In an alternate Victorian-era England, all towns have a resident monster whose job is to scare and thrill the residents, as well as to protect them. Stoker-on-Avon has a problem: their monster is suffering from depression and a general lack of confidence. Much to the townsfolk’s dismay, Rayburn hasn’t attacked in well over a year and a half. Rob Harrell’s graphic novel Monster on the Hill chronicles the efforts of Charles Wilkie, doctor and inventor, who has been dispatched by the town fathers to “fix the monster.” Timothy, the self-proclaimed town crier/street urchin, stows away in the doctor’s trunk in order to be a part of the mission.
Rayburn, a heavy-lidded, horned, winged, rust-colored creature, boasts no special skills or talents. He doesn’t breathe fire and he can’t fly. After diagnosing his problem, Wilkie suggests a restorative road trip to visit other town monsters to pick up some “tricks of the trade.” His old school chum Noodles, better known as Tentaculor, may offer just the boost he needs. This edgy, drolly humorous graphic novel will capture the imagination of a wide range of readers, much like Jeff Smith’s popular Bone series. Harrell captures a Victorian feel while sprinkling in modern anachronisms to good comic effect, as vendors hawk Tentaculor merchandise (like trading cards and Tentacu-Pops) after a recent attack. Older children who enjoy tales of adventure and dragons will enjoy the twist on the usual trope. Harrell’s wide-eyed villagers and thoroughly detailed monsters are enormously visually appealing, as is his choice of a bright, colorful palette. Readers will eagerly await upcoming books in this ongoing, all-ages series.
Oh, the romanticism of falling in love abroad, even when the city is Soviet-era Leningrad in the 1980s. In Natalie Standiford’s new novel, The Boy on the Bridge, Laura is an eager college student who's had a love affair with Russia since childhood. Studying abroad in Leningrad, despite the hardships of the time, is just another way to immerse herself in the culture and language. During a chance encounter, Laura meets Alyosha, a mysterious young man who defies the profile of the typical Soviet youth. He questions his government, is scornful of the blind devotion Russians have towards their leaders and is fascinated by all things American, including Laura. Unfortunately, all of these qualities make him a target for the KGB, and Laura becomes increasingly afraid for Alyosha’s safety, especially as she falls in love with him. But in a time of strained American-Soviet relations, when many Russians dream of escaping to the West by any means possible, can she really trust Alyosha’s affections?
Beautifully written and peppered with details about Soviet food, culture, manners, housing and customs, The Boy on the Bridge transports readers to frozen Leningrad in all its authenticity. Standiford presents a unique and nuanced love story with realistic characters and an honest look at Soviet Russia with its many complexities and contradictions. Like her main character, she spent a college semester abroad in Leningrad, and photos and information on her website provide context and visuals for what is in the story.
It is a truth universally acknowledged that Helen Fielding’s Bridget Jones is older in Mad about the Boy, but in many ways, she’s still the same old Bridget. Bridget Jones: Mad about the Boy, returns to Fielding’s beloved heroine, Bridget. Readers haven’t seen her since The Edge of Reason, which was published in 1999. Fielding revealed before the novel’s release that Mark Darcy, Bridget’s long-time love, had died five years before the new book begins. Now, in her fifties, Bridget is balancing children, social media and a new much younger boyfriend.
Longtime Bridget Jones fans will enjoy seeing their favorite characters pop up again in the latest novel. Bridget’s friends Tom and Jude make reappearances, and along with new friend Talitha, they help Bridget recover from the loss of Mark and look for love again. Daniel Cleaver, Bridget’s former boss and one-time love interest, returns as an emergency babysitter for Bridget, and while slightly more mature, seems to have changed very little since the earlier books. Bridget’s children, Billy and Mabel, bring a different sort of humor to the series, as do the parents and teachers at their school.
Bridget’s initial flirtations with 29-year-old Roxster via Twitter will remind readers of her days as a thirty-something looking for love in London. Now her romantic mishaps come in a new form as technology has changed, but Bridget still brings her unique brand of awkward to the situation. Told in Bridget’s diary format with the new addition of tweets and emails, readers will enjoy seeing her all grown up and dealing with new challenges, like motherhood, writing a screenplay and getting a second chance at love.
In the spring of 1885, New York socialite Beret Osmundsen is devastated to learn of the death of her estranged younger sister, Lillie. In Fallen Women by Sandra Dallas, Beret’s investigation into her sister’s death takes her from New York to Denver, from dazzling penthouses to seamy brothels.
Beret’s aunt and uncle share the news of Lillie’s death, but not the tragic details of her last days. Upon arriving in Denver, Beret learns that Lillie was working as a prostitute in a high-end brothel – the site of her murder. Beret is focused on tracking down Lillie’s murderer and avenging her sister’s death. She quickly encounters Detective Mick McCauley who is assigned to the case and looks to work with him in solving this tragedy. Mick, however, doesn’t need any assistance and initially tries to quell her involvement. But never underestimate the power of a sister’s love or the thirst for justice.
As Beret and Mick are forced together, they develop a mutual respect. Their growing bond will intrigue readers as the duo find themselves transported from the seedy tenderloin district to a high society peopled with the wealthiest and most influential. As she forges ahead in her determination to see the truth uncovered, Beret must deal with uncooperative and suspicious relatives, cope with the incivility of high society and come to terms with the fact that she never really knew her sister. Complicating things further are another murder and a growing number of potential suspects. Dallas does an excellent job of recreating nineteenth century Denver, crafting a well-paced mystery and creating a promising chemistry between Mick and Beret, which will have readers looking forward to their next rendezvous.
Imagine one day you are at home watching TV and the world just… collapses. You don’t know what has happened to anyone you know, you can’t get your parents or anyone on the phone. At one point, you even go through the phone book calling every number you can, hoping someone answers—they don’t. You hear shooting and screaming in the streets until eventually you hear nothing. Good thing your mom was a paranoid government official and surrounded your house with a huge electric fence that keeps out whatever it is that is out there. Good thing your dad was an environmental enthusiast who installed solar panels and a vegetable garden on your roof so you have power and a food source once the world goes dark. In Demitria Lunetta’s debut novel, In the After, 16-year-old Amy finds herself in this very situation.
Amy learns how to survive in her fortified home by eating the vegetables her father grew and rationing the remaining food in her fridge and pantry. She learns that whatever is prowling the streets retreats once the sun goes down and that as long as she remains completely quiet, she is safe. Eventually when her food begins to run out, she must venture out to scavenge. She walks to the nearby stores in her socks to stay as quiet as possible. One day she makes an unexpected and life-altering discovery, a baby girl sitting on the floor of the supermarket.
Amy’s world has changed and she doesn’t know why. When her home becomes threatened, she and the girl she named “Baby” embark on an escape that leads them only to more questions and less answers. Lunetta’s first novel, the first in a series, will appeal to readers of science fiction and dystopian worlds.
Looking for advice on the next great book? Need some tips on holiday gifts? Just want to be part of a fun conversation with book experts and book lovers? Join us on Facebook on Wednesday, December 4th at 7:30 p.m. for our first ever Between the Covers Live Chat! Our team of librarians will be available to answer questions or just talk about books in general! If you can’t make it to our live chat, don’t despair – submit your question anytime between now and then, either through Facebook or Twitter. Make sure to use #AskBCPL on Twitter. Hope to chat with you on December 4th!
Charles Palliser, in Rustication, unravels a late 19th century mystery through the uneasy journal entries penned by Richard Shenstone, a 17-year-old opium addict who struggles daily with carnal appetites. Richard, after an abrupt suspension from college, seeks out residency in the drearily neglected English mansion where his mother and older sister reside after the death of their debt-ridden father. However, to much surprise, his early homecoming is unpleasantly received. Not only does he feel unwelcomed, he is refused any information regarding the sudden death in the family or their lack of funds.
Coinciding with his arrival, livestock vivisection begins and vulgar letters are sent to several neighbors which accuse, damn and threaten their recipients. Richard soon crosses paths with peculiar characters that become cagier with every encounter, from vicious socialites to a brutish dogfighter. At the center of much gossip is an earl’s nephew who is both an eligible bachelor and next in line to receive his uncle’s fortune.
Alone in his attempts to make sense of the town’s secrets, Richard feverishly recounts his daily thoughts and conversations. However, his fickle opiate love affair interrupts his stream of recollections. As the crimes increase and worsen, he finds himself as the prime suspect and is determined to discover the identity of the true murderer.
Readers will recognize this marshy bleak town from Palliser’s other Victorian novel, The Quincunx, but will find themselves intrigued as the jarring plot peels away like sour onionskin.
Classic fairy tales are enjoying a resurgence in popularity thanks to a number of imaginative retellings, both in print and on screen. Adults and children alike will want to read the original stories in Fairy Tales from the Brothers Grimm, first published in 1823, and reissued in a brand new collection. This volume includes detailed etchings of the period by noted English caricaturist George Cruikshank, supplemented by a half dozen color illustrations by popular artists like Quentin Blake and Helen Oxenbury. The German tales, handed down through oral tradition, were published by Jacob and Wilhelm Grimm, who called them “House Stories.” They were meant to be enjoyed and appreciated by anyone in the house, not just children. This collection contains 55 stories, from the familiar “Ashputtel” (German for Cinderella) to the lesser known “Faithful John,” many of which contain creepy or unsettling elements—these are not the happily ever after Disney versions.
Author Adam Gidwitz begins The Grimm Conclusion, the third book in his popular series of retellings, by noting “once upon a time, fairy tales were grim.” He further states that the versions of the stories that most people know are “incredibly, mind-numbingly, want-to-hit-yourself-in-the-head-with-a-sledgehammer-ingly boring.” The narrator of this novel follows Grimm characters Jorinda and Joringel as they become participants in other Grimm stories. Infused with a dark sense of humor, Gidwitz’s popular novels embrace the blood, gore and general horror of the original tales. As a former school teacher (and Baltimore native), Gidwitz knows how to enthrall his audience.
Fairy Tale Comics: Classic Tales Told by Extraordinary Cartoonists edited by Chris Duffy presents a plethora of stories from various sources Grimm and beyond. Cartoonists represented include a veritable who’s who, some new to children’s storytelling. Each story is rendered in full color comic panels. Perennial favorite Raina Telgemeier (known for the graphic memoir Smile) takes on Rapunzel, while Gilbert Hernandez (of Love and Rockets fame) shows us his version of Snow White. Fairy Tale Comics is a visual smorgasbord for the imagination of readers of all ages.
As Gabby tells it, she was named after the angel Gabriel. Yet, her mother cannot seem to understand her imaginary world. In Gabby’s words: “Mom names me for a/creature with wings, then wonders/ what makes my thoughts fly.” Nikki Grimes has created a very memorable young girl in Words with Wings. We come to know Gabby through a series of poems. Similar to author Karen Hesse in style, Grimes manages to tell a good story that is lyrical and a quick read to boot.
Gabby faces many issues that modern children can relate to: divorcing parents, moving to a new home, starting over at a new school and trying to make friends. Her inability to fit in is due to what her mother and teachers call “daydreaming.” However, her imagination allows Gabby to escape the sadder parts of her life. The book may be short at just over 80 pages, but the scope of what Grimes is able to communicate in so short a space is remarkable.
Additionally, students who are studying poetry will find that a variety of types of poems are used to tell Gabby’s story. From haikus to longer free verse stanzas, the book provides examples of poems that could stand alone for their expressive language and imagery, but put together, they tell a compelling tale.
It is a truth universally acknowledged that the legions of Jane Austen fans are devoted to the woman and protective of her literary canon. The Austen Project is treading into this revered territory with the unveiling of a major new series of six authors reimagining all six of Austen’s major works. The project launches with Joanna Trollope, often favorably compared with Austen, and her retelling of Austen’s first published work, Sense and Sensibility.
Trollope presents the Dashwood sisters, Elinor, Marianne and Margaret, who, along with their mother, are all coping with grief and a dramatic reversal of fortunes following the death of their father. They have been removed from the family estate by the nefarious schemes of their brother’s wife, Fanny. A relative offers a small home on his estate, but they still must adjust to life with no money, no inheritance and no beloved father. As they slowly come to terms with their new situation, the two elder girls embark on relationships. Sensible Elinor is enamored with Edward, Fanny’s brother, who may be playing the field. Beautiful Marianne falls for local hottie and bad boy John Willoughby. While the storylines remain the same, Trollope successfully uses modern accoutrements to give weight to the girls’ struggles. Tidbits of gossip are texted and scandals are revealed via viral videos adding contemporary realism to this timeless coming-of-age story. Another universal truth – when it comes to money and love, some things never change. This comedy of manners will appeal to Trollope fans, Austen devotees and romance readers.
Look for future titles in this exciting series to include Val McDermid’s reworking of Northanger Abbey and Curtis Sittenfeld’s take on Pride and Prejudice, both scheduled for publication in 2014. Learn more about the Austen Project here.