‘I’m dead,’ thought Pete.
But of course, he wasn’t.
From the first page and as effortlessly as a beam of light slipping through panes of glass, author Nancy Kress eases the reader into a remarkable narrative of many faces. Simple and compelling, atheistic and allegorical, neither utopian nor dystopian, After the Fall, Before the Fall, During the Fall is a story of humanity in incubation.
After (2035): Earth’s fragile population consists of 19 humans living in captivity: five Survivors of the Fall, six genetically mutated and infertile offspring, and seven exquisitely precious Grab children. To each, the smooth walls of the Shell represent a prison and a home. At 15, Pete is among the oldest of the Six and one of the few children born to the original 25 Survivors. In ten minutes time, he will risk his life to save humanity – again.
Before (2013): Mathematician Julie Kahn has been collaborating for months with the FBI, tracking a tenuous pattern of mysteriously linked kidnappings and burglaries occurring along the eastern coast of the United States. A few hysterical parents babble incoherently about their babies having been snatched by misshapen teenagers before disappearing in dazzling streaks of light. Their sputtering accounts are largely ignored, except by Julie and Gordon, her FBI contact and onetime lover. Following a complex algorithm she’s devised, the next attempt may be the kidnappers’ last.
During (2014): Beneath the soil and all around the world, tiny mutations begin to occur almost simultaneously in the bacteria surrounding the root systems of clover, grass and other diverse plant life. By the time a low swell of awareness of the rapidly increasing dead zones boils into full blown paranoia, it will be too late for the humanity that was.
In this Janus-styled tale, Kress weaves together the converging paths of these very different slices of humankind. Juxtaposing contemporary characters such as Julie Khan against those stripped of the context of a complex society, such as Pete, Kress brings an unusual focus to the pause between disaster and rebuilding, after the fall of a society and before its rebirth. One notable trend in the sci-fi genre in recent years has been a tendency to employ near-future settings as narrative backdrops – scenarios which could conceivably come to pass in a generation or so. Here, Kress takes this trend one bold step beyond many of her peers by incorporating a disquietingly immediate future (2014) as the stage for the Fall itself. A cautionary tale as much as a work of science fiction, this title will have widespread appeal among readers of diverse reading habits. Those who have enjoyed Walter Miller’s timeless A Canticle for Leibowitz may particularly appreciate the cyclical nature of Kress’ narrative and her treatment of humanity in stasis, before the cycle begins again.