The book world is smitten with Gabrielle Zevin’s new novel, The Storied Life of A.J. Fikry. The story centers around Island Books, a small, independent bookstore on Alice Island. The store is run by its curmudgeonly owner A.J. Fikry, a lonely, middle-aged man who has not recovered from his wife’s tragic death. As the story opens, three events occur that irrevocably alter A.J.’s world. First, he meets Amelia Loman, a new marketing representative from Knightley Press. Next, his nest egg, a rare copy of Edgar Allan Poe’s Tamerlane, is stolen. Then, an abandoned toddler named Maya is found in the children’s section of his store. This quietly witty story is about love, redemption and, of course, books. Author Natasha Solomons calls it “[a] charming and funny love letter to the written word – it will leave you smiling and with a large lump in your throat.”
The Storied Life of A.J. Fikry gained the attention of librarians and booksellers even before its publication. Librarians across the country selected it as their top pick for the April LibraryReads list. The LibraryReads list features librarians’ top 10 new titles published each month, and it’s a great resource to find out about hot books before they are published.
Throughout the story, A.J. describes other characters by referring to the titles of the books that they read. What book best describes you? Let us know in the comments!
Did you already binge-watch the second season of House of Cards on Netflix? Are you on pins and needles waiting to see where Frank and Claire’s machinations will lead them next? These novels filled with intrigue and scheming are just the thing to help ease your post-season two blues.
Before it was a hit American series, House of Cards was a popular British miniseries inspired by a trilogy of novels written by Michael Dobbs, a former advisor of Margaret Thatcher. The author recently revised House of Cards, the first novel in the trilogy, and it has been re-released. This thriller revolves around Chief Whip Francis Urquhart and his Machiavellian political maneuvering and Mattie Storin, a driven young reporter who pursues a story about corruption that she can’t resist. Like the television adaptation, the novel is ruled by political intrigue. The remaining novels in the trilogy will also be available later this year, so stay tuned for more plotting, greed and corruption.
For more political scheming, try Hilary Mantel’s Man Booker Prize-winning novel Wolf Hall, which brings 16th-century English politics to life. This fictional account of the life of Thomas Cromwell shows his rise to his position of advisor to the king and his skill as a consummate political schemer. The novel follows Cromwell’s behind-the-scenes maneuvering during the tumultuous reign of Henry VIII. Mantel’s well-researched, skillfully written novel is the first in a trilogy that you won’t want to miss.
If you’re looking for dark stories about ruthless, manipulative characters, Patricia Highsmith’s 1955 novel The Talented Mr. Ripley is the gold standard. Tom Ripley is entranced by the wealthy world of his new acquaintance Dickie Greenleaf. When Dickie’s father asks Tom to go to Italy and convince his wayward son to come home to New York, Tom agrees. He slowly becomes more and more obsessed with Dickie’s world and eventually assumes Dickie’s identity. Highsmith tells the story from Tom’s distorted yet charismatic perspective, leaving the reader both fascinated and horrified.
This week, Greg Iles fans are celebrating the release of Natchez Burning, the author’s first new novel in nearly five years! Natchez Burning brings readers back to hero Penn Cage, and it marks the start of a new trilogy from Iles. When Penn’s father Dr. Tom Cage is accused of administering a lethal injection to Viola Turner, a nurse who he worked with in the 1960s, Penn is desperate to save him. His investigation sends him on a journey through his father’s past, unearthing long-hidden secrets that may have come back to haunt Tom and put his family in peril. The shocking truth that Penn eventually finds involves a splinter cell of the Ku Klux Klan called the Double Eagles and crimes hidden for 40 years.
Natchez Burning is an unforgettable, cinematic story that Book Page calls “William Faulkner for the Breaking Bad generation.” This is a must-read for fans of John Grisham’s Sycamore Row. At nearly 800 pages long, this novel seems daunting, but the pages fly by. Iles is a masterful storyteller, and this is some of his best work. Before reading Natchez Burning, long-time fans of Penn Cage will also want to read The Death Factory. Iles wrote this novella, which was released exclusively in ebook, to tie up loose ends from The Devil’s Punchbowl.
The road to Natchez Burning was a long and challenging one for Iles. His father, who inspired his character Tom Cage, passed away in 2010. Then, Iles faced life-threatening injuries from an automobile accident in 2011. Iles shares more about how those events impacted his writing process for this remarkable new novel in this video.
AMC’s new Revolutionary War television series, Turn, brings viewers into a world of espionage, covert operations, code breaking and double agents. The show is based on historian Alexander Rose’s book Washington’s Spies: The Story of America’s First Spy Ring. In this case, fact is every bit as exciting as fiction. Rose tells the story of the Culper Ring, a small network of spies who operated under the direction of George Washington. This unusual group of spies worked unlike anyone before, and the Culper Ring’s activities laid the foundation for modern spy craft. Rose shares more about the groundbreaking band of spies in this interview.
This compelling and fascinating chapter of the Revolutionary War probably isn’t much like the story that you remember from your high school history class. Turn showrunner Craig Silverstein explains, “What we’re told in school is that it was a very David vs. Goliath tale, that we fought the British for our freedom. In reality, it was a war fought between neighbors; it was fought house to house … It wasn’t like we were repelling an alien invasion force; it was more like a divorce.”
Turn premiered on AMC on April 6. Get a taste of this exciting new series in this preview.
The winners of the 2014 Pulitzer Prize were announced this afternoon. In addition to the awards for journalism, prizes are also given in the area of Letters, Drama, and Music. Donna Tartt’s The Goldfinch took this year’s prize for Fiction. The judges said that The Goldfinch is "a beautifully written coming-of-age novel with exquisitely drawn characters that follows a grieving boy’s entanglement with a small famous painting that has eluded destruction, a book that stimulates the mind and touches the heart." A favorite in the category, The Goldfinch was featured on many lists of the best books of 2013 and has been very popular with BCPL readers.
Other winners include Margaret Fuller: A New American Life by Megan Marshall for Biography, 3 Sections by Vijay Seshadri for Poetry, Toms River: A Story of Science and Salvation by Dan Fagin for General Nonfiction, The Internal Enemy: Slavery and War in Virginia, 1772-1832 by Alan Taylor for History and The Flick by Annie Baker for Drama.
For a list of all the winners, click here.
Writer and reality TV star Carole Radziwill’s debut novel, The Widow’s Guide to Sex and Dating, is a smart, funny story about a woman dealing with grief and finding herself. When her husband, Charlie, is killed by a falling statue, 34-year-old Claire Byrne’s world stops. She is devastated. Claire, who gave up her career when she married her much older husband, finds herself starting over in every facet of her life. Over the next year, she embarks on a journey to find herself, seeking help from therapists, a psychic, a “botanomanist” and a griot. She even begins dating again and tries to find love. Claire eventually understands that losing Charlie has also given her a chance to change her life and pursue her passions. This quick, fun read will appeal to readers who enjoy novels by Madeleine Wickham, Gigi Levangie Grazer and Helen Fielding.
The Widow’s Guide to Sex and Dating isn’t the only thing that Radziwill is getting attention for right now. Her writing career recently became the center of a conflict on Bravo’s The Real Housewives of New York City. Radziwill was discussing writing with her co-star Aviva Drescher, who was writing her first book, Leggy Blonde: A Memoir. Drescher insinuated that Radziwill used a ghostwriter for her bestselling 2005 memoir What Remains: A Memoir of Fate, Friendship and Love. Radziwill immediately fired back, denying the accusation and defending her career as a writer. Their feud has become one of the biggest on the show this season, with Bravo dubbing it "#BookGate."
Lisa Scottoline’s new novel, Keep Quiet, is a tension-filled thriller that will also spark great conversation at your next book club meeting. In an attempt to repair his strained relationship with his teenage son Ryan, Jake Whitmore reluctantly agrees to let Ryan drive home, despite the fact that it’s late and Ryan has a restricted learner’s permit. While Ryan is driving, he hits a pedestrian, and Jake finds himself forced to make a difficult choice to protect his son from the life-altering consequences of a moment of distraction. When they are blackmailed by a witness, their secret begins to unravel. Jake desperately tries to protect his family from the fall-out of the accident as the situation careens out of control. Like William Landay’s Defending Jacob, the story hinges on a parent’s love for his son and how far he will go to protect his child.
Scottoline recently agreed to answer some questions for Between the Covers readers. She shares more about her inspiration and demystifies her writing process.
Can you tell us a little about what inspired you to write Keep Quiet?
Many authors are inspired by what-if questions, and that’s what inspired this book. I live in the suburbs, and like everybody else, I drive around way too much and there's always one street that I drive down that has a blind curve, which drives me crazy. Sometimes I grumble that somebody should fix this, but most of the time I worry that if I turn the corner I could hit somebody if I'm not careful, [or my daughter could]. And there you have it!
One of the central questions in the novel is how far a parent will go to keep his child safe. What is it about that idea that makes it so compelling?
I'm a single mother, and being a parent is the most important and best part of my life, even in a life as blessed as mine. I adore my daughter Francesca. Raising her has always been a question of trying to strike a balance between letting her find her own wings, but at the same time being a loving and responsible parent, which can often mean protecting her–perhaps too much. This theme is the beating heart of Keep Quiet. I love it as a theme because it's a question that every parent has no matter what the age of their child. It's the kind of question that keeps moms, like me, up at night, so I knew it would make for a compelling novel.
Was it a challenge for you to write about this complex father-son relationship?
It was something of a challenge because the main character is a father, not a mother, but I think it's really important for writers to stretch and go out of their comfort zone sometimes. I was extremely close to my late father. I can tell you at any point in the day what he would have been thinking about, so I channeled his good heart and poured that into the character of the great father in this novel.
Will you share a little about your writing process? Do you write every day? Who is your sounding board?
I'm happy to talk about the creative process because I want to demystify it and perhaps encourage others to take a shot at their own writing, whether it's fiction or nonfiction. My personal motto is one that I borrowed from Nike, which is “just do it,” because I don't think you need a degree to become a writer, but in many cases, you just need to overcome your own self-doubts and insecurities. So just do it. That's what I do, for over 20 books now, and over 20 years. I write 2,000 words a day, sometimes I'm lucky enough to finish that by 6 o'clock at night, yet other times I won't finish until midnight. I don't have an outline, I just go with whatever the characters would logically do next. I happen to think that is what gives my novels a fast pace and logical narrative as well as, I hope, being hard to put down!
Some of your fiction readers may not realize that you also co-author the “Chick Wit” column in the Philadelphia Inquirer with your daughter Francesca Serritella. Have a Nice Guilt Trip, the fifth collection of those essays, will be released this summer. What are the best and worst parts of working with your daughter?
I love working with my daughter, and there are no worst parts. It's important to note, however, that I do not edit her in any fashion for those humorous essays, nor does she edit me. We both write about whatever topic we want, which, I think, are topics that relate to women of all ages. Then we put them together in a book. I love it because the reviews of these books are so wonderful, many calling them reminiscent of Erma Bombeck, which is, I think, a huge honor and compliment.
What was the last book that you stayed up late at night to read?
I really enjoyed Delia Ephron's Sister Mother Husband Dog, which is a moving and charming memoir.
In addition to her busy career as a reporter for NBC’s Boston affiliate, Hank Phillippi Ryan has made a name for herself as a bestselling author of suspense fiction. In Ryan’s most recent novel, The Wrong Girl, reporter Jane Ryland is contacted by a former co-worker who asks for Jane’s help because she believes that she was reunited with the wrong birth mother. At the same time, Detective Jake Brogan is investigating the brutal murder of a woman who was found in her house with two young children and an empty crib. He believes that it’s more than the simple domestic violence case that it seems to be. Soon, it becomes obvious that the cases are linked. Ryan’s writing is pitch-perfect as she builds suspense and continues to develop Jane and Jake’s will-they-or-won’t-they relationship.
Ryan generously agreed to answer a few questions for Between the Covers readers. She tells us about her lifelong love of mysteries, her inspiration and why she writes page-turners but not “stomach-turners.”
When you wrote your first novel, you already had a very successful career as a television reporter. What made you take that leap? Did you always want to write fiction?
I grew up in very rural Indiana ... so rural you could not see another house from our house. My sister and I used to ride our ponies to the library – we’d get books and put them in the saddle bags and then read them up in the hayloft of our barn. (Yes, I know I look like a city girl now! But that’s how it all started.)
I fell in love with Nancy Drew, then, soon after, Sherlock Holmes. Then soon after that, all the wonderful Golden Age mystery authors – Ngaio Marsh and Josephine Tey and Dorothy Sayers ... and of course Agatha Christie. And I think that’s where my love of mystery storytelling was born.
But I went on to be a journalist – starting in radio in 1971! Then in TV in 1975. (So far, I’ve won 30 Emmys for investigative reporting, and I am still on the air at Boston’s NBC affiliate.) And when you think of it, journalism is also storytelling, right? It’s just stories that are true. I never gave up my love of mystery and thriller reading, but – okay, I’ll admit it. I just never had a good idea for my own fiction.
Then in – 2005, maybe, I had a great idea. I knew it instantly, and from that moment on I was obsessed with writing what turned out to be the Agatha Award-winning first novel, Prime Time. (It’s a great story – maybe invite me to visit the library, and I’ll tell you the whole thing.)
After that, I was completely hooked. Now I have the joy of juggling two fabulous careers – stressful, and high-stakes and unpredictable, yes – but I am very lucky.
How does your work as a reporter influence your writing?
Well, it’s all about telling a story, right? Whether you’re making it up or not. I am well aware as a TV reporter that if a viewer isn’t interested, entertained, informed and riveted, they can simply zap me away with the click of a remote. So I have learned over all these years to tell a good story.
Happily, I get to use the same skills in crime fiction. I know if you don’t love the characters and the plot, if you’re not riveted to turning the pages, you’re going to close the cover and find another book. I do my best not to let that happen! And that’s all about the story.
I’ve also wired myself with hidden cameras, confronted corrupt politicians, gone undercover and in disguise, been tear-gassed and at hostage situations, at fires and crime scenes, had people confess to murder, seen how people behave when they’re lying or terrified. So there’s an authenticity from my day job that I bring to my crime fiction. The things that happen to Jane could happen to me! And some of them certainly have!
So having this career which brings me into places the public can’t always go and into situations that can be exciting and high-stakes gives me a never-ending (I hope) source of inspiration. I don’t take my TV stories and fictionalize them, but I do use the real-life experience to make it genuine.
While crime plays a major part in your novels, the violence takes place “off the page.” Was that a conscious decision or just something that evolved as part of your writing style?
Oh, interesting. When I read a particularly ghoulish and violent book – confession here – I sometimes skip the graphic parts. (Yes, I know, it’s funny, since my real life shows me a very dark part of the world.) Did I decide – oh, I’m not going to go graphic? No. But they always say to write the kind of book you love to read – and for me that’s Lisa Scottoline, Linda Fairstein, Sue Grafton, Laura Lippman, Meg Gardiner, John Lescroart, Harlan Coben, Steve Hamilton. Very, very suspenseful, yes, very high stakes, yes. But gory/bloody/violent? No. So I write my books to be page-turners – as Library Journal called The Wrong Girl “stellar” and a “superb thriller” – but they are not, um, stomach-turners!
Can you tell us a little bit about what inspired you to write The Wrong Girl?
It’s a great story. I got a call at my TV station – and this is the perfect example of what you were asking – from a woman who said, “Hank! You’ve got to do a story about my cousin. She was given up at birth to an adoption agency 25 years ago and got a call from them asking if she wanted to be reunited with her birth mother. She said yes – but you know, when they met? Turned out they weren’t related! The agency had sent that woman the wrong girl!”
I’m laughing now, even as I type this. I remember thinking, “Thank you, universe! The Wrong Girl! There’s my book!” A book about mothers and daughters, the struggle of adoption from all sides, the need for a family. What if someone made up a family history for you – would you believe it? What if you didn’t know the truth about your own family? How would you recognize your own daughter? Fascinating and relevant questions. And I was off and writing!
What’s turned out to be just as timely and fascinating – there’s a huge problem, making headlines right now, about the chaos in the Massachusetts foster-care system. A completely fictional version of that is key to The Wrong Girl. Amazing, huh? That book as written way before those headlines.
And did you see it’s now nominated for the Agatha Award for Best Novel?
What are you working on next? Will we get to see more of Jake and Jane?
Yes, absolutely! (And thank you.) Truth Be Told will be out on September 30. It’s about a mortgage banker who decides to keep her economically challenged customers out of foreclosure by manipulating their records so it looks like they’ve paid – good hearted, of course, but illegal. It’s about a man who confesses to a cold case murder the police have stopped investigating – why would he do that? And about a reporter who makes stuff up.
Will Jake and Jane find a way to be together? We shall see.
What have you read lately that you loved? Are there any authors who are on your personal must-read list?
Personal must read - Lisa Scottoline. John Lescroart. Ian Rankin. Julia Spencer-Fleming. Sue Grafton, the master! I love Nelson DeMille’s John Corey books and William Landay’s Defending Jacob. Dennis Lehane, of course. Gone Girl, I’m a fan.
New books? Look for M. P. Cooley’s Ice Shear, Rachel Howzell Hall’s Land of Shadows. Jenny Milchman’s Ruin Falls and Chris Pavone’s (he wrote the Edgar Award-winning The Expats) new The Accident. (Unique! But great.)
As for me, I’m in the midst of writing What You See – In solving a murder, Jake wonders why cameras don’t lie – but photographs do. And Jane’s own family puts her in deadly danger. That’s what you get when you plan a wedding, right?
Veronica Roth’s bestselling dystopian novel, Divergent, is coming to the big screen in one of the most buzzed about movies of this spring. Divergent, starring Shailene Woodley, Theo James and Kate Winslet, will be in theaters on March 21.
In Beatrice “Tris” Prior’s world, everyone is separated into factions based on their dominant personality traits. The factions are Candor, Abnegation, Dauntless, Amity and Erudite. Each person is given an aptitude test as a teenager. That is followed by the Choosing Ceremony, in which each person publicly declares which faction he or she will join. Tris grew up in Abnegation, but she has a secret. Her test reveals that she is Divergent, which means that she exhibits the traits of multiple factions. That secret could get her killed. Tris has a choice to make. No matter which faction she chooses, her decision will change her life irrevocably.
Divergent is the first novel in Roth’s blockbuster trilogy for teens. The series is fast-paced and compulsively readable. Although Allegiant, the final novel in the trilogy, was published last year, fans have one more book to look forward to reading. Four: A Divergent Story Collection will be published this summer as a companion to the Divergent trilogy. Four is a collection of short stories told from the perspective of Four, the popular character portrayed by Theo James in the movie.
Roth and the cast of the movie talk about the factions in this behind-the-scenes video. What faction are you? Take this quiz to find out where you fit.