What would have happened if the author of Frankenstein and the world’s first computer programmer met as girls in early 19th century London? Why, they would have joined forces and become private detectives! Follow along as Mary Shelley and Ada Lovelace sort through a false confession, eliminate some odd suspects and finally solve the mystery of a stolen necklace in The Case of the Missing Moonstone, book one of The Wollstonecraft Detective Agency series by Jordan Stratford.
Brilliant, yet socially inept Ada Bryon is not happy about the departure of her governess and the arrival of her new tutor, Peebs. However, this change does bring to Ada the first true friend she has ever known, the adventurous and kind Mary Godwin. The girls notice the newspaper contains several articles about crime so they decide to form a “private and secret constabulary for the apprehension of clever criminals.” It isn’t long after they run their advertisement for the Wollstonecraft Detective Agency that they accept their first case and begin their adventures.
A host of historical figures, including Charles Dickens and Charles Babbage, make appearances in this fun children’s book. While Stratford has admittedly taken liberties with regards to the timeline (Mary Shelley was actually 18 years older than Ada Lovelace), the setting and character behaviors are historically accurate. A humorous, action-packed story, this book features strong female characters who use math, science and deductive reasoning skills to solve the crime in a vivid, alternative historical setting. I wouldn’t be surprised to find this one on school reading lists this summer.
February has been an excellent month for the short story. Highly anticipated collections from three renowned authors have found their way to library shelves. British writer Neil Gaiman is known for blending reality and fantasy in a way that can be both comforting and unsettling. His often dark, well-crafted prose enticingly draws the reader in, providing just enough familiarity and knowing humor before changing the game entirely. Trigger Warning: Short Fictions and Disturbances represents the writer’s work at its best. Standout pieces include “The Thing about Cassandra,” in which a thirtysomething young man comes face to face with the young woman whose name he wrote over and over again on the covers of his high school notebooks — his first love. The twist? He made her up in order to deflect questions from his friends and his mother over his lack of a girlfriend. In “The Sleeper and the Spindle,” Gaiman offers a mashup retake on “Sleeping Beauty” and “Snow White and the Seven Dwarves,” imagining the two stories taking place at the same time. He turns these traditionally passive women into active participants in their own fairy tale lives, with their own agendas. A lengthy preface to the collection provides “trigger warnings” for each piece, explaining a bit about their genesis. Readers who want a spoiler-free experience would do well to treat the preface as an afterward.
Consider Kelly Link, the Massachusetts cousin-once-removed of Neil Gaiman, who Gaiman once referred to as “a national treasure.” Get in Trouble is her first collection for adult readers in a decade. To enter the world of Kelly Link is to suspend all disbelief and any preconceived ideas of what a story might be and where you might end up. Get in the passenger seat, buckle up and let Link drive you into the dark corners of her imagination, where reality and fantasy live intertwined. These are bedtime stories for readers who are still intrigued by the possibilities raised by myths, magic and fairy tales. In the opening story, “The Summer People,” teenager Fran is home sick from school, yet she still has the responsibility of gathering provisions for the incoming vacationers who stay in the houses her father maintains. He’s an alcoholic, and their hardscrabble life isn’t a pleasant one. Fran can’t even dream of getting away; she’s bound by magic to the powerful and creative unseen guests who dwell in one of these abodes. Don’t expect to be done with a Kelly Link story just because you’ve reached the end. Tales like “Light” — replete with a world filled with Chinese-owned “pocket universes” and a Florida overrun with iguanas and invasive mermaids and a protagonist born with two shadows, one that grows into her twin brother — will leave you wondering what hit you.
If you prefer realistic fiction, pick up Charles Baxter’s There’s Something I Want You to Do, a collection of 10 interrelated tales set in his native Minnesota. Baxter is considered a modern master of the contemporary short story, and in these wryly intimate, nuanced pieces he comments on human nature and the complexity of relationships. The protagonist of “Loyalty” finds that the ex-wife who left him and their infant son well over a decade ago has returned. What will he do with this woman, clearly in poor mental health, who looks like “she has gone through a car wash?” It says a lot about Wes that he opens his house to her, and his family helps to set her right. But after all, it was his new wife, one of her best friends, who encouraged her to run off in the first place. In “Gluttony,” an overweight pediatrician is forced to endure a lecture about his morally faulty parenting from the overtly religious parents of his son’s girlfriend. His stress-induced eating leads to a near tragedy. Fans of the work of Raymond Carver and Alice Munro will enjoy the storytelling of Charles Baxter.
Wendy McClure’s newest book, On Track for Treasure, is the second installment in the Wanderville series. She has written several books for adults and children including The Wilder Life: My Adventures in the Lost World of Little House on the Prairie, which in 2011 won the Midwest Bookseller’s Choice Award for adult nonfiction. She is also a senior editor at the children’s book publisher Albert Whitman and Company, producing picture books, young adult novels and the popular Boxcar Children Mysteries. She grew up in Oak Park, Illinois, and now lives in Chicago with her husband. Between the Covers recently caught up with her over the holiday season.
Between the Covers: Wanderville ended on a very tense note! Where will we find Jack, Frances, Harold and Alexander as On Track for Treasure, the next book in the Wanderville series, begins?
Wendy McClure: They’ll be in the middle of an escape! And it won’t be just the four of them — the other kids they rescued at the end of the first book will be with them: 10 kids in all! And when trouble hits, they find it’s hard to find places where they can all hide, so they realize their best option is to hop on a freight train out of town. Then it really gets interesting!
BTC: One of the most compelling relationships in Wanderville is the connection between Frances and her little brother Harold. In researching the real orphan trains for writing the Wanderville series, did you find that siblings often stuck together? What was your inspiration for Frances’ determination to keep her brother close?
WM: When I was researching kids in the tenements of New York City, I came across a photograph showing two or three girls out on the sidewalk holding their baby siblings on their hips. The caption read “Little Mothers,” a term that described girls who had to take care of their younger brothers or sisters all day because their mothers had to work. When I saw that I knew I wanted that to be the backstory of Frances and Harold before they were in the orphanage. Frances would have pretty much raised Harold. As for the orphan trains, I imagine the circumstances of the train journeys would have compelled siblings to stick together as much as they could. But the sad reality is that they were usually encouraged to forget their old lives, including family ties. And then when the placement process began, siblings were often separated, since it was hard to find a home that could take in more than one child. Some siblings were lucky enough to be placed out together, or to at least wind up in homes in the same town, but many more were forced to be apart. In Wanderville, Frances soon realizes the danger that she and Harold are in, and that helps motivate her to escape.
BTC: In your book The Wilder Life: My Adventures in the Lost World of Little House on the Prairie, you connect deeply to the books you loved as a child and demonstrated how that love of reading can influence one's future. What do you hope the children who read Wanderville take away from this series?
WM: I hope that for kids I can capture the exhilaration of being independent — of having adventures without adults around, of creating and building things on their own. That’s a very basic but important thing. I also hope the books can nurture a curiosity about the past — not just history, but a richer sense of this different world that came before ours. That was certainly one of the things that I loved most about the Little House books.
BTC: What challenges do you find writing a series rather than just a stand-alone novel? What about writing children's books versus books for adults?
WM: Writing a series is sort of an odd way to write a long story. It’s like painting a huge mural by starting at one end and then having to paint in only one direction without going back to change or adjust anything. Book one was already published by the time I wrote the third book. It’s fun trying to make everything work, though. As for writing for kids versus adults—it’s hard to say, because the Wanderville books are the first long-form fiction I’ve ever written, whereas my adult stuff is all nonfiction. I remember when I first started working on the books I felt this giddy sense of freedom because I got to make things up. But at the same time, having that freedom can be terrifying.
BTC: What are you working on next?
WM: I’m just finishing up the third Wanderville book, Escape to the World’s Fair, which comes out later this year. And now I’ve been going through old family photos from the early 1900s. They might help me with another Wanderville book if I get an idea for a fourth book, or I might use them in a new story. Or else I could write an essay about them. I know I’m going to write about them, but I just don’t know how yet!
Author Wes Moore, not yet 40, is already quite accomplished. A graduate of Johns Hopkins and a Rhodes Scholar, an army officer with combat tours in Afghanistan, a Wall Street banker, a White House fellow and author of a bestselling memoir, Moore surely exceeds any standard measure of success. Moore’s newest book, The Work: My Search for a Life That Matters, reflects upon his varied experiences which have impressed upon him the importance of work which one believes to be meaningful.
Baltimore readers may already be familiar with his first book The Other Wes Moore: One Name, Two Fates, which Moore was motivated to write after reading a newspaper article about a young Baltimore man who grew up a few blocks from Moore’s childhood home, imprisoned for his part in the shooting death of a security officer. That man’s name, too, is Wes Moore, and author Moore struggled to understand the difference in the life journeys of the two men. In The Work, Moore acknowledges his lifelong fascination with “fate and meaning…success and failure.” He goes on to highlight what he views as lessons learned from his myriad workplaces and shares stories about people who’ve inspired him and are also practitioners of work, paid or otherwise, aimed at serving others.
John Galina and Dale Beatty are the founders of Purple Heart Homes, which aims to provide disabled veterans with affordable and accessible housing. Liberty Elementary School in Baltimore City, where nearly all the students live below the poverty line, is led by Principal Joe Manko who cut the administrative budget in favor of bringing in technology and resources directly benefiting his classrooms. The Aley siblings formed American MoJo, a for-profit manufacturing company meant to employ struggling single moms. Moore also finds role models in every day folks who may not be as visible but exemplify passion and service, such as his grandfather or a NYC office cleaner. The Work includes an appendix of questions which, though introspective, could be used for triggering a book club discussion.
In an English village, a son awaits the undertaker after the death of his beloved mother. In a Serbian town, the murder of an archduke sends turbulence throughout Europe. Little does Inspector Ian Rutledge know how profoundly these deaths will affect his life.
Charles Todd’s A Fine Summer’s Day carries us back to 1914, before the war forever damaged a young inspector and an entire European generation. Resented by his superior for his upper class credentials, Rutledge must convince the obtuse, results-driven Chief Superintendent Bowles there is a pattern in seemingly unconnected murders. On the face of it, they all committed suicide. No one would drink that much laudanum unless they intended to end their life. But too many men of property are dying for no reason. Despite instructions, Rutledge resolves to unearth the common denominator before more innocent people lose their lives. While doing so, he must convince his fiancé that his profession is a true calling, not simply a whim easily discarded.
Rutledge, destined for a brilliant career at the Yard, is in love with Jean Gordon. He is determined to marry her despite advice against it. The daughter of a career Army officer who believes there is no greater glory than to serve King and Country, Jean urges Rutledge to claim that glory quickly, before the war ends. After all, it will all be over by Christmas.
This is the 17th entry in the Inspector Rutledge series by mother and son writing team David Todd Watjen and Carolyn L.T. Watjen. If you are new to the series, it’s the perfect introduction to one of the best characters in historical fiction today. For current readers, it’s deeply poignant to see Ian as he was before the war; idealistic, insightful, confident, composed. The Watjen’s have won the Barry Award and were finalists for the Anthony, Edgar, Dilys, Macavity, Agatha and Nero awards. As we honor the memories of those who served 100 years ago, this outstanding historical fiction truly brings a lost generation to life.
Guardians of the Galaxy is one of the coolest movies to come out in the past year. It has awesome spaceships, explosions, a short-tempered raccoon with a penchant for heavy weaponry and an incredibly groovy soundtrack. But where did it all come from? There's a whole lot of work that goes into making a completely fantastic world — and a whole lot of people. Marvel's Guardians of the Galaxy: The Art of the Movie brings credit where credit is due.
The book starts off with an explanation. Director James Gunn was initially going to turn the movie down. And then there was an epiphany, a moment when he realized that there was a whole lot to love about a talking raccoon. Then it's on to a history lesson. All the Marvel movies are based on pre-existing comic book characters, and the Guardians are no exception, with 50 years of continuity. Most of that continuity is now just a footnote. Yondu was a hero. Groot was once a villain who tried to take over the Earth. It's safe to say that the movie was so popular that every character who appeared in it will be rewritten from here on out.
The meat of the book is the concept art, from costumes to settings to characters and a whole lot of time spent on muscle starships. There were over 10 thousand pieces of concept art created for Guardians of the Galaxy, and a large, though not complete selection, can be found here. Little nuggets of information are dribbled on most pages, from methods for making costumes cool, stylish, reflective of historic periods, and simultaneously not interfering whenever a character goes to pull a blaster from their hip.
How do you make a galaxy and its guardians? Give a lot of talented artists free reign through history.
Missing children show up on milk cartons. What happens to missing adults whose disappearance may not trigger the same sense of urgency from law enforcement investigations? Novels The Missing Place by Sophie Littlefield and Descent by Tim Johnston combine taut suspense with a look at the family dynamics at play when an adult child vanishes.
Descent opens with Grant and Angie Courtland lazing in a Colorado hotel room bed while their son and college-bound daughter are out on an early morning mountain trail jaunt. A ringing telephone conveys the news to the parents that their Rockies summer vacation is now officially a nightmare. Sixteen-year-old Sean was found on the trail, unconscious and with a shattered leg; his older sister Caitlin has disappeared without a trace. Johnson examines the remaining Courtlands’ unique reactions to the tragedy while unraveling the mystery of Caitlin’s fate. Part family drama, part dark psychological thriller, Descent will keep the reader on tenterhooks to the end.
In The Missing Place, suburban Boston housewife Colleen Mitchell is flying to North Dakota armed only with a handful of text messages from her son Paul, who’s gone missing after he dropped out of college to work as a roughneck in the booming hydrofracking industry. Colleen ends up sharing lodgings with Shay, mother to a young man who went missing along with Paul, and the two women from opposite sides of the tracks form an uneasy alliance to search for their sons. Colleen brings her corporate lawyer husband’s financial resources to their quest while Shay brings tech savvy and street smarts, but is that sufficient to breach the cone of silence engineered by gas companies intent on guarding their bottom line? Littlefield, an Edgar Award nominee who writes for both adults and teens, deftly portrays the anguish of mothers determined to find their sons who end up uncovering some unexpected adult secrets, too.
Imagine that right this second you could be anywhere else in the world: Where would you go? What would you do? Who would you seek out? Where would your dreams take you?
Cent dreams of space. She can jump anywhere in the world. Space is a whole other set of challenges.
The ticking heart of a Steven Gould book is the hard science underlying a fantastic premise. Yes, Cent and her parents can jump anywhere in the world, but it's underpinned by physics. Playing around with the implications of instantaneous travel is only part of the package. Much of the rest of it comes from examinations of present day and near future space travel. The third pillar of a Steven Gould story is relatively normal characters living through the fantasy.
Exo is the fourth book in Gould's Jumper series, which climbed all the way to the box office in an almost completely unrelated movie. Every single book has looked at the implications of instant travel, and every book has shown new revelations. This is the first to take the concept into space and ponder questions with serious real world implications. We're unlikely to ever have the ability to teleport freely, but any method that could allow for cheap or free launches could change the course of human history in large and small ways. A long, positive look is taken at the idea of letting senior citizens spend time in the comfort of zero gravity, for instance.
It's not all science. There are broken hearts, patchy relationships, awkward family bonding and an organization of spies lurking in the background. But Exo is a fun, fast romp that plays with some big ideas.
Victoria Laurie doesn’t just write about mediums. In addition to being a New York Times bestselling author, Laurie does psychic readings as well. One of her new novels, When, hits close to home with a story about a girl who sees the date someone is going to die, just by looking at them.
It’s unfortunate that Maddie didn’t understand what those numbers were in time to let her father know. She is now being raised by her mother who has become a severe alcoholic after her husband’s murder. In order to help support the family, Maddie’s mother sets up appointments where she can do readings for people who want to know when they or a family member will pass away.
While doing a reading, Maddie has to give a client sad news, and is met with skepticism and disregard. In an effort to help her client’s child, she calls to repeat her plea to keep her son close on his death date. When the boy goes missing, Maddie comes under scrutiny as the prime suspect, and rumors about her involvement run rampant through her school, making her life miserable.
Laurie has created a fast-paced thriller that is hard to put down. When is a character driven novel sure to entice not only young adults, but anyone looking for a page-turner in the same vein as The Naturals by Jennifer Lynn Barnes.
It’s hard to root against a 7-year-old named Millie Bird, the charming, precociously wise protagonist in Lost & Found, the heart-tugging debut by Australian author Brooke Davis. Millie just wants to find her mum, who has absconded from the large ladies’ underwear section of a local department store. Fortunately, Millie crosses paths with two peculiar octogenarians who become the unlikely minders for the abandoned Millie. It falls to them to reunite the little girl with her wayward mom.
Millie desperately needs a “Dot Four” since her father has died and now her grief-stricken mother has disappeared. Connecting the three dots from mom to dad to herself meant Millie felt safe. But now the red-gumboot-wearing, curly headed youngster is obsessed with dead things and carries a “just in case” glass jar around. She finds herself on a bumpy road trip through Western Australia suburbia with two elderly companions, who are also thinking about death but for different reasons. Karl the Touch Typist nervously types letters in the air as he speaks. He misses his dead wife. Millie’s neighbor, the sad and grumpy Agatha, has not left her house since her husband died seven years ago. “How do you get old without letting sadness become everything?” wonders Agatha. Indeed, it’s but one of many questions asked in Davis’ irresistible story that fuses the psychological reservoirs of grief with humor and the hopefulness of youthful perspective.
A suggested book club selection, Lost & Found may appear as a lighter read from its colorful, whimsical cover, but don’t be fooled. Inspired by events in the author’s own life, the novel was born out of a doctoral thesis on grief. Davis, whose own mother died suddenly in 2006, was “relearning the world” too, like her three distinctly voiced characters. With steady pacing and brief sectioned chapters, Lost & Found will strike a chord with anyone who has ever considered the many forms of missing someone and the different shapes of acceptance. Fans of The Rosie Project by fellow Australian author Graeme Simsion may also want to give this strong first effort a try.