Aminatta Forna sets her newest novel, The Hired Man, in a rural Croatian village in the summer of 2007. As she did in her Commonwealth Writer’s Prize-winning book The Memory of Love, Forna again examines people living in the aftermath of conflict and the insidious influence of violence which lingers long after the war has ended.
Duro Kolak is a middle-age man; small, quiet Gost is his hometown. He lives alone since the rest of his family, like many of the villagers, has moved away. Duro picks up odd jobs, hunts with his dogs, Kos and Zeka, and occasionally visits the pub. Change comes to Gost in the form of an English family who buy a shabby vacant house as a summer retreat and a real estate investment. Duro knows the house well, as it belonged to childhood friends, and he offers to help Laura and her teenage children repair the house. Duro also becomes the family’s guide to insular Croatian culture.
Forna, through Duro, alternates the contemporary story of Duro, Laura’s family, and the house restoration with the tangled back story of Duro and the Pavić family who were the previous owners of Laura’s vacation home. Duro’s reminiscing begins with his friends Krešimir and Anka Pavić with whom he swims and shoots pigeons. Idyllic memories these are not, and as the roof is repaired and an exterior mural uncovered on the Pavićs’ old home, the reader is gradually led into the dark dynamics of altered friendships, a Gost before and during the disintegration of a country and the horror of ethnic cleansing.
Forna paces this elegiac work deliberately, allowing the two storylines to slowly coalesce into a narrative of love and war and a search for the truth. The Hired Man is a beautiful and brutal tale, built on the rotten foundation of war crimes barely plastered over by the new peacetime.