Paul Gude’s picture book A Surprise for Giraffe and Elephant highlights the close friendship between a silent, thoughtful giraffe and his constant companion, an enthusiastic, loquacious elephant. The second outing for this dissimilar pair, Surprise features three funny, knowing stories that manage to distill the essence of what true friendship entails. In the first, Giraffe struggles to find the right time to play his alpine horn. The second depicts Giraffe working through the night to honor Elephant’s wish for a toboggan. The final story finds Elephant diligently preparing to throw her friend the perfect surprise party. Gude’s simple yet expressive line drawings and bright, zingy color palette are immediately appealing to young readers.
BTC: Congratulations on the publication of the new Giraffe and Elephant book. I understand that this duo has been around for quite some time. Tell us their origin story and a little bit about their history. And why a talking elephant?
Paul Gude: My standard line when people ask me why Giraffe doesn't talk is to say, "You're less surprised about the talking elephant?" So, you've beaten me at my own game. My hat is off to you. Giraffe came first. I would draw little pictures for my friend with little captions. I drew one that said, "Here is a giraffe eating some leaves!" She made some comment like, "I like giraffes almost as much as I like elephants!" I drew another picture with a giraffe and elephant eating ice cream cones together with a caption like, "You don't have to choose! Giraffes and elephants are friends!"
I had this crazy idea of just drawing the giraffe and elephant doing all sorts of things together. So I kept at it. The very next thing they did was steal a van. Then Elephant shot Giraffe out of a cannon. They invented new words. Every day it was something new. That was in 2000. In 2001, my friend KMO at C-realm.com gave me space to publish them. This was before Tumblr and its ilk, so having a place to put an archive of comics was kind of a big deal. I just kept doing them over the years, until I amassed almost a thousand.
I flirted with publishing a collection of them in the mid-2000s, but nothing came of it. Later on, a friend of the editor who had been trying to get someone to publish the book asked her if she knew anyone who might need representation. She put him in touch with me and that's how I got my agent.
We sent out the collection, and the feedback was, "We like the characters, but can they be involved in a story?" At one time I would have taken this to mean, "We don't like your book," but I had matured enough by then to know it meant, "We like the characters, but can they be involved in a story?" My agent was smart enough to make sure I understood that this wasn't a brush-off, and set me to work telling the stories. That became When Elephant Met Giraffe, which my agent sold to Disney/Hyperion. That's kind of how they solidified into the personalities that they are today. Granted, they're drawn a bit better now as well. Years of practice can help in that regard.
BTC: What medium do you use to create your art?
PG: While I like pen and ink just fine, Giraffe and Elephant were born as crudely drawn characters using a mouse and Photoshop. They've been mostly digital from then on, although I do experiment from time to time. The artwork for both When Elephant Met Giraffe and A Surprise for Giraffe and Elephant was done on an iPad 2 with a program called iDraw. It was actually the cheapest option and I was short on funds.
BTC: When I read the Giraffe and Elephant books, I was reminded of both James Marshall’s George and Martha and of Mo Willems’ Elephant and Piggie. Did they come to mind as you were writing the books? Which children’s authors or illustrators inspire you?
PG: I love Mo Willems. I was lucky enough to interview him back when that was part of my day job. He's very friendly and super funny. It's worth noting that he and I are both published by Disney/Hyperion and he was there first. So, I'm hoping the fact that we both have characters who are elephants will stop being a sticking point for some folks eventually. Your question was very polite, but others have been quick to criticize as though my elephant is derivative. I think it's a little unfair. First of all, his elephant's name is Gerald. Elephant's Gerald. Say it out loud, and you get what kind of a genius that man is. Second, anyone who reads Mo's books and mine knows that his are mostly dialog-driven, whereas mine are more narrative. In short, they are much more like George and Martha. More of what I was reading as a kid, I suppose. Maurice Sendak was a big one for me. Also, I loved Shel Silverstein. Other favorites from my childhood include the Ann Trompert and John Wallner book Little Fox Goes to the End of the World. So many others I know I'm forgetting. In these modern times I'm a big fan of Zoom and Re-Zoom by Istvan Banyai and Jon Klassen's hat books. Again, I know there must be more. I'll have to check my daughter's bookshelf.
BTC: One of the things I loved about both When Elephant Met Giraffe and A Surprise for Giraffe and Elephant is that they’re picture books adults also enjoy — they’re droll, and not preachy or sappy. How does being a parent affect your work?
PG: The funny thing about the publishing world is that it moves so very slow. When I was writing When Elephant Met Giraffe it was a little too advanced for her. By the time it was published, she had already outgrown it. She's 9 now, way outside of the target demographic. Still, she's the one looking over my shoulder when I'm working. So, I suppose in a way that's a big reason why I throw in humor that everyone can enjoy. I want my kid to still think I'm funny. In a more pragmatic sense, the parents are the ones who are going to have to read the book over and over again, so I try to make it as painless as possible. Very few words. Funny pictures. You can't go wrong. Well, you can go wrong, I suppose. It depends on who you ask.
BTC: One "quirk" of Surprise mentioned by a major review publication is the fact that Giraffe uses an acetylene torch to build a toboggan. Were you surprised by this bit of criticism?
PG: Oh, boy. Yes. This was brought up as the book was in production, and I was like, "No, no, they can be wood or metal. I know. I had a metal one." Apparently I am one of the few people who remembers these types of toboggans that had metal scoops on the front, though. If you look for pictures of them online, the curved part at the front is almost always wood. I kept searching and searching until I found a picture of one. I thought I was going crazy. They exist, though. I've seen them. I've linked to one on my blog. It's odd to me that people leap to the idea that Giraffe is erroneously using a torch on a wooden object rather than the thing he's constructing being partially made out of metal. I assume they simply don't have the design skills of a giraffe.
BTC: I recently followed Giraffe on Twitter. I’ve enjoyed having a look into his psyche. What prompted him to get on social media? What kind of device does he use?
PG: It's always been in the back of my mind that Giraffe has a very rich inner life. When Elephant isn't distracting him from his studies, he's pursing art and science through his own self-taught methods. As an offshoot of this, I had an idea that Giraffe has built himself this amazing contraption that allows him to communicate on Twitter via Morse code. There's a pressure plate he uses to tap out words, and then this complex series of switches turns it into text. Where does he get his Wi-Fi service though? Giraffe keeps secrets even from me.
It seems innocent enough in the beginning, the budding friendship between Nina and Emma in Harriet Lane's new psychological thriller Her. Nina is the well-heeled 40-something artist who outwardly seems to have it all. The pregnant Emma, on the other hand, has an understandably chaotic and messy life with a demanding toddler in tow. So when Nina takes a soothing interest in the harried Emma, the young mother is smitten and even a little flattered.
Lane wants readers to get nervous about this one-sided friendship that seems to take hold when the sophisticated Nina spots Emma on a London street one day. She recognizes the younger woman, but Emma doesn't recognize her. And the pursuit is on. What happens next is difficult to figure, as Nina deftly worms her way into the nucleus of Emma's life. When the complicated Nina lures Emma's small son away from his mother in a park, she instigates a parent's worst nightmare, but why does she do it? For sure, Nina's subtle and sinister cruelties hint of the Hitchcockian drama to unfold.
British author Lane, whose first novel was Alys, Always, seems keen on manipulative protagonists. In Her, she uses restraint in shifting the story from the alternating perspectives of the two women. With a simmering plot and plenty of questions to answer, the ending will sneak up on you and accomplish what a psychological thriller is meant to do: stay with you. Readers of Gone Girl and also-new The Girl on the Train will want to sit down with this tautly written gem that will also hit the spot.
Isobel is the strongest, fastest, fiercest bunny in her Bunjitsu school, yet she tries her hardest to never hit anyone. Faced with tough challenges such as getting into a locked room, facing down bullies, dealing with nightmares and learning new fight strategies, Tales of Bunjitsu Bunny by John Himmelman teaches a lesson in every chapter. Join Isobel as she handles her problems in the most peaceful way possible, until she determines it is time to fight back! Great stories children will easily relate to, short chapters children can easily handle, along with charmingly simple illustrations make Bunjitsu Bunny a great choice for both a read aloud and for young independent readers. The Bunjitsu Code listed at the back of the book will empower your young readers to be their most powerful selves.
Princess Magnolia is a fancy-tiara-, frilly-pink-dress-wearing kind of princess, until her monster alarm sounds – then she becomes…the Princess in Black! While entertaining the nosy Duchess Wigtower, Princess Magnolia’s monster alarm sounds. As she quickly excuses herself to transform into the ninja princess hero that saves the day, she worries that the curious Duchess will discover her secret. With a pet unicorn that transforms into her black pony sidekick and a secret passageway to the Monster Land entrance, The Princess in Black by Shannon Hale and Dean Hale delivers all of the superhero accoutrements expected, including a young lad in distress – Duff. The first in a promising new series from the authors of Rapunzel’s Revenge and Calamity Jack, The Princess in Black grabs the reader in the first few pages and never lets go. With bright, beautiful illustrations by LeUyen Pham, it is perfect for both a read aloud and for the young independent reader (or for the young independent reader to read aloud!) This series is sure to be a favorite.
Sir Terence David John "Terry" Pratchett, OBE, died today after a long battle with Alzheimer’s disease. The fantasy author is perhaps best known for his beloved Discworld series which began in 1983 with The Color of Magic. His first novel The Carpet People was published in 1971. Pratchett was one of the United Kingdom’s best-selling authors with over 85 million copies of 70 books published worldwide in 37 languages.
Pratchett was appointed Officer of the Order of the British Empire (OBE) in 1998. In 2001, he won the annual Carnegie Medal for The Amazing Maurice and his Educated Rodents, the first Discworld book marketed for younger readers. He received the World Fantasy Award for Life Achievement in 2010.
In December 2007, Pratchett announced that he was suffering from early-onset Alzheimer's disease, but continued writing. "The world has lost one of its brightest, sharpest minds," said Larry Finlay of Transworld Publishers. "Terry enriched the planet like few before him. As all who read him know, Discworld was his vehicle to satirize this world: He did so brilliantly, with great skill, enormous humor and constant invention.”
Famous for her taut, gripping, forensic thrillers, Tess Gerritsen once again leads us to the edge in Die Again.
Seeing a dog in the window of a home with a human finger in his mouth, a mailman immediately contacts the police. Boston homicide detective Jane Rizzolli and forensic pathologist Moira Isles discover the body of a big-game hunter, trussed hanging upside down, and ultimately the victim of a large cat. Leon Gott has hunted big game and is considered the finest taxidermist in the business, but it looks like the animal kingdom has decided to redress the difference. Isles believes this case is tied to a series of suspicious incidents involving hikers in remote areas. All of those killings involved big cat attacks, and some were dismissed as unfortunate encounters with nature. The investigation leads to a link between the taxidermist and a group on safari in Africa victimized by a leopard.
Six years previously, a group of vacationers seeking a unique African experience joined a safari. Expecting exotic adventures, fabulous sights and romantic evenings by the fire, they instead fought for their lives in a world that was ruled by “eat or be eaten.” Told through the eyes of Millie Jacobson, a London bookstore owner, we travel alternately between the murder investigation in Boston and the growing horror in Botswana, as each vacationer is attacked and dragged away, one by one.
Gerritsen is a master at weaving grisly details into her forensic science, and the result is a suspense-filled trip through terror. The writer is also ably adept at drawing believable, deeply human characters who struggle with the normalcy of daily life while facing the worst human nature can provide. The complex relationships among the investigating team as they struggle to unearth the truth and unmask a killer add to the realistic portrayal.
Fans of Kathy Reichs, Patricia Cornwell and Jeffery Deaver will find this a deeply satisfying read. There is also a television series featuring Rizzoli and Isles. Just remember, this trip is not for the faint of heart.
In addition to being a Maryland-based author, Mary Downing Hahn is known for creating memorable characters who go through some tremendous situations that young readers can relate to. In Where I Belong, Hahn does it once again with Brendan Doyle, a misfit living in foster care who wants to find someplace where he can fit in and feel safe. Brendan’s life has been full of misfortune; abandoned at birth by his supposedly crack-addicted mother, he has bounced around in the foster care system until he feels completely unloved and unwanted. Yet, Brendan’s saving graces are his artistic ability and amazing imagination which allow him to escape the painful reality that surrounds him.
Brendan loves fantasy fiction, particularly stories about the Green Man and the creatures that live in the forest. When running away from some bullies, Brendan stumbles into the forest near his home and discovers an ancient oak tree that he feels would make a great fortress. Although he completes his treehouse, he totally neglects his schoolwork and is forced to enroll in summer school in order to enter middle school in the fall. At first, Brendan tries cutting class until his new teacher explains things in a way that finally makes sense. Brendan even tries to befriend Shea, a girl with her own painful secrets, and a mysterious stranger in the woods who may be the Green Man himself. It seems as if Brendan may finally have found two people he can care for until a series of events threatens to permanently destroy his world.
Hahn does an amazing job of capturing the way Brendan perceives his life and his frustrations about not being understood by people such as his teachers, school mates and foster mother. For both children in similar circumstances and adults who have experienced being an outsider, Brendan’s struggles to be himself yet longing to fit in somehow will resonate with them.
In William Alexander's Ambassador, Gabe Fuentes is an illegal alien. The Envoy is an extraterrestrial alien. Together, they might just have a chance at saving Earth.
Gabe is a quiet, competent boy, used to juggling his family, school and friends in such a way that he causes the minimal amount of trouble. He thinks things through before he acts in the most efficient manner. These traits, and the fact that he’s still “neotenous,” young enough to be open-minded, land him the almost completely powerless but absolutely necessary position of “Ambassador of Earth.” When he sleeps, his entangled mind is transported to a dreamscape populated by the children of every sentient culture in the galaxy, and sculpted to make sense to the mind of the viewer. Gabe sees his ambassadorship as a large playground, and so long as he doesn’t look at them sideways and break the illusion, all of the other ambassadors look like Earth children.
He’s going to need to figure out this interstellar diplomacy stuff fast. Space pirates are trying to kill him. A hostile alien force is marching across his stellar neighborhood on a campaign of purification. The cops just pulled his father over on a routine traffic violation and are going to deport his parents. His house just blew up. He’s not alone. His family are survivors. His best friend’s family has had back-up plans for him for years. Gabe also has the Envoy, a morphing blob who speaks in his mother’s voice, both helping him negotiate and throwing him into the path of pirates and genocidal conquerors.
William Alexander throws out invention after wild glorious invention, but grounds them in the normal family life of people outside the law. Gabe is a kid like a thousand other kids, marginalized by the laws of a country that doesn’t want to accept he even exists. He may save the day, but that might create even bigger problems. Expect the sequel in September of 2015.
Since the Clone Wars, Emperor Palpatine’s reach spans as far as Star Destroyer warp drives can extend. For some, the tumultuous peace is just another inevitable hardship of border planet living, but other galactic citizens aren’t as keen to bend to the Emperor’s will. In Star Wars: A New Dawn, longtime comic and Lucas Books writer John Jackson Miller introduces two new characters who are poised to become lingering thorns in Palpatine’s side as they rally their own rebellion, one refugee at a time.
Planet Gorse is only inhabited by holdout colonists clinging to a declining mining trade. They spend their days harvesting thorilide, a commodity for droid and weapons manufacturing, and their nights drinking away their hard-earned credits at Okadiah’s planetside cantina. Working to impress the Emperor, ruthless and cunning business mogul Count Vidian arrives on Gorse to survey the thorilide supply and optimize what little industry remains. His investigation leads him to Cynda, Gorse’s moon, which is also laden with thorilide. The trick is that extracting thorilide from beneath the moon’s surface is time-consuming, and both Vidian and the Emperor are unwilling to wait for the materials to trickle in from border space.
Kanan Jarrus is a Cyndan miner seemingly like all the other holdouts, but he is able to draw exceptional strength and willpower from the pain of loss he has been harboring since childhood. Jarrus notices the out-of-place Vidian marching around with his clone soldier escorts and takes it upon himself to keep the other miners safe by any means. He runs into Hera Syndulla, a Twi’lek spy who has been trailing Vidian across the galaxy, and the two ally to combat the encroaching Empire. Can they stop Vidian from hatching a nefarious plan to harvest Cynda’s resources in a highly unethical and ultimately lethal manner?
Kanan and Hera continue their adventures in the animated series Star Wars Rebels which has spawned numerous Star Wars books for children. Adult and teen readers who enjoy A New Dawn should round up their children, brothers and sisters for a Star Wars party!
Paula Hawkins debut thriller, The Girl on the Train, delivers a suspense-driven plot filled with complex characters exploring memory and meaning, fantasy and reality.
Rachel could be like any commuter, scanning the scenery from the train as they slide by, aimlessly viewing the same landscape day after day. Except that Rachel has created a whole other world out of the window — finding a favorite house on a favorite block of Victorian homes, creating an entire persona around a golden couple she names Jess and Jason. They are the couple that Rachel and Tom used to be, before the alcohol, the scenes and the recriminations. They are everything Rachel had, until she turned to cocktails to dull the pain of infertility. Jess and Jason live only a few doors down the street from the house Rachel and Tom furnished with so much anticipation. Only now, Tom lives there with his new wife, Anna, who is pregnant with their first child.
The fantasy couple are really Megan and Scott, and they have problems just like everyone else. Megan is emotionally scarred by two tragic events she can’t reconcile. Scott senses she is hiding something, possibly another man, and his jealousy scars their relationship. Rachel sees Megan kissing a man that is not her husband, and shortly after, Megan disappears.
This book is told by three narrators: Rachel, the obsessed, delusional alcoholic struggling to make herself heard; Anna, the new young wife consumed with creating a perfect family; and the ill-fated Megan, propelled by the past she can’t relinquish and a future she can’t embrace. Gripping, suspenseful, an irresistible read, The Girl on the Train explores all facets of human nature, our understanding of the past and our perception of the present. Hawkins is a master storyteller, weaving a tale that is as compulsively readable as it is electrifying. If you enjoyed Gone Girl, hop on board. You are in for the ride your life.
Few collectives of the 20th century grabbed as much attention or gathered as much talent as the prolific Bloomsbury Group. Made up of luminaries of the art, literary and academic world, their indelible stamp on the thoughts and trends of the turn of the century still resonate with fans today. Much has been written and dissected of the Group’s offerings, particularly the writing of E.M. Forster and Virginia Woolf. While Virginia’s remarkable career and personal struggles may consume most of the spotlight, author Priya Parmar has delved into the mind of Vanessa Bell, Virginia’s sister, in her novel Vanessa and Her Sister.
Told through a series of fictional diary entries, letters and telegrams, Vanessa attempts to carve out her painting career amidst the chaos of falling in love, having children, grieving and dealing with Virginia’s violent and troubling moods. Vanessa often feels on the outside of the literary world she is forced to inhabit. While her friends are off having love affairs and traveling the world at large, she wonders if she is meant to fall behind because of her family obligations. Her creative mind will not allow her to give up on her art. As it becomes clear that Virginia’s jealousy extends beyond Vanessa’s artistic talents and moves to her family life, she grapples with the knowledge of how devious and manipulative the very people she loves most can be.
Rich in characterization and detail, fans of the Bloomsbury Group and of novels like Michael Cunningham’s The Hours will find this sumptuous novel a treat for the brain.