Elizabeth Strout is adept at creating flawed, ordinary characters mired in a changing, unforgiving world, and instilling in them traits that all can recognize. In her latest novel, The Burgess Boys, the highly regarded writer returns to a small town in Maine with an observant, tragic-comic story of a family as burdened by its past as it is overwhelmed by its messy present. Clearly, navigating life and the human condition is never easy.
For Jim and Bob Burgess it is also complicated by family ties. Both New York attorneys, the middle-aged brothers fled long ago from down-on-its-luck Shirley Falls, where now Somali immigrants are changing the face of their hometown. Their divorced sister, Susan, has remained. When her lonely teenage son, Zach, is accused of a hate crime involving a Somali mosque, the brothers reluctantly return to Shirley Falls to obviate the legal crisis. It's hard to tell who is under more stress: the Mainers and immigrants who fret over what Zach's crime means for the community they now share, or the Burgess siblings who continue to define themselves by past demons. Jim, a celebrated defense lawyer with a big house and pretty wife, is revered by his siblings despite acting like a jerk to his younger brother. Nice guy Bob, who works for Legal Aid, drinks way too much. Scarring everyone is a long buried family tragedy that continues to ooze close to the surface.
Strout, whose last novel was the Pulitzer Prize-winning Olive Kitteridge, has again drawn with polished prose emotionally untidy characters whose seemingly unremarkable lives yield the hallmark of human character. With a reflective tone and pitch-perfect dialogue, Strout's fluid storytelling yields a simple, yet difficult message: connections matter.