For some, having magic run in your family would be pretty cool; you could heal injuries, conjure light and even talk to the dead. But for Alex, who watched magic drive away her father and distort her memories of her favorite aunt, magic is nothing but trouble and pain. Seeking to escape her family’s struggles, Alex performs a spell to rid herself of her magic. But in Zoraida Córdova’s Labyrinth Lost, rejecting the gifts of your ancestors comes with horrific consequences, and Alex is going to have to work very hard to fix her mistake if she ever wants to see her family again.
The trouble begins on Alex’s Deathday, the day her entire family (living and dead) gather to bestow their blessings on a bruja, or witch, newly come into her power. When Alex damages the cantos they were performing, she calls an entity known as the Devourer, who then steals her family away. To rescue them, Alex will have to journey to the world of Los Lagos, an in-between limbo where nothing is what it seems, accompanied by Rishi, her best friend, and an untrustworthy brujo named Nova. There, she’ll have to face horrific monsters, powerful curses and her own painful memories as she begins to understand not only her role as one of the most powerful bruja in a generation, but also her place in the long tradition of her family.
Córdova expertly blends Latin American traditions, Latinx culture and urban fantasy to create a fresh, richly detailed story filled with diverse characters, but Labyrinth Lost isn’t just about magic. Alex’s physical journey may take her through the twisted wonderland of Los Lagos, but her emotional journey requires her to work through her fears and anger in learning to accept her family’s love and acceptance.
Fans of the book should know this is the first of the Brooklyn Brujas trilogy, although there’s no publication date yet for the second book. Readers who enjoyed Daughter of Smoke and Bone or When the Moon Was Ours should consider giving Labyrinth Lost a try.
A deadly car bombing on a Navajo reservation sets in motion professional rivalries, intertribal tensions and an FBI investigation into possible eco-terrorism in Anne Hillerman’s Song of the Lion. Off-duty tribal officer Bernadette Manuelito is anticipating an epic battle between the current Shiprock High School basketball team and the old-time alumni seeking to recreate past glories. Instead, an explosion rocks the night, and Bernie is thrust into a miasma of fleeing spectators. In the parking lot lays the ruined remains of a BMW owned by the mediator of a multi-million dollar development intended for the Grand Canyon. Considering the highly controversial negotiations about to be conducted, it is assumed the mediator is the target of the attack. Bernie’s husband, tribal officer Jim Chee, is assigned to protect the very uncooperative potential murder victim.
While dozens of stakeholders plead their case for the future use of the land, sabotage threatens the hearings and tensions rise between the Hopi and Navajo tribes. As Bernie and Jim are drawn deeper into the case, what appears to be straightforward case against eco-terrorists becomes an investigation into a complex web of events buried deep in the past. Patiently plotting, this killer has waited a very long time to carry out his well-laid plans for revenge.
The sacred ground of the Grand Canyon provides the landscape for this latest entry in the Navajo detective series. Anne Hillerman proves herself a worthy keeper of the flame for her acclaimed father, Tony Hillerman. Like his, her writing is rich with the customs, lore and sacred myths of the Hopi and Navajo tribes. Readers of Craig Johnson, William Kent Krueger and Steve Hamilton will enjoy this haunting read.
The writing team styled as James S.A. Corey picks up the ever complex interplanetary politics and resulting war without missing a beat in book six of The Expanse series. Longtime fans of the series will enjoy the return of many characters from previous books in the newest installment, Babylon’s Ashes.
The spaceship Rocinante’s crew is reunited for a drawn-out debriefing on Luna Base. Captain Holden and company ship out under former Martian Marine Bobbie Draper’s command to help coordinate what remains of the joint fleet from Earth and Mars, as well as the unaligned OPA factions, to put a stop to Marco’s plans.
The complex tribal nature of the Belt is given a hefty portion of the storytelling though the voices of Naomi, Dawes, Pa, Prax, Filip and Marco. Corey devotes time into exploring the poisonous father-son relationship between Marco and Filip, as well as Naomi’s guilt for sacrificing her son to Marco’s control. One of the most striking moments of the book occurs when Filip has an important realization about his father.
If you are new to the novels that precede the sixth installment, make sure to get started with Leviathan Wakes, or check out season one of The Expanse before the next season starts back up on February 1.
Karen Brown won acclaim for her debut The Longings of Wayward Girls, a suspenseful novel about two missing girls. Although her new book, The Clairvoyants, is also billed as psychological suspense, it’s really more accurate to describe it as a coming-of-age story with dark, supernatural overtones.
Martha and her sister Del grow up on a farm in Connecticut. When Martha is only 7 years old, she has a vision of her great aunt. Unfortunately, her great aunt has already been dead for many years when they “meet.” As a child, Martha is only mildly disconcerted by the event. It seems to be an isolated, intriguing fluke. But in her late teens, a harrowing incident triggers her strange gift again. She begins experiencing more visions of the dead — most not as pleasant as her great aunt.
Hoping to leave the dead behind, Martha flees to college in Ithaca. There she finds romance with a brooding photographer named William. But her idyll is disrupted when the past comes calling in the form of her impulsive sister Del. Just as Martha tries to reconcile herself to being her unstable sister’s caretaker, a fellow student on campus vanishes. Martha’s visions return with a vengeance.
Although the missing girl is pivotal to the plot of The Clairvoyants, Brown’s story is too leisurely paced to feel like suspense. Her focus is less on finding the missing girl and more on understanding Martha’s unwillingness to use her “gift.” Indeed, Martha’s reluctance to get involved in the case becomes a symbol for her reluctance to take charge of her own life.
Readers who enjoyed Alice Hoffman’s Practical Magic and Sarah Addison Allen’s The Peach Keeper should enjoy The Clairvoyants. Like these authors, Brown uses the suspense genre to explore the rivalries that shape women and their relationships with one another.
Brunonia Barry brings us an exciting and enchanting mystery in her new book The Fifth Petal, which takes place in Salem, Massachusetts.
On Halloween night in 1989, a group of women gather to bless the grave of their ancestors, who were accused of witchcraft and hanged during the Salem witch trials. That night, three of the women mysteriously die, leaving Rose Whelan and Callie Cahill, the 5-year-old daughter of one of the other women, as the only survivors. Rose is convinced that a banshee murdered the women and is sent to a mental hospital. Callie is questioned and sent away, and the case grows cold.
On Halloween night 25 years later, a teenage boy mysteriously dies while harassing Rose, and Rose is once again convinced that the banshee is the killer. While investigating the murder of the boy, old memories and the unsolved case resurface. Tormented by the memory of that night in 1989, Callie returns to Salem to see Rose and uncover some answers for herself.
The mysteries of the past are unraveled as Callie begins to remember exactly what happened the night her mother and the other women died. Full of mysteries, myths and strong storytelling, The Fifth Petal is entirely captivating. Check out Brunonia Barry’s other novel, The Lace Reader, also set in Salem.
The most prestigious awards for teen and children's literature were announced by the American Library Association in Atlanta earlier this morning. Awards were given in a wide range of categories that covered all formats and age levels. A complete list of awards, winners and honorees can be found in this morning's press release from the American Library Association.
The Caldecott Medal is awarded annually to the artist of the most distinguished American picture book for children. This year’s winner is Radiant Child: The Story of Young Artist Jean-Michael Basquiat written and illustrated by Javaka Steptoe. Basquiat was a Brooklyn-based artist in the 1980s and, while the book does not include any of his work, Steptoe brings the art of that era to the page by layering paint, paper scraps, paint tubes and photos on found-wood panels. Caldecott Honor winners include Leave Me Alone!, written and illustrated by Vera Brosgol, Freedom in Congo Square, written by Carole Boston Weatherford and illustrated by R. Gregory Christie, Du Iz Tak?, written and illustrated by Carson Ellis and They All Saw a Cat, written and illustrated by Brendan Wenzel.
The oldest of the medals, the John Newbery Medal, is awarded to the author of the most distinguished contribution to American literature for children. This year’s medal recipient is Kelly Barnhill for The Girl Who Drank the Moon, an epic fantasy that The New York Times Book Review said was “impossible to put down...as exciting and layered as classics like Peter Pan or The Wizard of Oz." The three books selected as Honor winners are Freedom Over Me by Ashley Bryan, The Inquisitor’s Tale by Adam Gidwitz and Wolf Hollow by Lauren Wolk. Baltimore County Public Library’s own Jamie Watson served on this year’s Newbery Committee and she shares her thoughts on the process and some of her favorite past winners in this Between The Covers interview.
The Michael L. Printz Award annually honors the best book written for teens, based entirely on its literary merit. This year’s winner is March: Book Three, written by John Lewis and Andrew Aydin and illustrated by Nate Powell. Congressman John Lewis, a living icon of the civil rights movement, brings his honest and unflinching account of the movement’s most tumultuous years in this graphic conclusion to his dynamic trilogy. Printz Honor awards went to Asking for It by Louise O’Neill, The Passion of Dolssa by Julie Berry, Scythe by Neal Shusterman and The Sun Is Also a Star by Nicola Yoon.
The Coretta Scott King Awards are given to outstanding African American authors and illustrators of books for children and young adults that demonstrate an appreciation of African American culture and universal human values. It was a big day for Javaka Steptoe, who received the Coretta Scott King Illustrator Award to add to his Caldecott Medal for Radiant Child. And more honors were heaped upon John Lewis and Andrew Aydin, who won the Coretta Scott King Author Award for March: Book Three, which also won the Robert F. Sibert Informational Book Award for most distinguished informational book for children and the YALSA Award for Excellence in Nonfiction for Young Adults.
BCPL has many of these titles in our collection—place a hold on one or more today!
In the more than 20 years that Hellboy has been engaged in supernatural pulp adventures, he’s been everywhere from Mexico to Romania and crossed paths with countless fantastic figures from history and myth. Though Hellboy made himself comfortable all over the globe throughout his life, there was only one logical place for him to end his journey: home. Hellboy in Hell by Mike Mignola is a somber and surreal swan song that finally forces Hellboy to face the infernal heritage he spent his life rejecting.
Creator Mignola announced in 2015 that Hellboy in Hell would be his final art duty on a comic before an extended break to focus on traditional watercolor painting, and this series truly reads like a fond farewell to a beloved friend. Minimalist compositions present the majestic architecture and unholy denizens of the underworld in a way that invoke melancholy rather than horror. Fans of Mignola will recognize returning motifs throughout the glorious hellscapes he illustrates here, and new readers can look forward to being introduced to his unique style with a story that showcases him at the top of his game. Longtime collaborator Dave Stewart provides most of the book’s color, bathing each page in dismal limited palettes that perfectly compliment the gloomy tone of the story.
This is the sendoff Hellboy deserves. The unmistakable artwork and understated writing that readers have come to expect from Mike Mignola are here, presented in perhaps their most moving use since Hellboy’s origin. Whet your appetite with Hellboy: The First 20 Years and then settle in for a quiet evening navigating the depths with Hell’s lost son himself. Full disclosure: I cried a little.