There are books with racist subtext, and then there are the works of H.P. Lovecraft. Although his books defined the horror genre, Lovecraft was also an unrepentant racist who made xenophobia a major theme of his work. As time goes by, this has become harder for readers to tolerate, and his image was recently removed from the World Fantasy award trophies for this reason. But Matt Ruff’s Lovecraft Country explores Lovecraft’s Cthulhu mythos from the perspective of the people Lovecraft deplored, creating a moving story about race and the supernatural in one unforgettable novel.
The book begins in 1950’s Chicago, where Atticus and his Uncle George report for the Safe Negro Travel Guide, a book with real historical roots that guides black travelers through areas of the Jim Crow south where they’re likely to be harassed. The two men also share a mutual love of science fiction that the rest of their family finds hard to understand. But when Atticus’ father Montrose sends him a mysterious letter, they find themselves pulled into a fantasy of their own, a conspiracy of magic and elder gods that reaches far back into their family history.
Never before has a horror book engaged with race in such a thoughtful way, with supernatural evils serving as metaphors for social ones. But none of it would land if Ruff hadn’t crafted characters of such depth and complexity. I could go on about the family’s rich interpersonal relationships, like young Horace who sweetly draws his mother her own comic book series because she wants to read a story about a black woman for once, or the book club discussions between Atticus and George which could’ve filled the entire novel and been perfectly satisfying. These are characters to root for, who never back down from a challenge, whether they’re being chased by a sheriff or a shoggoth (which, believe me, are creepy). Fans of Walter Mosley’s Easy Rawlins series will enjoy this similarly pulpy piece of historical fiction.
With the reconstruction of the set for BBC One’s hit show Sherlock now underway, some fans may be fine living in anticipation until January 2017, when Season 4 is slated for release. But for those who are impatient for the detective’s next adventure, there’s Steve Tribe’s comprehensive Sherlock: Chronicles to ease the wait.
The book overflows with facts about the production process of Sherlock and includes interviews from cast and crew alike, giving a broader perspective into how the episodes were created from start to finish. Going in order from Season One’s A Study in Pink, each chapter focuses on one episode at a time, allowing for a depth of detail that would please even Sherlock Holmes himself. The chapters also include other fan treats, including deleted scenes, actor biographies and lots of production photographs. Notorious Holmes fanboys themselves, show creators Steven Moffat and Mark Gatiss are known for including little references to various Holmes stories; Sherlock: Chronicles pairs some of these Easter eggs with the corresponding Conan Doyle story title and quote.
It’s not just the televised episodes that get scrutinized; there’s a recounting of Holmes’ appearances in print and on screen, a chapter on the televised teaser released before Season 3, references to the in-character blogs and references to the ever-expanding Sherlock fandom.
There’s enough information here to keep even the most casual Sherlockian fan happy, and it's a good refresher for the lead-up to Season 4. Fans looking for more Sherlock trivia should also check out The Sherlock Files by Guy Adams.
The dysfunctional Plumb family is at the center of The Nest by debut author Cynthia D’Aprix Sweeney. When we first meet Leo Plumb, the eldest and most successful sibling, he is drunk, high and speeding away from his cousin’s wedding. Leo's intoxicated state and speed result in an accident which necessitates his going into rehab. We meet the rest of the Plumb siblings as they gather to meet with Leo, who is just out of rehab. The topic of this family gathering is The Nest, their joint trust fund, which they are scheduled to receive when Melody, the youngest, turns 40. They all eagerly anticipate receiving their portion of The Nest, as they all need the money.
Melody has two teenage daughters who are on their way to college. She has always wanted the best for them — a house in an area they couldn't afford, private schools and Ivy League colleges. Jack Plumb runs a failing antique shop and is in debt. He also has a mortgage on the vacation home he owns with his partner of more than 20 years, Walker. Then there is Beatrice, who once was a promising writer but now works at a literary magazine. Soon, they discover The Nest is all but gone. They are all counting on Leo to get them out the financial woes they have gotten themselves into, but can he? More importantly, will he?
The story is told from multiple points of view, so you get insight into how each sibling feels and what secrets they are keeping from one another. If you enjoyed Meg Wolitzer’s The Interestings and Emma Straub’s The Vacationers, you will definitely want to meet the Plumb family.
A foreboding manor house is the centerpiece of Eve Chase’s new novel, Black Rabbit Hall. Readers will instantly be sucked into the dual narratives of two women living decades apart, whose fates are tied to the titular hall.
Amber Alton and her family retreat to the house in the Cornish countryside as a respite from the world. The Alton children run wild in the woods and play on their little private beach without a care. Despite the lack of modern conveniences, their parents always seem happiest here as well. One stormy afternoon a tragic accident irrevocably changes the Alton family, and the house seems to change as well. It is less like an idyllic sanctuary and more like a menacing prison.
Thirty years later, the eerie gravity of the house draws Lorna, a modern bride-to-be searching for the perfect wedding venue. While a crumbling estate seems like an odd choice, something about the house captivates her in a way she cannot explain.
She can feel some inexplicable connection to the place and the buried secrets and betrayals. Unraveling the mysteries of the house and the family who once lived there quickly devolve into her primary obsession.
It is rare to find a book with dual plots featuring equally gripping storylines. There is this delicious sense of impending doom throughout the book that makes it impossible to put down. As soon as readers think they know what will happen next, the story turns sharply in another direction. While Chase has woven some complex affairs spanning a great deal of time, she never loses us for a moment. Her attention to details makes Black Rabbit Hall a tangible place as we lose ourselves in the plot.
This book is great for readers who love gothic tales with crumbling estates and dark family secrets, such as Daphne Du Maurier’s Rebecca or the works of Kate Morton like The House at Riverton.
After a long and snowy winter, springtime is here...and so are the bears! If you like your picture books entertaining and educational, be sure to check out these three new books.
Shh! Bears Sleeping written by David Martin with pictures by Steve Johnson and Lou Fancher opens with a mama bear and her two cubs awakening at the beginning of spring, and then follows the three American black bears through the year, all the way to the next winter when the bears again pile in their den to sleep. The oil painting illustrations depicting scenes throughout the four seasons are beautifully done, and readers will enjoy the short, fun rhyming text as well as the additional facts presented in a short section at the end.
In A Beginner’s Guide to Bear Spotting by Michelle Robinson and illustrated by David Roberts, the narrator guides you through a walk in the woods where you are lucky enough to encounter both a black bear and a brown bear. The narrator talks you through the encounter and explains a few differences between them. While the book is humorous, it is careful to let young readers know that the only bears you should snuggle are of the stuffed variety. The illustrations are gorgeous, quirky and sure to bring laughs.
Finding Winnie: The True Story of the World’s Most Famous Bear by Lindsay Mattick and illustrated by Sophie Blackall tells the fascinating story behind the namesake of Winnie-the-Pooh. In 1914, a veterinarian and solider named Captain Harry Colebourn bought a bear cub for $20 at a train station. The cub traveled across the Atlantic Ocean with the Second Canadian Infantry Brigade and became their mascot and companion as they trained in England. Named Winnipeg in honor of Colebourn’s hometown, the bear found a permanent home at the London Zoo when the soldiers shipped to France. Author Mattick is the great-granddaughter of Colebourn and frames the tale as a bedtime story to her young son, Cole. The story is fascinating, and the connection to A. A. Milne’s famous bear adds extra interest.
April is National Poetry Month! Check out the work of these local poets.
Black Seeds is the work of poet and activist Tariq Toure, who takes a personal approach as he reflects on the circumstances of the Freddie Grey protests and the discord that followed. You may recognize some of the poems, which were previously published in the Baltimore City Paper. Toure is keenly aware of the societal rifts that caused the incident and seeks to bridge these striations with his writing. The intensity of his call to action is honed with intimate details drawn from Toure’s everyday life, occasionally diverting into simple reveries akin to William Carlos Williams’ work, which drives home how much personal impact such events hold. The poems are interspersed with photos of Toure’s community that are so candid they seem like they belong in a family photo album.
It Shouldn’t Have Been Beautiful is the latest chapbook from Lia Purpura, a writer in residence at the University of Maryland. Purpura’s poems are intimate reflections on the poignancy of nature and how new technologies have only increased the sensation of ephemerality in life. There is a very scientific approach taken to describing her subjects, honing in on the microscopic details of her impressions like a lepidopterist examining their collection. She revels in introspection, transforming the quotidian details into transcendental experiences.
If you are a prose lover apprehensive of taking on the wilds of poetry, Poetic Meter and Form by Octavia Wynne is a helpful crash course in the medium. Wynne explains the fundamental elements of poetry in two pages and then breaks down how these elements are manipulated with different poetic devices and styles. It is easy to skip to a particular section if you’re looking for information on a specific device or to look up a definition in the glossary. The text is peppered with numerous examples of the terms described, including many works from one of the greatest of poets of all time, Dr. Seuss.
Reading poems out loud is a great way for children to learn the auditory aspects of English, such as rhyme, meter, assonance and alliteration. These colorful books for children add visual enrichment to poetry and are great picks for this year’s National Poetry Month.
Guess Who, Haiku by Deanna Caswell and Bob Shea is filled with animal-themed haikus and brightly illustrated pictures. Each haiku is from a different animal with simple clues as to what that animal might be. The first animal comes from a farm and uses “muffled mooing” to announce a “fresh pail of milk.” Turn the page and you find that the haiku does in fact come from a cow! The book continues in this pattern, with haiku clues on one page and the animal answer on the next, making a fun guessing game for kids reading the book. The book has a note from the author explaining that traditional Japanese haikus have an element of play, making this guessing game a lesson in cultural context as well as poetic style.
Betsy Franco and Michael Wertz’s A Spectacular Selection of Sea Critters is another book of poems about animals, but these animals are exclusively from the sea. This book also features a different animal on each page, but makes use of typography and a catchy blue, orange and white ocean-themed color scheme to capture the reader’s attention. The rhyming patterns vary depending on the animal. Sea turtles get a regal ode, words to describe a jellyfish curve around the page and a pair of needlefish intersect at the letter “e” for a crossword puzzle-style word cloud of adjectives. There are well-known styles of poems utilized as well, from a lion-fish haiku to a coral-reef acrostic. The end of the book includes further resources about sea creatures and aquatic wildlife, making this book a colorful compendium of science, art and literature.
It is a truth in America today that a single woman in possession of good fortune (or little or no fortune) may not be in want of a husband. According to data taken in 2012 from the Pew Research Center, 17 percent of women aged 25 or older have never been married, and the age when women do get married rose from 20 in 1960 to 27 in 2012. Why are so many women waiting to get married, if they even marry at all? The rallying cry of many magazine articles and talk show hosts seems to be: “What’s wrong with these women?”
According to Rebecca Traister’s book All the Single Ladies: Unmarried Women and the Rise of an Independent Nation, absolutely nothing is wrong. Traister doesn’t condemn women for remaining single or for marrying; passing a value judgment on a woman’s life is not what this book is about. Instead, she objectively considers the reasons why women make the choices they do, and examines the societal implications of these choices.
Traister examines the way single women now — the never-want-to-be married, the divorced, the widowed and those considering marrying later — interact with the world around them within the context of the centuries that women were restricted to the roles of housewives and mothers to the exclusion of all else. She reviews the economic and social trends as they’ve rapidly changed over the past couple of decades, culminating in women today having more freedom to live their lives as they wish. According to Traister, the way women exercise these freedoms is changing America’s political, social and economic landscape in ways our social and political structures aren't currently prepared to support.
Traister balances the political and socio-economic discourse with her interviews with single women of different ages and backgrounds. These interviews provide real-life examples proving that broadly classifying the single woman experience into one category is an exercise in folly. Not all single women share the same experience — for instance, the experiences of a single white female, in the past and today, are very different from a single woman of color, and the interviews illuminate this in a very real way.
Traister writes with clarity and comprehension, which makes All the Single Ladies an accessible and thought-provoking read perfect for anyone — married or single — looking to better understand the shifting paradigms and needs of our society. Fans of the book may also wish to read Gail Collins’ When Everything Changed for another perspective on the role of women in America.