After a long and snowy winter, springtime is here...and so are the bears! If you like your picture books entertaining and educational, be sure to check out these three new books.
Shh! Bears Sleeping written by David Martin with pictures by Steve Johnson and Lou Fancher opens with a mama bear and her two cubs awakening at the beginning of spring, and then follows the three American black bears through the year, all the way to the next winter when the bears again pile in their den to sleep. The oil painting illustrations depicting scenes throughout the four seasons are beautifully done, and readers will enjoy the short, fun rhyming text as well as the additional facts presented in a short section at the end.
In A Beginner’s Guide to Bear Spotting by Michelle Robinson and illustrated by David Roberts, the narrator guides you through a walk in the woods where you are lucky enough to encounter both a black bear and a brown bear. The narrator talks you through the encounter and explains a few differences between them. While the book is humorous, it is careful to let young readers know that the only bears you should snuggle are of the stuffed variety. The illustrations are gorgeous, quirky and sure to bring laughs.
Finding Winnie: The True Story of the World’s Most Famous Bear by Lindsay Mattick and illustrated by Sophie Blackall tells the fascinating story behind the namesake of Winnie-the-Pooh. In 1914, a veterinarian and solider named Captain Harry Colebourn bought a bear cub for $20 at a train station. The cub traveled across the Atlantic Ocean with the Second Canadian Infantry Brigade and became their mascot and companion as they trained in England. Named Winnipeg in honor of Colebourn’s hometown, the bear found a permanent home at the London Zoo when the soldiers shipped to France. Author Mattick is the great-granddaughter of Colebourn and frames the tale as a bedtime story to her young son, Cole. The story is fascinating, and the connection to A. A. Milne’s famous bear adds extra interest.
April is National Poetry Month! Check out the work of these local poets.
Black Seeds is the work of poet and activist Tariq Toure, who takes a personal approach as he reflects on the circumstances of the Freddie Grey protests and the discord that followed. You may recognize some of the poems, which were previously published in the Baltimore City Paper. Toure is keenly aware of the societal rifts that caused the incident and seeks to bridge these striations with his writing. The intensity of his call to action is honed with intimate details drawn from Toure’s everyday life, occasionally diverting into simple reveries akin to William Carlos Williams’ work, which drives home how much personal impact such events hold. The poems are interspersed with photos of Toure’s community that are so candid they seem like they belong in a family photo album.
It Shouldn’t Have Been Beautiful is the latest chapbook from Lia Purpura, a writer in residence at the University of Maryland. Purpura’s poems are intimate reflections on the poignancy of nature and how new technologies have only increased the sensation of ephemerality in life. There is a very scientific approach taken to describing her subjects, honing in on the microscopic details of her impressions like a lepidopterist examining their collection. She revels in introspection, transforming the quotidian details into transcendental experiences.
If you are a prose lover apprehensive of taking on the wilds of poetry, Poetic Meter and Form by Octavia Wynne is a helpful crash course in the medium. Wynne explains the fundamental elements of poetry in two pages and then breaks down how these elements are manipulated with different poetic devices and styles. It is easy to skip to a particular section if you’re looking for information on a specific device or to look up a definition in the glossary. The text is peppered with numerous examples of the terms described, including many works from one of the greatest of poets of all time, Dr. Seuss.
Reading poems out loud is a great way for children to learn the auditory aspects of English, such as rhyme, meter, assonance and alliteration. These colorful books for children add visual enrichment to poetry and are great picks for this year’s National Poetry Month.
Guess Who, Haiku by Deanna Caswell and Bob Shea is filled with animal-themed haikus and brightly illustrated pictures. Each haiku is from a different animal with simple clues as to what that animal might be. The first animal comes from a farm and uses “muffled mooing” to announce a “fresh pail of milk.” Turn the page and you find that the haiku does in fact come from a cow! The book continues in this pattern, with haiku clues on one page and the animal answer on the next, making a fun guessing game for kids reading the book. The book has a note from the author explaining that traditional Japanese haikus have an element of play, making this guessing game a lesson in cultural context as well as poetic style.
Betsy Franco and Michael Wertz’s A Spectacular Selection of Sea Critters is another book of poems about animals, but these animals are exclusively from the sea. This book also features a different animal on each page, but makes use of typography and a catchy blue, orange and white ocean-themed color scheme to capture the reader’s attention. The rhyming patterns vary depending on the animal. Sea turtles get a regal ode, words to describe a jellyfish curve around the page and a pair of needlefish intersect at the letter “e” for a crossword puzzle-style word cloud of adjectives. There are well-known styles of poems utilized as well, from a lion-fish haiku to a coral-reef acrostic. The end of the book includes further resources about sea creatures and aquatic wildlife, making this book a colorful compendium of science, art and literature.
It is a truth in America today that a single woman in possession of good fortune (or little or no fortune) may not be in want of a husband. According to data taken in 2012 from the Pew Research Center, 17 percent of women aged 25 or older have never been married, and the age when women do get married rose from 20 in 1960 to 27 in 2012. Why are so many women waiting to get married, if they even marry at all? The rallying cry of many magazine articles and talk show hosts seems to be: “What’s wrong with these women?”
According to Rebecca Traister’s book All the Single Ladies: Unmarried Women and the Rise of an Independent Nation, absolutely nothing is wrong. Traister doesn’t condemn women for remaining single or for marrying; passing a value judgment on a woman’s life is not what this book is about. Instead, she objectively considers the reasons why women make the choices they do, and examines the societal implications of these choices.
Traister examines the way single women now — the never-want-to-be married, the divorced, the widowed and those considering marrying later — interact with the world around them within the context of the centuries that women were restricted to the roles of housewives and mothers to the exclusion of all else. She reviews the economic and social trends as they’ve rapidly changed over the past couple of decades, culminating in women today having more freedom to live their lives as they wish. According to Traister, the way women exercise these freedoms is changing America’s political, social and economic landscape in ways our social and political structures aren't currently prepared to support.
Traister balances the political and socio-economic discourse with her interviews with single women of different ages and backgrounds. These interviews provide real-life examples proving that broadly classifying the single woman experience into one category is an exercise in folly. Not all single women share the same experience — for instance, the experiences of a single white female, in the past and today, are very different from a single woman of color, and the interviews illuminate this in a very real way.
Traister writes with clarity and comprehension, which makes All the Single Ladies an accessible and thought-provoking read perfect for anyone — married or single — looking to better understand the shifting paradigms and needs of our society. Fans of the book may also wish to read Gail Collins’ When Everything Changed for another perspective on the role of women in America.
Entomologist Justin O. Schmidt shares his lifelong passion for pain-inducing insects in The Sting of the Wild, recently published by Johns Hopkins Press. According to Schmidt, despite a universal, innate fear of stinging insects, only about 50 people a year die from the combined sting of all stinging insects, including wasps, honey bees and fire ants. The first half of this surprisingly entertaining book provides scientific theory and background, while the second gives in-depth looks at particular groups of insects. Schmidt encourages readers to skip around as they read; each chapter can be read as a stand-alone essay.
As a piece of anatomy, the stinger itself evolved from the ovipositor, or egg-laying tube, of the sawfly. Its ingenious three-part design — two sliding channels inside a third immobile tube — allow a tiny insect to impart a wallop of pain to its much larger victim. The addition of venomous fluid provides an additional layer of defense for most species, although sometimes that venom is used for capturing prey. If you understand that the stinger was once an egg-laying tube, you’ll know why only female insects sting. But Schmidt is quick to point out that while male bees and wasps lack stingers, they feature hardened genitalia which they use to “pseudo-sting” would-be threats.
Schmidt has a particular passion for harvester ants, and lucky for him his wife is also a zoologist who helps to collect them by the bucket load so they can study their venom. You really don’t want to be stung by a harvester ant. There are five things that make harvester stings unique: 1) delayed reaction to the sting, 2) sweating around the sting site, 3) hairs in the sting area stand up, 4) the lymph nodes nearest your sting become hard and tender and 5) the pain is excruciating, coming in waves that can last from four to 12 hours.
One of the most enjoyable features of the book is the inclusion of the Schmidt Sting Pain Index, developed by the author himself. Schmidt allowed himself to be stung by 78 species of hymenoptera so that he could record the nature of the pain and rate it on a scale of zero to four. Don’t let anyone tell you that entomologists don’t have a sense of humor. The sting of the club-horned wasp, for example, is described as a .5 — “Disappointing. A paperclip falls on your bare foot.” While the warrior wasp rates a 4 for a sting that is “Torture. You are chained in the flow of an active volcano.” Readers who share my fascination with the natural world, and particularly those who revel in unusual animal facts, will love The Sting of the Wild.
Ask anyone the question “What is your favorite book?” and you have the beginning of an interesting conversation. But twist that question just a bit, and you get a glimpse into that person’s psyche. Editor Bethanne Patrick does just that in the essay collection The Books That Changed My Life: Reflections by 100 Authors, Actors, Musicians and Other Remarkable People. She surveyed a broad range of interesting people, imploring them to share the titles that affected their existence in an important way.
From the poignant to the profound, these two to three page contemplations are fascinating; and just reading them makes you feel an immediate connection to that person. Singer-songwriter Roseanne Cash, daughter of Johnny, names Little House on the Prairie by Laura Ingalls Wilder as her life-changing book. Ma and Pa Ingalls demonstrated the day-to-day routines of a loving, dependable family, making Little House a comfortable reprieve for the modern-day Cash, raised in a spotlight of fame, instability and chaos.
R.L. Stine, known for the popular Goosebumps series of scary novels for kids, reminds us that the original Pinocchio by Carlo Collodi was the stuff of childhood nightmares and not the charming Disneyfied version. Many of the other essayists also chose a book from their childhood, including such classics as Grimm’s Fairy Tales (Margaret Atwood), The Little Prince (Jacob Hemphill) and The Lion, the Witch and the Wardrobe (Vu Tran).
Others name coming-of-age adult fiction they read as teens, from Gone with the Wind (Jodi Picoult), to The Bell Jar (Meg Wolitzer). Science fiction writer John Scalzi was a precocious reader who discovered The People’s Almanac when he was just 6. The book ignited his love for trivia and curating facts of all kinds, whether or not he understood them.
The Washington Post BookWorld editor Ron Charles’ choice, Straight Man by Richard Russo, was a literal life changer. Then a prep school English teacher, Charles picked up the novel from a table of newly published fiction at a local bookstore and decided to write a review, his first ever. He submitted it to The Christian Science Monitor, with more critiques to follow. He ultimately gave up teaching to become their full time reviewer, ultimately landing at The Washington Post. Charles says that newspaper readers “overwhelmingly prefer to read positive reviews...Of course, they want to know which books they should read instead of books they should not read — because they’re not going to read most books anyhow.” Consider this an overwhelmingly positive review of The Books That Changed My Life. What book changed yours?
Travel with Bill Bryson through this green and pleasant land known as England in The Road to Little Dribbling: Adventures of an American in Britain. An unabashed Anglophile, Bryson takes us on a tour via an imaginary line he has drawn from Bognor Regis in the south to Cape Wrath in the north, which he declares the Bryson Line. According to the author, if you are asked the southernmost and northernmost locations on the island for the citizenship exam, the British government gets it wrong. Bryson then sets out to prove the greatest gulf between Americans and Brits is the bond of a common language.
Bryson mourns the passing of stately old homes and dedicated gardeners while rejoicing in the new respect for the British landscape. We visit sites as famous as Stonehenge and as obscure as Grimsby’s Fishing Heritage Center. Bryson fumbles with the foibles of the National Trust, tangles with the terror of cow attacks and notes the depletion of his funds for everything from parking to admission tickets. Regardless of the occasional rudeness, lack of garbage facilities and the proliferation of slouchy hats and baggy pants, it’s Bryson’s wit and wisdom that shines through. We are introduced to the uniqueness that is England while reminded that, at the end of the day, we all share our humanness.
Bryson is the author of The New York Times bestseller A Walk in the Woods. His earlier works include Notes from a Small Island, Neither Here Nor There and The Lost Continent. The author and his family lived in England for 20 years. He now resides in Hanover, New Hampshire, and retains dual citizenship.
We have been celebrating Earth Day since 1970. Many things have changed in the past 46 years, but the message remains the same: Take care of the Earth, it’s the only one we have. Diane Z. Shore and Jessica Alexander’s new picture book This Is the Earth is unique because its message is not only how to take care of the Earth, but why it is so important to do so.
This Is the Earth is written in rhythmic, rhyming verse that becomes soothing and engaging as you read. Vibrant, full-page color illustrations by Wendell Minor take the reader through the vast and varying landscapes of Earth — from an African safari to a bustling river to the endless blue sky “speckled with birds.” As the book continues, the reader travels both geographically across Earth and over spans of time. The illustrations smoothly transition from Native Americans harvesting crops to homesteading pioneers, from the Industrial Revolution up to the present day.
At first, the story is positive: We are slowly learning to make the most of our land and resources over time, which helps us raise our standard of living. However, the book quickly takes a darker turn as the illustrations venture beyond shiny cities and productive workers. The once-lush green farmland is now an overflowing landfill, and the bustling river of fish is now a dumping ground for bright orange toxic waste. The book looks at our treatment of the Earth almost as too much of a good thing. Our lives and industrialization may be improving, but at the dire cost of our natural resources and habitat. If we take away from the Earth, we must also give back.
The book gives simple suggestions at the end, such as recycling or using less water. The overall takeaway message, though, is much more resonant and memorable: We share this Earth with other people and living things, and we should keep that in mind with the decisions we make.