Journalist Greg Toppo, author of the new book The Game Believes in You: How Digital Play Can Make Our Kids Smarter, has experienced both sides of the highly polarized and controversial status quo of video gaming. While some abhor games, believing them to be time sinks that are slowly brainwashing our youth, others value them as unique forms of highly engaging media capable of reaching an audience that is notoriously unengaged. In The Game Believes in You, Toppo analyzes current efforts to blend education and recreation into perfect learning tools for plastic minds.
The Game Believes in You is comprised of 12 chapters. The majority focus on the positives and argue that games could — and should — be used in public school classrooms, and a few debunk falsities that have stigmatized games in recent years. Toppo profiles visionaries who are championing Pokémon as the nation’s answer to No Child Left Behind, teaching curriculums entirely from within the realms of World of Warcraft, renting land in Second Life to serve as virtual Open Door space and even developing methods to mentally control games as a form of therapy to treat ADD, ADHD, PTSD and depression.
Games can also become new means to teach the classics. Walden, a game is volunteer-developed and aims to condense Henry David Thoreau’s social experiment into a replayable, decision-driven adventure. Lexica is a tablet-based MMO (massively multiplayer online game) in which players create avatars and help classic literary characters who have been sealed away in a gigantic library to be forever forgotten. Both games draw heavily from source texts for inspiration, and Lexica even includes entire books to be read for quest credits to level up and unlock new content.
Toppo posits that games are becoming more accessible to children at even younger ages as the 21st century progresses, and educators everywhere should be taking advantage of this. Rather than lambasting our youth for staring at their beloved screens all day, we should be using those screens as conduits to their malleable minds and showing them that education can be just as fun as their favorite games.
In the beginning of The Forgotten Room by Lincoln Child, Jeremy Logan is headed toward a sprawling mansion in Newport, Rhode Island, to investigate the gruesome suicide of a research scientist. The victim, Dr. Willard Strachey, was a well-respected member of the team at Lux, a preeminent think tank organization. Coincidentally, Logan worked for Lux until he was let go because the scientists there had issues with Logan’s specialty. He is an “enigmalogist,” which is someone who studies and attempts to make sense of phenomena as ghosts, the Loch Ness monster and other such entities.
Logan is surprised to be summoned back to Lux. However, the company’s director, Gregory Olafson, is a friend of Logan’s and feels that the circumstances leading up to Strachey’s death fall under the supernatural. Strachey complained of hearing voices and seeing things no one else could. As Logan investigates both the man’s death and the other bizarre occurrences going on at Lux, he wonders if the reasons are otherworldly, or if something more sinister is going on. It’s a race against time for Logan to solve the mystery surrounding Lux’s culpability in Strachey’s death before he becomes the next victim.
Lincoln Child has written three other entries in the Jeremy Logan series, Deep Storm, Terminal Freeze and The Third Gate. You don’t need to read the others to enjoy The Forgotten Room.
There are some books you just do not want to end. Paula McLain's new historical fiction novel Circling the Sun is just that kind. Richly atmospheric and thick with romantic nostalgia for 1920s British colonial Kenya, this literary treat is like eating a ripe peach over the kitchen sink: satisfying and juicy with just the right amount of messiness.
It is the story of aviator Beryl Markham, who in 1936 became the first woman to fly solo from east to west across the Atlantic. But McLain feels Markham was just as noteworthy for her sometimes scandalous earlier on-ground adventures.. This lesser-known past comes to life in a dialogue-fueled, first-person narrative set magnificently "before Kenya was Kenya."
Irreverent and unsettled, the former Beryl Clutterbuck is a trailblazer. She was one of the first successful racehorse trainers of her era in a time when male trainers dominated. She bucked tradition at every turn, owing her independence to her upbringing. Abandoned early on by her mother, she was reared by her horse-training father and influenced by the local Kipsigis tribe. It is not surprising that this independent and fearless young woman's natural ambitions are at odds with the times. Her relationships were often rollercoaster, unhappy affairs. Even the love of her life, Denys Finch Hatton, is not hers alone. She shares the seductive safari hunter with her friend, the hospitable, aristocratic coffee farmer Karen Blixen, who would go on to write Out of Africa under the pen name Isak Dinesen. It is a perilous love triangle that is the heart of the story.
McLain, whose previous book was the hugely popular The Paris Wife, about Hemingway's first spouse Hadley Richardson, deftly recasts Markham as avant-garde if not ethically suspect. The ability to make us care about this heroine from the other side of the world almost 100 years ago is testament to McLain's richly textured storytelling and smart supply of interesting characters from drunks and expats to tribesmen and royalty. If it makes you want to read Markham's own superb memoir West with the Night or revisit Dinesen's Out of Africa, McLain has done her job.
The following titles will be released next week. Select any title to learn more or to request a copy. Be sure to visit our Hot Titles webpage for more exciting upcoming titles.
I got a revolver to protect us…and I soon had a use for it.” –The New York Times, June 3, 1915.
In 1915 suburban New Jersey, women were expected to behave as ladies and rely on the protection of a man. Instead, Constance Kopp and her two sisters go on the offensive in Amy Stewart’s lively novel, Girl Waits with Gun. Stewart was inspired by the true story of Constance, who became one of the first female deputy sheriffs in the United States after her fiery battles with thuggish silk mill owner Henry Kauffman and his gang captured America’s attention.
The sisters are on their way to Paterson for a shopping trip when a speeding motor car upends their horse and buggy, injuring young Fleurette and damaging the buggy. Driver Kauffman and his crew of miscreants take umbrage at Constance’s request for reimbursement for repairs, and begin a campaign of harassment and kidnapping threats aimed at the women, which escalates into violence. Constance refuses to be cowed by Kauffman’s machinations and ends up uncovering a second reprehensible and exploitive deed committed by Kauffman.
Girl Waits with Gun is a colorful piece of historical fiction. Stewart’s droll writing marries perfectly with Constance Kopp’s audacious story. Descriptions of the silk mill industry and its laborers, along with excerpts from the newspaper articles which covered the Kopp vs. Kauffman conflict, ground this narrative in the context of its time. Readers charmed by The Guernsey Literary and Potato Peel Society by Mary Ann Shaffer and Annie Barrows or Alan Bradley’s Flavia De Luce mysteries will take great pleasure in spending time with the Kopps. To learn more about Constance, Norma and Fleurette, visit AmyStewart.com.
James. R. Benn’s successful Billy Boyle mystery series has captivated readers with its historical accuracy and intriguing plots. Now, Billy returns for his 10th outing in The White Ghost. Get to know James, his research and writing habits, his past as a librarian (including a connection to BCPL!) and enjoy a sneak peek at where Billy’s headed next.
Between the Covers: The Billy Boyle series is set during World War II. Was this a historical time period that always interested you? What is it about this war that remains a historical touchstone for so many? Do you hear from veterans and/or their families?
James R. Benn: When I was growing up, nearly every kid in the neighborhood had a dad who was in the war. It was part of the fabric of life. My father served in the China-India-Burma Theater and I was mesmerized by his stories and the souvenirs he brought home. When I finally started writing, the choice was based somewhat on that history, but also on a study of the historical mystery genre. I discovered it was the fastest growing fiction genre, and noted that the Second World War was not well represented. It was then a natural choice.
World War II was a turning point for America; we went into it a somewhat isolated, disparate nation. It was this war that truly created the famous melting pot of America. Men and women from all walks of life and regions were thrown together and sent all over the world. Nothing like that had ever happened, and I think there’s a yearning for that kind of commonality. And clear-cut power, as well.
I frequently hear from the families of veterans. I have interviewed several vets at the invitation of family members, who say that their father, uncle or grandfather has never talked about the war. It often begins with reluctance, and then a stream of stories, mostly about their buddies. Finally, they may talk about combat. Once, a D-Day veteran signaled me to come close as his family chatted on the far side of the room. “They always ask me if I killed anyone,” he whispered. “I tell ’em no. But I did.”
BTC: Billy was a secondary character in your first book. Why did that character stay with you and compel you to flesh him out more fully? As the war progresses, it becomes more complex and morally murky. How have these complications and sometimes harsh realities changed Billy?
JRB: He just plain wouldn’t go away. I liked his attitude, and thought there might be something to his Eisenhower connection which would allow me to visit a wide variety of situations. After completing research for the first book, I sat down to begin writing. I’d planned on using the third person, being somewhat intimidated by first-person narratives. Then I typed the first line:
I wanted to die.
That stunned me, but I stayed with it. I guess Billy lives somewhere in my subconscious.
After the first book, I understood that the war had to take an emotional toll for Billy. I received terrific advice from the novelist Rachel Basch, who told me “remember, the story has to move down as well as forward.” Billy is constantly confronted by terrible choices, navigating the lesser of multiple evils in a horribly evil war. It is taking a toll.
BTC: In The White Ghost, Billy goes back in time to the Pacific where he gets involved with the Kennedy family. Why was it important to you to set Billy in the Pacific? How critical was it that you share the story of John F. Kennedy and PT-109?
JRB: I was surprised at how many readers asked for a book set in the Pacific; perhaps a lot of them had family who served there. I was stumped at how to do that in a way that made sense. Then I thought the Boston Irish connection with Jack Kennedy would be interesting. But, in the timeline of Billy’s world, it was May 1944. By then, JFK was back in the States and out of the service for medical reasons.
In a flash of unplanned genius, I noticed a gap between the third and fourth books; several months which fit exactly into the events surrounding the sinking of PT-109. So…now, the story can be told.
As a baby boomer, I grew up in awe of JFK. I had no idea what a very strange family he came from. The Kennedy children were brought up in a highly competitive and emotionally traumatizing environment. The war was the best thing that ever happened to Jack Kennedy; it got him out from under the thumb of his overbearing father and showed him what regular folks were like. He really had no idea.
BTC: Billy has travelled all over, beginning in England and including Norway, the Mediterranean and Ireland. Is travelling to these locations part of your research? What is your most memorable trip?
JRB: Yes; my wife and I have traveled to England, Sicily, Italy and Ireland for research. Sicily was quite special; we approached a farmer about looking at some bunkers on his land where a battle took place. It turned out to be Easter Monday, which is a big family gathering day in Sicily. We were taken in and treated as honored guests among the 30 or so family members. No one spoke English and we didn’t speak Italian. With the aid of a pocket dictionary and the German I and one of the men spoke, we talked all day. And ate and drank. We left that night loaded with flowers and fruit. It was a wonderful experience, and a perfect example of Sicilian hospitality. They’ve survived centuries of conquest by absorbing newcomers.
BTC: Other than travelling, do you have any research or writing routines?
JRB: My research is built around reading widely about the subject and geographical area I want to explore. I try to immerse myself in the time and place, through contemporary fiction and nonfiction. My goal is not to simply understand the facts of what happened, but how people in the 1940s would have perceived what was happening to them.
BTC: You pay homage to Sherlock Holmes and Agatha Christie in two of the books. Who are your biggest influences as a mystery writer?
JRB: The Sherlock Holmes stories were the first mysteries I ever read, so it was hard to resist a ride down Baker Street. While I also enjoy Agatha Christie, it was the proximity of her home (used as a naval headquarters) to the Slapton Sands tragedy that led me to give her a walk-on in The Rest Is Silence.
BTC: You had a long career as a librarian! Did that influence your writing in any way? What is the thing you miss most about working in a library?
JRB: My first job at age 14 was as a library page. I became a librarian out of an unabashed old-school love of books and reading. I wandered around the library field quite a bit, even getting to know Charlie Robinson at BCPL when I worked for a library automation company. That career wanderlust was probably due to the fact I knew there was something else I wanted to do with my life. It was my wife who steered me in the right direction on my 50th birthday, but that’s another story. Right now what I like best about libraries is inter-library loan, the mainstay of my research!
BTC: Do you have a finite number of books planned for the series? Can you give us a preview of Billy’s next adventure?
JRB: Billy and I have not grown tired of each other yet. I’m about to turn in the manuscript for the 2016 release, The Blue Madonna. That book will bring us to D-Day, with Billy and Kaz behind enemy lines in a strange chateau with ghosts, mysterious tunnels, downed airmen and a certain SOE operative who Billy knows very well. And oh yes, murders.
I also have a vague idea for a book involving USO entertainers at some point. Billy needs to see a good show, don’t you think?
Amanda Panitch’s new psychological thriller Damage Done is being heralded by many as a Gone Girl read-alike for teen readers.
Julia Vann doesn’t remember anything that happened in the high school band room. She emerged the sole survivor of a shooting spree that left her boyfriend, best friend and nine other people dead. The shooter? Her twin brother Ryan.
Desperate to start a new life and leave the pain of the past behind them, her family changes names, moves south, and thus Julia is now Lucy Black. At her new school, Lucy has a best friend, a lunch table and a mild flirtation with a boy on the swim team who sits next to her in Spanish class. Life is attempting to get back to some semblance of normal. But then someone connected to that awful day starts appearing in unexpected places. Lucy knows that it is only a matter of time before the past will catch up with her; in order to stop the threat to her new life, she knows she must act quickly.
With danger at every turn, Panitch’s twisted novel does a lot to engage the reader from the first page. The author uses flashbacks from before the shooting to develop the codependent, unsettling relationship between Julia and Ryan. As the plot develops, readers are drawn to construct what really happened when Ryan entered the band room with the gun and what Julia swears she doesn’t remember. Damage Done is a great read for older teens who prefer something darker and more sinister than typical teen romantic fare.
Game Warden Mike Bowditch returns to the service with a new-found maturity and a very challenging assignment in The Precipice by Paul Doiron. Deep in the Maine forest lies a part of the Appalachian Trail so remote that signs are posted to warn even seasoned hikers there is no assistance or supplies for the next hundred miles. Two young women, recent college graduates from Pentecost University, venture into this treacherous region and disappear without a trace.
Mike leaves a romantic getaway with his girlfriend Stacy Stevens to join the hunt. Mike, with the additional challenge of keeping up with his partner, is teamed with Bob Nissan, who set the record for fastest hike of the trail. Mike quickly determines the hikers “point last seen” and narrows the search. An all-out manhunt ensues. Multiple jurisdictions coordinate their efforts against time and the elements. The hikers could be lost, hurt or crime victims. Stacy, a wildlife biologist, joins Mike on the trail. Then, a new horror emerges — coyotes ranging the area might be guilty of an act too horrible to imagine. A passionate defender of the animals, Stacy is willing to risk everything to uncover the truth.
Paul Doiron is a Registered Maine Guide and the editor emeritus of Down East, The Magazine of Maine. His first novel The Poacher’s Son won the Barry Award and was a finalist for the Edgar and Anthony awards. He draws on his vast knowledge of the region to create a backdrop for characters carved straight out of the Maine woods. He is a master craftsman at devising plots that are not only suspenseful, but original. Mike’s progressed from impulsive novice to experienced professional through five previous works. While this book can read individually, I highly recommend you follow the path through the woods with Mike and discover the five previous books.
Fans of C. J. Box, Dana Stabenow and Nevada Barr are sure to be pleased.
Ronald L. Smith's debut novel Hoodoo, also the name of the main character, is about a 12-year-old African-American orphan living in Alabama in the 1930s. Hoodoo was named as such because of his birthmark which was taken as a sign of his inheriting the family’s magical talent. Despite the mark, Hoodoo is incapable of casting a spell. His lack of skill doesn’t stop him from being drawn into the supernatural world in this spooky story enhanced by historical details of rural life during the Great Depression. Get to know the author as he shares his inspiration for the story, tips for young writers and living in Baltimore.
Between the Covers: Hoodoo is set in rural Alabama during the Great Depression. You do an amazing job of bringing that time and place to life. Can you share some of your research? Why Alabama? Why the 1930s?
Ronald L. Smith: Thank you.
Well, my parents are from Alabama and we took trips there when I was a kid. I fell in love with the flora and fauna, the food and people. It’s a place full of history and tall tales. When I started looking into my family history, I began to wonder about that time and what it must have been like to live in that era. My parents were a great resource, and they told me much about their early lives.
BTC: Some have said that this novel is a meeting of Zora Neale Hurston and Stephen King. I think this is a perfect description. Was it challenging writing horror for a younger audience? Why did you want to share the history of folk magic?
RLS: Well, I didn’t really set out to write a book like this. As a lot of writers would probably tell you, ideas just come to you, and if they stick around long enough, you just have to put it on the page. Once the story began to take shape, I started thinking that I might be on to something special.
I wasn’t challenged by the horror aspect of the book. I just wrote for myself, as something I would have liked to read. Of course, I was aware that the book would be geared towards young readers. My editor and agent weighed in and I think we found a good balance.
BTC: Hoodoo’s voice is genuine and appealing. How did you get in the head of a 12-year-old living in the south during the Great Depression?
RLS: I guess a lot of it is drawing from my own childhood: the way you feel as a kid, the way your parents talk to you, the way you look at the world. It all just came out in a kind of fugue state, if that makes sense. I used to write literary fiction until I discovered that my voice was a better fit for children’s literature.
BTC: This is your debut novel. What has been the most exciting thing about the publishing process? Has anything surprised you?
RLS: It has all been very exciting! It’s something I’ve wanted my whole life. The most exciting aspect of the adventure was when my agent called and told me the book was going to auction. That’s something I’ll never forget. Getting support and input from my editor at Houghton Mifflin Harcourt was also fantastic. It’s truly been a wonderful experience.
BTC: Describe your writing process. How long did it take you to complete your first novel? What’s in store for readers next?
RLS: Well, writers will tell you there are two kinds of writers: plotters and pantsters. I am of the latter, which means I fly by the seat of my pants when I write. I have tried outlining, index cards, Scrivener — all to no avail. I start with an idea and see where it goes. Once I have a few thousand words, the story begins to take shape. I always go back and add whatever is needed, once I know where the story is headed.
Hoodoo is my third novel, and the one that got me an agent. The first one I wrote took a few years and is on a file on my computer where it will remain! It was good practice, though. The second book is still close to my heart, and I would like to see it published someday.
After Hoodoo comes The Mesmerist, another middle grade, [which] takes place in Victorian England! Expect plagues and scary monsters!
BTC: What authors, books or ideas influenced you? What are you reading now?
RLS: That is a good question and I could fill several pages, but I’ll spare you.
I like children’s lit that is smart and assumes the reader will understand the concepts and themes of the book. Authors like M.T. Anderson, Philip Pullman, Holly Black. I’ve always been a big sci-fi and fantasy buff. I like dark movies and films. Not horror, specifically, unless it is done very well. I’m more interested in the supernatural aspects.
As for recent reads, I recently finished Lee Kelly’s City of Savages, which was quite good, and have also read the first book in Laini Taylor’s Daughter of Smoke & Bone trilogy.
I am also re-reading the Harry Potter books. I’ve pretty much forgotten what happens in each, as it has been so long since first reading them. I’m watching the films immediately after I finish each book.
BTC: What would you tell young people interested in becoming writers?
RLS: They’ve probably heard it before, but read. And then read some more. Read everything that interests you, and also pick up books that you might at first turn away from: history, anthropology, biographies of historical figures. Share the things you write with people you admire: teachers, parents. Once you feel comfortable, join a group where you can all share your writing to get feedback.
BTC: You grew up in army bases all over the world and are now settled in Baltimore. How long have you lived here and what made you stay? Tell us some of your favorite things about Baltimore.
RLS: Well, my wife and I moved to Baltimore after living in Chicago for 13 years. We wanted to be closer to family. We’ve now been here for about six years. Baltimore is a strange little place. Not quite a big city, but too big to be a small town. I like its oddity, its accents and one-of-a-kind characters. The creative people that live here truly love what they do. They work hard and play hard. After living in Chicago for so long, I’ve come to appreciate Maryland’s green spaces, its beaches and rivers. Everything is here or a short drive away.
Also, crab cakes.
In The Fateful Lightning: A Novel of the Civil War, author Jeff Shaara recounts the events beginning in late 1864 that led to the annihilation of the Confederate Army by General Sherman’s infamous march through Georgia. Told from multiple perspectives, Shaara allows the reader to get a sense of just how desperate both sides were to end the war and how frustrated everyone felt that the conflict had dragged out for so long.
While Shaara switches focus from Union to Confederate, his most compelling narrators are General William T. Sherman and Franklin, a slave on a Georgian plantation. Sherman is portrayed as a determined leader who has to make many difficult decisions in order to secure a Union victory. Shaara carefully crafts Sherman as a man torn between moral rights versus military might. This portrait of Sherman makes him a three-dimensional human being which is very different from many previous incarnations of Sherman, where he is usually either a superhuman hero or the devil incarnate.
Franklin’s character is based on some of the slaves who were liberated as Sherman’s army marched through the South. Having spent his entire life as a slave on the governor of Georgia’s plantation, Franklin’s liberation is an event he has always dreamed of but cannot quite grasp when it occurs. Fortunately, Franklin is literate and becomes a valuable resource to Sherman’s army. As he marches with the Union soldiers, Franklin’s world changes forever, and he bears witness to the double-edged sword that freedom turns out to be.
The final installment in Shaara’s Civil War Western Theater series, The Fateful Lightning stands on its merit. Whether or not you have read any of the other books in this series, this novel is an engrossing recounting of the final brutal months that decided the Union victory over the Confederacy.