A devastating pandemic wipes out the human population in Emily St. John Mandel’s new novel Station Eleven. Kirsten Raymonde was just 8 years old when it happened, but she was one of the lucky ones. Now, she is a member of the Traveling Symphony, a band of artists and musicians that wander from town to town, keeping the works of Shakespeare alive. Her comfort lies in two issues of a gloriously detailed comic book and a glass paperweight that was given to her just before the pandemic began by fellow actor Arthur Leander who died on stage that night while performing King Lear. In a world torn apart by disease, the things that matter most are memories and people.
Station Eleven is a lyrical dystopian novel with compelling and complex characters. The plot transports the reader forward and backward in time, meaning you meet many of the characters at different times in their lives. The central characters connect in ways that become more apparent throughout the course of the novel, and each shines with their own intensity. These connections become more important as the characters face their own mortality and the mortality of those they care about. They hold on to memories of the past, clinging to the world that was as they are forced to face an uncertain future. Although this is dystopian literature, the prose is both graceful and thoughtful and will appeal to a much wider audience. The characters, themes and style would make this a good novel to discuss with book groups.