For pet owners, there are two camps on cats: that they’re either wonderful or they’re evil. Lynne Truss’ new mystery Cat Out of Hell, may very well prove both and in turn, flipping the cat-centered cozy mystery genre on its head. In this reality-bending romp, cats indeed have nine lives, but what they do with their nine lives isn’t what we love to see in cute viral videos online. They’re capable of doing The New York Times crossword, staging elaborate hoaxes and committing murder.
When librarian Alec, a recent widower who is missing his wife, decides to open a bizarre email, he is thrown into an unbelievable story about murder, mayhem and possessed cats as agents of Satan. At the center of the story is Roger, a seemingly standard tabby who one day starts to speak. Roger describes in-depth the unbelievable story of his relationship with The Captain, an immortal cat looking for a friend. As The Captain’s obsession with proving Roger is worthy of his friendship grows, he will steamroll any humans out of his way. Victims of The Captain’s grand schemes include Dr. Winterton, the man who sends Alec the email; Wiggy, whose sister (and Roger’s “owner”) goes missing under mysterious circumstances; and even Alec’s own wife Mary. As the story unfolds, property is destroyed and deaths are inexplicably tied to Roger and The Captain — putting Alec’s quiet and comfortable world through the wringer.
Told through interviews with Roger, email correspondence and even telepathy, Cat Out of Hell is a bold romp for cat lovers who are looking for something different, cat haters who want evidence that cats are not of this world and readers who love a quirky mystery in a style they have never seen before.
Tommy Wallach’s pre-apocalyptic debut novel We All Looked Up follows four initially loosely connected fellow Seattle-area high school seniors. Peter is a type-A, handsome jock in a bad relationship. While they were juniors, he kissed avant-garde photographer Eliza in the school’s darkroom. Anita, a well-to-do, prim and proper African American serves on the Student Council with Peter, and was recently observed breaking down in the guidance counselor’s office by slacker/skater Andy, whose best friend is also dating Peter’s freshman sister. All of this connected drama is nothing compared to what comes next – the approach of asteroid Ardor to the Earth’s orbit.
At first, NASA doesn’t expect Ardor to cause much of a problem to Earth, but when they revise the likelihood of a major catastrophe to two in three odds, each of the teens react in their own way to the impending doom. None of the adults in the teens’ lives are much help, as they too have no idea how to handle the end of the world. Forging their own paths in the final weeks of their lives, each teen decides what is most important and chooses unexpected but interconnected paths.
A foreboding darkness imbues much of the contemporary novel, but it is not without humor and bright dialogue. Wallach writes thoughtful and realistic scenes that are relatable to the second decade of our century. Teen readers will consider what their choices might be if a similar catastrophic event befell their own community, and the conclusion will resonate long after the last page is read.
For nearly 20 years, the Baileys Women’s Prize for Fiction has been honoring the contributions of women writers around the world for their extraordinary contributions to contemporary fiction. This year’s winner, announced on Wednesday, June 3, is How to be Both by Ali Smith.
Prize judges describe the winning book as a story of “grief, love, sexuality and shape-shifting identity.” Two separate narratives, entitled Camera and Eye, take place 500 years apart with a glorious painted fresco as the link to both. Camera is the story of George(ia), a contemporary English teen who is thinking over exchanges with her mother who has since died. Eye tells of Francescho, an Italian girl, also motherless, masquerading as a boy in order to gain entrance as a painter in the 15 century art world. Smith says her inspiration to write How to be Both came from viewing Renaissance artist Francesco del Cossa’s beautiful works.
The shortlist of nominees included beloved local author Anne Tyler’s A Spool of Blue Thread, which follows a Baltimore family as its younger generations cope with their aging parents. A God in Every Stone by Kamila Shamsie combines Ottoman Empire history, archaeology, a treasure hunt and romance against the backdrop of World War I. Rachel Cusk was nominated for Outline, a book of revelatory conversations between a woman and an assortment of people who cross her path while she is teaching a writing class in Greece. Rounding out the shortlist are two titles which appeared earlier on Between the Covers: The Bees by Laline Paull, which immerses the reader in an imaginative, totalitarian honeybee hive society; and Sarah Water’s The Paying Guest, which explores the effects of societal constraints on women, resulting in a crime of forbidden passion in post-World War II England.
Summer months are the perfect binge-reading time. While many people gravitate to their favorite author’s latest novel, it’s a great time to pick up high-interest nonfiction too. Consider the topics of Monopoly, Beanie Babies and the alphabet as great poolside reading. In The Monopolists: Obsession, Fury and the Scandal behind the World’s Favorite Board Game, New York Times sports reporter Mary Pilon uncovers the true story behind one of the country’s favorite long-lived pastimes. Popular belief says that Monopoly was invented during the Great Depression by an unemployed man from Pennsylvania who made a fortune by selling it to Parker Brothers. In fact, the game’s roots go back to the early 1900s and an unmarried, independent feminist named Lizzie Magie. Politically active and strong in opinion, Magie sought to spread the doctrine of Henry George, a proponent of “land value tax” or “single tax” — the belief that land should be the sole thing taxed, if it had to be owned at all. Magie created The Landlord’s Game in 1904 as a tool to demonstrate the consequences of land grabbing. Pilon follows the evolution of a game that began as “a darling among left-wingers” as it became a fraternity house sensation and then a fascination of wealthy Atlantic City Quakers before being marketed by a Philadelphia businessman and rejected by both Milton Bradley and Parker Brothers. Modifications happened all along the way. But that’s far from the end of this story of greed and intellectual property. Reading Pilon’s fascinating history of an equally fascinating game is as entertaining as playing the game itself.
Zac Bissonnette follows the rise and fall of an unusual line of collectibles in The Great Beanie Baby Bubble: Mass Delusion and the Dark Side of Cute. If you lived through the '90s, you likely owned at least one of the floppy PVC bead-filled animals with the heart-shaped TY name tags. Beanie Babies were the brainchild of plush toy salesman turned entrepreneur Ty Warner. Originally retailing for $5, they were designed to be an inexpensive impulse buy that children could amass. A creative perfectionist, Warner obsessed over his line, which he saw as “more than a business.” Despite unorthodox practices like demanding payment in full up front from retailers, the company took off. A manufacturing issue with a popular Beanie lamb named Lovie led to its “retirement,” and the beginning of a strategy that propelled the plush toys as in-demand collectibles worthy of investment. Bissonnette captures the excitement of the launch and rise of the Beanies as they became an unlikely American obsession. Bissonnette tells not only the story of the media-shy Warner, but those of employees, retailers and legions of “investors,” making The Great Beanie Baby Bubble a compulsively interesting read.
Think of Michael Rosen’s Alphabetical: How Every Letter Tells a Story as an ABC book for literary-minded grownups who love language. Make no mistake, this is no “A is for apple” primer. Rosen, a poet, children’s book author and host of BBC Radio’s Word of Mouth, presents 26 chapters of anecdotes, history, personal observations and insights into what he refers to as “a stunningly brilliant invention.” In “C is for Ciphers,” he begins a discussion with crossword puzzles before looking at the roots of modern day codes and encryption. “M is for Music and Memory” notes that the ABC song was copyrighted by a Boston music publisher in 1830, and that mnemonics are another musical or chanted way to use letters. “X Marks the Spot” begins with the bold assertion that the letter X isn’t really necessary at all. A three-page preface to each chapter covers the history of the letter and its lowercase, as well as the pronunciation of its name and the letter in context. Rosen’s interest and enthusiasm in his subject matter is infectious; readers can’t help but be moved to share “did-you-know” bits with those around them. Alphabetical is a book to borrow from the library — until you buy your own copy.
The Antoinette Perry Award for Excellence in Theatre, more commonly known as the Tony Award, recognizes achievement in Broadway theatre. The 2015 awards will be presented by the American Theatre Wing and The Broadway League on Sunday, June 7 with co-hosts Kristin Chenoweth and Alan Cumming.
The frontrunner for Best Play is The Curious Incident of the Dog in the Nighttime, based on the critically acclaimed novel by Mark Haddon. Director Marianne Elliot has been universally praised for bringing the world of Christopher Boone, a young boy with Asperger's syndrome, to life. Vying in the same category is Wolf Hall, based on the best-selling novel by Hilary Mantel.
An American in Paris, based on the famed movie starring Leslie Caron and Gene Kelly, garnered 12 nominations for Best Musical. Fun Home also received 12 nominations and is based on the graphic novel by Allison Bechdel, which is the autobiographical story of Bechdel’s coming to terms with her sexuality and dysfunctional family. Sit back and imagine yourself on the Great White Way as you check out 2015's Best Musical cast recordings from our collections. Also available for your listening pleasure are the cast recordings for all three of the nominated Best Musical Revivals: On the Town, On the Twentieth Century and the timeless The King and I. Enjoy the show!
When considering our founding fathers, we often think of them in grandiose terms; great men of sterling character who rose above petty conflicts in order to form a perfect union. Thomas Fleming presents a portrait of these men as all too human in The Great Divide: The Conflict Between Washington and Jefferson that Defined a Nation.
The creation of this new nation weathered a major storm between two factions: the Federalists, who believed that in order to survive we must have a strong central government to unite us, and the Democratic-Republicans, who feared the engulfment of the states into a dictatorship. Serving as a constant reminder of previous servitude was the British government’s policy of kidnapping American sailors and impressing them into Great Britain’s Navy. Another source of controversy was the ongoing revolution in France, with the Democratic-Republicans rejoicing over the “triumph of the people” and the Federalists aghast at the liberal use of the guillotine.
Thomas Fleming’s brilliant portrait of the men and their times serves as a reminder of the miracle of independence, self-governance and the balance of powers. He explores the evolution through the eyes of George Washington, James Madison and Thomas Jefferson as their friendships ebb and flow with the political tide. These are not the stiff portraits hanging in the White House, rather, they are all too human, replete with petty jealousies, personal agendas and political ambitions. The origins of their arguments still resonate in our political landscape today.
A prolific writer, Fleming’s works include Washington’s Secret War: The Hidden History of Valley Forge, Now We Are Enemies and A Disease of the Public Mind. He has also contributed to PBS series The Irish in America and Liberty: The American Revolution. He has served as president of the Society of American Historians and is an honorary member of the New York State Society of the Cincinnati.
Bestselling author Kady Cross has a new young adult novel Sisters of Blood and Spirit. The dynamic combination of action, adventure and a dash of romance, make this paranormal pleasure hard to put down.
Lark is not your normal teenager. When her twin sister Wren was still born their relationship didn’t end there. Wren became an almost constant companion to her sister. As a child, people around town just thought she was talking to an imaginary friend. As a young adult, she simply appeared to be crazy. The stress of outside pressures and the desire to be with her sister so overwhelmed her that Lark attempted suicide. The failed attempt left Lark with special abilities beyond just the capacity to see ghosts.
When Lark’s classmates decided to take a preternatural excursion to a local haunted asylum, they got more than they bargained for. It’s because of Lark’s reputation that they sought her out to help rid themselves of a ghostly hitchhiker with a penchant for razor blades. Lark’s loner disposition leaves her reluctant to help, but Wren has different plans.
Cross’ novel melds the Scooby gang feel of Buffy the Vampire Slayer with the otherworldly feel of the Supernatural series. Its character-driven dual narrative makes for a fast-paced romp that will keep you turning the page. If you dig Kady Cross’ unique style, you can also find her under the pen names Kate Locke, Kate Cross or Kathryn Smith.
Don’t judge this book by its simple cover; the stories contained within Arthur Bradford’s collection Turtleface and Beyond are highly original and situationally hilarious. Turtleface and Beyond features a series of stories starring Georgie, a hapless, lackadaisical fellow who seems to be a magnet for the bizarre.
In the titular "Turtleface," Georgie is canoeing down a lazy river with his friend Otto and their girlfriends, when Otto spies an imposing cliff and wants to leap from it. Against Georgie's advice, Otto scrambles up the mountainside and dives into the river below, where his face meets a meandering turtle. Georgie is racked with guilt not because of Otto's foolish accident, but because the turtle's shell is fissured.
"Lost Limbs" is the story of Georgie's unrequited interest in Lenore, a woman with a prosthetic arm. Lenore interprets Georgie’s lack of interest in her prosthesis as self-absorbed and ignoble, but poor Georgie didn’t even realize her arm was fake until their second date. Lenore breaks things off with Georgie, who is content with her decision until months later when he gets his leg caught in a wood chipper. As his calf is mangled in the machine, his first thought is, "Hm, I should call that lovely girl with the fake hand."
Georgie works the graveyard shift in an attorney’s library in "217-Pound Dog," where he meets Jim Tewilliger, a partner at the firm whose life is beginning to unravel. Sensing Georgie's kind nature, Jim asks him for help acquiring some marijuana. Georgie senses Jim is a man in need of a rare kind of help, so he acquiesces. Jim's behavior around the office becomes increasingly erratic, and Georgie, left vouching for him in a whirlwind of unfinished work and fast food wrappers, wonders what his acquaintance’s endgame entails.
Arthur Bradford’s imagination illuminates Georgie’s misadventures in Turtleface and Beyond, a collection genre lovers will find funny, laconic and clever.
The Duke and Duchess of Cambridge’s romance inspired the scrumptious The Royal We by Heather Cocks and Jessica Morgan. Indeed, in their forward, they thank the royal couple for having the second royal baby right when their novel hits the shelves!
In this enjoyable glimpse at the improbable path from American coed to princess, fashion bloggers (Go Fug Yourself) Cocks and Morgan replace William with Nicholas and exchange American Rebecca “Bex” Porter for Kate. The novel opens with Bex, anticipating their wedding, retelling their story and reflecting on the sacrifices this love affair has already demanded and the future pressures she anticipates.
Bex was the practical twin, unlike her sister Lacey, who never met a love story she didn’t embrace. But when Bex goes to Oxford and finds herself in the same dorm as the charming and handsome Prince Nicholas, a fast friendship quickly turns to romance. Dating the future king of England is glamorous, complete with ritzy trips and dinners at Kensington Palace. While she truly loves Nick, at times the accompanying baggage is overwhelming. Between the phony friends, prickly family members, competitive ex-girlfriends and ubiquitous tabloids, Bex struggles with the burden of royal perfection. This witty unmasking of life behind the palace gates is an entertaining romance with a dynamic yet relatable couple. The equally diverting supporting cast, from school friends to snarky royals, are all sharply drawn and intrinsic to the story. And never fear, Prince Harry is definitely in attendance in the form of Nick’s dashing yet disreputable brother Freddie, while paparazzi favorite Pippa is easily discernable in Bex’s slightly self-centered twin Lacey. This happily-ever-after boasts a strong sense of humor and just a dash of reality to create a picture perfect contemporary fairy tale.
Finding Zero: A Mathematician’s Odyssey to Uncover the Origins of Numbers by Amir Aczel is about a man’s love of numbers. Actually, it is much more than that, but numbers are at the heart of this story. Aczel is not just your average mathematics scholar. He's an adventurer, part Indiana Jones and part Isaac Newton, who is relentless in his pursuit of the origins of numbers. While most of us probably have not considered just how our numeric system — particularly zero — came to be, Aczel has been obsessed with numbers since he was a young boy.
Aczel’s odyssey began when his teacher asked his first grade class what they would like to learn in school. His response was “Where numbers come from,” which set him on a course that would take him around the world. For the most part, Aczel’s narrative is aimed at the average person, and he limits the use of mathematical jargon to terms that most anyone can understand. While Western society uses what are commonly called Arabic numbers, Aczel points out that this name is misleading. True Arabic numbers do not resemble our digits ranging from 0 to 9. (You can view an illustration of Arabic numbers.)
So, how did our modern Anglo-European numbers evolve and where did they originate? While Aczel attempts to answer these questions, he encounters some interesting obstacles along the way. His odyssey is an intriguing one and, at times, seems to involve more questions than answers. Still, for anyone who enjoys a book that gives the reader ideas to ponder, Finding Zero offers plenty of mental exercise.