We all have friends from yesteryear with whom we pine for the perfect, golden memories of whatever chapter of our lives we consider to be “the good old days.” Rufi Thorpe’s debut novel The Girls from Corona del Mar follows two best friends, Mia and Lorrie Ann, as their journeys take them from their California hometown to the far corners of the world and back again, testing their bond along the way.
Mia is convinced that her friend Lorrie Ann is her counterbalance in the universe. Beautiful, soft-spoken and otherwise perfect in every manner, she can do no wrong in her kindred spirit’s eyes. Lorrie Ann’s only flaw seems to be her terrible luck; despite being an elementally good person, she suffers three distinct, life-altering tragedies that leave her reeling and unsure of her purpose in life. Mia feels powerless, remorseful and guilty, as if her best friend was being punished for her own shortcomings.
As the two grow older, their lives become disparate; Mia marries and moves to Turkey to develop her career while Lorrie Ann is swallowed up by the world. After years of sporadic contact, Mia is shocked when her best friend turns up in Istanbul, battered and in need of help. What transpires after the two are reunited challenges the temper of their time-forged companionship.
The Girls from Corona del Mar is a tragic, beautiful reckoning of the worst catastrophes life can muster, and illustrates just how powerful and enduring friendship can be, despite the fragility of youth. Anyone who has lost a best friend to time or distance will sympathize as Mia and Lorrie Ann’s story progresses. Rufi Thorpe has written a wonderful debut that will be enjoyed by fans of literary fiction or women’s literature.
2013 was a banner year for Rainbow Rowell, having published two major hits: the popular Fangirl and the critically lauded Eleanor and Park, which won a Michael L. Printz Honor for Excellence in Young Adult Fiction. Rowell fans can rejoice as her hotly anticipated adult novel, Landline, hits BCPL’s shelves today.
Georgie McCool is on the verge of a major breakthrough in her career. She and her writing partner have a huge meeting with a studio executive the day after Christmas to pitch their very own TV show. It’s everything she’s ever dreamed of, but the meeting means her family won’t be able to go to Omaha to visit her mother-in-law. Georgie’s husband, Neal, decides to take their daughters anyway, leaving Georgie alone on Christmas to contemplate their marriage, her career and how her marriage has turned into something unfamiliar and uncomfortable. She goes to her mother’s house and finds an old-fashioned rotary phone in her childhood bedroom and uses it to call Neal in Nebraska. Neal answers, but not her husband of 14 years; it’s Neal of 1998, right before he is about to propose, and suddenly Georgie wonders if she’s destined to reroute their shared history by talking him out of their marriage before it even begins.
In Landline, unlike Rowell’s other novels, the main relationship isn’t a burgeoning romance: It’s a marriage of 14 years. There’s too much at stake to let it falter, and the tension between Georgie and the past and present Neals will keep readers itching to skip to the last page to see how it all turns out. There is a lot to laugh about in the book as well: funny, relatable characters; a pug in labor and tons of pop culture references. Landline is a winner for a great summer read, especially if you recognize the phone on the cover as something you had in your own bedroom (or just begged your parents for when you were in junior high).
Once upon a time there was a little girl named Princess Pink. Yes, her first name was Princess and her last name was Pink. Princess enjoyed mud puddles, monster trucks and giant bugs. She absolutely, positively hated the color pink. One night, after her mother tucked her in bed and turned off the light, Princess noticed that her tummy was grumbling. She tiptoed to the kitchen to find a snack, but instead of finding some tasty green-bean casserole, Princess opened the refrigerator door and fell into the land of fake-believe. Accompanied by Mother Moose and a green-haired girl named Moldylocks, Princess set off on a crazy-cakes adventure in Moldylocks and the Three Beards, written and illustrated by Noah Z. Jones.
Moldylocks took the still hungry Princess to the weird looking house of the Three Beards. Once there, the two girls tried the three Beards’ chairs and tasted the three different bowls of chili. They also tested out all three of the Beards’ beds, finding one to be just right to jump on and play Cowboy Caveman. Suddenly, the Three Beards returned home and were not happy to find that someone had been sitting in their chairs, eating their chili and jumping on their beds!
Did Moldylocks and Princess escape the three angry Beards? Or did they end up ingredients in the next batch of chili? And what exactly is a tunacorn? If your child has recently transitioned into first chapter books and likes zany, action-packed stories with unusual characters and colorful illustrations on every page, then this book is perfect. Parents will also enjoy the reading comprehension questions on the last page that will help you discuss the wonderful world of fake-believe with your kids. This book is an excellent pick for summer reading fun!
To commemorate the centennial of the outbreak of World War I this summer, many new books have been and will continue to be released. They range from new analyses of battles, biographies of personalities of the era and wide-ranging assessments of how the ‘War to End All Wars’ set the history of the 20th and 21st century and its continuing conflicts in motion. A furry character study for young readers comes in Ann Bausum’s Stubby the War Dog: The True Story of World War I’s Bravest Dog. As the United States was at last pulled into the war in 1917, a stray, brindle-colored Boston Bull Terrier wandered onto a soldiers’ training ground at Yale University. The soldiers all took a liking to this sweet, short-tailed dog, but none more than enlisted man James Conroy.
Training complete (for both men and dog), the soldiers were sent to sea, and Conroy smuggled the pup onto the ship bound for France. Now considered a mascot, Stubby had been taught to stand on his rear legs and lift his right paw to salute high-ranking officers. This endeared Stubby to all he met, including women of the French resistance, who sewed him a natty uniform. The dog turned out to be a valiant and useful addition to the men in the trenches, as he aided with rat removal, alerted the men to enemies approaching and was even temporarily wounded in action while helping to discover landmines. Bausum illustrates the history of the four-legged hero with plenty of period photographs from the Conroy family collection and other ephemera of the WWI era. Her impeccable research is outlined in endnotes and an extensive bibliography. She also tells of this famous dog in Sergeant Stubby: How a Stray Dog and His Best Friend Helped Win World War I and Stole the Heart of a Nation, written for adult readers. This title covers even more of Stubby’s exploits during and after the war. Both books are published by National Geographic, and are excellent avenues into this period. They will be enjoyed by dog lovers as well as by history buffs.
Walter Dean Myers, author of more than 100 books for children and teens, passed away on July 1st at the age of 76. Myers wrote with depth and authenticity. His novels included realistic characters, and he didn’t avoid difficult topics. In his Michael L. Printz Award-winning novel Monster, Myers delves into the world of a 16-year-old boy on trial for murder. His novel Fallen Angels is about a Harlem teen who enlists in the Army and spends a year on active duty on the front lines of the Vietnam War.
Throughout his distinguished career, Myers earned many prestigious awards for his work including two Newbery Honors, three National Book Award nominations and six Coretta Scott King Awards. He was also awarded the Coretta Scott King-Virginia Hamilton Award for Lifetime Achievement, as well as the Margaret A. Edwards Award for lifetime achievement in writing for young adults. In 2012, Myers was named the Library of Congress National Ambassador for Young People's Literature.
A lifelong champion of diversity in children’s literature, Myers passionately addressed the issue in an essay in The New York Times, writing, “Books transmit values. They explore our common humanity. What is the message when some children are not represented in those books?” The essay ended simply, “There is work to be done.” That work will be done in his memory as his legacy is carried on through his writing.
Malla Nunn and Kwei Quartey present two African mysteries that are sure to thrill the armchair traveler looking for a suspenseful police investigation.
Racism and police corruption during Apartheid in Johannesburg, South Africa are the subjects Nunn tackles in her novel, Present Darkness. Emmanuel Cooper is a flawed detective who rose from the mean streets of Sophiatown to enter the police force and must hide the fact that he is in an illegal relationship with a woman of color. When a European couple is found severely beaten in their home and the main suspect is a Zulu named Aaron Shabalala, the youngest son of Cooper’s friend and colleague, Cooper is cautioned strongly not to investigate. Cooper as he ignores the direct order of his supervisor in order to save the son of a man to whom he owes his life. Nunn’s exploration of this difficult time in South African history is compelling, and her thoughtful prose creates a chilling atmosphere that is sure to enthrall the reader until the novel’s heart-stopping conclusion.
In Murder at Cape Three Points, Quartey introduces the reader to Detective Inspector Darko Dawson, who works in Accra on the coast of Ghana. Late one night, a canoe is found drifting near an off-shore oil rig. In the canoe are the bodies of the Smith-Aidoos, an influential, highly educated couple. Darko digs deeper and uncovers corrupt real estate deals and bribery, all threatening to the local fishing trade and seeming to stem from the oil industry. With a growing list of suspects and a tenacious family member looking for results, Darko must put all of his skills to the test. Quartey has a more traditional approach to crime solving, and fans of police procedurals will enjoy this novel.
Both writers excel at detailed descriptions of their respective countries and will appeal to readers who love visiting an exotic locale. Readers who enjoy these selections can find earlier novels in the series from both authors. Those who like the African setting and are longing for more should try Michael Stanley and Deon Meyer.
Theo, short for Theodora, is a talented ballerina on her way to joining a professional ballet company when her life becomes infinitely more complicated. After her best friend Donovan disappeared when they were 13, Theo struggled with an eating disorder. Now, four years later, she feels like she’s recovered – that is until the fateful day when Donovan reappears, and new, unexpected complications pop up. Brandy Colbert’s debut, Pointe, is a thrilling novel that leads readers on a twisted path as they follow Theo’s spiral out of control.
When Theo hears the news that Donovan has returned home and isn’t speaking, she is shocked. When she realizes she knew Donovan’s accused kidnapper, she must come to terms with this discovery and decide what to do with her information. Theo considers her options, all while going to school, preparing for ballet auditions and getting involved in a relationship with the pianist at her ballet studio.
Throughout Pointe, Colbert deftly deals with many heavy issues, such as race, drugs and abuse, and does so in a way that keeps readers intrigued throughout the novel’s many twists and turns. Colbert has created a complex character in Theo, one who is far from perfect, but one readers will root for. Mature teen readers looking for a dark novel with intrigue will want to check out Brandy Colbert’s Pointe.
Mimi Pond is an artist and illustrator, whose work has appeared in the Los Angeles Times and Seventeen and on the animated series, The Simpsons. In her new graphic novel biography, Over Easy, Pond revisits a unique time and place: the late 1970s in Northern California. During this time of transition, the beat and hippie cultures were fighting a rear-guard action to stay culturally relevant; punk was new on the scene and grabbing everyone by the throat, lyrically and sometimes literally; and disco was just starting to die a slow overly choreographed and elaborately coiffed death. Pond abruptly finds herself tossed out of art school in her final year when her financial aid runs dry. Sitting in the Imperial Café, a popular local diner and one of her favorite places to sketch, she takes a chance and asks the diner’s manager and comical free-spirit, Lazlo, for a job. He hands her an application and tells her to only write one thing: the funniest joke she can think of. Pond lands the gig and finds herself in the exalted position of dishwasher. The work is hard, long, and brutal, but it clearly gives Pond the perfect vantage point to observe the hothouse environment of the diner. From the sexual roulette and rabid drug use that seems to be her co-workers' chief occupations to the dreams and ambitions that each holds dear, Pond sees all. Seizing an unexpected opportunity, Pond graduates to waitress and takes the chance to reinvent herself personally, and finally finds acceptance as a member of the diner’s family.
Pond’s illustrations are cool and clear, the slight cartoonish-ness of them playing well against the serious themes. The monochromatic colors speak to the nature of the transitions happening in this period with the promise of color reserved for a world not yet born. The illustrations resemble a series of sketches done mid-shift on the back of napkins and menus, stolen moments of observation while clearing a four top. The unconventional tale moves at a staccato pace like a free-styling beat poet at open mic night. It is a story that stops but doesn’t really end; perhaps a hint of more to come? You will find yourself wondering what will become of this child of hippies on the cusp of the Reagan-era love of materialism and excess. Will she stay true to herself while navigating the changing times? Perhaps it isn’t too much to ask that Pond grace us with further unique volumes of her work and share her incredible talent as a storyteller.
For a Mature Audience due to themes of sex and drug use.
It’s 1938, and while San Francisco is prepping for a world’s fair and a war is percolating overseas, three young girls are focused on making it as showgirls in the city’s most exclusive Asian revue. Lisa See introduces us to Ruby, Helen and Grace in China Dolls, a captivating novel which takes readers to the dazzling and debauched world of burlesque while detailing the intricate relationships of women and the impact history and fate has on their lives and friendships.
Grace Lee, an American-born Chinese girl, has fled the Midwest and an abusive father. Helen Fong lives with her extended and very traditional family in Chinatown. And Ruby Tom is stunning, independent and ambitious, but has a closely guarded secret. These three young women from diverse backgrounds find themselves competing for the same jobs, but still become fast friends sharing secrets, hopes and dreams. Everything changes with the Japanese attack on Pearl Harbor. As the U.S. government sends innocent Japanese citizens to internment camps, Ruby’s true heritage is exposed and she is sent to a camp in Utah. Did one of her friends betray her secret?
Paranoia and suspicion set in, and their friendships become increasingly fragile as the war intensifies. However, bleak times demand support, and the trio always manages to find a way back to one another. Lisa See once again delivers a faultlessly researched historical saga spanning a half century. This story of female friendship, ambition and betrayal is highlighted by the magnificent milieu of Asian burlesque entertainment. The colorful details create a beautiful backdrop for sharing the life journey of these three remarkable and dynamic women.
Maryland folklorist Elaine Eff is a champion of local culture and traditions. In her new book, she sets her sights on a much-loved Baltimore icon: the painted window screen and the artists who created them. Eff will discuss her latest work, The Painted Screens of Baltimore: an Urban Folk Art Revealed, on Tuesday, July 1 at 7:00 p.m. at the North Point Branch. The program, which is part of the branch’s “Dundalk Dialogs” local author speaker series, will include a book talk and signing. Eff recently answered questions for Between the Covers about her new book.
Between the Covers: How did you become interested in the history of Baltimore’s painted screens?
Elaine Eff: Serendipity. Two coincidences that changed the course of my life: As a Baltimore girl, I was expected to be an authority on our local folk art – which I was not. In fact, I knew nothing on the subject. When I arrived at graduate school, I found a 19thcentury – not Baltimore, but New York State – painted screen in our museum’s collection, and that started my journey. I needed to learn what history, if any, the two might share.
BTC: Can you share how you conducted your research for this project?
EF: Face-to-face, person-by-person. Visiting artists, walking the streets of East Baltimore, talking to strangers, traveling to libraries, museums and archives nationwide, international research and casting the net wider and deeper as the subject became richer and more fascinating.
BTC: What do you want readers, who may not have any knowledge of this Baltimore tradition, to take away from your book?
EF: Painted screens are a response to a community’s need for privacy. Row houses demand them, and they had the extra bonus of being downright beautiful. “You see out. No one sees in,” and “They used to be everywhere” is what you hear all the time. The book is as much about Baltimore and neighborhood building. It has something for everyone and can be appreciated on many levels: as a whole, in small bites or tastes here and there. Appreciate what an incredible city of resourceful people can make happen.
BTC: Among the painters you researched were there any who were as colorful as the art they created?
EF: Every single one. That is why I first made the film The Screen Painters. Every painter is a movie in him or herself. They needed to tell their own story and did. They are an incredible group of creative individuals who changed the face of a city. Not bad for a bunch of local untrained artists! The book gives you a glimpse into that wonderful era when the sidewalks told a very different – an incredibly colorful —story, in many ways.
BTC: What were some of the favorite images seen around town?
EF: The Red Bungalow was it. Everyone wanted to have the red cottage with a winding path, a pond and swans. Ninety percent of the windows had that scene as interpreted by hundreds of different hands. Today things are very different — strangely, now we see a lot of local landmarks, like the [Patterson Park] Pagoda. One house in Highlandtown even has Formstone painted on the window screen! Big difference is it used to be EVERY window and door — front and back. Now we see the front window and little more. Times and tastes have changed. And that is wonderful.
Readers who would like to learn more can also visit The Painted Screen Society of Baltimore website.