Baltimore author Rafael Alvarez discusses his new book, Tales from the Holy Land, on Thursday, Jan. 16 at 7 p.m. at the North Point Branch. The former reporter for The Baltimore Sun and writer for The Wire recently answered questions for Between the Covers about his latest collection of short stories on the magic of old Baltimore.
Q. Your new collection of short stories, Tales from the Holy Land, comes out this month. If you had to choose one story that epitomizes the gritty resolve of your hometown, what would it be?
A. "Junie Bug," in which a man spends his life digging in Leakin Park for the body of his father; and "The Sacred Heart of Ruthie," in which an orphan raised by the Oblate Sisters of Providence grows up to be a heart surgeon.
Q. This is your third collection of short fiction. What makes you favor short stories as your literary medium? How did this latest book come about?
A. I write fiction every day – about a half hour to an hour a day – in between the journalism and screenwriting I have to do to make a living. When I have enough for a new book I string them together and because I always use the same cast of "Holy Land" characters – Basilio, Grandpop, Nieves, Orlo and Leini, Miss Bonnie – it reads more like a novelized "mural" than stand alone short stories. [As a] side note, the 2013 Nobel Prize winner, Alice Munro, works exclusively in the short story genre.
Q. As a former reporter for The Baltimore Sun and former writer for the HBO cop drama, The Wire, you have witnessed a lot of Baltimore's heartbreak. How do you keep cynicism from overtaking your writing?
A. There are two, maybe three Baltimores within the city. I have lived in Baltimore for all of my 55 years – was educated here, raised my children here – and have never been the victim of a crime. I am thankful for that, but I'm not ignorant of how fortunate I am to have been born into the 1960s middle-class and not the entrenched underclass. I keep cynicism away from my art and my soul by means of hope, which I incorporate into both, by believing that the more you give away the more hopeful you become.
Q. Talk a little bit about your family background and its influence on your fiction writing.
A. The best answer to this question is found in the story The Fountain of Highlandtown, which won the 1994 Baltimore City Artscape fiction award and is included in Tales from the Holy Land. The story was my first real success in the world of fiction and, in many ways, is the provenance for all of the stories to come.