting attention for right now. Her writing career recently became the center of a conflict on Bravo’s The Real Housewives of New York City. Radziwill was discussing writing with her co-star Aviva Drescher, who was writing her first book, Leggy Blonde: A Memoir. Drescher insinuated that Radziwill used a ghostwriter for her bestselling 2005 memoir What Remains: A Memoir of Fate, Friendship and Love. Radziwill immediately fired back, denying the accusation and defending her career as a writer. Their feud has become one of the biggest on the show this season, with Bravo dubbing it "#BookGate."
Lisa Scottoline’s new novel, Keep Quiet, is a tension-filled thriller that will also spark great conversation at your next book club meeting. In an attempt to repair his strained relationship with his teenage son Ryan, Jake Whitmore reluctantly agrees to let Ryan drive home, despite the fact that it’s late and Ryan has a restricted learner’s permit. While Ryan is driving, he hits a pedestrian, and Jake finds himself forced to make a difficult choice to protect his son from the life-altering consequences of a moment of distraction. When they are blackmailed by a witness, their secret begins to unravel. Jake desperately tries to protect his family from the fall-out of the accident as the situation careens out of control. Like William Landay’s Defending Jacob, the story hinges on a parent’s love for his son and how far he will go to protect his child.
Scottoline recently agreed to answer some questions for Between the Covers readers. She shares more about her inspiration and demystifies her writing process.
Can you tell us a little about what inspired you to write Keep Quiet?
Many authors are inspired by what-if questions, and that’s what inspired this book. I live in the suburbs, and like everybody else, I drive around way too much and there's always one street that I drive down that has a blind curve, which drives me crazy. Sometimes I grumble that somebody should fix this, but most of the time I worry that if I turn the corner I could hit somebody if I'm not careful, [or my daughter could]. And there you have it!
One of the central questions in the novel is how far a parent will go to keep his child safe. What is it about that idea that makes it so compelling?
I'm a single mother, and being a parent is the most important and best part of my life, even in a life as blessed as mine. I adore my daughter Francesca. Raising her has always been a question of trying to strike a balance between letting her find her own wings, but at the same time being a loving and responsible parent, which can often mean protecting her–perhaps too much. This theme is the beating heart of Keep Quiet. I love it as a theme because it's a question that every parent has no matter what the age of their child. It's the kind of question that keeps moms, like me, up at night, so I knew it would make for a compelling novel.
Was it a challenge for you to write about this complex father-son relationship?
It was something of a challenge because the main character is a father, not a mother, but I think it's really important for writers to stretch and go out of their comfort zone sometimes. I was extremely close to my late father. I can tell you at any point in the day what he would have been thinking about, so I channeled his good heart and poured that into the character of the great father in this novel.
Will you share a little about your writing process? Do you write every day? Who is your sounding board?
I'm happy to talk about the creative process because I want to demystify it and perhaps encourage others to take a shot at their own writing, whether it's fiction or nonfiction. My personal motto is one that I borrowed from Nike, which is “just do it,” because I don't think you need a degree to become a writer, but in many cases, you just need to overcome your own self-doubts and insecurities. So just do it. That's what I do, for over 20 books now, and over 20 years. I write 2,000 words a day, sometimes I'm lucky enough to finish that by 6 o'clock at night, yet other times I won't finish until midnight. I don't have an outline, I just go with whatever the characters would logically do next. I happen to think that is what gives my novels a fast pace and logical narrative as well as, I hope, being hard to put down!
Some of your fiction readers may not realize that you also co-author the “Chick Wit” column in the Philadelphia Inquirer with your daughter Francesca Serritella. Have a Nice Guilt Trip, the fifth collection of those essays, will be released this summer. What are the best and worst parts of working with your daughter?
I love working with my daughter, and there are no worst parts. It's important to note, however, that I do not edit her in any fashion for those humorous essays, nor does she edit me. We both write about whatever topic we want, which, I think, are topics that relate to women of all ages. Then we put them together in a book. I love it because the reviews of these books are so wonderful, many calling them reminiscent of Erma Bombeck, which is, I think, a huge honor and compliment.
What was the last book that you stayed up late at night to read?
I really enjoyed Delia Ephron's Sister Mother Husband Dog, which is a moving and charming memoir.
In addition to her busy career as a reporter for NBC’s Boston affiliate, Hank Phillippi Ryan has made a name for herself as a bestselling author of suspense fiction. In Ryan’s most recent novel, The Wrong Girl, reporter Jane Ryland is contacted by a former co-worker who asks for Jane’s help because she believes that she was reunited with the wrong birth mother. At the same time, Detective Jake Brogan is investigating the brutal murder of a woman who was found in her house with two young children and an empty crib. He believes that it’s more than the simple domestic violence case that it seems to be. Soon, it becomes obvious that the cases are linked. Ryan’s writing is pitch-perfect as she builds suspense and continues to develop Jane and Jake’s will-they-or-won’t-they relationship.
Ryan generously agreed to answer a few questions for Between the Covers readers. She tells us about her lifelong love of mysteries, her inspiration and why she writes page-turners but not “stomach-turners.”
When you wrote your first novel, you already had a very successful career as a television reporter. What made you take that leap? Did you always want to write fiction?
I grew up in very rural Indiana ... so rural you could not see another house from our house. My sister and I used to ride our ponies to the library – we’d get books and put them in the saddle bags and then read them up in the hayloft of our barn. (Yes, I know I look like a city girl now! But that’s how it all started.)
I fell in love with Nancy Drew, then, soon after, Sherlock Holmes. Then soon after that, all the wonderful Golden Age mystery authors – Ngaio Marsh and Josephine Tey and Dorothy Sayers ... and of course Agatha Christie. And I think that’s where my love of mystery storytelling was born.
But I went on to be a journalist – starting in radio in 1971! Then in TV in 1975. (So far, I’ve won 30 Emmys for investigative reporting, and I am still on the air at Boston’s NBC affiliate.) And when you think of it, journalism is also storytelling, right? It’s just stories that are true. I never gave up my love of mystery and thriller reading, but – okay, I’ll admit it. I just never had a good idea for my own fiction.
Then in – 2005, maybe, I had a great idea. I knew it instantly, and from that moment on I was obsessed with writing what turned out to be the Agatha Award-winning first novel, Prime Time. (It’s a great story – maybe invite me to visit the library, and I’ll tell you the whole thing.)
After that, I was completely hooked. Now I have the joy of juggling two fabulous careers – stressful, and high-stakes and unpredictable, yes – but I am very lucky.
How does your work as a reporter influence your writing?
Well, it’s all about telling a story, right? Whether you’re making it up or not. I am well aware as a TV reporter that if a viewer isn’t interested, entertained, informed and riveted, they can simply zap me away with the click of a remote. So I have learned over all these years to tell a good story.
Happily, I get to use the same skills in crime fiction. I know if you don’t love the characters and the plot, if you’re not riveted to turning the pages, you’re going to close the cover and find another book. I do my best not to let that happen! And that’s all about the story.
I’ve also wired myself with hidden cameras, confronted corrupt politicians, gone undercover and in disguise, been tear-gassed and at hostage situations, at fires and crime scenes, had people confess to murder, seen how people behave when they’re lying or terrified. So there’s an authenticity from my day job that I bring to my crime fiction. The things that happen to Jane could happen to me! And some of them certainly have!
So having this career which brings me into places the public can’t always go and into situations that can be exciting and high-stakes gives me a never-ending (I hope) source of inspiration. I don’t take my TV stories and fictionalize them, but I do use the real-life experience to make it genuine.
While crime plays a major part in your novels, the violence takes place “off the page.” Was that a conscious decision or just something that evolved as part of your writing style?
Oh, interesting. When I read a particularly ghoulish and violent book – confession here – I sometimes skip the graphic parts. (Yes, I know, it’s funny, since my real life shows me a very dark part of the world.) Did I decide – oh, I’m not going to go graphic? No. But they always say to write the kind of book you love to read – and for me that’s Lisa Scottoline, Linda Fairstein, Sue Grafton, Laura Lippman, Meg Gardiner, John Lescroart, Harlan Coben, Steve Hamilton. Very, very suspenseful, yes, very high stakes, yes. But gory/bloody/violent? No. So I write my books to be page-turners – as Library Journal called The Wrong Girl “stellar” and a “superb thriller” – but they are not, um, stomach-turners!
Can you tell us a little bit about what inspired you to write The Wrong Girl?
It’s a great story. I got a call at my TV station – and this is the perfect example of what you were asking – from a woman who said, “Hank! You’ve got to do a story about my cousin. She was given up at birth to an adoption agency 25 years ago and got a call from them asking if she wanted to be reunited with her birth mother. She said yes – but you know, when they met? Turned out they weren’t related! The agency had sent that woman the wrong girl!”
I’m laughing now, even as I type this. I remember thinking, “Thank you, universe! The Wrong Girl! There’s my book!” A book about mothers and daughters, the struggle of adoption from all sides, the need for a family. What if someone made up a family history for you – would you believe it? What if you didn’t know the truth about your own family? How would you recognize your own daughter? Fascinating and relevant questions. And I was off and writing!
What’s turned out to be just as timely and fascinating – there’s a huge problem, making headlines right now, about the chaos in the Massachusetts foster-care system. A completely fictional version of that is key to The Wrong Girl. Amazing, huh? That book as written way before those headlines.
And did you see it’s now nominated for the Agatha Award for Best Novel?
What are you working on next? Will we get to see more of Jake and Jane?
Yes, absolutely! (And thank you.) Truth Be Told will be out on September 30. It’s about a mortgage banker who decides to keep her economically challenged customers out of foreclosure by manipulating their records so it looks like they’ve paid – good hearted, of course, but illegal. It’s about a man who confesses to a cold case murder the police have stopped investigating – why would he do that? And about a reporter who makes stuff up.
Will Jake and Jane find a way to be together? We shall see.
What have you read lately that you loved? Are there any authors who are on your personal must-read list?
Personal must read - Lisa Scottoline. John Lescroart. Ian Rankin. Julia Spencer-Fleming. Sue Grafton, the master! I love Nelson DeMille’s John Corey books and William Landay’s Defending Jacob. Dennis Lehane, of course. Gone Girl, I’m a fan.
New books? Look for M. P. Cooley’s Ice Shear, Rachel Howzell Hall’s Land of Shadows. Jenny Milchman’s Ruin Falls and Chris Pavone’s (he wrote the Edgar Award-winning The Expats) new The Accident. (Unique! But great.)
As for me, I’m in the midst of writing What You See – In solving a murder, Jake wonders why cameras don’t lie – but photographs do. And Jane’s own family puts her in deadly danger. That’s what you get when you plan a wedding, right?
Veronica Roth’s bestselling dystopian novel, Divergent, is coming to the big screen in one of the most buzzed about movies of this spring. Divergent, starring Shailene Woodley, Theo James and Kate Winslet, will be in theaters on March 21.
In Beatrice “Tris” Prior’s world, everyone is separated into factions based on their dominant personality traits. The factions are Candor, Abnegation, Dauntless, Amity and Erudite. Each person is given an aptitude test as a teenager. That is followed by the Choosing Ceremony, in which each person publicly declares which faction he or she will join. Tris grew up in Abnegation, but she has a secret. Her test reveals that she is Divergent, which means that she exhibits the traits of multiple factions. That secret could get her killed. Tris has a choice to make. No matter which faction she chooses, her decision will change her life irrevocably.
Divergent is the first novel in Roth’s blockbuster trilogy for teens. The series is fast-paced and compulsively readable. Although Allegiant, the final novel in the trilogy, was published last year, fans have one more book to look forward to reading. Four: A Divergent Story Collection will be published this summer as a companion to the Divergent trilogy. Four is a collection of short stories told from the perspective of Four, the popular character portrayed by Theo James in the movie.
Roth and the cast of the movie talk about the factions in this behind-the-scenes video. What faction are you? Take this quiz to find out where you fit.
In April 1940, John Henry Montagu Manners, the ninth Duke of Rutland, spent his final days working in the small rooms in the servants’ quarters of Belvoir Castle, where his family’s archives were housed. Although he spent most of his life carefully preserving his family’s history, the duke spent the end of his life expunging the family records of three specific time periods from his life. After his death, the duke’s son and heir, Charles, ordered the archive rooms sealed. The rooms and their contents remained untouched until they were reopened in 1999. Historian Catherine Bailey brings this story to light in her captivating new book The Secret Rooms: A True Story of a Haunted Castle, a Plotting Duchess and a Family Secret.
While Bailey was researching a book on World War I, she came across some curious gaps in the family’s archives and began to question what was missing. Why would someone have removed those specific sections from the family’s otherwise meticulous records? She worked steadfastly, researching and piecing together the scandalous family secrets that John Manners worked so hard to hide. In this case, the truth sounds like the plot of an epic BBC miniseries, and the answers she finds are more dramatic than most fiction. The Secret Rooms is part Downton Abbey, part Gothic mystery and entirely irresistible. This story is narrative nonfiction at its best.
Baltimore author Laura Lippman is a favorite of many BCPL readers. Her new stand-alone novel, After I’m Gone, brings together past and present in a suspenseful, character-driven story about the family of a fugitive living their lives in the wake of scandal. On July 4, 1976, Felix Brewer flees from Baltimore rather than face a jail sentence. He leaves behind his wife, Bambi, his three young daughters and his mistress, Julie. In 2012, Roberto “Sandy” Sanchez, a consultant for the Baltimore Police Department, reopens the cold case file of the murder of Felix’s mistress, Julie. Lippman skillfully weaves the threads of what happens to each of the women in Felix’s life with Sandy’s investigation to bring the reader to the unexpected conclusion.
Lippman recently answered some questions for our Between the Covers readers. She tells us more about the inspiration for this story and a new movie adaptation of one of her novels.
Your husband, David Simon, originally suggested that you write about Julius Salsbury, head of a large gambling operation in Baltimore who disappeared in the 1970s rather than face jail time, but you weren’t initially interested in that story. What changed?
I am pretty resistant to other people’s ideas. It’s a personal thing, writing a novel. It’s a year out of my life. And perhaps I wasn’t listening as closely as I should have because David probably did emphasize that he thought the novel would be about the women affected. But it was when I started thinking about the daughters, saw a story beyond a love triangle, that I saw how I could do it.
Felix’s disappearance frames the story, but it’s quickly apparent that the novel isn’t really about him. It’s about those left behind. What is it about these five women that captured your imagination?
We define ourselves by our relationships. We are wives, girlfriends, daughters, sisters. What if one of those relationships is taken away? Who are we then? How do we adjust? The same would be true of men, by the way. Sandy, the retired cop in the novel, very much identifies himself as a widower, as someone who was married and is now alone, unhappily so.
What kind of research did you do for After I’m Gone?
I mainly tried to make sure the pop culture lined up. I remember being very disappointed to find out that Michelle’s bat mitzvah was just ahead of the introduction of the bubble skirt. I wanted all the Brewer women to be in fashion-forward bubble skirts.
Sandy meets Tess Monaghan near the end of the story, and the two of them talk business. Will readers see Sandy again in the future?
The movie adaptation of Every Secret Thing, starring Diane Lane, Elizabeth Banks and Dakota Fanning, is in post-production. What was it like to see that story come to life on film? When will the movie be released?
The film has been accepted by a major film festival, but that’s not official yet. The hope is it will find national distribution there. The whole experience was wonderfully surreal. It was as if the games I played with my Barbie dolls, all those years ago, had come to life.
Are there any authors on your personal must-read list? What have you read recently that you loved?
My must-read list includes Megan Abbott, Alex Marwood, Alison Gaylin, Rebecca Chance, Ann Hood, Stewart O’Nan, Tom Perrotta, Dennis Lehane, George Pelecanos, Mark Billingham, Andre Dubus III, Alafair Burke – shall I go on?
I also just had the privilege of guest-editing Best American Mystery Stories , so I’ve been reading amazing short stories – but I can’t say by whom.
Jill Shalvis returns to her bestselling Lucky Harbor series with her new novel Once in a Lifetime. Lucky Harbor fans know that Aubrey Wellington is trouble, but she has decided to give herself a life makeover. She makes a list of wrongs she has committed and sets out to make amends. Ben McDaniel has had no interest in love since he was widowed, but he finds he can’t ignore the electricity between him and Aubrey. As they grow closer, Aubrey worries that one secret item on her list may push him away forever.
Shalvis’s sexy, laugh-out-loud funny romances have made her a star in the contemporary romance genre. The author recently answered some questions about love, life and her new novel.
Between the Covers: What scene did you have the most fun writing?
Jill Shalvis: Oh I have quite a few from this book! When Aubrey throws her drink in Ben’s face, when she runs and hides out in an AA meeting and makes friends with the pastor, when Ben figures out she’s writing a list of people she’s wronged and he wonders that it’s not a lot longer than it is, when Aubrey gets a little tipsy and throws rocks at Ben’s window like a scene right out of the Say Anything movie …
BTC: Describe Aubrey a sentence
JS: Aubrey: her heart’s in the right spot but she doesn’t like to lead with it, if that makes any sense.
BTC: Aubrey inherits a cat named Gus, who has quite the personality—was he inspired by a real life cat?
JS: He was inspired by my own Satan—er, Sadie, who believes she is the queen of all humans.
BTC: Aubrey has some scandalous photos from her college days surface in her ex’s tell-all. Is there are anything from your past you wouldn’t want to see the light of day (but that you’re willing to share with us)?
JS: Alpha Man [Jill’s husband] has a photo on his phone that he snapped just as I was flipping him off. I’m not super proud of that moment, which of course is why he has it as my photo id when I call him…
BTC: What can your fans look forward to next in the Lucky Harbor series?
JS: Next up is a Lucky Harbor trilogy for this coming summer and fall, It’s in His Kiss, He’s So Fine, and Once in a Million, the stories of the three sexy hot guys who run Lucky Harbor Charters.
The African Americans: Many Rivers to Cross by Henry Louis Gates Jr. and Donald Yacovone is a fascinating companion book to the recent documentary series of the same name. Like the series, the book begins with the story of Juan Garrido, the first known African-born person to arrive in what is now the United States in 1513. The narrative carries through to the present, covering 500 years of African-American history. The book, which is organized in nine chapters that mark distinct periods in the African-American story, brings greater depth to the stories presented in the documentary. In both, Gates highlights the diversity and the resilience of African-Americans by sharing the stories of individuals whose experiences shed light on their time and place in this complex history.
This documentary series is a lifelong dream that Gates was finally able to bring to fruition. He explains,“Since my senior year in high school, when I watched Bill Cosby narrate a documentary about black history, I’ve longed to share those stories in great detail to the broadest audience possible, young and old, black and white, scholars and the general public. I believe that my colleagues and I have achieved this goal through The African Americans: Many Rivers to Cross.” The critics agree that it is a success. Both the series and book have been nominated for NAACP Image Awards.
The six-part miniseries, which aired on PBS last fall, was recently released on DVD. This touching and inspiring video clip gives viewers a taste of the storytelling found in this riveting look into 500 years of history.