Theo, short for Theodora, is a talented ballerina on her way to joining a professional ballet company when her life becomes infinitely more complicated. After her best friend Donovan disappeared when they were 13, Theo struggled with an eating disorder. Now, four years later, she feels like she’s recovered – that is until the fateful day when Donovan reappears, and new, unexpected complications pop up. Brandy Colbert’s debut, Pointe, is a thrilling novel that leads readers on a twisted path as they follow Theo’s spiral out of control.
When Theo hears the news that Donovan has returned home and isn’t speaking, she is shocked. When she realizes she knew Donovan’s accused kidnapper, she must come to terms with this discovery and decide what to do with her information. Theo considers her options, all while going to school, preparing for ballet auditions and getting involved in a relationship with the pianist at her ballet studio.
Throughout Pointe, Colbert deftly deals with many heavy issues, such as race, drugs and abuse, and does so in a way that keeps readers intrigued throughout the novel’s many twists and turns. Colbert has created a complex character in Theo, one who is far from perfect, but one readers will root for. Mature teen readers looking for a dark novel with intrigue will want to check out Brandy Colbert’s Pointe.
Mimi Pond is an artist and illustrator, whose work has appeared in the Los Angeles Times and Seventeen and on the animated series, The Simpsons. In her new graphic novel biography, Over Easy, Pond revisits a unique time and place: the late 1970s in Northern California. During this time of transition, the beat and hippie cultures were fighting a rear-guard action to stay culturally relevant; punk was new on the scene and grabbing everyone by the throat, lyrically and sometimes literally; and disco was just starting to die a slow overly choreographed and elaborately coiffed death. Pond abruptly finds herself tossed out of art school in her final year when her financial aid runs dry. Sitting in the Imperial Café, a popular local diner and one of her favorite places to sketch, she takes a chance and asks the diner’s manager and comical free-spirit, Lazlo, for a job. He hands her an application and tells her to only write one thing: the funniest joke she can think of. Pond lands the gig and finds herself in the exalted position of dishwasher. The work is hard, long, and brutal, but it clearly gives Pond the perfect vantage point to observe the hothouse environment of the diner. From the sexual roulette and rabid drug use that seems to be her co-workers' chief occupations to the dreams and ambitions that each holds dear, Pond sees all. Seizing an unexpected opportunity, Pond graduates to waitress and takes the chance to reinvent herself personally, and finally finds acceptance as a member of the diner’s family.
Pond’s illustrations are cool and clear, the slight cartoonish-ness of them playing well against the serious themes. The monochromatic colors speak to the nature of the transitions happening in this period with the promise of color reserved for a world not yet born. The illustrations resemble a series of sketches done mid-shift on the back of napkins and menus, stolen moments of observation while clearing a four top. The unconventional tale moves at a staccato pace like a free-styling beat poet at open mic night. It is a story that stops but doesn’t really end; perhaps a hint of more to come? You will find yourself wondering what will become of this child of hippies on the cusp of the Reagan-era love of materialism and excess. Will she stay true to herself while navigating the changing times? Perhaps it isn’t too much to ask that Pond grace us with further unique volumes of her work and share her incredible talent as a storyteller.
For a Mature Audience due to themes of sex and drug use.
It’s 1938, and while San Francisco is prepping for a world’s fair and a war is percolating overseas, three young girls are focused on making it as showgirls in the city’s most exclusive Asian revue. Lisa See introduces us to Ruby, Helen and Grace in China Dolls, a captivating novel which takes readers to the dazzling and debauched world of burlesque while detailing the intricate relationships of women and the impact history and fate has on their lives and friendships.
Grace Lee, an American-born Chinese girl, has fled the Midwest and an abusive father. Helen Fong lives with her extended and very traditional family in Chinatown. And Ruby Tom is stunning, independent and ambitious, but has a closely guarded secret. These three young women from diverse backgrounds find themselves competing for the same jobs, but still become fast friends sharing secrets, hopes and dreams. Everything changes with the Japanese attack on Pearl Harbor. As the U.S. government sends innocent Japanese citizens to internment camps, Ruby’s true heritage is exposed and she is sent to a camp in Utah. Did one of her friends betray her secret?
Paranoia and suspicion set in, and their friendships become increasingly fragile as the war intensifies. However, bleak times demand support, and the trio always manages to find a way back to one another. Lisa See once again delivers a faultlessly researched historical saga spanning a half century. This story of female friendship, ambition and betrayal is highlighted by the magnificent milieu of Asian burlesque entertainment. The colorful details create a beautiful backdrop for sharing the life journey of these three remarkable and dynamic women.
Where can you find out about the hottest new books before they’re published? LibraryReads features 10 new titles published each month that have caught the eyes of librarians across the country. The July LibraryReads list is a mix of books by returning favorite authors as well as some fresh debuts. Don’t forget to pack these two in your beach bag this summer!
Many American readers were introduced to Jojo Moyes when they read her runaway bestseller Me Before You, which Between the Covers blogger Laura told us about early last year. This summer, Moyes returns with One Plus One. Jess, single mom to a genius daughter and an outcast stepson, needs cash fast, so she embarks on a road trip to the Math Olympiad with her family in tow, hoping to use the prize money to pay her daughter’s tuition. Throw in one large, smelly dog and a disgraced tech geek to round out the party, and you have a charming story about a quirky band of misfits who somehow fit together. Fans of the movie Little Miss Sunshine will love this novel.
Told in alternating chapters, Lori Rader-Day’s The Black Hour brings together the stories of Amelia Emmet, a sociology professor recovering from a seemingly random shooting that left her injured and a student dead 10 months earlier, and Nathaniel Barber, her teaching assistant who wants to write his dissertation about the attack. Rader-Day masterfully builds tension as both Amelia and Nath seek answers about why the shooting happened. This darkly suspenseful debut is a perfect match for readers who enjoy novels by Gillian Flynn and S. J. Watson.
Maryland folklorist Elaine Eff is a champion of local culture and traditions. In her new book, she sets her sights on a much-loved Baltimore icon: the painted window screen and the artists who created them. Eff will discuss her latest work, The Painted Screens of Baltimore: an Urban Folk Art Revealed, on Tuesday, July 1 at 7:00 p.m. at the North Point Branch. The program, which is part of the branch’s “Dundalk Dialogs” local author speaker series, will include a book talk and signing. Eff recently answered questions for Between the Covers about her new book.
Between the Covers: How did you become interested in the history of Baltimore’s painted screens?
Elaine Eff: Serendipity. Two coincidences that changed the course of my life: As a Baltimore girl, I was expected to be an authority on our local folk art – which I was not. In fact, I knew nothing on the subject. When I arrived at graduate school, I found a 19thcentury – not Baltimore, but New York State – painted screen in our museum’s collection, and that started my journey. I needed to learn what history, if any, the two might share.
BTC: Can you share how you conducted your research for this project?
EF: Face-to-face, person-by-person. Visiting artists, walking the streets of East Baltimore, talking to strangers, traveling to libraries, museums and archives nationwide, international research and casting the net wider and deeper as the subject became richer and more fascinating.
BTC: What do you want readers, who may not have any knowledge of this Baltimore tradition, to take away from your book?
EF: Painted screens are a response to a community’s need for privacy. Row houses demand them, and they had the extra bonus of being downright beautiful. “You see out. No one sees in,” and “They used to be everywhere” is what you hear all the time. The book is as much about Baltimore and neighborhood building. It has something for everyone and can be appreciated on many levels: as a whole, in small bites or tastes here and there. Appreciate what an incredible city of resourceful people can make happen.
BTC: Among the painters you researched were there any who were as colorful as the art they created?
EF: Every single one. That is why I first made the film The Screen Painters. Every painter is a movie in him or herself. They needed to tell their own story and did. They are an incredible group of creative individuals who changed the face of a city. Not bad for a bunch of local untrained artists! The book gives you a glimpse into that wonderful era when the sidewalks told a very different – an incredibly colorful —story, in many ways.
BTC: What were some of the favorite images seen around town?
EF: The Red Bungalow was it. Everyone wanted to have the red cottage with a winding path, a pond and swans. Ninety percent of the windows had that scene as interpreted by hundreds of different hands. Today things are very different — strangely, now we see a lot of local landmarks, like the [Patterson Park] Pagoda. One house in Highlandtown even has Formstone painted on the window screen! Big difference is it used to be EVERY window and door — front and back. Now we see the front window and little more. Times and tastes have changed. And that is wonderful.
Readers who would like to learn more can also visit The Painted Screen Society of Baltimore website.
We asked some popular thriller authors what books kept them up all night. Their responses include a host of reading suggestions that will help you build the perfect summer reading list.
Chris Pavone, author of The Accident, recommends Donna Tartt’s Pulitzer Prize-winning novel The Goldfinch. He writes, “I couldn't put down Donna Tartt's The Goldfinch, which I suspect no one is referring to as a thriller, despite its tremendously thrilling elements. I think it's a great book in every way, but in particular I found it heartbreakingly beautiful on the sentence level–one wonderful sentence after another after another, for nearly 800 pages–and filled with moments of truth and insight. Then, of course, there's the terrorist bombing and the stolen priceless painting and drug deals and death by gunshot and hiding out in an Amsterdam hotel. How can you go to sleep with this type of stuff going on?”
Brad Meltzer couldn’t put down Markus Zusak’s The Book Thief, which he says is “[m]ore history, less thriller, but had me to my soul.” The novel, which has been a favorite of readers since its publication in 2006, was also recently made into a movie.
M. J. Rose, co-president of International Thriller Writers and author of The Collector of Dying Breaths, shared two of her favorite authors. “Two authors guaranteed to keep me up all night are Lee Child and Steve Berry – they both have new books coming out soon [that are] sure to be as un-put-downable as the last.” Find Child’s Personal: A Jack Reacher Novel (available to be placed on hold) and Berry’s The Lincoln Myth in BCPL's catalog. Rose continues, “Both of them are consummate professionals who never miss a chance to stop a chapter with a cliffhanger and get their characters into what seem like impossible situations. These guys can write!”
Matthew Quirk, whose new novel The Directive was just published, recommends a classic. “I recently re-read Marathon Man by William Goldman and couldn't put it down. It has a great voice and unforgettable scenes (you'll never look at a dentist the same way again). It taught me so much about what drives a thriller: relentless threats to your protagonist as you ratchet up the stakes.”
It’s the fall of 1941 in England, and the world stands on the brink of destruction. By night, the bombs drop. By day, exhausted Londoners go about their daily business. As do a network of spies – specialists in deceit – determined to stop Hitler and all he stands for. Maggie Hope never expected to be one of them. Shattered from her undercover experiences in Berlin, she is assigned to share her expertise in the training of future SOE agents.
Britain stands alone; the United States merrily jitterbugs, packing Bundles for Britain, remaining determined to stay out of European affairs. Winston Churchill despairs that FDR will never come to England’s aid. Determined to defend the realm whatever the cost, Churchill authorizes the development of chemical weapons.
But the war is about more than the plans of politicians. It’s about the people who must make deeply personal decisions about their involvement. When a dear friend of Maggie’s is accidentally affected by the secret experiments being conducted in Scotland, Maggie must decide how far she will go to find a killer, save a friend and her country.
Meticulously researched, and based on the stories of true spies, political and military events, The Prime Minister’s Secret Agent is sure to please historical fiction readers as well as lovers of mystery and suspense. Susan Elia MacNeal is a master at creating the backdrop of war and the heartbreak of those involved. Readers of Jacqueline Winspear and Laura Wilson will be delighted with this latest entry in the Maggie Hope series.
Sebastian St. Cyr, Viscount Devlin, is back to solve another baffling historical mystery in Why Kings Confess by C. S. Harris. The French Revolution is over, and Napoleon seems poised to usurp the French throne from the Bourbons. A secret delegation of royalists has been dispatched to England to try and make peace with the British monarchy. French physician Damion Pelletan is discovered in a back alley, his body mutilated and his companion, Alexi Sauvage, badly injured. Sauvage, a woman trained as a physician but unable to practice in England or France due solely to her gender. Sebastian knows Alexi from an unfortunate encounter in the past, but quickly realizes that he must leave the past behind, investigate the murder and find her attacker. Soon he will become embroiled in a hotbed of political intrigue and conspiracy as he encounters the tale of the “Lost Dauphin.” Is it true that there is a surviving male heir to the throne of France, spirited away under the cover of darkness years before? With concerns for his wife Hero and their unborn child, Sebastian plunges forward, using his preternatural gifts of sight and hearing to try and piece together this rather difficult and dangerous puzzle.
C. S. Harris is the pen name for Candice Proctor, who earned both an MA and PhD in history. This is apparent in Why Kings Confess, the ninth title in the Sebastian St. Cyr series. Regency England plays an important role in the novel, and there is rich historical detail that will enlighten and educate the reader as well as keep them entertained. The mystery itself is complex, with several suspects and plot twists that will delight anyone interested in a traditional whodunit. The audio edition, narrated by Davina Porter, is particularly well done, as her narration brings the text to life. The series, beginning with the novel What Angels Fear, is also available for download as an e-book.
You know who Judy Greer is, even if you don’t know who Judy Greer is. You may know her from her role as Cheryl in Archer, or as Kitty Sanchez in Arrested Development, or as the best friend in movies like 13 Going on 30 and 27 Dresses. You may even know her as the mom from the new “Framily Plan” commercials from Sprint. The point is, with dozens of co-starring roles in TV series and major movies, you know who Judy Greer is, even if you can’t pick her out of a lineup. This famous anonymity suits the actress just fine as she makes clear in her hilarious new biography I Don’t Know What You Know Me From: Confessions of a Co-Star.
Hailing from outside of Detroit, Ms. Greer has the work ethic of a dray horse and the sense of humor bred from the privations of the rust belt and ungodly cold winters. Her childhood, while not a large chunk of her new memoir, provides some of the funniest fodder. Like her fellow Midwesterner from across the lake, Tim Conway, Ms. Greer is more than willing to embarrass herself and expose her own foibles to make us laugh. The end result is a book that is funny and endearing. You are happy for her success and for her excitement at meeting real celebrities. Whether she is discussing spending her summers in the quaint town of Carey, Ohio, or peeing next to her far more famous co-stars, which occupies a chapter of her book, Greer has an enthusiasm for life and a wide-eyed zeal that will leave you smiling as if you were watching a basket full of puppies frolic.
In one of her best quotes, Ms. Greer notes that a family member once told her that “Work begets more work,” and in pursuit of that ideal she has relentlessly pursued roles that weren’t starring roles, but roles that would keep her working. Along the way, several of her characters have become comedy cultural touchstones. If you like Bossypants or Is Everyone Hanging Out Without Me?, you will love I Don’t Know What You Know Me From. While her career so far has been one as a co-star, something she doesn’t mind at all, you finish this book hoping she will get her chance to find that starring role and join the ranks of actresses like Tina Fey, Lucille Ball and Carol Burnett.
“Oh God, he stabbed me! Help me!” was the cry eventually heard around the world. In Kew Gardens, Queens, on Friday, March 13, 1964, this shout for help was heard by 38 bystanders, all of whom watched a young woman being killed and did nothing. Or so The New York Times reported. In Kitty Genovese: The Murder, the Bystanders, the Crime that Changed America, award-winning author Kevin Cook brings fresh perspective to a case and story which grew and has remained in the public mind as a cautionary tale of urban decline and apathy.
Kitty Genovese, a 28-year-old bartender who lived in the Kew Gardens neighborhood, was coming home from a shift that fateful early Friday morning when she was stabbed by an assailant who ran off but then came back and attacked her a second time. As the legend which grew around the crime reports, 38 residents in nearby apartment buildings all watched the attack, more than half an hour long, and did nothing to help. This crime prompted sociological research about when individuals were most likely to help, leading to a theory known as the “bystander effect.” It also encouraged the establishment of a national 911 number so people could more efficiently report crimes.
As Cook reveals, the story, which has been countlessly retold, is not the full story of what happened that morning. There were several individuals who police did consider to be true villains for their apathetic response. However, others saw only a glimpse of what had happened and were unaware that a crime had occurred. Other concerned individuals did phone the police. Covering more than just the crime, Cook explores the vibrant life of the young victim, the cold-blooded calculation of the killer Winston Mosley and the restlessness and explosive nature of the city and country in the ’60s. Alternately dramatic and sobering, this book is a must-read for anyone who remembers this story from the newspapers or a social psychology textbook. Ultimately, in a city that appeared on the brink of social crisis, there were still individuals who did good.