Louise Erdrich is the reigning queen of Native American fiction, author of award-winning books for adults and children which showcase her native heritage. Her newest novel, LaRose, reflects Anishinaabe traditions as she explores the rippling consequences of tragedy and how two families adapt in both traditional and modern ways.
Landreaux Iron is a good man. He’s a loving father, faithful husband and sensitive nurse to his home health care patients. Hunting at the edge of reservation land, he takes aim at a deer meant to feed his family and instead accidentally shoots his neighbor’s little boy, Dusty Ravich, who is also Landraux’s nephew. Dusty’s death devastates his own family with grief and the Iron family with guilt. Landraux then commits a second unthinkable act: seeking guidance from his Ojibwe customs, he and his wife Emmeline give their own little boy, LaRose, to the Ravich family as atonement.
Erdrich unfolds this story at a leisurely pace. The grief experienced by the Ravich and Iron clans cannot be neatly packaged, and Erdrich allows parents, siblings, aunts, uncles and cousins to wander down separate paths as each tries to accommodate this unique double loss. Woven into the scrim dividing this life and the afterlife are the mystical stories of LaRose’s ancestors and the societal ills, historic and current, which plague the indigenous North Americans.
Visit with Erdrich online at her blog at Birchbark Books site, which is also a purveyor of Native books, arts and jewelry. To enjoy more stories featuring contemporary Ojibwe culture, try the Cork O’Connor suspense series by William Kent Krueger.
When it comes down to it, few people understand or even think about the difference between being productive and being busy. If we get as many tasks done in the day as we can, are we really being productive? Charles Duhigg explains why productivity and busyness are not synonymous in his newest book Smarter Faster Better: The Secrets of Being Productive in Life and Business. As the title suggests, we should be striving to be fully productive in our day-to-day tasks, rather than looking at them as a list of chores that need to be done as quickly as possible. True productivity fosters creativity, motivation and inspiration. It’s not just about completing tasks — it’s about fully doing tasks.
Duhigg shares his eight principles to true productivity: motivation, teams, focus, goal setting, managing others, decision making, innovation and absorbing data. Each principle has an anecdote about some sort of team, business or group that was on the brink of failure until they learned to fully harness their productivity. For example, under “teams,” by looking at the comedians on Saturday Night Live, Duhigg explains that the way team members interact with one another is far more important than who is actually on the team. Duhigg uses the term “psychological safety” to prove why that interaction is so important: When team members are unafraid to fail or be judged, they can be fully productive and share ideas without concern. Duhigg’s real-life examples make this non-fiction book a thought-provoking and narrative read. He favors drawings over diagrams and quotations over statistics, breaking down the psychological density of the topic so that readers can easily apply his productivity principles to their daily lives. Ultimately, this is a motivational and engaging read, perfect for anyone striving for self-improvement or fulfillment.
What happens when author and former Washington Post Best Science Fiction & Fantasy winner Victor LaValle writes a story that combines horror, science fiction and mystery? The result is his latest novella The Ballad of Black Tom.
The Ballad of Black Tom takes place in 1920s New York. Readers quickly enter the world of Charles Thomas Tester, a 20-year-old African American hustler from Harlem. On the streets of New York, Charles goes by the name of Tommy, and Tommy likes to put on a show. He portrays himself as the “dazzling, down-and-out musician” by wearing a gray flannel suit, an aging seal-brown trooper hat and brown leather brogues with nicked toes and completes the look by toting around a guitar case (once in a while there's an actual guitar inside). Although Tommy has no musical talent, it doesn’t stop his hustle. Yes, he'll play the role of a musician, hum a few sour notes and scam people all for the sake of supporting himself and his ailing father. Things take a turn for the worst when Tommy attracts the attention of a wealthy white man named Robert Suydam. A cop and private detective, who are watching Suydam, now have their eyes on Tommy, after witnessing their first encounter. Suydam offers Tommy a couple hundred bucks to play a few tunes at his upcoming party. Astonish that someone actually likes his non-vocal abilities, but not one to turn down money, Tommy accepts. Suydam introduces him to a realm of crime and magic that sets off a chain of dark events that will forever change Tommy's life. Suydam tells Tommy about awakening a Sleeping King that sleeps at the bottom of an ocean. Once this Sleeping King awakes, he’ll create a new world where a select few will be rewarded. Tommy is intrigued. When he immerses himself into this magical world, he becomes a different person, a monster, who no longer goes by the name of Tommy, but "Black Tom."
If you're looking for a quick entertaining read, I recommend The Ballad of Black Tom. This book is a page-turner and would make for a great film. If you’re interested in more books by Victor LaValle, check out Big Machine and The Devil in Silver.
Stephanie Danler’s impressive debut Sweetbitter is that rare literary novel that’s a perfect poolside read. It’s the sticky summer of 2006, and 22-year-old Tess has $166 to her name and the promise of a room to rent in pre-gentrification Brooklyn. Naïve ambition and a need to pay the bills lead her to apply for a job at what her roommate tells her is the best restaurant in New York. Despite her lack of fine dining experience (she has a stint as a barista under her belt) and her utter ignorance when it comes to wine, the restaurant manager sees something in this bright young English major. As a back-waiter, she’ll ferry bottles from the wine cellar, deliver plates to the tables, prepare coffee drinks and support the servers.
Danler immerses Tess (and the reader) in the culture of fine dining, a world in which her coworkers are emotionally and intellectually invested. Everyone has a story, and most never expected they’d stay in the job as long as they have. She’s tutored by career server Simone, smart and driven with a personal life rife with secrets. Tess is immediately drawn to Jake, the enigmatic bartender with impossibly pale blue eyes and bad-boy charisma. But just what is Simone’s connection to Jake? The interpersonal politics at the restaurant are far more complicated than Tess realizes. Long hours at the restaurant are fueled by a passion for excellence, sexual tension and drugs, which stave off exhaustion. The staff works hard, and parties harder. As the story progresses, Tess gains confidence as an integral part of the restaurant team, even as she makes questionable relationship choices.
Readers will revel in the culinary details, from the hearty fare served at preservice family meal to the plates inspired by the seasonal ingredients collected at the Union Square Farmers Market. Tess expands her palate with the delight of a child and the seriousness of a scholar, savoring creamy, briny raw oysters even as she learns to identify myriad varieties by sight. She finds a personal preference for a rare, authentic dry sherry.
Sweetbitter is smart, compelling and compulsively readable. Danler’s characters are memorable and her writing cinematic, with the restaurant, food, wine and New York City itself in supporting roles. Danler’s debut is a succulent coming-of-age novel rich with descriptive prose and plot. Expect to be consumed by Sweetbitter from its opening pages.
Speculating about the possibilities and ethics of new technologies has long been the domain of science fiction. As we stand on the cusp of virtual realities and cloud computing, two new books revisit these contemplations with fresh voices and compelling tales.
Forest of Memory by Mary Robinette Kowal is Katya Gould’s vernacular recounting of a mysterious abduction that left her cut off from other people and, more direly, from Internet access for one week. An antiques dealer with a recently acquired typewriter, she was on her way to a client meeting when a chance encounter in a forest disrupts her plans, and the plans of her mysterious abductor. Through Katya’s recounting, Kowal contemplates the pros and cons that come with our gradual externalization of memory through technology. Her future society envisions a culture that values wabi-sabi (a Japanese aesthetic that values the imperfections that come with objects being handmade and well-used) above all else and prizes the authenticity of experiences when its members are unwilling (or unable) to seek them out for themselves. With the thrilling elements of Gillian Flynn and an engaging tone reminiscent of Ray Bradbury, this novella doesn’t lack in substance despite being a mere 85 pages long.
Sometime in the early 21st century, “the Cloud” burst and everyone’s online secrets rained down upon them, ruining relationships and destroying lives. So the Internet was abolished. The police force merged with the press corps, new inventions like dreamcoats and flatex were created so that anyone can look like anything (for the right price) and people’s identities are carefully guarded secrets. It is in this version of the year 2075 that Brian K. Vaughan (of Saga fame) and Marcos Martin stage The Private Eye, a classic noir mystery told first as a webcomic and now in print. A vigilante PI begins a double-blind background check when his client is killed and he is framed as the prime suspect. To prove his innocence, he begins to dig deeper with the assistance of his sassy sidekicks and uncovers a megalomaniac’s sinister plans. Reminiscent of Blade Runner, this graphic novel doesn’t just pose the obvious questions about identity but also critiques how much the Internet has actually helped the modern age.
Logic. Problem-solving. Engineering. Physics. Architects have used these skills to create safe and accessible buildings for centuries. At the same time, burglars have been using these skills to figure out how to break into houses and buildings for an equally long time. A Burglar’s Guide to the City by Geoff Manaugh is written through the eyes and perspective of history’s most successful burglars. Manaugh writes, teaches and lectures on architecture, but he captures the thoughts, motives and passion of burglars with engaging, narrative prose in his book.
He begins with the story of notorious architect-turned-burglar George Leonidas Leslie, who used his architectural skills to perform hundreds of robberies in New York City in the late 1800s. The city was just beginning its development as a metropolis of wealth and affluence during the Industrial Revolution, and Leslie used this economic development to his advantage as he asked fellow architects about the structure of new buildings in the city. By gaining deeper architectural insight on the buildings he wanted to rob, he could create models and rehearse with his team, what Manaugh calls “the art of burglary.” A good burglar and a good architect both need impeccable attention to detail, and Manaugh writes of Leslie’s fervent planning and scheming with similar perspicacity.
Manaugh moves forward in history with other examples of burglaries to show that while buildings and security systems may change over time, it only inspires deeper and more complex problem-solving from burglars, reaping a bigger thrill and adrenaline rush as the stakes get higher. In addition, he writes of how architects have begun to anticipate crime in their building designs. Casinos are being designed specifically so that security cameras can be installed in ways that maximize their visual field while minimizing their noticeability. In the vast span of burglar history, Manaugh takes the reader deep into both the criminals and setting, showing how they work for and against each other in this entertaining nonfiction read.
Chris Guillebeau makes a living traveling (he visited every country in the world before his 35th birthday), writing (his blog and several New York Times bestselling books) and only pursuing work that is personally meaningful to him. He has definitely hit the career lottery, and in his new book Born for This: How to Find the Work You Were Meant to Do, he explains how you can also find the work you were born to do.
Hitting the career lottery is not a far-fetched dream like matching all six Powerball numbers. It’s not a matter of luck but a matter of knowing yourself and engineering the right set of circumstances. Guillebeau points out that this is not a book designed to tell you how to quit your job and become your own boss (he already wrote that book — The $100 Startup). Whether you want to become an entrepreneur or find meaningful work within an established company, Guillebeau will help you identify your own personal intersection of joy, money and flow. Joy is what you love to do, money supports you and flow is the Zen-like state you experience when working on something you are exceptionally good at. The work you were born to do will hit all three targets.
There will be no precise syllabus to follow because the work that you were born to do is a path that only you can chart. However, the book contains exercises to help you identify what you’re best at and what makes you happy, checklists and stories of real people who have found unconventional routes to their dream jobs.
Guillebeau is also the author of The Happiness of Pursuit: Finding the Quest That Will Bring Purpose to Your Life and The Art of Non-Conformity: Set Your Own Rules, Live the Life You Want and Change the World.
Wink Poppy Midnight is original and utterly enchanting. April Genevieve Tucholke casts a spell over readers that will hold them in thrall until the last page.
The author reminds the readers that, like soups, all stories start with the same key ingredients. Every cohesive story has a hero, a villain and a secret. In this dark mystery, readers are never really sure who is who. Each chapter is alternately narrated by the three title characters and, as the story progresses, readers are less sure of who to trust.
For far too long, Midnight has been in love with Poppy, the gorgeous girl next door. Though he knows all too well that she is as cruel as she is beautiful, he has never been able to shake her control over him. Now that he and his father have moved to an old house outside of town, perhaps he will truly be able to get over Poppy. Midnight now finds himself living next to the eccentric Bell family. Everyone in town whispers that their mother is a witch because she tells fortunes from tea leaves and reads tarot cards. The kids run wild, and Midnight is drawn to their stories and games. Wink Bell, with her crazy red hair, freckles and overalls is the exact opposite of Poppy, and perhaps that is exactly what Midnight wants after all.
Don’t be tempted to label Wink Poppy Midnight a teen book with a mandatory love triangle. The characters feel variations of love, but it is more of a dark, mysterious fairy tale than a romance. The characters are complex and quirky. The writing is beautiful and smart. Tucholke seems to be spinning us a yarn with a sly smile on her face, trusting that her readers will get it and be delighted in the strangeness of it. Needless to say, I was.